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In a warmly lit yellow room, an oval cheval mirror with red wood frame dominates the centre of the painting. Within its tall frame, we see the artist’s reflection depicting a mature light-skinned woman with short softly waved fair hair, seated and turned toward us. She wears a blue housecoat over a skirt, a white cloth draped across her lap, a painter’s palette held in one hand and a brush poised in her other hand, as if caught mid-stroke. Behind her reflection is a brass or iron bedstead, glimpsed through the mirror’s narrow vertical. Outside the mirror, to the left, a small wooden table holds a patterned mug and papers; to the right, a green chaise has a small brown dog sitting upright, ears pricked, and facing off canvas to the right. Books crowd a shelf, framed pictures line the walls, and a red floor anchors the intimate, lived-in studio-bedroom.

Painted late in a career that stretched more than seventy-five years, this self-portrait shows artist Marie-Louise Roosevelt Pierrepont, aka Countess Manvers, as a working artist rather than as an aristocrat. Trained in Paris, where she exhibited at the Salon and Société Nationale des Beaux Arts before returning to Britain, she became known for portraits and detailed interior views of Cliffe Castle and later Thoresby Hall.

Here, the mirror becomes both literal tool and metaphor as it frames a woman who insists on being seen at work, surrounded by books, paintings, and her dog as an alert companion witness. Created in 1952, after her move to Thoresby Park, the painting belongs to the Pierrepont Collection of more than 600 of her works now housed at Thoresby Courtyard, preserving the self-image of an artist who documented her domestic and estate worlds with affectionate precision.

In a warmly lit yellow room, an oval cheval mirror with red wood frame dominates the centre of the painting. Within its tall frame, we see the artist’s reflection depicting a mature light-skinned woman with short softly waved fair hair, seated and turned toward us. She wears a blue housecoat over a skirt, a white cloth draped across her lap, a painter’s palette held in one hand and a brush poised in her other hand, as if caught mid-stroke. Behind her reflection is a brass or iron bedstead, glimpsed through the mirror’s narrow vertical. Outside the mirror, to the left, a small wooden table holds a patterned mug and papers; to the right, a green chaise has a small brown dog sitting upright, ears pricked, and facing off canvas to the right. Books crowd a shelf, framed pictures line the walls, and a red floor anchors the intimate, lived-in studio-bedroom. Painted late in a career that stretched more than seventy-five years, this self-portrait shows artist Marie-Louise Roosevelt Pierrepont, aka Countess Manvers, as a working artist rather than as an aristocrat. Trained in Paris, where she exhibited at the Salon and Société Nationale des Beaux Arts before returning to Britain, she became known for portraits and detailed interior views of Cliffe Castle and later Thoresby Hall. Here, the mirror becomes both literal tool and metaphor as it frames a woman who insists on being seen at work, surrounded by books, paintings, and her dog as an alert companion witness. Created in 1952, after her move to Thoresby Park, the painting belongs to the Pierrepont Collection of more than 600 of her works now housed at Thoresby Courtyard, preserving the self-image of an artist who documented her domestic and estate worlds with affectionate precision.

“Seated Self Portrait, Shown in a Cheval Dressing Mirror” by Marie-Louise Roosevelt Pierrepont - Oil on canvas / 1952 - Thoresby Courtyard (Thoresby Park, Nottinghamshire, England) #WomenInArt #artText #Pierrepont #ThoresbyCourtyard #SelfPortrait #BlueskyArt #WomenArtists #WomensArt #WomanArtist

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Pierrepont Mairie Eglise Chapelle à #Pierrepont (#MeurtheEtMoselle) 
Suite 👉 https://cartorum.fr/carte-postale/112441/pierrepont-pierrepont-mairie-eglise-chapelle

Pierrepont Mairie Eglise Chapelle à #Pierrepont (#MeurtheEtMoselle) Suite 👉 https://cartorum.fr/carte-postale/112441/pierrepont-pierrepont-mairie-eglise-chapelle

Pierrepont Mairie Eglise Chapelle à #Pierrepont (#MeurtheEtMoselle)
Suite 👉 cartorum.fr/carte-postale/112441/pie...

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Bild: Straßen- und enthülltes Legendenschild von Julienne Trouet vom 20. September 2024 in der Wasserstadt in Linden-Limmer – Arbeitskreis

Bild: Straßen- und enthülltes Legendenschild von Julienne Trouet vom 20. September 2024 in der Wasserstadt in Linden-Limmer – Arbeitskreis

Julienne #Trouet, am 20. Okt 1900 in #Pierrepont in #Nordfrankreich geboren, wird Anfang März 1944 mit dem jüdischen Schneider #Kabakoff zusammen verhaftet, dessen Hausangestellte sie war. Über Romainville kommt sie zuerst in das #KZ #Ravensbrück. Weiter: kz-limmer.de/legenden1/

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