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Inside the mind of Paula Rego | The Observer The late, great Anglo-Portuguese artist’s son Nick Willing is preserving her legacy – and her cast of grotesques. He shows us his mother’s idiosyncratic studio

Inside the mind of #PaulaRego.

The late, great Anglo-Portuguese artist’s son Nick Willing is preserving her legacy – and her cast of grotesques. He shows Vanessa Thorpe his mother’s idiosyncratic studio.
https://bit.ly/4dg0ZbE

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#EdvardMunch’s formative #influence on #PaulaRego revealed in unearthed painting. ‘It’s so impressive that you can’t imagine,’ wrote a 16-year-old Rego to her mother after seeing a Munch exhibition in London in 1951 www.theguardian.com/artanddesign...

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Edvard Munch’s formative influence on Paula Rego revealed in unearthed painting ‘It’s so impressive that you can’t imagine,’ wrote a 16-year-old Rego to her mother after seeing a Munch exhibition in London in 1951

#Portugal #PaulaRego

A influência da artista Norueguês #Munch nas obras da artista Portuguesa. Bastante interessante!
🇵🇹

Edvard Munch’s formative influence on Paula Rego revealed in unearthed painting www.theguardian.com/artanddesign...

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Edvard Munch’s formative influence on Paula Rego revealed in unearthed painting ‘It’s so impressive that you can’t imagine,’ wrote a 16-year-old Rego to her mother after seeing a Munch exhibition in London in 1951

🎨 #EdvardMunch ’s formative influence on #PaulaRego revealed in unearthed #painting

‘It’s so impressive that you can’t imagine,’ wrote a 16-year-old #Rego to her mother after seeing a #Munch exhibition in London in 1951

#Art #ArtHistory

www.theguardian.com/artanddesign...

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Paula Rego: Story Line | 16 April – 23 May 2026 The most comprehensive exhibition of Rego’s drawings to date shines new light on the artist's evolving use of line.

PSA for London art lovers!

The Victoria Miro gallery will be hosting an exhibition of Paula Rego's drawings and works on paper, PAULA REGO: STORY LINE, from 16th April to 23rd May. 🔥

#Art #ArtSky #PaulaRego #London

www.victoria-miro.com/exhibitions/...

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🎨Mulleres…bon día!
©️Paula Rego (Lisboa-1935-Londres-2022)​
#PaulaRego #Mulleres2026

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Pastel and acrylic painting on paper shows portrait of dark woman with green eyes and full dark hair. She is wearing a blue blouse and looks to her left. The background is yellow and black.

Pastel and acrylic painting on paper shows portrait of dark woman with green eyes and full dark hair. She is wearing a blue blouse and looks to her left. The background is yellow and black.

Portrait of Paula Rego. Born in 1935, Rego was an immensely successful Portuguese artist who often worked in pastels and whose work was often inspired by folk tales. #art #artsky #painting #painter #traditionalart #paularego

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For folk with access to #Cheltenham #Gloucestershire there is an exhibition of #PaulaRego prints ... her three series of prints about nursery rhymes, Jane Eyre and Peter Pan.

All are suitably dark.

At #TheWilson #CheltenhamMuseum and Art Gallery.

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pieddepoule_selale
“Sleeping”, 1986.
Paula Rego. (Portuguese / British, 1935-2022)
Arts Council Collection.

@pieddepoule_selale #paularego #potugueseartists #sleeping #1986art #porto

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Paula Rego #paularego

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#PaulaRego
' The Fitting ' (1989)

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Paula Rego would have turned 91 today ❤️
91 anos do nascimento de #PaulaRego!
Here, an #uglypainting I made in 2019, watercolors on paper.

(Not available; It belongs to a personal collection.)
(Trabalho não disponível. Aguarela sobre papel, 2019.)

#painting #liaferreira #portuguesepainters

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Paula Rego nasceu #nestedia 26 de janeiro de 1935. Foi uma das maiores artistas portuguesas de todos tempos e deixou uma obra extensa, em grande parte inspirada pelos contos infantis. A ilustração que partilhamos foi publicada em "A Gata Branca", da Condessa de Aulnoy,
#PaulaRego #aniversários

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The dreamlike, the marvelous, the enigmatic and the mysterious are always present when you create situations of enchantment.

image Paula Rego (1935–2022) 🇵🇹
#paularego
#artbywomen #contemporaryart #artonbluesky #artwillsaveus #art #artlovers #danisbitsof_ART

#mysterious #enchantment

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Hold me close, don't let me go /With your love light shining /Every cloud's got a silver lining /So hold me close, don't let me go
🎨 #PaulaRego 🇵🇹🇬🇧 🎟️ #CristeaRoberts 💻Read www.theguardian.com/stage/2025/n... ℹ️ cristearoberts.com/exhibitions/...

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A young woman sits in profile in a low teal chair, knees apart, occupying a shallow room with a stubborn solidity. A large dark dog reaches up onto her lap, its slack body heavy and haunches on a floor with a large red flower. With her left hand the girl clamps the animal’s muzzle and tilts its head back; with her right she draws a old/school straight razor along the exposed, already lightened strip of the dog’s throat. Above them a cartoonish duck seems to fly by. Simple furniture, flat floor, and bare wall form a stage-like interior, rendered in chalky, subdued acrylics and emphatic outlines. The compressed space, and the girl’s focused expression heighten the tension between care and menace, making us witness an intimate scene whose purpose is unsettlingly unclear.

In this work from the “Girl and Dog” series, Rego converts a seemingly domestic, nurturing act into an allegory of power, discipline, and contained violence. The animal’s pose and enforced stillness suggest a dependent body subjected to “care” that could at any moment turn punitive. The girl’s stance refuses sentimentalized girlhood as she is caretaker, conspirator, and potential executioner in one. Rego’s staging exposes how obedience, grooming, and tending can mask domination, echoing the authoritarian, patriarchal structures she knew under Salazar’s Portugal, where women’s roles were idealized as selfless yet tightly controlled.

Painted in mid-1980s London, as Paula Rego navigated her husband Victor Willing’s advancing illness and her own rising recognition, the picture fuses biography, politics, and fable into a pivotal image. The “Girl and Dog” compositions prefigure later series such as The Maids, the Dog Women, and the abortion pastels, where female figures occupy charged, uncomfortable positions of agency. Here, Rego’s theatrical realism, moral ambiguity, and refusal of prettified femininity helped cement her reputation as an artist who stages the brutal undercurrents of domestic life.

A young woman sits in profile in a low teal chair, knees apart, occupying a shallow room with a stubborn solidity. A large dark dog reaches up onto her lap, its slack body heavy and haunches on a floor with a large red flower. With her left hand the girl clamps the animal’s muzzle and tilts its head back; with her right she draws a old/school straight razor along the exposed, already lightened strip of the dog’s throat. Above them a cartoonish duck seems to fly by. Simple furniture, flat floor, and bare wall form a stage-like interior, rendered in chalky, subdued acrylics and emphatic outlines. The compressed space, and the girl’s focused expression heighten the tension between care and menace, making us witness an intimate scene whose purpose is unsettlingly unclear. In this work from the “Girl and Dog” series, Rego converts a seemingly domestic, nurturing act into an allegory of power, discipline, and contained violence. The animal’s pose and enforced stillness suggest a dependent body subjected to “care” that could at any moment turn punitive. The girl’s stance refuses sentimentalized girlhood as she is caretaker, conspirator, and potential executioner in one. Rego’s staging exposes how obedience, grooming, and tending can mask domination, echoing the authoritarian, patriarchal structures she knew under Salazar’s Portugal, where women’s roles were idealized as selfless yet tightly controlled. Painted in mid-1980s London, as Paula Rego navigated her husband Victor Willing’s advancing illness and her own rising recognition, the picture fuses biography, politics, and fable into a pivotal image. The “Girl and Dog” compositions prefigure later series such as The Maids, the Dog Women, and the abortion pastels, where female figures occupy charged, uncomfortable positions of agency. Here, Rego’s theatrical realism, moral ambiguity, and refusal of prettified femininity helped cement her reputation as an artist who stages the brutal undercurrents of domestic life.

Untitled (Girl Shaving a Dog) by Paula Rego (“Portuguese–British”) - Acrylic paint on paper / 1986 - Museo Picasso Málaga (Málaga, Spain) #WomenInArt #art #artText #artwork #PaulaRego #Rego #GirlAndDog #ContemporaryArt #WomenArtists #WomanArtist #DogArt #1980sArt #arte #MuseoPicassoMalaga #WomensArt

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Paula Rego #paularego

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Paula Rego #paularego

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Paula Rego #paularego

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Paula Rego #paularego

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Paula Rego #paularego

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Paula Rego #paularego

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Paula Rego #paularego

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#Art: War (2003)
#Artist: #PaulaRego (b. 1935/d. 2002; #🇵🇹 #🇬🇧)
#ArtMovement: #Expressionism #Surrealism #VisualArt
Field: #SymbolicPainting

#DailyArt #TalkArt #Artsy
#ArtPost #FineArt

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#PaulaRego

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