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“Mixing Pronouns” with Sue Lanser (Queer Forms and Pronouns Series) Come along for a deep dive into mixed pronouns in queer, trans and nonbinary narratives with none other than Sue Lanser, your favourite narratologist’s favourite narratologist. Sue and I talk about why we might need to rethink the concept of gender disguise narratives, where we find mixed pronouns in literary histories and why mixed pronouns often become sensual in literature. My favourite bit: Sue asks me about my personal hero, the Grinch. This conversation is part of a miniseries that accompanies my book Queer Forms and Pronouns: Gender Nonconformity in Anglophone Literature (Oxford University Press, 2026). I hope you like hearing more from your host, but not to worry: we will be back to our usual format in just a few weeks.     References Sue Lanser’s The Sexuality of History Sue Lanser’s Narrative Theory Unbound Sue Lanser’s “Trans-forming Narratology” Narrative 32.2 (2024) Jeanette Winterson’s Written on the Body Le Roman de Silence Michel de Montaigne’s Journal de Voyage Margaret Cavendish’s Assaulted and Pursued Chastity Lyly’s Galatea Chevalièr(e) d’Éon Alex Myers’ Revolutionary Deborah Samson Jenny Fran Davis’ Dykette Isaac Fellman’s Dead Collections Spiel, Katta, Os Keyes, and Pınar Barlas. 2019. ‘Patching Gender: Non-Binary Utopias in HCI’. Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems, May 2, 1–11. https://doi.org/10.1145/3290607.3310425. The Grinch Dr Seuss Jim Carrey Benedict Cumberbatch Les Feinberg Maggie Nelson Harry Dodge Jen Manion Dean Spade       Questions you should be able to respond to after listening: -      What role does narrative agency play in the difference between external and intrinsic pronoun ascription? -      Why does Susan suggest that we need to revisit Shakespeare’s and other’s gender disguise narratives? -      Susan mentions how characters that are perceived as masculine but use she/her are much more frequently ridiculed than characters viewed as feminine who use he/him. Why do you think that is? -      How has feminism expanded what ‘she/her’ can mean? -      How does mixing pronouns do similar or different work from singular they? -      Why does the Grinch, according to Lena, have big they energy?

📣 New Podcast! "“Mixing Pronouns” with Sue Lanser (Queer Forms and Pronouns Series)" on @Spreaker #feministnarratology #gender #gendernonconformity #lgbtqia_literature #mixedpronouns #mixingpronouns #narrative #narratology #nonbinaryliterature #nonbinarypronouns #pronouns #queerforms #theythem

20 Story Structure Frameworks: The Complete Guide for Fiction Writers - David Somerfleck, Author 20 Plotting Methods Every Fiction Writer Should KnowTwenty story structure frameworks—from Aristotle's three acts to Kishōtenketsu—explained, compared, and demonstrated through speculative fiction cas...

Twenty #storystructure #plotting #frameworks for your #writing delights: boldly.blue/story-struct...

#writers #authors #craftofwriting #screenwriters #indieauthors #booktok #booksky #narrative #narratology #author #writerscommunity #novelists #novelist #shortstories #sciencefiction #fantasy #horror

Seeking recommendations for narrative theory by/about non-Western writers to fill out approximately 1/3 of a narratology syllabus.

This is a huge blind spot for me, so no suggestion is too obvious (or too obscure).

Any ideas?

#narratology #academicsky

Final glossary entry defining “taxis” (1) meaning in ancient commentaries on Homer (2) “what narratologists used before Uber.” Liverly 2019: 256.

#academicHumor Enjoyed an unexpected joke in the last glossary entry in _Narratology_ (2019) by classicist Genevieve Liveley, a very lucid account of tangled history of narrative theory. Need to work through more tomes in my #tsundoku collection of #narratology - moments of light relief appreciated!

Detail image of the final scene of Three Thousand Years of Longing - Alithea walking with her djinn “My djinn told me when they come together in the realm of djinn they tell each other stories. Stories are like breath to them, they make meaning. Yes, I said, that’s just how it is with us. Each story we tell is a fragment in an endless shape-shifting mosaic, and this small pebble, like all stories, must end.” •Alithea in “Three Thousand Years of Longing” Based on the novel: “The Djinn in the Nightingale’s Eye”

#Narratology
Today, #sane_making in
this late Anthropocene era of dark predators plundering the globe to fill their gaping maws of insatiable need looks like me watching an amazing movie-story about stories.

“Storytelling is not only beneficial for the listeners but also for the storytellers.”

Focalisation - Wikipedia

#POV is a magical camera: It can zoom into characters’ heads and possibly know their past and their future. en.wikipedia.org/wiki/Focalis... #creativwriting #specfic #narratology

Holding the book "Character Focalization in Children's Novels" in front of a yellow-leafed tree

2 new arrivals on #ChildrensLiterature 📚🧸
Don K. Philpot's 2017 study looks at focalization in 10 middle-grade children's novels, written from 1964-2014, told in third-person style.

#narratology #LiteraryStudies

Final installment of the trilogy!

🧵✨ Introducing "The GOLEM Ontology for Narrative and Fiction "

0/ This new framework bridges computational analysis and literary theory, addressing gaps in modeling fictional worlds, characters, and events.
#DigitalHumanities #Narratology

Holding Mariam Muwanga's book "Modeling the African Diaspora" in front of a wall overgrown with autumnal leaves and vines

Mariam Muwanga's 2025 study "Modeling the African Diaspora" contributes to the field of critical race theory, combining it with #narratology & #diasporastudies to highlight 3 new concepts in novels by Black British writers #SamSelvon #BernadineEvaristo #AndreaLevy #ZadieSmith & #DiranAdebayo

Was sind die #Grenzen des #Erzählens? Wo hört das Erzählen auf und kann man die #LimitsofNarrative überwinden? Bei uns in Wuppertal findet seit zwei Tagen die große Konferenz des European #Narratology Network (ENN) statt. Erzählwissenschaftler:innen aus ganz Europa sind zu Gast. Spannende Tage!

(Experimental Essay): Privilege of the Witness in Narratology Sometimes, from my stream of consciousness, an idea will roil up from the depths that compels me to jot it down, usually in a half-formed iPhone Note that I won’t revisit for stretches at a t…

New blog post about #narratology. How do we witness a story from the outside using dramatic irony and at the same time, follow the main character from a limited first-person point of view?

The Narrative Classification of Al-Hamadhānī&apos;s Maqāmāt <span class="so-article-trans-title" dir="auto"> Translated title: التصنيفُ السرديُّ لمقامات الهمذاني </span> <p xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" class="first" dir="auto" id="d19309247e39">The research aims to reveal the nature of the narrative structure that hides behind the ...

'The Narrative Classification of Al-Hamadhānī's Maqāmāt' - a new Ansaq Journal article on #ScienceOpen:

🔗 www.scienceopen.com/document?vid...

🖇️ #Maqamat #ArabicLiterature #LiteraryStudies #Narratology #HeritageTexts

Illustration titled “Scenes in the Courtyard of the Tuileries,” from Illustrated London News, March 4, 1848, 139. Image shows drawing of a revolutionary mob carrying weapons, flag, drum, and wine bottles. Accompanied by text that says: Camille Stallings, “Seriality and Characterisation in the Press: Death Club Sensationalism, the 1848 Revolutions, and Reviews of Mary Barton,” Victorian Periodicals Review, Volume 57, Number 4, Winter 2024.

Drawing on #PeriodicalStudies, #narratology, and #MediaTheory, Camille Stallings reveals the structures of anti-working-class bias in a range of journalistic genres. See how narrative techniques shape public opinion about the working classes in VPR 57.4: muse.jhu.edu/pub/1/articl... @rs4vp.org

#DH2025: Today (07/17), two more LitLab talks take on 19th & 20th century #English fiction through transformers & #LLMs. Stay tuned! 🔍📚💻
#CLS #CulturalAnalytics #Narratology #LiteraryComputing

Hugely enjoying spending Sunday with the windows and door thrown open, reading Jane Alison’s ‘Meander, Spiral, Explode’.
#narratology #narrativestructure #writing #fictionwriting

From #Dampier to #Radcliffe to #Darwin, from "I" to "we," Alex mapped the shifting grounds of narrative voice across #genres and #centuries.
#Narratology #DigitalHumanities #PhDone #NarrativeVoice

Congratulations to our PhD graduate @alexsherman.bsky.social, who presented his dissertation at our lab defense! 🎓🥂🎉
#Narratology #PhDDefense #DigitalHumanities #PhDone

Fans Reconstruct Heroes: Modeling Fictional Characters in Participatory Culture | www.semantic-web-journal.net

10/ GOLEM is open-access and built for collaboration.

Open peer review: www.semantic-web-journal.net/content/fans...

More info: github.com/GOLEM-lab/go...

#GOLEM #Ontology #FanStudies #Narratology #DigitalHumanities
🧵/end

What does your narrative reveal about yourself, and what might you want to rewrite? #narratology #ocultsky

www.youtube.com/watch?v=bady...

“Storytelling tastes are like dietary tastes…what constitutes a satisfying meal differs from culture to culture, and those tastes are learned…”

Henry Lien
Spring, Summer, Asteroid, Bird: The Art of Eastern Storytelling
2025

🌸 🌞 ☄️ 🦢

#booksky #narratology #literarytheory #culturalstudies #readbooks

Poster für das ILK. Auf dem Poster steht: Interdisziplinäres Literaturwissenschaftliches Kolloquium Programm für das WiSe 2024/25 Pilgrimstein 16, R. 101 Die jeweiligen Aufsätze/Kapitel werden zwei Wochen vorher verschickt. 10. Dezember 18-20 Uhr Laura Kinzig Zirkel oder Spirale? Das Potential verschiedener Konzeptionen des hermeneutischen Zirkels für die methodisch reflektierte Interpretation literarischer Texte Florian Gödel Humor als transnationaler Problemhorizont: Hinleitung zum Erkenntnisinteresse und zum Forschungsstand 21. Januar 18-20 Uhr Evelyn Koch Early-Modernism in Folk Horror: Re-Imagining the Long Seventeenth Century in Folk Horror Christian Junge Trauma, Empathy, and the Egyptian Revolution: Cultural Functions of Reading and Reviewing Al Aswany’s The Republic of False Truths on Goodreads 4. Februar 17-20 Uhr Juliane Gamböck-Strätz Aesthetics of Disorientation: Paul Bowles’s Exploration of Existence Jessica Tasselli Zwischen Tradition und Originalität im Epos des Quintus Smyrnaeus – Bemerkungen zur Posthomerica 8 Henrike Arnold

🗨️ Henrike Arnold ( #Gräzistik, #Classics, Marburg)
📜Gespräch² – Imaginierte Äußerungen in Platons Gorgias und Protagoras
📅4. Februar, 17.15
🏢Marburg, Pilgrimsstein 16, R. 101
🌐 Abstract and registration: uni-marburg.de/rYI2z6
📚💙 #ClassicsBluesky #AncientBluesky #lit #Plato #narratology

S/Z by Roland Barthes

Barthes’s Mythologies, which I may also have to read again

And just like that, I am going to have to reread S/Z by Roland #Barthes. Went down a rabbit hole writing a footnote on the #narratology of #Reconstruction (hey @kelsapellettiere.com - it’s a doozy), and realized that I need the theoretical framework. @mariahdh.bsky.social, tell JH. :)

Unraveling Narratives
work in progress 2024
#worksonpaper #narratology #abstractcollage #pronouncingshapes
#studioartist

Grading final projects for our new #ClimateCommunication course. Students had to apply the #framing #metaphor and #narratology theories from class to propose a "new climate narrative". Tough task, but they took it on. Favorites so far:

Wow wow wow!!! I am beyond excited to get my hands on this - this is one of my primary interests! #Narratology #CloseReading #LitStudies

Is metafiction compatible with aesthetic illusion? What do you think?

#books #fiction #metafiction #narrative #narratology #question #academia