You are standing outdoors on a bright, sunny day under a clear, vivid blue sky with no clouds. In front of you is the grand front facade of a large, elegant building that looks like a historic palace or estate entrance. The building is painted bright white with thick, light-colored stone blocks framing the corners and the lower level. At the very top is a triangular gabled roof with dark reddish-brown tiles. Right in the center of the roof peak sits a small, half-circle (lunette) window. Below that, the second floor features a tall, dramatic arched window with white frames divided into many small panes. A delicate, ornate black wrought-iron railing runs across the bottom of this window, like a tiny balcony. To the left side of the building, lush, dense green ivy climbs all the way up the wall, almost reaching the roof and creating a beautiful contrast against the white surface. On the ground floor, there is a large, open archway right in the center that forms a tunnel-like passageway through the building. You can see straight through it to a long, straight cobblestone path that stretches far into the distance, lined with green trees and ending in bright sunlight. A few tiny figures of people are visible walking along that path in the far background. In the immediate foreground, a neat stone-paver walkway leads directly up to the archway. On both sides of this path is perfectly manicured, vibrant green grass.

#FensterFreitag #WindowFriday

#PletzfeldMomentsInTime #photography #architecture #darktable #mywork #myphoto

You are standing outdoors on a sunny day in a rural, grassy farmyard. In the center of the image is a small, old-fashioned wooden outhouse or privy, built right against the side of a larger dark wooden barn or stable. The outhouse is made of weathered, silvery-gray planks with visible wood grain and knots. It has a simple slanted roof covered in light brown wooden shingles. A round ventilation hole is cut into the upper front wall. The door, made of the same wood but with a big diagonal “Z” brace, is wide open and swings outward to the right, revealing the interior. Inside the outhouse you can clearly see a raised wooden platform with a simple toilet seat on top. The seat has a curved wooden handle attached to the lid, making it easy to lift. Two small wooden steps lead up to the seat. The inside walls are also raw, aged wood, slightly darker and richer in tone than the outside.To the right, the big barn wall is much darker — almost chocolate brown — with heavy timber framing and criss-cross bracing visible. On the left side of the outhouse, green grass and weeds grow right up to the base, and in the background you see a sunny green meadow, a wooden fence, and leafy trees under a clear, pale blue sky. The whole scene feels peaceful, rustic, and historic — like a well-preserved piece of 19th-century farm life. The lighting is bright natural daylight, casting soft shadows under the roof overhang and on the gravel ground in front of the outhouse.

#doorsday - A Door to the Past

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The picture shows the upper body of a mannequin, wearing fashionable clothes. The doll has a shiny chrome mask in front of its face, which completely covers its facial features. It is wearing a a brown, woven hat with a narrow leather band on its head, a dark brown jacket and a white shirt with an open collar underneath. The background consists of a light blue wall with an orange popsicle painted on it.

Faceless Fashion

'Chic' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

You are standing at the entrance of a large, dimly lit indoor parking garage, looking straight down a long central driving lane that stretches far into the distance. The ceiling is low and made of dark concrete, lined with rows of bright white fluorescent tube lights that create long, glowing reflections on the smooth asphalt floor. On both sides of the lane, cars are neatly parked in marked bays. To your left, the closest vehicle is a dark black SUV, followed by other cars including a red one and a yellow one further back. To your right, you see a dark blue station wagon, a black car, and a small white city car with a distinctive black-and-white checkered pattern on its rear. White painted lines and arrows are visible on the floor: a left-turn arrow on the left side of the lane and a straight-ahead arrow on the right, guiding traffic. In the middle of the lane, two people are walking away from you toward the far end of the garage. The person closer to you is wearing dark clothing and pushing a metal shopping cart. A second person, further away, is wearing a bright green jacket and is also pushing a shopping cart. The overall atmosphere feels quiet, slightly echoey, and typical of an underground supermarket parking garage late in the evening or during low-traffic hours. The lighting is functional but quite dark in the background, with long perspective lines leading your eye deep into the garage.

Car(t)s in the Fast Lane

'Bodenmarkierungen' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

A realistic outdoor photograph taken on a cloudy day shows a dark blue Fiat Panda car parked in a seaside parking spot. The car is viewed from a rear three-quarter angle, so we clearly see its back and right side. It has a silver roof rail, red taillights and a colorful sticker on the rear. Sitting calmly right in the middle of the car’s roof is a brown goat with short horns. The goat is facing slightly toward the left of the image, looking out over the scene with its head held high. In the background stretches a wide, calm blue sea under a pale gray overcast sky. To the left and behind the car runs a low, rough stone wall made of large gray rocks, with small green bushes growing between the stones. The car is parked on light gray asphalt marked with white parking lines. The overall atmosphere is peaceful and slightly humorous, capturing the unexpected sight of a goat comfortably perched on top of a car right beside the ocean.

Sunroof Upgrade.

'Ungewöhnliche Situation' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The photo shows Lakeside Palace Monrepos in Ludwigsburg, Germany. An elegant Rococo-style palace set beside a lake. The building has a light yellow, classical façade with many large windows, arched openings at ground level, and a prominent central dome. The palace is surrounded by a lush green park. Tall trees frame the scene on both sides, and branches with dense leaves partly cover the right side of the image. In the foreground, the calm lake stretches across the lower half of the picture, reflecting parts of the palace and the surrounding greenery. A few ducks are swimming on the water, and several people can be seen near the shoreline and terrace area. The sky is mostly cloudy, which gives the scene soft, even lighting. Overall, the image conveys a peaceful, scenic atmosphere and presents the palace as a refined historic building in a natural park setting.

Lakeside Palace Monrepos, Ludwigsburg, Germany

'Schlösser und Burgen' #FotoVorschlag

#PletzfeldMomentsInTime #photography #architecture #darktable #mywork #myphoto

This is a realistic outdoor photograph of a handmade wooden insect hotel, also known as a bee hotel, mounted on the trunk of a large, lichen-covered tree. The insect hotel is a rectangular wooden structure with a slanted roof, tied securely to the tree with a thick rope. It is divided into three main horizontal levels, all densely packed with natural materials to provide nesting tubes for solitary bees and other beneficial insects. The top section contains hundreds of hollow bamboo and reed tubes of many different diameters and a few thick sawn-off wooden poles with holes drilled into them. A vertical wooden divider splits this top area into two parts. In the middle section, on the left side, there is a small, weathered wooden box with a narrow vertical slot cut into its front. To the right of the door, more bamboo tubes continue, some are missing, thus forming a gap. The bottom section is even more densely filled with a mix of bamboo tubes and larger wooden poles , many of which have multiple holes drilled into them. The wood throughout the hotel is natural brown and beige, showing signs of weathering and age. The background shows a wintry or late-autumn countryside scene: bare tree branches with a bit of frost or dew, a grassy field, and a distant fence under an overcast, pale grey sky. The overall atmosphere is calm, natural, and slightly cold. The photo is taken from a slightly low angle, focusing clearly on the insect hotel against the soft, blurred rural landscape.

Hive Inn.

'Löchrig' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

This is a black-and-white photograph taken outdoors in front of the entrance area of a shop. The central focus is a tall, vintage T&N (TELEFONBAU UND NORMALZEIT) mechanical flap machine from the 1960s, integrated into a textured building stone wall. Above it is a large rectangular sign that reads “KUNDENDIENST” (Customer service) in bold capital letters. The machine is about two meters high and consists of two vertical columns of rectangular compartments stacked on top of each other. The front of the vending machine has 12 hinged compartments for smaller goods at the top and two hinged compartments for larger goods at the bottom, each with a glass window showing the empty interior. Next to the flaps are coin slots, small handles, and push buttons labeled with German text such as “Drücken”. The machine is flanked by glass shop entrance doors with metal frames and big metal door handles. The door on the right has a small sign above it reading “Eingang” (Entrance). Attached to this door is a curved banner listing opening hours in German: “Öffnungszeiten: Montag – Freitag 9 – 18 Uhr, Samstag 9 – 14 Uhr”. Above the vending machine is a metal ventilation grille. The photo has high contrast and sharp details, typical of documentary black-and-white photography.

"KUNDENDIENST" - T&N Klappenautomat.

Welcome to the '60s. It seems everyone has forgotten about him. That's how he's managed to survive in a lonely, dark corner.

'Inkompatibel mit dem Digitalen' #FotoVorschlag

#PletzfeldMomentsInTime #photography […]

[Original post on mastodon.social]

This is a close-up photograph of the front of a classic 1938 BMW 327. The glossy, deep navy-blue hood curves gently and shines like polished glass. Running down the center of the hood is a long, bright chrome trim piece that looks like a silver arrow pointing straight at the famous BMW roundel emblem. The emblem sits proudly in the middle: a large, circular chrome badge with the letters “BMW” arranged around the top. Inside the circle is the iconic blue-and-white logo divided into four quarters, like a spinning propeller or a flag. The chrome around the emblem is so reflective you can almost see the sky and surroundings mirrored on it. Below the emblem are the two famous BMW “kidney” grilles. They are large, rounded, vertical openings framed in thick, shiny chrome. Inside each grille are many thin, straight vertical bars that create the classic elegant and sporty BMW face. The chrome is mirror-like and sparkles, while the paint is a rich, dark blue that looks almost black in the shadows but shows its deep color where the light hits. The overall impression is one of timeless luxury and precision engineering — a beautiful, vintage German car from the late 1930s, captured in sharp detail with strong contrasts between the deep blue body and the gleaming chrome details.

BMW 327, 1938

'Glänzend' #FotoVorschlag

#PletzfeldMomentsInTime #photography #oldtimer #cars #darktable #mywork #myphoto

The photograph captures the front entrance of a traditional building on a sunny day. In the center is a tall, impressive pair of heavy wooden double doors made of rich dark-brown wood. The doors are beautifully hand-carved with intricate patterns: large, starburst-shaped floral designs dominate the middle panels, while smaller eight-pointed star carvings fill the upper and lower sections. A simple metal door handle and a small lock are visible on the right-hand door. The doors sit inside a thick wooden frame. Directly above them, mounted on the wall, is a small square blue ceramic plaque with the bright white number “22” and a tiny golden decorative ornament on top. The building wall is divided into two horizontal bands of color: the upper half is a warm, textured golden-yellow, while the lower half is a deep earthy brown. On both sides of the main doors are small rectangular windows framed in wood and covered with metal security bars. Above each of these windows are matching carved wooden decorative panels with star patterns, just like the doors. At the very bottom of the picture, you can see the light-colored paving stones of a steeply sloping sidewalk, and right in front of the doors, a small rectangular metal drain grate is set into the pavement. The whole scene is brightly lit by direct sunlight, creating clear shadows and highlighting the rich textures of the carved wood and the rough, painted walls. The style feels Mediterranean, warm and welcoming.

#doorsday

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

This is a black-and-white photograph of a rustic outdoor setting. A long, weathered wooden shelf runs horizontally across the lower part of the frame, leaning against a light-colored, textured, old plaster wall. On the far right edge, a dark doorway appears, with just a hint of leaves or vines creeping in. Resting on the shelf from left to right are several old, heavily used metal dairy containers. In the immediate foreground on the lower left sits a round metal lid lying flat on the wood, featuring a small looped handle on top and showing clear signs of age and wear. Right behind it stands a large, tall cylindrical milk can about waist-high, its surface covered in dark spots, scratches, and patina from years of use, featuring a thick wire bail handle with sturdy hinges at the top. Immediately next to that is a second, very similar large milk can, slightly offset, also fitted with a wire handle, both of them looking heavy and sturdy like classic old-fashioned milk transport containers. Further along sits a shorter, wider metal bucket with horizontal ridges around its body and a swinging wire handle. Tucked slightly behind it is a conical, funnel-shaped metal container with a prominent pouring spout, that tapers downwards. At last on the far right side another metal bucket, barely visible. All the metal objects have a shiny-yet-dull silver tone in the black-and-white photo, full of texture from dents, scratches, and oxidation.

„Volle Kanne Nostalgie“

#PletzfeldMomentsInTime #photography #MonochromeMarch MonochromeMonday #monochrome #BlackAndWhite #BlackAndWhitePhotography #bw #bnw #StillLife #StillLifePhotography #darktable #mywork #myphoto

The photograph shows a close-up view of a fresh seafood display at a fish market. In the foreground, four long, slender fish are arranged upright, side by side, lying vertically in a white plastic or styrofoam cooler box packed with crushed white ice. Their heads point upward, creating an almost comical or eerie effect as if they are staring straight ahead. Each of these four fish has a very elongated, torpedo-shaped body with shiny, metallic scales that shimmer in silvery-blue, gray, and dark tones. Their most striking features are the large, round eyes with bright white rings around dark pupils that catch the light. The snouts are sharply pointed and beak-like, and their mouths are slightly open, revealing rows of small, sharp teeth. The fish on the far left has darker vertical stripes running down its side, while the second one from the left has a deeper blue sheen on its head. The third and fourth fish look very similar, sleek and silvery. Behind these four prominent fish, in the background, lie several other smaller fish resting flat on more ice. These background fish are shorter and rounder, with silvery bodies and faint dark stripes—likely mackerels or similar common market fish. The entire scene is brightly lit, highlighting the wet, glistening texture of the scales, the rough crystalline chunks of ice, and the clean white container. The photo feels fresh, cold, and full of life, capturing the typical atmosphere of a fish stall.

Ice-Cold Stares 👀

'Objekte die mit "A" beginnen oder so aussehen ...' Augen #FotoVorschlag

#PletzfeldMomentsInTime #photography #MeerMittwoch #darktable #mywork #myphoto

This is a black-and-white close-up photograph of a sturdy metal hitching ring mounted on a very old, heavily weathered wooden barn wall. The wood shows a rough, deeply cracked texture. The grain runs straight up and down like long wrinkles. You can feel how old and worn the wood is: there are splits, peeling patches, dark knots, and areas where the surface has eroded. Right in the center sits a rectangular metal mounting plate, solidly fixed to the wood with four screws — one at each corner — each with a clear star-shaped head. The metal plate itself is a bit shiny in places but also shows tarnish, scratches, and the patina of long use. Attached to the middle of this plate is a large, thick, perfectly circular metal ring. The ring dangles freely downward, smooth and solid, big enough to easily loop a lead rope or reins through. The lighting creates sharp contrast: the bright metallic hardware stands out strongly against the dark, textured wood. The photo is tightly framed so nothing else is visible — just this simple, practical piece of farm equipment. Overall feeling: rugged, reliable, and full of character. It’s exactly the kind of ring you would find on an old stable or barn to safely tie up a horse while brushing, feeding, or saddling it.

"One Ring to bring them all, and in the darkness bind them"
-- J.R.R. Tolkien, The Lord of the Rings

#PletzfeldMomentsInTime #photography #MinimalismMonday #minimalism #MonochromeMarch #MonochromeMonday #monochrome #BlackAndWhite #BlackAndWhitePhotography #bw #bnw #darktable #mywork #myphoto

You are standing at the entrance of a long, empty indoor hallway captured in a stark black-and-white photograph. The perspective stretches from the foreground toward the back wall on the right. The floor is covered with rectangular tiles laid in a neat brick pattern that extends straight ahead like a path. The walls and ceiling are plain, rough concrete, giving the whole space a cold, industrial atmosphere. Along the entire right-hand wall runs a row of five heavy metal elevator doors, all closed. Large, bold white “P 1” signs on black backgrounds are mounted next to the doors, clearly marking this as Parking Level 1. Below the "P 1" signs elevator call-button panels can be seen. The ceiling has several round recessed lights casting soft, even illumination down the corridor. No people are anywhere in sight, so the space feels quiet, functional, and slightly eerie in its emptiness. The overall mood is very institutional, like the basement or underground parking area of a large office building or shopping centre.

#doorsday

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

A close-up photograph of an industrial bakery machine in operation, specifically designed for producing raw dough blanks used in making pretzels. The scene captures a stainless steel assembly line with a white conveyor belt running horizontally across the bottom half of the image, transporting small, oval-shaped pieces of beige, uncooked dough from right to left. The dough pieces are smooth and uniform, resembling small bread rolls or elongated balls, spaced about a few inches apart, with some appearing freshly formed and others further along the line. Above the main conveyor, a series of short, textured blue belts—arranged in a row like individual pressing mechanisms—gently compress or shape the dough pieces as they pass underneath. These blue belts are mounted on metallic arms and rollers, creating a rhythmic, automated pressing action. A large, cylindrical white roller spans the top of the machine, possibly for initial dough feeding or smoothing, with a yellow band around one end. The machine's frame is robust and industrial, featuring bolts, hinges, and adjustment knobs, with a small motor visible at the bottom right. The overall setting suggests a clean, high-volume production environment, with blurred metallic surfaces and shelving in the background, emphasizing the focus on the dough-forming process. The lighting is bright and even, highlighting the machinery's functional details without any human presence.

Industrial Pretzel Dough Production Line

'Technik' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

This image captures an indoor staircase in a modern office building, viewed from the bottom looking upward. The staircase is straight and consists of steps made of dark, glossy stone with subtle speckles, each step featuring a lighter beige or sandy-colored surface. On the left side, there's a contemporary handrail system with thin, horizontal metal cables stretched between vertical posts, providing a minimalist safety barrier. The walls flanking the stairs are textured in a warm, yellowish-beige stucco finish, giving a cozy yet elegant feel.At the top of the stairs, the focal point is a large, semi-circular arched window spanning the width of the landing, framed in dark blue or black metal and divided into multiple panes. A central rectangular window opening is integrated into the window, with a simple handle visible. Through the glass, you can see a bright blue sky, hinting at a clear day, with faint outlines of distant buildings, a chimney, and some sparse trees or foliage in the background, suggesting an urban or outdoor view. Sunlight streams in from the right, casting a golden glow on the right wall and creating soft shadows, evoking a serene and luminous atmosphere. The composition emphasizes symmetry and depth, drawing the eye upward toward the light at the top of the stairs.

#FensterFreitag #WindowFriday

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The picture shows a close-up of a charming, weathered old window set into a thick, sunlit yellow wall. The wall has a warm, golden-yellow ochre color with a rough, uneven plaster texture — small cracks, subtle bumps, and patches of wear give it a lovely aged character. The window itself is a tall, rectangular wooden frame painted in a deep, rich dark brown — almost chocolate-colored. At the top it has traditional small square panes arranged in a grid: five across and two down, making ten little glass sections in total. Behind the glass you can see soft white sheer curtains, slightly bunched and gently lit from inside, creating a cozy, domestic feeling. The lower part of the window consists of a sturdy, solid wooden board with grooved rectangles. It is made of thick, dark brown wood that looks aged, weathered, and hand-crafted rather than smooth or factory-made. In front of it, there’s a small, simple flower box made of bright terracotta orange plastic or ceramic. It hangs securely from the windowsill on a thin metal bracket. Inside the box grows a lush, healthy green plant — likely herbs or small trailing flowers — with many fresh leaves spilling slightly over the edge, adding a vibrant pop of life against the earthy tones. To the right of the window, embedded directly into the yellow wall, is a single rough, black volcanic rock, left natural and protruding a few centimeters like a small decorative or structural detail.

#FensterFreitag #WindowFriday

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

A bright, sunny summer day at an outdoor show jumping competition. The sky is a clear, vivid blue with just a few small, scattered white clouds. In the center of the image, a dark bay horse with a shiny coat is captured mid-air, powerfully jumping over a colorful show jump obstacle. The horse's legs are tucked up neatly underneath its body in a classic bascule shape, ears pricked backward, mane slightly flying backward from the motion. The rider, wearing a black riding helmet, light blue competition shirt, and tall black boots, is in perfect two-point position: seat out of the saddle, upper body inclined forward, arms following the horse’s mouth, looking straight ahead toward the next jump. The jump itself has bright green poles with wide green-and-white wing standards on both sides. The arena ground is flat, dry grass with patches of worn dirt visible in the takeoff and landing areas. Around the jump, several large potted green conifer trees and small bushes in terracotta pots serve as natural decoration. Some artificial palm-like plants and round lifebuoy-style planters with greenery are placed near the edges.In the background, a covered judges’ stand can be seen with people sitting and standing inside. Spectators line both sides of the arena — some standing behind white fencing, others sitting on temporary bleachers. Colorful sponsor banners and flags are visible in the distance. The overall atmosphere is lively, summery, and full of movement and energy.

Sunlit Leap.

'Eingefrorene Bewegung' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The image is a black-and-white photograph of a rustic dining table. In the foreground is a place setting consisting of a white plate with a scalloped edge, a spoon, and a fork, which lie parallel to each other next to the plate on the wooden surface of the table. A piece of the spoon appears to be broken off, and the prongs of the fork are heavily worn and slightly bent. There are four additional empty plates with cutlery on the table, arranged in a circle around a large, ornate serving bowl with a ladle. The table appears worn, with visible grain and texture. In the background, a window with multiple panes lets in soft light that illuminates the scene and casts gentle shadows. The overall atmosphere is calm and old-fashioned, suggesting a historical or vintage setting.

Meager farmers' food.

'Besteck' #FotoVorschlag

#PletzfeldMomentsInTime #photography #monochrome #BlackAndWhite #BlackAndWhitePhotography #bw #bnw #darktable #mywork #myphoto

This photograph captures a large, gently curved stained-glass window viewed from inside a dimly lit room, looking out toward bright daylight. The window forms a wide bay with six tall rectangular panels arranged in two horizontal rows of three, framed by dark wood that appears almost black in the strong contrast. Bright sunlight floods through from behind, turning the glass into a glowing field of warm golden-yellows, soft ambers, pale lemons, and creamy whites. Against this luminous background, elegant Art Nouveau lines dance across the panels in deep emerald green, bright lime, and olive tones. Long, sinuous stems and ribbon-like forms sweep in graceful S-curves and flowing arabesques, as though silk scarves were caught in a gentle, endless breeze. Among these swirling lines bloom several large stylized flowers. There are trumpet-shaped irises in vivid cobalt blue and softer lavender-blue, warm orange-red poppy-like blossoms, and smaller sky-blue touches that resemble forget-me-nots. Each petal and leaf is outlined with thick, dark lead came, giving the classic stained-glass effect where every shape feels deliberately drawn by hand. The overall feeling is warm, peaceful, and almost magical. The intense back-lighting makes the colors radiate like jewels set into darkness, while the very dark interior surroundings heighten the sense that you are standing inside a quiet, shadowed space looking into a bright, living world of flowing lines and blooming color.

#FensterFreitag #WindowFriday

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The photograph captures a person in the traditional mask of an Eckhexe, a classic figure from the Swabian-Alemannic Fasnet carnival, belonging to the Narrenzunft Aulendorf in Oberschwaben. The central element is the wooden mask (called a "Larve" in the local tradition), hand-carved from linden wood by an officially recognized mask carver of the guild. It portrays an exaggerated, grimacing old witch's face with strongly caricatured features: a very long, sharply hooked nose; a deeply furrowed, wrinkled forehead; thick, prominently arched eyebrows; small, piercing eyes that convey a cunning or mischievous expression; and a wide, open mouth showing uneven, jagged teeth, creating a toothy, almost laughing or sneering grin. The overall expression of the mask is grotesque yet humorous and folkloric, typical of Alemannic carnival masks that blend eeriness with playful exaggeration. The person wears a large, colorful patchwork headscarf pulled over the head and partly draping around the mask. This fabric is sewn from many vivid, irregularly shaped patches in a rainbow of strong colors — black, red, yellow, green, blue, and purple — giving a lively, quilt-like, almost psychedelic appearance. The scarf is embroidered with zodiac signs. The right hand of the person, wearing a solid green leather glove, is raised to the chin of the mask in a thoughtful or scheming gesture.

Eckhexe, Narrenzunft Aulendorf, Germany.

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The photograph captures a close-up of a traditional wooden mask – known as a "Glattlarve" – from the traditional Swabian-Alemannic Fasnet carnival in southwestern Germany, specifically the "Clon" figure of the Narrenzunft Wilflingen. This smooth, hand-carved wooden face is painted in a bright, glossy yellow tone that gives it a cheerful and lively appearance. The mask portrays a friendly, somewhat rounded and plump human face with gently smiling red lips that reveal white teeth, creating a warm and inviting expression. The eyes are almond-shaped with bold brown outlines, while the eyebrows are strongly arched in brown. On the cheeks sit prominent round red spots like traditional rouge marks. The nose itself is rounded and contoured in brown for definition. Around the forehead and upper edge of the mask runs a festive border made of numerous large, fluffy tissue-paper pom-poms in vibrant colors: blue, orange, white, and red. These pom-poms form a colorful crown-like frame that adds playfulness and joy to the mask. The mask is worn over dark, velvety black fabric that forms the base of the Clon’s traditional one-piece costume, making the intense yellow of the face and the rainbow of pom-poms stand out even more strikingly against the dark background. Overall, the image radiates the joyful, colorful spirit of Swabian-Alemannic Fasnet carnival tradition, where this Clon mask – mostly worn by women – brings humor and community to the streets.

Clon, Narrenzunft Wilflingen, Germany.

'Objekte die mit "M" beginnen oder so aussehen... ' Maske #FotoVorschlag

#PletzfeldMomentsInTime #Rosenmontag #photography #darktable #mywork #myphoto

This close-up photograph shows a hand-carved wooden devil mask from the traditional Swabian-Alemannic Fasnet carnival in southwestern Germany. It is an “Ahland” from the Narrenzunft Rottenburg. The mask has a strikingly expressive, demonic face with a warm brown-beige to terracotta skin tone, hand-painted in realistic yet slightly exaggerated folk-art style. The face is dominated by two very large, round, cartoonishly oversized white eyes with jet-black circular pupils that stare straight ahead. Thick, strongly arched black eyebrows sit high above the eyes, drawn in bold curved lines that add to the dramatic expression. Deep forehead wrinkles are carved and painted in dark lines. On the forehead grow two short, thick, brown wooden horns that curve gently backward and slightly outward, like small goat or devil horns. The nose is broad and somewhat flattened, painted in the same facial tone. The most eye-catching feature is the wide-open mouth: it grins with a toothy, mischievous, almost gleeful expression. The upper and lower teeth are bright white and clearly visible, forming a big toothy smile. The lips are painted vivid red to dark red, and a long, pointed green beard, that looks like foliage, flows downward from the chin. The mask is framed and partially covered by thick, fluffy, creamy-white lambskin that surrounds the entire face like a hood or collar. The fur is shaggy and dense, giving the impression that the devil is wearing a sheep's pelt disguise.

Ahland, Narrenzunft Rottenburg, Germany.

'Fasnacht Fasnet Karneval' #FotoVorschlag

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

The photograph shows an old, rustic wooden door set into the wall of a traditional half-timbered house. The door itself is relatively small and narrow — probably a single-person side or utility entrance. It is made of dark, weathered wood with a beautiful hand-carved chevron / zigzag / V-shaped pattern covering most of the surface. The zigzags run diagonally and meet in the middle, creating a symmetrical, almost arrow-like design. The wood has a warm, aged brown tone with visible grain, small cracks, and signs of many years of weather exposure. The door has no doorknob. Only a keyhole can be seen. The door is framed by thick, dark-brown timber beams typical of Fachwerk (half-timbered) architecture. These beams form a classic pattern: vertical posts and diagonal braces creating large X- and triangle-shapes across the wall. The spaces between the beams are filled with light beige plaster or clay, which has a slightly uneven, hand-applied texture. Green ivy leaves climb across parts of the wall, especially along the right side and upper left corner, partially covering some of the beams and adding soft touches of green against the otherwise earthy tones. At the bottom of the door you can see a low stone foundation with some moss growing on it.

#doorsday

#PletzfeldMomentsInTime #photography #darktable #mywork #myphoto

This black-and-white close-up photograph shows a larger-than-life-sized bronze sculpture of a male figure representing Adam. The view is tightly framed on the upper body and head, taken from slightly below and to the side, so the massive, rounded head dominates the frame. Adam is depicted as a powerfully built, muscular, middle-aged or mature man with a bald or closely shaved head. His facial expression is intense and concentrated: the eyes are closed or nearly closed, deep lines of tension or pleasure crease his forehead and around the eyes, and his broad nose and full lips are prominently modeled. Deeply incised, expressive wrinkle lines and textured skin details cover the entire face and scalp. His right hand is raised to his mouth. He holds an apple pressed firmly against his lips. The fingers are curled around the fruit in a tight grip, with the thumb clearly visible on one side and the other fingers wrapping around it. The bronze surface shows realistic modeling with strong light-shadow contrasts: bright highlights catch on the high points of the cheekbones, forehead, nose bridge, and knuckles, while deep shadows pool in the eye sockets, under the brow, around the mouth, and in the creases of the hand and fruit. Thin cracks, natural weathering, spider webs, and fine casting details stretch across parts of the face and hand, adding texture. The background is softly out of focus, showing dark foliage and dappled light from trees.

"Adam isst die Frucht"
Bronze sculpture by Waldemar Otto, 1981

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You are looking straight up from inside a cozy wooden cabin. The ceiling is made of warm, golden-brown wooden planks with visible natural grain and small knots.In the center of the image is a large rectangular skylight window set into the ceiling. The window frame is white with a clean, modern design — it has a slightly raised inner border that creates a subtle framed effect. Through the clear glass of the skylight you see a beautiful bright summer or spring sky: deep blue with many soft, scattered white clouds of different sizes. Some clouds are wispy and feathery, others are fuller and more rounded. The sunlight is strong and even, making the whole sky feel open, light, and uplifting. Below the window, wooden beams and part of the wall are visible. The overall atmosphere of the picture is calm, bright, natural, and peaceful — a view of the sky captured from a warm, wooden interior space.

#FensterFreitag #WindowFriday

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This black-and-white photograph captures an old, narrow wooden shutter door deeply set into a thick, ancient stone wall. The door consists of tall vertical planks of weathered wood, their grain still visible beneath years of sun, rain, and time, giving the surface a gently uneven texture full of small cracks and soft wear. Across the right side stretches a beautiful hand-forged iron strap hinge shaped like a slender tree branch or climbing vine. The dark iron contrasts sharply with the lighter wood and pale stone. Centered on the door hangs a simple iron ring knocker, its circular ring resting against a small decorative backplate. A small, modern padlock—the only clearly recent object—secures everything, threaded through a hasp and staple near the edge. The surrounding wall is built from irregular blocks of limestone or sandstone, each stone varying in size and shape, held together by thick, weathered mortar lines that have softened and receded over centuries. A plain stone lintel rests above the recessed doorway, its edges smoothed by long use. The whole scene carries a hushed, sculptural stillness. Strong tonal contrasts between the bright rough stone, the darker aged wood, and the deep black of the iron create a composition that feels both intimate and enduring, as though the door has guarded its threshold for hundreds of quiet years.

#doorsday

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The photograph shows the upper part of a tall, classic late-19th/early-20th-century Central European red-brick industrial building, photographed from street level looking sharply upward. The perspective is strongly vertical, emphasizing the height of the façade. The building is constructed entirely of warm reddish-brown brick with very precise, regular brickwork. Large industrial-style windows dominate the facade — they are arranged in a strict grid of five vertical rows that are visible. Each window is very tall and relatively narrow, featuring many small square panes of glass divided by thin white glazing bars (creating an almost checkerboard-like pattern inside each opening). The most striking architectural feature is the elaborately shaped gable at the very top. It has a gentle, curved Art-Nouveau-inspired form — sometimes called a "cat’s back" or "mansard-like" curve — that rises to a small central point. At the peak of this gable sits a small, round, dark opening or decorative oculus. Below the curved gable edge runs a simple brick cornice with small rectangular decorative elements. The sky behind the building is a bright, clear blue with a few soft white clouds visible, especially near the top right corner. The strong sunlight illuminates the right side of the façade more brightly, creating subtle shadows that emphasize the depth and texture of the bricks, while the left side appears a little more in shade.

#FensterFreitag #WindowFriday

'Fenster(freitag)' #FotoVorschlag

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In a busy professional bakery kitchen, several bakers are working at a large wooden table dusted with flour. The foreground is filled with dozens of perfectly rounded, smooth dough balls. The dough pieces look soft, slightly shiny, and very puffy — clearly well-proofed. One baker’s flour-covered hands are gently pressing and shaping a large flat disc of dough right in the center, while another person in the background is lightly flouring more dough with a quick dusting motion. Everyone is wearing casual work clothes: white T-shirts, yellow work aprons, and tool belts. Flour dusts the air, the table, the bakers’ arms, and even floats gently in the bright workshop light, giving the whole scene a lively, slightly chaotic but very appetizing atmosphere of fresh dough preparation.

Flour Power.

'Das tägliches Brot' #FotoVorschlag

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The image shows the upper part of a traditional half-timbered house gable, typical of German Fachwerk architecture, set against a bright blue sky with scattered white clouds.The steeply pitched triangular roof is covered in dark slate tiles. The white plaster walls are framed by exposed dark wooden beams arranged in a decorative pattern: diagonal braces forming X-shapes and crisscross latticework between horizontal and vertical timbers.Near the top of the gable, two small rectangular windows sit side by side. Each has white frames, lace curtains inside, and small wooden flower boxes beneath them.Below these, on the main facade, two larger rectangular windows are symmetrically placed. Each has white frames divided into multiple panes, sheer white curtains, and vibrant blue wooden shutters that are open and folded back against the wall. Small wooden flower boxes are also mounted below these windows.

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