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Upcycled Red Wall - 13.5 x 12.5 cm Abstract Mixed Media Collage from watercolour paper offcuts cut to brick sizes and stuck in an offset brick layout onto a plain white 250 GSM watercolour paper background. 

The Bricks are coloured with a background wash of Brusho Watercolour Pigment Powder diluted in water in Sunburst Lemon and Scarlet. Decorated with line markings in Red, Yellow, & Gold King art Tempura Paint sticks and Coliro.De Pearlcolors metallic watercolours in Indian Summer (Copper) with additional line and zentangle pattern markings in Derwent Sepia 0.5 nib Line Maker on 200 GSM watercolour paper.

Upcycled Red Wall - 13.5 x 12.5 cm Abstract Mixed Media Collage from watercolour paper offcuts cut to brick sizes and stuck in an offset brick layout onto a plain white 250 GSM watercolour paper background. The Bricks are coloured with a background wash of Brusho Watercolour Pigment Powder diluted in water in Sunburst Lemon and Scarlet. Decorated with line markings in Red, Yellow, & Gold King art Tempura Paint sticks and Coliro.De Pearlcolors metallic watercolours in Indian Summer (Copper) with additional line and zentangle pattern markings in Derwent Sepia 0.5 nib Line Maker on 200 GSM watercolour paper.

#Upcycled Red Wall - #Abstract #MixedMedia #Collage #Brusho & #Coliro.De #Watercolor #Derwent #Fineliner #Kingart #Tempera #PaintStick #RedWed #ColorADay

#Art #Artisan #AbstractArt #Geometric #Pattern #Zentangle #Painting #MindfulArt #Zen #IntuitiveArt #Artist #ArtTherapy #DailyArt #ArtSky #ArtYear

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A puppet dancing in someone else's hands…
or finally breaking free?

Exploring control, illusion and identity.

Tempera, 50x70

#art #painting #surreal #contemporaryart #artistsonbluesky
#tempera
#artwork

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#tempera #drawing #artwork

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Sometimes it's a cactus IN a balloon sometimes it's a cactus WITH a balloon. #cactus #balloon #unlikelyfriends #tempera #cartoon #comics #artforfun #humanart

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‘Below’, 24x18 #acrylic #tempera.
#blueskyart #painting #acrylicpainting #fineartpainting #grasses #water #nature #paintings #pond #watercoloartist #representationalpainting

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The second attempt in tempera for @orphen-sirius.bsky.social took about 12-14 hours to paint, but I wasn't satisfied with the result, so the painting was copied and repainted in watercolor.

A4 Artkvartal for watercolor, tempera Master Class

#Tempera #anthro #furry #антро #фурри

© #estet #35737

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Tempera and Collage on Paper; 21.0 x 29.7 cm (8.27 x 11.69 in)
Deer

Tempera and Collage on Paper; 21.0 x 29.7 cm (8.27 x 11.69 in) Deer

Não te contesto, derivo.

For @/Silv_Eur | #collage #tempera #furryart

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世界一のシェフが手がけたノンアルワインが日本市場に上陸 フランスのミシュラン三ツ星シェフが製作したノンアルコールワイン「TEMPERA」が2025年に日本初上陸。伊勢丹新宿店で先行販売も。

世界一のシェフが手がけたノンアルワインが日本市場に上陸 #東京都 #新宿区 #ミシュラン三ツ星 #ノンアルコールワイン #TEMPERA

フランスのミシュラン三ツ星シェフが製作したノンアルコールワイン「TEMPERA」が2025年に日本初上陸。伊勢丹新宿店で先行販売も。

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NO ES SHIP
Hecho con temperas :3

Adoro el personaje Micah, me ha traído buenos momentos y tranquilidad, le tengo mucho cariño y aprecio
Micah ha sido un personaje importante para mí y me inspira en muchos aspectos

#micahyujinfanart #tempera #pintura #tradicional #Error143

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Granules!

youtu.be/MEFy7wPyFvA

#musicsky #musiciansky #synthsky #beetlecrab #tempera #granular

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Here are two trial versions! The first is tempera (gas soot), and the second is ink (love potion).

#traditional #linogravure #cut #outline #skull #animal #smilodon #drake #tempera #ink #dark #red

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boo?

youtu.be/H-ZIfZIXfuI

#musicsky #musiciansky #synthsky #audreyii #tempera

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Painted soon after Mexican-born, American artist Emilio Amero left Seattle for a professorship in Oklahoma, this head distills his fusion of Mexican modernism and the Pacific Northwest’s search for distilled form. Amero, trained in Mexico City and once an assistant to Diego Rivera, often drew on ancient Mesoamerican sculpture with mask-like planes and heavy eyelids which echo that lineage while avoiding caricature. 

In this tempera on panel painting, the artist depicts a young woman’s copper-rose face modeled in smooth planes and her wide, almond eyes unfocused beneath a rolled, turban-like yellow headscarf. She lifts her right hand toward her cheek, fingers bent as if testing the surface of her skin. Light from the left warms the brow and nose bridge, while the ear and jaw sink into shadow. A deep red with pale mortar lines brick wall is behind her head with a pale band of sky resting above it. Her sturdy-to-the-neck shirt is mustard yellow. The simplified features, polished textures, and compressed space make the figure feel monumental, intimate, and contemplative all at once.

In Seattle (1941–1943), Amero taught at the University of Washington and the Cornish School, shaping a circle of modernists; by 1946 he was building a renowned print workshop at the University of Oklahoma. Here, the quiet gesture and brick backdrop suggest urban interiority rather than muralist spectacle, show Amero’s range beyond lithography and fresco into psychologically charged portraiture.

Painted soon after Mexican-born, American artist Emilio Amero left Seattle for a professorship in Oklahoma, this head distills his fusion of Mexican modernism and the Pacific Northwest’s search for distilled form. Amero, trained in Mexico City and once an assistant to Diego Rivera, often drew on ancient Mesoamerican sculpture with mask-like planes and heavy eyelids which echo that lineage while avoiding caricature. In this tempera on panel painting, the artist depicts a young woman’s copper-rose face modeled in smooth planes and her wide, almond eyes unfocused beneath a rolled, turban-like yellow headscarf. She lifts her right hand toward her cheek, fingers bent as if testing the surface of her skin. Light from the left warms the brow and nose bridge, while the ear and jaw sink into shadow. A deep red with pale mortar lines brick wall is behind her head with a pale band of sky resting above it. Her sturdy-to-the-neck shirt is mustard yellow. The simplified features, polished textures, and compressed space make the figure feel monumental, intimate, and contemplative all at once. In Seattle (1941–1943), Amero taught at the University of Washington and the Cornish School, shaping a circle of modernists; by 1946 he was building a renowned print workshop at the University of Oklahoma. Here, the quiet gesture and brick backdrop suggest urban interiority rather than muralist spectacle, show Amero’s range beyond lithography and fresco into psychologically charged portraiture.

"Head of a Woman" aka "The Gesture" by Emilio Amero (Mexican-American) – Tempera on panel / 1947 – Seattle Art Museum (Washington) #WomenInArt #art #artText #artwork #EmilioAmero #Amero #SeattleArtMuseum #arte #pintura #MexicanModernism #PacificNorthwestModernism #Tempera #Modernism #ModernArt

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Painted during Russian-born, American artist Nicholas Roerich’s Himalayan years in India and included in his Banners of the East series, “Mother of the World@ envisions the Feminine Principle at the heart of the cosmos. In the Agni Yoga teachings developed with his spouse Helena Roerich, this image represents Wisdom veiled until humankind is ready for revelation. “The Mother of the World veils Her face until the hour of revelation,” Roerich wrote. 

A veiled woman sits cross-legged within a deep blue expanse, her face completely covered by a patterned shroud. She is enveloped in a radiant oval aureole that glows against distant mountain peaks. Above her head floats a smaller halo, casting light across gradients of indigo and violet. The surrounding silence feels absolute: there are no architectural or earthly anchors except sky, stone, and light. The covered face, devoid of personal markers, transforms the figure into a universal embodiment of compassion and hidden wisdom, inviting all viewers to locate the divine in stillness and mystery rather than depiction.

The surrounding mountains mirror the inner ascent of consciousness; the hovering star signals enlightenment’s approach. Through its mineral pigments and meditative geometry, the painting fuses Eastern mysticism and Western iconography into a single vision of maternal guardianship. The 1924 canvas became the archetype for Roerich’s later New York variant of 1937, but this Moscow original remains the quiet epicenter of his spiritual art as an image of presence through silence, radiance through restraint.

Painted during Russian-born, American artist Nicholas Roerich’s Himalayan years in India and included in his Banners of the East series, “Mother of the World@ envisions the Feminine Principle at the heart of the cosmos. In the Agni Yoga teachings developed with his spouse Helena Roerich, this image represents Wisdom veiled until humankind is ready for revelation. “The Mother of the World veils Her face until the hour of revelation,” Roerich wrote. A veiled woman sits cross-legged within a deep blue expanse, her face completely covered by a patterned shroud. She is enveloped in a radiant oval aureole that glows against distant mountain peaks. Above her head floats a smaller halo, casting light across gradients of indigo and violet. The surrounding silence feels absolute: there are no architectural or earthly anchors except sky, stone, and light. The covered face, devoid of personal markers, transforms the figure into a universal embodiment of compassion and hidden wisdom, inviting all viewers to locate the divine in stillness and mystery rather than depiction. The surrounding mountains mirror the inner ascent of consciousness; the hovering star signals enlightenment’s approach. Through its mineral pigments and meditative geometry, the painting fuses Eastern mysticism and Western iconography into a single vision of maternal guardianship. The 1924 canvas became the archetype for Roerich’s later New York variant of 1937, but this Moscow original remains the quiet epicenter of his spiritual art as an image of presence through silence, radiance through restraint.

“Mother of the World / Матерь Мира (Mater’ Mira)” by Nicholas Roerich (Russian-American) – Tempera on canvas / 1937 – International Centre of the Roerichs (Moscow, Russia) #WomenInArt #art #artText #arte #NicholasRoerich #Roerich #Tempera #NicholasRoerichMuseum #blueskyArt #ArtoftheDay #symbolism

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Tempera mixture used to create 'The ghost of a flea'.

Tempera mixture used to create 'The ghost of a flea'.

This is called 'The Ghost of a Flea,' created by William Blake. Completed between 1819 and 1820. This was part of his "Visionary Heads" series. Itncan be seen at the Tate Gallery in London.

#art #tempera #WilliamBlake #ghost #flea #Visionaryhead

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sketch from academy| tempera
#art #skerch #traditional #artist #tempera #paint #painting #portrait #illustration #イラスト

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Before you continue to YouTube

On #Draw with Me, we drew spring flowers. I used a set of pastel shades of #tempera sticks as well as a new set of pastel #watercolors from Derwent. Lovely! youtube.com/live/Np5unyhdWWo

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Bouquet.
••
12 x 8 inches, mixed media on toned paper

#drawing #mixedmedia #bouquet #tempera #watercolor

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’Winter Basil’, 18x24 acrylic #tempera. I don’t do many still life paintings, but when I do they are found subjects, never intentionally staged.
#acrylicpainting #acrylic #stilllife #painting #blueskyart #fineart #fineartpainting #fineartist #fineart

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A drawing of an American flamingo in a sketchbook, - after Audubon's version, using pink tempera sticks, and black pens for feather details.

A drawing of an American flamingo in a sketchbook, - after Audubon's version, using pink tempera sticks, and black pens for feather details.

A sketchbook drawing of a blue kingfisher, with mottled terracotta on white chest feathers. It has a pronounced 'mohican-like' set of head feathers. Water based marker pens were used to lay down light blue areas before pencil was added over the top. Media shown next to sketchbook.

A sketchbook drawing of a blue kingfisher, with mottled terracotta on white chest feathers. It has a pronounced 'mohican-like' set of head feathers. Water based marker pens were used to lay down light blue areas before pencil was added over the top. Media shown next to sketchbook.

The head and shoulders of a magnificently beaked, swimming white pelican, drawn in a black, landscape format sketchbook. The acrylic pens used to draw it laid to the right.

The head and shoulders of a magnificently beaked, swimming white pelican, drawn in a black, landscape format sketchbook. The acrylic pens used to draw it laid to the right.

For this week's class @artistinresidence.co I delivered a session on Audubon's Birds of America - 'a contemporary take on historical ornithological studies'.
#arttutor #onlineart #artclass #Avian #artYear #drawing #bird #birdart #Posca #acrylicpen #tempera #paintstick #sciart

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Salvador Dalí
“Mural Painting for Helena Rubinstein”
“Geodesical Portrait of Gala”
from collections in Yokohama Museum of Art 横浜美術館 (Yokohama, Japan) (visited in 2025)
#tempera #painting

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For anyone who likes to listen to an orchestra tuning up.

youtu.be/DpVD2NEhr14

#musicsky #musiciansky #synthsky #beetlecrab #tempera

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"To the stars" #portrait #tempera (13×18 cm)

#art #illustration #traditional #traditionalartist #sketch #sketches #drawing
#арт #рисунок #портрет

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