Brooks Beasts sending seven athletes to San Juan Capistrano for The Ten... paulmerca.blogspot.com/2026/03/broo... #theten #protrack #brooksbeasts @brooksrunning.com
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Hashtag
#THETEN
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#celiasanfelipe #oneplanet #theten #creatingchange2026 #ambassador #Exhibitor #nationallgbttaskforce
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It took me WAY too many search terms to find the Jesus H. Christ segment of #TheTen, so the next time you're looking for it, let me save you the hassle www.youtube.com/watch?v=Hfex...
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Despite academic training at the Académie Julian in Paris, Hassam gravitated to more avant-garde styles. He returned to America as a full-fledged "impressionist" and proceeded to receive acclaim for his city street scenes and American flag series. Hassam exhibited in the prestigious Armory Show of 1913, but eventually became a member of The Ten, a group artists who refused to exhibit in juried exhibitions. Hassam visited Charleston in 1925 and executed small group of etchings of popular sites including St. Philip's church. Based on the 19th-century style dress of the subject and the painting's original title, "April 1859," recent scholars believe that Hassam intended this painting as a portrayal of his mother, Rosa Hathorne Hassam, during her pregnancy. In April, Rosa would have been in her third month of pregnancy with her artist son born on October 17, 1859.
April (The Green Gown) by Childe Hassam, 1920, Gibbes Museum of Art (Charleston, SC)
#ArtHistory #ModernArt #Impressionism #AmericanImpressionism #TheTen
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Robert Lewis Reid was an American Impressionist painter and muralist whose work tended to be very decorative, much of it centered on depiction of young women set among flowers. He later became known for his murals and designs in stained glass. In 1897-1898, he co-founded the “Ten American Painters”, a group of Impressionists who rebelled against traditional Realism. He and his fellow members of “The Ten” were largely French educated, and they often focused on elegant compositions with bright, luscious colors. Reid favored the soft, dappled brushstrokes of Impressionism, allowing colors and strokes to blend into one another. This effect creates a welcoming image, inviting viewers to peer closer at the painting. In “Defiant Autumn,” a pale-skinned woman is seated comfortably with her left arm resting in her lap and her right arm reaching up to gently clutch the foliage that envelops her. She is staring boldly out at the viewer — defiant in the face of change. She has a large number of flowers gathered in her lap, so many she’s barely able to contain them in her arms. She is almost one with the flowers – her clothing and hair are loose, and the color is close to that of the petals around her. Through Reid’s use of loose brushwork, the edges between the foliage and her are blurred. Reid’s painterly style is wholly Impressionistic with his use of scumbling to achieve an all-over fuzzy or airy quality. The melting colors and forms capture movement, implying a moment in a continually changing scene as his muse becomes an embodiment of nature. The background strengthens this illusion, as it combines hues from her skin tone, clothing, and the flowers, bringing everything to the same compositional plane and portraying them as one dynamic subject. Source: Fort Wayne Museum of Art
“Defiant Autumn” by Robert Reid (American) - Oil on Canvas / 1890 - Fort Wayne Museum of Art (Indiana) #womeninart #art #oilpainting #scumbling #scumble #RobertReid #impressionism #womensart #ArtText #RobertLewisReid #FWMoA #TheTen #AmericanImpressionism #TenAmericanPainters #FortWayneMuseumofArt
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Drew Hunter will run the longest race of his life on Sunday, the #CUCB 10 Mile, just a week after running a 10,000m PB at #TheTEN. Here is my story
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𝐀ctrice du 𝐉our
𝐉𝐞𝐬𝐬𝐢𝐜𝐚 𝐀𝐥𝐛𝐚
Actrice Américaine
@jessicaalba c'est plus de 𝟑𝟖 𝐅𝐢𝐥𝐦
#JessicaAlba #ActriceDuJour #actress
#Honey #SinCity #TheTen #TheKillerInsideMe #MacheteKills #Stretch #KillersAnonymous #Dubaï #Riposte #cinegenres #cinema
𝐄n 𝐒avoir 𝐏lus:
www.instagram.com/cinegenres/
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Olin Hacker pushing pace in 1500m, won by Fouad Messaoudi, in 3:35.55! March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN,
#HOKArunning , @sound_running , @NAZ_Elite
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Colleen Quigley, was pacemaker or rabbit , at the 10,000m Tokyo Sound Running The TEN, March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN,
#HOKArunning , @steeple_squigs , @lululemon, @sound_running , @hoka
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Breaking away, Elise Cranny, Weini Kelati, at the 10,000m Tokyo Sound Running The TEN, March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN, #HOKARunning,
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Pace maker Shelby Houlihan, just back from her Nanjing 3000m silver medal, at the 10,000m Tokyo Sound Running The TEN, March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN, #HOKARunning,
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Lead pack , at the 10,000m Tokyo Sound Running The TEN, March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN, #HOKARunning,
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Elise Cranny, winner at 10,000m Tokyo Sound Running The TEN, March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN, #HOKARunning,
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Shelby Houlihan doing pace work for Sound Running The TEN, March 29, 2025, photo 2, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN, #HOKARunning,
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Shelby Houlihan doing pace work for Sound Running The TEN, March 29, 2025, The TEN meeting, sponsored by HOKA running, photos by Wendy Shulik, Wendy City Video, #soundrunning, #THETEN, #HOKARunning,
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Off to Orange County, CA for #TheTen. This year’s version will be unlike any before it. We’re looking to be at CAPACITY at J Serra. The racing will be electric, but the fan engagement will be at an all time high. Partnering with HOKA and Spike will take it to the next level!
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this guy isn't fighting smart- he caved. Like I've always said- YOU ARE EITHER WITH US, OR YOU ARE IN THE WAY. @schumer.senate.gov AND #THETEN ARE IN THE WAY
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#THETEN
SHARE THIS EVERYWHERE !
SHAME SHAME SHAME SHAME SHAME SHAME SHAME
Call them and tell them what you think of their vote.
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The TEN
THAT SIDED WITH AUTHORITARIANS
#THETEN
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How the fuck do #TheTen expect voters to object, fight, protest & hold the line when they fold like chicken shit scardy cats‼️
I am truly disgusted.
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This is one of Rothko’s paintings that depicts scenes of the New York subway. Although he never purposefully created a series of subway paintings, this was a recurring theme in his early works. Entrance to the Subway, along with Untitled (Subway) (ca.1937) and Underground Fantasy (1940), shows the alienation of city life. It is similar to the atmosphere Edward Hopper projected in paintings Automat (1927) and Chop Suey (1929) that expressed the same kind of urban loneliness and isolation. Though paintings like this one are related to Depression-era realist paintings, the similarity mainly stems from the common subject matter of urban life. Generally, Rothko rejected the principles of realist painting, whether it was Social Realism or American Regionalism. In fact, in 1935, Rothko co-founded the art group The Ten, whose members included artists Willem de Kooning, William Baziotes, and Adolph Gottlieb. In 1938, the group held an exhibition called The Ten Whitney Dissenters, vocalizing their dissatisfaction with the Whitney Museum of American Art. The artists condemned the Museum policy of supporting realist styles. Thus, Rothko and his colleagues positioned themselves as revolutionary outcasts, showing disdain for the art establishment as well as for the socialist realist left orthodoxy. In this period, Rothko chose to paint in an expressionist style, which suited his artistic approach. He was not interested in the realism of city life; rather, he wanted to express the emotional perception of the urban environment. Entrance to the Subway has a dark and haunting atmosphere. While the viewer can recognize the human figures as commuters and subway workers, for the most part, they remain faceless, emphasizing the feeling of isolation and alienation. In the monotonous routine of daily life, the individual can only identify people superficially but cannot make a meaningful or lasting connection.
Entrance to Subway by Mark Rothko, 1938, Private Collection
#Art #ModernArt #Expressionism #TheTen
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