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The altar of the Tempietto is within a frescoed, semicircular niche, with a prominent cornice. The conch of the apse is frescoed with the haloed Pantocrator holding a book. The apse or niche is framed by a heavily sculptured round arch and pediment. There are heavily worn and partly lost frescoes on the wall above, showing busts of angels in medallions.

The altar of the Tempietto is within a frescoed, semicircular niche, with a prominent cornice. The conch of the apse is frescoed with the haloed Pantocrator holding a book. The apse or niche is framed by a heavily sculptured round arch and pediment. There are heavily worn and partly lost frescoes on the wall above, showing busts of angels in medallions.

Detail of Peter's face in the worn fresco. He is tonsured, has a white ring of hair and short beard, and large staring eyes. He holds a tall processional cross. Thick red lines sketch facial features and the edges of garments. Main colors are whites, reds, and yellows, including a super-sized golden halo bordered in red.

Detail of Peter's face in the worn fresco. He is tonsured, has a white ring of hair and short beard, and large staring eyes. He holds a tall processional cross. Thick red lines sketch facial features and the edges of garments. Main colors are whites, reds, and yellows, including a super-sized golden halo bordered in red.

View of the bust of Paul, holding a book, within a square panel. The style and color scheme is like that of the fresco of Peter. The bust is against red ground. He gestures towards the small tabernacle (some evident restoration) in the center of the apse, between Peter and Paul. A pair of colonnettes support a heavily ornament cornice and pediment: architecture in miniature, like the Tempietto itself.

View of the bust of Paul, holding a book, within a square panel. The style and color scheme is like that of the fresco of Peter. The bust is against red ground. He gestures towards the small tabernacle (some evident restoration) in the center of the apse, between Peter and Paul. A pair of colonnettes support a heavily ornament cornice and pediment: architecture in miniature, like the Tempietto itself.

For Sts Peter and Paul (June 29), haunting remains of the busts of these Roman patrons in a mysterious and delightful early medieval building, the Tempietto sul Clitunno, #Umbria
#MedievalArt #SaintsInArt

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Detail of a stack of five booklets in St Paul's hand, the top one titled, "AD ROMANOS"

Detail of a stack of five booklets in St Paul's hand, the top one titled, "AD ROMANOS"

On gold ground, St Paul holds a sword and a stack of five booklets.

On gold ground, St Paul holds a sword and a stack of five booklets.

St Paul isn't satisfied with one measly scroll or open book with a short phrase. He's showing off a stack of Epistles.
Panel of a polyptych by Simone Martini, Museo del Opera del Duomo di Orvieto, 1320-21
#MedievalArt #Trecento #museitaliani #SaintsInArt #iconography

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This sainted pope seems to be holding, opening, and showing us a reliquary casket. 🤔
Peter's keys, Catherine's wheel, Lucy's eyes, Stephen's stones...this one takes us into the harder, final rounds.
From San Pietro, Terni
#SaintsInArt #MedievalArt

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3/Other scenes narrate the miraculous finding of Stephen's #relics. In a dream, Gamaliel the Pharisee reveals their location to the priest Lucian. He tells Bishop John of Jerusalem. The bodies of Stephen, Nicodemus, Gamaliel, and Gamaliel's son Abibas are found.
#SaintsInArt #MedievalSky

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For St Andrew's day...
The calling of Peter and Andrew from a late 13th century altarpiece in the Pinacoteca of Siena
A fragment of a 13th century fresco displayed in the Pinacoteca of Bari and thought to represent Andrew
#ArtHistory #SaintsInArt #MedievalSky #museitaliani

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1/For St Catherine's day, an unusual painting by Guidoccio Cozzarelli. Tools and images of work surround the saint. Below, an inscription warns viewers to observe the Lord's Day
#MedievalSky #Iconography #ArtHistory #SaintsInArt

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1/ June 24: Birth of John the Baptist. Two scenes from a Sienese altarpiece (1270s):
1) Mary, visiting her cousin Elizabeth, holds the newborn John
2) after Jesus’ birth, Elizabeth, kneeling, presents John to his cousin Jesus.
Pinacoteca Nazionale, Siena #MedievalSky #Painting #SaintsInArt

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June 13: St Anthony of Padua: the saint miraculously reattaches the foot of a young man who had cut it off (still holds the cleaver!) in remorse for kicking his mother.
Fresco of 1480 by Lorentino d’Andrea, an imitator of Piero della Francesca, in San Francesco, Arezzo #SaintsInArt #Painting

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Two miracles of St Benedict (March 21) in fragmentary early 15c frescoes at SS Niccolò e Cataldo, Lecce in #Puglia. Benedict expels a huge, scaly monster of a demon from a cleric. And, at his death, a monk sees his soul swept up a carpeted, candlelit stairway to heaven.
#ChristianArt #SaintsInArt

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