Halvo - Pożyczka z karty
Halvo to dodatkowe środki finansowe na Twoje potrzeby. Limit kredytowy dla nowych klientów bez prowizji i odsetek przez pierwsze 30 dni, a także minimum formalności i pełna swoboda korzystania.
#finanse #kredyt #swoboda
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M - sorry for your loss.
Great story about your Dad. I was able to get his autograph and this photo during batting practice at Shea Stadium #LGM #Mets #Swoboda
Royal Collection records identify Munni as a 16-year-old sweeper, or mehtrani, from Lahore in the Punjab region of British India (today in Pakistan), a worker from one of the lowest-ranked caste communities whose essential cleaning labor was often treated as socially “unclean” and disregarded. In 1886, Queen Victoria commissioned Austrian painter Rudolf Swoboda, born in Vienna in 1859, to travel through India and paint the peoples of her empire; over forty of these portraits, including Munni’s, were later hung together in the Durbar Corridor at Osborne House. The vertical panel shows a young South Asian girl in quiet profile, her body turned to the left (our right). A warm red tunic, edged with a narrow band of gold, wraps her torso and rises toward her neck, its rich color glowing against a plain, softly textured background. Large hoop earrings threaded with tiny glass beads catch the light, while her dark hair, partly covered, falls back in loose strands under a thin beige covering that extends across her body. Swoboda models her medium-brown skin with careful, naturalistic highlights along cheek, nose and lips, so that her features feel observed rather than idealized. The panel pulls us into an intimate distance, as if we’ve paused beside her in a brief, thoughtful stillness during her day. Swoboda had impressed the Queen with his portraits of “live” Indian artisans at the Colonial and Indian Exhibition in London and painted "Munni" on site from close observation, using oil on a small wooden panel to preserve fine details of clothing, jewelery and expression. Seen today, the work sits uneasily between imperial cataloguing and individual presence: commissioned to exemplify a “type,” Munni nevertheless appears as a specific teenager with a name, history and life. Her steady, gaze to the side invites us to recognize both the power inequalities that shaped her portrayal and the quiet dignity she maintains within them.
"Munni" by Rudolf Swoboda (Austrian) - Oil on panel / 1886–1888 - Royal Collection, Osborne House (Isle of Wight, UK) #WomenInArt #RudolfSwoboda #RudolfSwobodaderJüngere #Swoboda #art #artText #BlueskyArt #RoyalCollectionTrust #OsborneHouse #PortraitofaGirl #SouthAsianArt #IndianArt #AustrianArtist
Der #Automobilzulieferer #Swoboda schließt sein
Entwicklungszentrum in #Schorndorf. 140 Mitarbeitende bangen um ihre Zukunft – ein weiteres Kapitel in der Krise der Branche. Danke #Merz, danke #Reiche
During 1 of 6 trips to India between 1880 and 1891, Austrian artist Rudolf Swoboda created this head-and-shoulders portrait of a beautiful young South Asian woman against a warm brown ground. A dark veil edged with shimmering silver discs and tasseled lace frames her face and covers her hair, falling over both ears. She wears a pale pink tunic and layered jewelry: a choker with a red lozenge pendant and long necklaces of rectangular silver amulets. The young woman averts our gaze with downcast eyes to our left. Her full lips are at rest while a jeweled gold nose rings pierce her nostrils. Her smooth skin is softly lit, with highlights on the nose and left cheek. In 1886, the Austrian painter Rudolf Swoboda reached the subcontinent with a royal brief to record the “various types” of India for Queen Victoria of England. Over two years, he painted dozens of heads for the corridors at Osborne House, sparked by the Queen’s delight in his portraits of artisans at the 1886 Colonial and Indian Exhibition. Among them is this portrait of Naslej shown in the Durbar Corridor at Osborne House. His route on this trip ran via Afghanistan and Kashmir; in Lahore he encountered Naslej, a 19-year-old Muslim woman recently widowed. He paints her quietly with a veil with metallic discs, twin nose rings, and layered amulet necklaces that attend to particulars over costume types. For Naslej, the sitting fixed her presence at a moment of upheaval; for Swoboda, it fulfilled a commission that balanced ethnographic curiosity with humane portraiture. Swoboda worked for Victoria from 1885 to 1893 and later portrayed Abdul Karim, the Munshi. His Indian series of around 40 portraits remains a singular late-Victorian record of individual lives within an imperial frame.
"Naslej" by Rudolf Swoboda (Austrian) - Oil on panel / c. 1886-1888 - Royal Collection Trust (London, England) #WomenInArt #art #PortraitofaWoman #RCT #artwork #artText #RudolfSwoboda #Swoboda #AustrianArtist #IndianArt #BlueskyArt #RoyalCollectionTrust #poc #WomanPortrait #OilPainting #bskyart
Sirinbai Ardeshir was a 14-year-old Parsi girl from Neemuch (or Nimach) in the Malwa region of Madhya Pradesh in central India. The Parsis (or Parsees) are a Zoroastrian ethnic group in the Indian subcontinent. They are descended from Persian refugees who migrated to the Indian subcontinent during and after the Arab-Islamic conquest of Iran in the 7th century, when Zoroastrians were persecuted by Muslims. The word Parsi is derived from the Persian language, and literally translates to Persian. This painting by Austrian artist Rudolf Swoboda is a close-up portrait of a young Sirinbai, focusing primarily on her face and upper body. Her skin tone is warm and her dark brown eyes are captivating, looking directly at us with an expression that blends serenity with a hint of underlying emotion as if she is about to ask or tell us something interesting. She wears a loose-fitting, pale pink robe. Her dark hair is neatly arranged, partially covered by a light-colored veil intricately adorned with dark floral and geometric patterns in muted blues, greens, and earth tones, particularly along a wide band that drapes down her chest. The paint application is somewhat visible, giving the piece a slightly impressionistic feel. The background is a plain, warm, golden-tan color, to contrast the cooler tones of her clothing and make Sirinbai stand out prominently. A small number "5" is visible in the lower left corner, likely a notation associated with the artwork's provenance or exhibition history. Swoboda was a 19th-century Austrian Orientalist painter. He was sometimes known as "Rudolf Swoboda The Younger," to distinguish him from his uncle Rudolf, who was also an artist. He studied under his father, Eduard Swoboda, and his uncle Leopold Carl Müller, who traveled with him to Egypt in 1880. His sister was the portrait painter Josefine Swoboda, known for her portraits of the British royal family. U.K. Queen Victoria personally paid Swoboda's way to paint in india from 1886-1888.
"Sirinbai Ardeshir" by Rudolf Swoboda (Austrian) - Oil on panel / 1886-1888 - Royal Collection Trust (London, England) #WomenInArt #art #PortraitofaWoman #RudolfSwoboda #Swoboda #AustrianArtist #artText #artwork #RCT #RoyalCollectionTrust #FineArt #IndianArt #BlueskyArt #ArtoftheDay #OilPainting
Poznajecie tę dziewczynę? To Ewa Swoboda jako nastolatka. Sprinterka z Żor dziś kończy 28 lat. - Nigdy nie byłam potulnym barankiem - mówiła w wywiadzie dla Dziennika Zachodniego.
dziennikzachodni.pl/ar/c2-18763549
#EwaSwoboda #Swoboda #sport #Żory
Republicans re-elect Gina Swoboda as Arizona party chair Incumbent chair Gina Swoboda fended off ...
azcapitoltimes.com/news/2025/01/25/republic...
#Top #Stories #Cory #McGarr #Gina #Swoboda #Republican #Party
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Wie irgendwelche (Salon-)Linke Putin einen Persilschein ausstellen, weil "die faschistische #Swoboda!!!" Es gibt Gefährlicheres als die.
Absehbar ist,dass #Swoboda umso stärker wird, je schwächer die #EU und je dominanter #Russland agiert. Auf dem #EuroMaidan gehören sie dazu.
Päppelt #Janukowitsch die rechtsextreme #Swoboda Partei von #Tjahnybok? www.wienerzeitung.at/nachrichten/europa/europ... #Ukraine
