Stacking more Schiit
<p>My Dad was a true HiFi fanatic in the late 1970s and 1980s, and it’s from him that I inherited my love for music—first on vinyl and cassette tape, and later on compact discs. Some of my most cherished memories are of the Sunday mornings we spent together, immersed in the world of sound. Dad’s listening sessions weren’t just about hearing music; they were about feeling it, dissecting it, and perfecting it. These weren’t planned bonding moments. Dad would simply warm up the system, put a record on, and crank up the volume—often at 7 o’clock in the morning. My groggy teenage body would stumble out of bed and into the living room, plopping down in one of the armchairs.</p>
<p>We’d listen to the same track over and over, analysing every note and every detail. Dad would pause and ask, “Do you think the Linn Sondek LP12 tonearm needs rebalancing?” or, “Does the Quad ESL 63 sound a bit too bright? Maybe I should let the tube amp warm up some more.” I didn’t always know how to answer, but I loved being part of it. Watching him carefully brush a record or adjust the speakers was like witnessing an artist at work. He treated his HiFi setup with a reverence that made me realise how much music mattered to him—and to us.</p>
<p>Dad’s taste in music was as eclectic as his dedication to perfect sound. He listened to everything from James Last and Gato Barbieri and Chuck Mangione to Pink Floyd and Neil Diamond. Andy Williams, Kenny Rogers, and Barbra Streisand made frequent appearances on the turntable as well. But his absolute favourite was the soundtrack from <em>Fiddler on the Roof</em>. We’d often belt out a father-son rendition of “If I Were a Rich Man” alongside Chaim Topol. It wasn’t polished, but it was ours. Even today, whenever I hear that song, I can’t help but sing along with tone-deaf gusto, reliving those moments of unfiltered joy.</p>
<p>His HiFi system was a marvel. The Linn Sondek LP12 turntable sat like a crown jewel in our living room, its tonearm balanced to perfection. The Quad ESL 63 speakers, towering and elegant, filled the space with sound so rich and pure it felt alive. When Dad switched to Bose 601 Series III speakers, he spent hours finding the best spots to hang them from the ceiling, ensuring every note hit just right. His love for Pink Floyd meant hours of <em>Dark Side of the Moon</em> or <em>The Wall</em>, played with a meticulousness that made every listen an event.</p>
<p>In the years between leaving for university, getting married, buying a home, and settling down with Bhavna to start a family, I had almost forgotten those moments. I had a large CD collection, but I never seemed to have the budget to pursue HiFi like Dad did. Most of my money went into my other loves: computers and photography. Dad was an amateur photographer too, but his real passion was HiFi. I guess I put my creative energy into photographs instead of music.</p>
<p>Recently, though, I’ve found myself searching for the calypso music of my youth. Many of those timeless records never transitioned from vinyl to compact disc or streaming. They’re frozen in time on vinyl, waiting to be rediscovered.</p>
<p>Last year, I found myself drawn back to the world of vinyl, longing to reconnect with the music that had shaped my childhood. I picked up a modest <a href="https://islandinthenet.com/a-minimalist-vinyl-kit-with-schiit-audio-sys-and-pyst-snake-oil/">Audio Technica AT-LP60X</a> turntable and pieced together a small listening setup (a <a href="https://islandinthenet.com/schiit-audio-modi-3-with-shiit-audio-magni-heresy/">Schiit Stack</a> featuring the Schiit Audio Modi 3+ DAC, SYS passive preamp, and Magni Heresy amplifier)—simple, unassuming, but enough to bring those memories to life. Through a mix of analogue and digital components, I’ve created something that fits my life now: compact, affordable, and deeply satisfying. When I put on a record and slip on my old Grado SR-60 headphones, it’s like stepping into a time machine. The familiar crackle of vinyl fills the air, and suddenly, I’m back in the living room with Dad, listening to Pink Floyd or singing “If I Were a Rich Man” at the top of our lungs. It’s not about the gear—it never really is. It’s about the music and carrying on the legacy of listening deeply, just as Dad taught me, the memories, and that unmistakable feeling of being home.</p>
<p>Now, I’m ready to take this listening experience to the next level. My current setup is nestled in a small living room, measuring approximately 3.6m by 2.74m, where I plan to sit about 0.91m to 1.52m from the speakers. I don’t need high volumes—typically I listen around 60-70 dB—but I value clarity, depth, and an immersive soundstage that brings the music alive. I’ve been exploring configurations to complement my space, narrowing it down to a few options.</p>
<p>One possibility is the Klipsch R-51PM powered speakers, known for their dynamic sound and built-in amplification, which would keep things straightforward and clean. Alternatively, I could go with the Klipsch R-51M passive speakers, paired with an amplifier like the Schiit Audio Gjallarhorn or the compact Schiit Audio Rekkr. Both setups promise excellent performance, but they bring different trade-offs in terms of flexibility and future expandability.</p>
<p>To make the most of these options, I may need a few extras, like Schiit Audio 6" PYST RCA cables or potentially another Schiit Audio SYS preamp for managing multiple inputs more seamlessly. These considerations aren’t just about functionality; they’re about ensuring that my small setup can deliver the kind of immersive experience that brings me back to those mornings with Dad, letting the music wash over me with all the depth and emotion it deserves.</p>
<p>As I weigh these choices, I’m reminded again of Dad’s meticulous care for his HiFi system and his pursuit of sound perfection—not for the gear itself, but for what it allowed him to experience. This new chapter in my listening journey feels like an echo of his passion, a way to honour the memories and rediscover the joy we shared, one note at a time.</p>
<hr/>
<h2>Evaluating My Options</h2>
<h3>Klipsch R-51PM</h3>
<p>The <strong>Klipsch R-51PM</strong> offers a convenient all-in-one solution with a built-in <strong>60W/channel amplifier</strong> and a sensitivity of <strong>93 dB</strong>. This powered speaker system provides detailed sound even at lower volumes and eliminates the need for separate amplifiers or DACs. Its versatile connectivity—supporting Bluetooth, optical, and RCA inputs—ensures compatibility with a wide range of devices, including my turntable and DAC. Additionally, its compact design fits seamlessly into smaller spaces.</p>
<p>However, this would render my Schiit Stack with Schiit SYS superfluous, and the integrated amplifier limits flexibility. The amplifier and DAC in the Klipsch R-51PM cannot be bypassed or upgraded, locking me into its specific performance profile. While it’s a great choice for simplicity, the lack of customisation makes it less appealing for long-term use.</p>
<h4>Components</h4>
<ul>
<li><strong>Klipsch R-51PM</strong> powered speakers (60W/channel built-in amplifier and DAC).</li>
<li><strong>Audio Technica AT-LP60X</strong> (turntable with built-in phono preamp).</li>
</ul>
<h4>Power and Sensitivity</h4>
<p>With a <strong>60W/channel built-in amplifier</strong> and a sensitivity of <strong>93 dB</strong>, the R-51PM is powerful enough to fill my modestly sized room with rich sound. Its high sensitivity ensures excellent detail and clarity, even at lower volume levels.</p>
<h4>Advantages</h4>
<ul>
<li><strong>Compact footprint:</strong> Ideal for setups where space is limited.</li>
<li><strong>Ease of use:</strong> The built-in amplifier and DAC simplify setup, reducing the need for extra components.</li>
<li><strong>Versatile connectivity:</strong> Handles inputs like Bluetooth, optical, and RCA, making it compatible with both analogue and digital sources.</li>
</ul>
<h4>Disadvantages</h4>
<ul>
<li><strong>Limited flexibility:</strong> The integrated amplifier cannot be bypassed, locking me into its performance profile.</li>
<li><strong>Upgrade constraints:</strong> It’s not possible to replace or modify the amplifier for improved sound in the future.</li>
</ul>
<h4>Costs</h4>
<ul>
<li><strong>R-51PM Powered Speakers</strong>: $399.99 (from Amazon)</li>
<li><strong>Additional Gear</strong>: $0 (no additional cables or equipment needed)</li>
<li><strong>Total</strong>: <strong>$399.99</strong></li>
</ul>
<hr/>
<h3>Klipsch R-51M with Sony STR D511</h3>
<p>Released in 1993, the <strong>Sony STR D511</strong> is a vintage AV receiver providing <strong>70W/channel</strong>, which is more than sufficient for the R-51M. While its bulkiness and outdated design detract from its aesthetic appeal, it leverages existing equipment to keep costs low. However, the older components may introduce higher noise levels and less refined sound quality compared to modern amplifiers like those from Schiit Audio. This option works for casual vinyl playback but lacks the performance and flexibility I desire. This would also render my Schiit Stack with Schiit SYS superfluous.</p>
<h4>Components</h4>
<ul>
<li><strong>Klipsch R-51M</strong> passive speakers.</li>
<li><strong>Sony STR D511</strong> (vintage AV receiver providing 70W/channel).</li>
<li><strong>Audio Technica AT-LP60X</strong> (turntable with built-in phono preamp).</li>
<li><strong>Schiit Audio Modi 3+</strong> (DAC for digital sources).</li>
</ul>
<h4>Power and Sensitivity</h4>
<p>The STR D511’s <strong>70W/channel</strong> output is more than sufficient to power the R-51M, achieving excellent performance at low to moderate volumes. However, the older design may introduce slight noise or distortion.</p>
<h4>Advantages</h4>
<ul>
<li><strong>Cost-effective:</strong> Leverages existing equipment, avoiding new amplifier purchases.</li>
<li><strong>Powerful output:</strong> Ample headroom for dynamic playback in my room.</li>
<li><strong>Straightforward design:</strong> A familiar receiver interface simplifies operation.</li>
</ul>
<h4>Disadvantages</h4>
<ul>
<li><strong>Bulky design:</strong> Larger and less efficient than modern amplifiers.</li>
<li><strong>Outdated technology:</strong> Lacks the refinement and lower distortion of newer Schiit products.</li>
<li><strong>Limited upgrade path:</strong> Performance is tied to the receiver’s aging technology.</li>
</ul>
<h4>Costs</h4>
<ul>
<li><strong>STR D511</strong>: $0 (existing equipment)</li>
<li><strong>R-51M Passive Speakers</strong>: $249.99 (from Amazon)</li>
<li><strong>Additional Gear</strong>: Approx. $50 (for speaker cables)</li>
<li><strong>Total</strong>: <strong>$300</strong></li>
</ul>
<hr/>
<h3>Klipsch R-51M with Schiit Rekkr or Schiit Gjallarhorn</h3>
<p>The <strong>Klipsch R-51M</strong> passive speakers paired with a separate amplifier offer superior sound quality and flexibility.</p>
<p>The Rekkr delivers <strong>2W/channel</strong>, driving the R-51M to <strong>96 dB at 1 metre</strong>. At <strong>1.8 metres</strong>, the sound level drops to <strong>87 dB</strong>, which aligns with my typical listening levels. However, it may struggle with dynamic peaks beyond 90 dB. Meanwhile, the <strong>Gjallarhorn</strong> provides <strong>10W/channel</strong>, allowing the R-51M to reach <strong>103 dB at 1 metre</strong> and handle dynamic peaks effortlessly. Priced at $299, the Gjallarhorn is more powerful and future-proof but comes at a higher cost.</p>
<p>Both amplifiers require additional gear, such as <strong>Schiit Audio PYST RCA cables</strong>. However, instead of adding a second <strong>SYS preamp</strong> for input management, I could use the RCA output of the <strong>Schiit Magni Heresy</strong> to feed the <strong>Rekkr</strong>. This approach simplifies the setup while leveraging the Magni Heresy as a preamp, controlling volume and ensuring seamless switching between headphones and speakers. While the Rekkr is budget-friendly and minimalist, the Gjallarhorn excels in scenarios involving wide dynamic ranges or louder playback, offering clarity and headroom unmatched by the Rekkr.</p>
<h4>Components</h4>
<ul>
<li><strong>Klipsch R-51M</strong> passive speakers.</li>
<li><strong>Schiit Rekkr</strong> (2W/channel amplifier) <strong>or</strong> <strong>Schiit Gjallarhorn</strong> (10W/channel amplifier for higher output).</li>
<li><strong>Audio Technica AT-LP60X</strong> (turntable with built-in phono preamp).</li>
<li><strong>Schiit Audio Modi 3+</strong> (DAC for digital sources).</li>
<li><strong>Schiit Audio SYS</strong> (passive preamp, if additional input switching is needed).</li>
</ul>
<h4>Power and Sensitivity</h4>
<ul>
<li><strong>Rekkr:</strong> Despite its compact size, this 2W/channel amplifier drives the R-51M to <strong>96 dB at 1 metre</strong>, sufficient for nearfield listening. If you sit farther, at <strong>1.8288m (6 feet)</strong>, the sound level drops to approximately <strong>87 dB at 1 watt</strong>, which is still adequate for your typical listening levels of <strong>60-70 dB</strong> with peaks at <strong>75 dB</strong>. The Rekkr has enough headroom for this use case, but it may struggle with dynamic peaks beyond 90 dB at this distance.</li>
</ul>
<p>At its current sale price of <strong>$99</strong>, it’s an exceptional value, though Schiit Audio has marked it as "Last Call," meaning it may soon be discontinued.</p>
<ul>
<li><strong>Gjallarhorn:</strong> Delivering <strong>10W/channel</strong>, the Gjallarhorn provides greater dynamic headroom, allowing the R-51M to reach <strong>103 dB at 1 metre</strong>. At <strong>1.8288m (6 feet)</strong>, it comfortably handles peaks well beyond <strong>90 dB</strong>, ensuring effortless performance for tracks with wide dynamic ranges or louder playback. Priced at <strong>$299</strong>, it’s well-suited for those seeking a more robust system for occasional louder playback or complex tracks.</li>
</ul>
<h4>Additional Considerations</h4>
<ul>
<li><strong>Cables:</strong> Both Rekkr and Gjallarhorn require additional <strong>Schiit Audio 6" PYST RCA cables</strong> for optimal connectivity.</li>
<li><strong>Input Switching:</strong> If multiple sources are connected simultaneously, a second <strong>Schiit SYS</strong> preamp may streamline input management.</li>
</ul>
<h4>Advantages</h4>
<ul>
<li><strong>Exceptional sound quality:</strong> Schiit amplifiers are known for their transparency and synergy with high-sensitivity speakers like the R-51M.</li>
<li><strong>Customisation:</strong> Amplifiers can be swapped, allowing for future upgrades.</li>
<li><strong>Compact design:</strong> Both Rekkr and Gjallarhorn are space-efficient compared to traditional amplifiers.</li>
</ul>
<h4>Disadvantages</h4>
<ul>
<li><strong>More complex setup:</strong> Requires more components and careful integration.</li>
<li><strong>Cost variability:</strong> The Gjallarhorn is significantly more expensive, though it offers enhanced performance.</li>
<li><strong>Limited availability:</strong> The Rekkr’s potential discontinuation may make it harder to source in the future.</li>
</ul>
<h4>Costs</h4>
<ul>
<li><strong>Rekkr</strong>: $99 (on sale, discounted from $199)</li>
<li><strong>R-51M Passive Speakers</strong>: $249.99 (from Amazon)</li>
<li><strong>Additional Gear</strong>: Approx. $50 (for Schiit PYST cables and speaker cables)</li>
<li><strong>Total</strong>: <strong>$399</strong></li>
<li>
<p><strong>Gjallarhorn</strong>: $299</p>
</li>
<li><strong>R-51M Passive Speakers</strong>: $249.99 (from Amazon)</li>
<li><strong>Additional Gear</strong>: Approx. $50 (for Schiit PYST cables and speaker cables)</li>
<li><strong>Total</strong>: <strong>$599</strong></li>
</ul>
<hr/>
<h3>Final Decision and Next Steps</h3>
<p>When I’m making a big purchase decision, like choosing the right audio setup, I find it helpful to use a <strong>Criteria Decision Matrix</strong>. It’s a way to break down all the factors that matter—things like <strong>Power</strong>, <strong>Cost</strong>, <strong>Aesthetics</strong>, <strong>Flexibility</strong>, and <strong>Sound Quality</strong>—and weigh them based on how important they are to me. Each option gets a score from <strong>1 to 10</strong>, with <strong>1</strong> being the lowest and <strong>10</strong> the highest. Then I multiply those scores by their weights to come up with a total. For this audio setup, the matrix provided clarity in balancing technical performance, cost considerations, and subjective preferences like visual appeal and upgrade potential. It’s a way to make thoughtful decisions and ensure the choice feels right for me.</p>
<p>Here’s the final <strong>Criteria Decision Matrix</strong>.</p>
<table>
<thead>
<tr>
<th><strong>Option</strong></th>
<th><strong>Power (25%)</strong></th>
<th><strong>Cost (25%)</strong></th>
<th><strong>Aesthetics (15%)</strong></th>
<th><strong>Flexibility (15%)</strong></th>
<th><strong>Sound Quality (20%)</strong></th>
<th><strong>Total Score</strong></th>
</tr>
</thead>
<tbody>
<tr>
<td><strong>Rekkr + R-51M</strong></td>
<td>2.0</td>
<td>2.0</td>
<td>1.2</td>
<td>1.05</td>
<td>1.6</td>
<td><strong>7.85</strong></td>
</tr>
<tr>
<td><strong>Gjallarhorn + R-51M</strong></td>
<td>2.5</td>
<td>1.25</td>
<td>1.2</td>
<td>1.05</td>
<td>1.6</td>
<td><strong>7.6</strong></td>
</tr>
<tr>
<td><strong>STR D511 + R-51M</strong></td>
<td>2.5</td>
<td>2.5</td>
<td>0.15</td>
<td>1.05</td>
<td>0.6</td>
<td><strong>6.8</strong></td>
</tr>
<tr>
<td><strong>R-51PM</strong></td>
<td>2.5</td>
<td>1.25</td>
<td>1.2</td>
<td>0.45</td>
<td>1.2</td>
<td><strong>6.6</strong></td>
</tr>
</tbody>
</table>
<p><strong>Key</strong>:<br/>
- <strong>Power (25%)</strong>: Ability of the amplifier or speaker to drive sound effectively in the intended room and listening distance.<br/>
- <strong>Cost (25%)</strong>: Total cost of the option, including all necessary components and accessories.<br/>
- <strong>Aesthetics (15%)</strong>: Visual appeal and how well the option fits into the room's design.<br/>
- <strong>Flexibility (15%)</strong>: Versatility of the setup for future upgrades or compatibility with other devices.<br/>
- <strong>Sound Quality (20%)</strong>: Overall audio performance, including clarity, depth, and ability to handle dynamic ranges.</p>
<p>The <strong>Gjallarhorn</strong> remains my preferred option for its power and flexibility, particularly for handling dynamic tracks and louder playback. Its ability to effortlessly drive the R-51M’s high sensitivity ensures that every nuance of the music comes alive, even during complex or high-energy passages. However, the Rekkr’s compelling price and immediate availability make it the practical choice for now.</p>
<p>After evaluating these options, I’ve decided to start with the <strong>Klipsch R-51M and Schiit Rekkr</strong> as an addition to my Schiit Stack. The R-51M’s high sensitivity pairs well with the Rekkr, delivering clear and detailed sound even at lower volumes. Together, they will provide a versatile and cost-effective foundation for my vinyl listening setup. The Rekkr's affordability and minimalist design suit my current needs, offering a great starting point for expanding my system. While its low power may limit dynamic peaks, it’s a solid choice for moderate listening volumes, with the option to upgrade to the Gjallarhorn later if necessary.</p>
<p>I wonder if I’ve overthought this decision but I know it’s about more than just the gear. It’s about honouring the memories of those Sunday mornings with my dad.</p>
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