New Directors/New Films 2026: With the festival starting Wednesday, we review two films: "Strange River" and "Two Seasons, Two Strangers."
#ndnf #newdirectorsnewfilms #strangeriver #twoseasonstwostrangers #filmreview #worldcinema
www.themoviebuff.net/2026/04/new-...
MoMA's 55th New Directors/New Films lineup. Opens with Leviticus by Adrian Chiarella and closes with Donkey Days by Rosanne Pel #NDNF
www.filmlinc.org/new-director...
LURKER, which MUBI is releasing in theaters this August, makes use of exaggeration and escalation to tell a fable about modern fame. Alex Russell's film closes #NDNF this weekend. tinyurl.com/y45z7vxy
In Constance Tsang’s feature-length directorial debut, BLUE SUN PALACE, silence speaks volumes. See it at this year's #NDNF.
Across THE VIRGIN OF THE QUARRY LAKE, Laura Casabé abstracts the typical emotions of tortured teens, only to then amplify them. Read @marshallshaffer.bsky.social's #NDNF review.
New Directors/New Films kicks off TODAY at Film at Lincoln Center and HtN has you covered with M.J. O’Toole, Christopher Llewellyn Reed & Matt Delman's picks for what to watch...
www.hammertonail.com/features/new...
#NDNF
@chrisreedfilm.bsky.social
Laurynas Bareiša's DROWNING DRY, screening as part of this year's #NDNF, amounts to more than a slow cinema-inflected riff on the Final Destination series. Read @marshallshaffer.bsky.social's review.
Sarah Friedland’s FAMILIAR TOUCH, which kicks off @filmlinc.bsky.social and MoMA Film's #NDNF on Wednesday, embodies the cruel ironies of a woman’s declining state in story and style alike. Read @marshallshaffer.bsky.social's review.
A woman sits on a bed. In the middle distance are burning scarecrows. A still from Omen
"The powerful forces of family and fable, old and new, intertwine, and vie for supremacy in Belgian-Congolese director Baloji’s visually striking debut." - we take a look at Omen www.eyeforfilm.co.uk/review/omen-... #NDNF 🎬 #filmsky