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Paula Modersohn Becker war eine selbstbestimmende kompromisslose Künstlerin und Frau. Sie malte nicht detailgetreu oder idealisiert, sondern reduziert die Menschen auf das Essenzielle. Das gab ihren Bildern eine besondere Tiefe. #paulamodersohnbecker #buchsky #inselverlag

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Paula Modersohn-Becker. Keine Kompromisse - Die ganze Doku | ARTE Paula Modersohn-Becker ist heute weltweit bekannt. Doch zu Lebzeiten irritiert ihre eigenwillige Malerei ihre Zeitgenossen. Radikal bricht sie Tabus und nimmt vorweg, was erst Jahrzehnte später als Vo...

#PaulaModersohnBecker 💚
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www.arte.tv/de/videos/12...
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Paula Modersohn-Becker, peintre et pionnière de la modernité - Regarder le documentaire complet | ARTE Un portrait habité de la peintre allemande Paula Modersohn-Becker (1876-1907), artiste avant-gardiste à la carrière fulgurante, morte à seulement 31 ans des suites de son premier accouchement.

🎨 #PaulaModersohnBecker www.arte.tv/fr/videos/12...

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🎨 #PaulaModersohnBecker

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Rocznica urodzin Pauli Modersohn-Becker – niemieckiej malarki i prekursorki ekspresjonizmu. Jej autoportrety to prawdziwa rewolucja na początku XX wieku! #PaulaModersohnBecker (fot. Wikipedia)

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Paula Modersohn-Becker #paulamodersohnbecker

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𝗛𝗮𝗽𝗽𝘆 𝟭𝟱𝟬𝘁𝗵 𝗕𝗶𝗿𝘁𝗵𝗱𝗮𝘆, 𝗣𝗮𝘂𝗹𝗮 𝗠𝗼𝗱𝗲𝗿𝗻𝘀𝗼𝗵𝗻-𝗕𝗲𝗰𝗸𝗲𝗿!

Paula Modersohn-Becker was born on 8 February 1876 in Dresden-Friedrichstadt, Germany. Her legacy is foundational to German modernism: despite dying at 31, she is recognized as a pioneer

#paulamodersohnbecker #paulabecker #expressionism #artagenda

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#paulamodersohnbecker #kunst #worpswede #bremen #malerei #expressionismus

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Paula Modersohn-Becker #paulamodersohnbecker

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Painted when German artist Paula Modersohn-Becker was about 21, soon after her studies in Berlin and first visits to the Worpswede artists’ colony, this small gouache work already shows her refusal to idealize herself. Her frontal pose echoes academic portrait rules, yet the blunt contours, thinly painted skin, and dark, indeterminate backdrop point toward the Expressionist styles that would define her later work.

Her very close-up self-portrait fills the frame from the base of the neck to the top of the head. At the center is a young white woman with an elongated oval face, straight nose, and wide brown eyes that look directly at us. Her skin is pale, modeled with blue-grey shadows along cheeks, nose, and chin so the face seems to glow against the dark background. Reddish-brown hair is brushed back and loosely gathered, parted by a vertical streak of light paint at the middle of her head. Her small, closed mouth is softly outlined in muted plum, neither smiling nor frowning. Behind her a mottled field of olive and brown brushstrokes suggests foliage or shadow without a clear setting, letting the steady, searching gaze dominate the image.

Shown without jewelry, costume, or props, she tests the idea of a modern woman artist in 1897 whose authority rests in her gaze and hand. Now in the Paula Modersohn-Becker Museum in Bremen, the first museum devoted to a woman painter, the image introduces an oeuvre that, in barely a decade, helped reimagine how women and children could appear in modern art.

Modersohn-Becker helped pioneer early Expressionism and modern self-portraiture by women. Painting in Worpswede and Paris, she showed everyday women, children, and herself with radical honesty, influencing later modernists even though full recognition came only long after her early death on November 20, 1907, at the age of 31, just days after giving birth to her daughter Mathilde Modersohn (often called “Tille”).

Painted when German artist Paula Modersohn-Becker was about 21, soon after her studies in Berlin and first visits to the Worpswede artists’ colony, this small gouache work already shows her refusal to idealize herself. Her frontal pose echoes academic portrait rules, yet the blunt contours, thinly painted skin, and dark, indeterminate backdrop point toward the Expressionist styles that would define her later work. Her very close-up self-portrait fills the frame from the base of the neck to the top of the head. At the center is a young white woman with an elongated oval face, straight nose, and wide brown eyes that look directly at us. Her skin is pale, modeled with blue-grey shadows along cheeks, nose, and chin so the face seems to glow against the dark background. Reddish-brown hair is brushed back and loosely gathered, parted by a vertical streak of light paint at the middle of her head. Her small, closed mouth is softly outlined in muted plum, neither smiling nor frowning. Behind her a mottled field of olive and brown brushstrokes suggests foliage or shadow without a clear setting, letting the steady, searching gaze dominate the image. Shown without jewelry, costume, or props, she tests the idea of a modern woman artist in 1897 whose authority rests in her gaze and hand. Now in the Paula Modersohn-Becker Museum in Bremen, the first museum devoted to a woman painter, the image introduces an oeuvre that, in barely a decade, helped reimagine how women and children could appear in modern art. Modersohn-Becker helped pioneer early Expressionism and modern self-portraiture by women. Painting in Worpswede and Paris, she showed everyday women, children, and herself with radical honesty, influencing later modernists even though full recognition came only long after her early death on November 20, 1907, at the age of 31, just days after giving birth to her daughter Mathilde Modersohn (often called “Tille”).

“Selbstbildnis (Self-portrait), 1897” by Paula Modersohn-Becker (German) - Gouache on paper / 1897 - Paula Modersohn-Becker Museum (Bremen, Germany) #WomenInArt #PaulaModersohnBecker #ModersohnBecker #artText #art #BlueskyArt #SelfPortrait #WomensArt #WomanArtist #WomenArtists #PaulaModersohn-Becker

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Schilderij van de heide bij Worpswede door Heinrich Vogeler

Schilderij van de heide bij Worpswede door Heinrich Vogeler

Schilderij van een rijtje berken in Worpswede door Paula Modersohn Becker.

Schilderij van een rijtje berken in Worpswede door Paula Modersohn Becker.

Een jubelend citaat over Worpswede uit het dagboek van Paula Modersohn Becker.

Een jubelend citaat over Worpswede uit het dagboek van Paula Modersohn Becker.

Ik was trouwens afgelopen week in Worpswede. Waar zowel de kunst, de herfst als het communisme zich van hun mooiste kant hebben laten zien. #PaulaModersohnBecker #HeinrichVogeler #communisme #herfst #Worpswede #kunstenaarskolonie

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'Nena pequena de pé espida con colar e rosa'
de Paula Modersohn-Becker

#art
#artgallery
#artcollectors
#littlestandinggirlnudewithnecklaceandrose
#paulamodersohnbecker

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#peoplematchingartworks #paulamodersohnbecker
#altenationalgalerie #stefandraschan #photography
#contemporaryart #berlin

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Paula Modersohn-Becker, Self-Portrait with Two Flowers in Her Raised Left Hand (1907). Oil on canvas, 55.2 x 24.8 cm. The Museum of Modern Art, and Neue Galerie, U.S.A.
#ahimaov #paulamodersohnbecker #arthistory #portraiture #expressionism #modernism #modernart

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Nude mother and baby lie side by side on white sheets while baby breastfeeds

Nude mother and baby lie side by side on white sheets while baby breastfeeds

Choose 20 paintings that have stayed with you or influenced you — one painting per day for 20 days, in no particular order. No explanations, no reviews, just paintings.

8: #PaulaModersohnBecker

#ArtSky🎨 #art #paintings

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Minimalist portrait: Paula Modersohn-Becker. Kuretake brush pen. #draweveryday #ded2024 #humanmadearts #notoaigeneratedimages @thespacearts.bsky.social al-davison.com/4-creativity/
patreon.com/TAGartwork #paulamodersohnbecker

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#iPhone15prophoto #photosbytheway #thorophoto-CC #paulamodersohnbecker #SammlungHannoverLM

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#iPhone15prophoto #photosbytheway #thorophoto-CC #paulamodersohnbecker #SammlungHannoverLM

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#iPhone15prophoto #photosbytheway #thorophoto-CC #paulamodersohnbecker #SammlungHannoverLM

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Paula Modersohn-Becker, Self-Portrait with Pearl Necklace (1906)

#PaulaModersohnBecker #ModernArt #Expressionism #PostImpressionism

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Paula Modersohn-Becker (8 February 1876 – 20 November 1907) was a German painter and one of the most important representatives of early expressionism.

#PaulaModersohnBecker #ModernArt #PostImpressionism #Expressionism

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Paula Modersohn-Becker „Selbstbildnis nach halbrechts, die Hand am Kinn“, 1906: stark abstrahiert gemaltes, fast maskenhaftes Gesicht, das nach rechts (heraldisch links) aus dem Bild schaut, vier Finger der rechten Hand verdecken das Kinn.

Paula Modersohn-Becker „Selbstbildnis nach halbrechts, die Hand am Kinn“, 1906: stark abstrahiert gemaltes, fast maskenhaftes Gesicht, das nach rechts (heraldisch links) aus dem Bild schaut, vier Finger der rechten Hand verdecken das Kinn.

Die stark abstrahierte Darstellung in „Selbstbildnis nach halbrechts, die Hand am Kinn“ von #PaulaModersohnBecker findet sich sonst nicht in ihrem Werk. Zur Stunde präsentiert das #PaulaModersohnBeckerMuseum in #Bremen den Neuzugang. #Erwerbungsförderung
▶️ www.kulturstiftung.de/selbstportra...

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