Slide 1 reads: "The Magazine, Decolonized Beatz. Sow, Hoe, Grow by Bukunmi Oyewole" over a photo of Seun Opadare, a Yoruba man from Ibadan in the so-called "Nigeria" standing beside his small urban garden.

Slide 2 & 3: Excerpts from the article.

Slide 2 & 3: Excerpts from the article.

Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

#TheMagazine 🌱 Seun Opadare (Yoruba from Ibadan, "Nigeria") revives ancestral knowledge with a self-sufficient yard garden. Homemade tools honor timeless Indigenous sowing and hoeing, feeding a community against colonial erasure. Bukunmi Oyewole documents this rematriation: t.ly/Y9tMX

What does it mean to be visible, but not heard? At #COP30, Indigenous presence was everywhere, but not in decision-making spaces.

Read Natalia Figueredo’s full analysis in #TheMagazine: crushingcolonialism.org/indigenous-d...

Slide 1 reads: "The Magazine, Dispatches from our Relatives. The impact of oil pollution on Ilaje Indigenous communities by Adetokunbo Abiola" over a photo of Ondo's coastline devasted by oil pollution.

Slide 2 & 3: Excerpts from the article.

Slide 2 & 3: Excerpts from the article.

Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

#TheMagazine: The Ilaje people of Ondo State in the so-called "Nigeria" have fished on the coast for centuries. Then came colonial frameworks that handed their land to oil corporations and called it development.

🛢️ Decades later, the structures remain and the extraction continues: t.ly/7FyQf

Slide 1 reads: "The Magazine, Global Indigenous News. When salmon save by Vincent Moniz" over a photo of a salmon leaping dramatically out of a river, captured mid-air with water splashing around it.

Slide 2 & 3: Excerpts from the article.

Slide 2 & 3: Excerpts from the article.

Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

#TheMagazine: In 2001, 21 Native Nations sued Washington state over salmon habitat — and won. By replacing narrow pipes with wider bridges, they protected ecosystems and unknowingly prepared for climate change. 🐟 Full story: t.ly/Pi6Hm

Slide 1 reads: "The Magazine, Dispatches from our Relatives. The legacy of France's nuclear tests in Algeria by Ziane Guedim" over a photo of a sealed entrance within the fenced nuclear test zone near Reggane, marking restricted access to contaminated desert terrain. Slide 2 & 3: Excerpts from the article. Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

Slide 1 reads: "The Magazine, Dispatches from our Relatives. The legacy of France's nuclear tests in Algeria by Ziane Guedim" over a photo of a sealed entrance within the fenced nuclear test zone near Reggane, marking restricted access to contaminated desert terrain. Slide 2 & 3: Excerpts from the article. Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

Slide 1 reads: "The Magazine, Dispatches from our Relatives. The legacy of France's nuclear tests in Algeria by Ziane Guedim" over a photo of a sealed entrance within the fenced nuclear test zone near Reggane, marking restricted access to contaminated desert terrain. Slide 2 & 3: Excerpts from the article. Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

Slide 1 reads: "The Magazine, Dispatches from our Relatives. The legacy of France's nuclear tests in Algeria by Ziane Guedim" over a photo of a sealed entrance within the fenced nuclear test zone near Reggane, marking restricted access to contaminated desert terrain. Slide 2 & 3: Excerpts from the article. Slide 4 reads: “Support our mission | crushingcolonialism.org/subscribe”.

#TheMagazine I In 1960, France detonated a nuclear bomb in Reggane, Algeria — more powerful than Hiroshima — leaving lasting damage to the health, land, and lives of its people. Ziane Guedim reminds us: colonial thinking isn't history, it's still happening. t.ly/QQ1Lm

For many Indigenous communities, the environment is not a concept — it is home.

In the environmental edition of #TheMagazine, Indigenous storytellers explore land defense, conservation, and climate politics worldwide.

Support independent Indigenous journalism: crushingcolonialism.org/subscribe/

Over white, black and yellow backgrounds, the five images describe the call for submissions mentioned in the caption, and the most important part is: "In our next edition of The Magazine, we’ll focus on healthcare. We seek to spotlight disability justice, gender-affirming care, community-based healing practices, access to services, bodily autonomy, and the ways Indigenous communities are redefining what care can and should look like".

Over white, black and yellow backgrounds, the five images describe the call for submissions mentioned in the caption, and the most important part is: "In our next edition of The Magazine, we’ll focus on healthcare. We seek to spotlight disability justice, gender-affirming care, community-based healing practices, access to services, bodily autonomy, and the ways Indigenous communities are redefining what care can and should look like".

Over white, black and yellow backgrounds, the five images describe the call for submissions mentioned in the caption, and the most important part is: "In our next edition of The Magazine, we’ll focus on healthcare. We seek to spotlight disability justice, gender-affirming care, community-based healing practices, access to services, bodily autonomy, and the ways Indigenous communities are redefining what care can and should look like".

Over white, black and yellow backgrounds, the five images describe the call for submissions mentioned in the caption, and the most important part is: "In our next edition of The Magazine, we’ll focus on healthcare. We seek to spotlight disability justice, gender-affirming care, community-based healing practices, access to services, bodily autonomy, and the ways Indigenous communities are redefining what care can and should look like".

📣 Applications close tomorrow! We #HireIndigenous: For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: t.ly/uL5xq

📣 Only 9 days left! We #HireIndigenous: For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: t.ly/uL5xq

📣 Only 9 days left! We #HireIndigenous: For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: t.ly/uL5xq

📣 Only 9 days left! We #HireIndigenous: For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: t.ly/uL5xq

📣 Only 9 days left! We #HireIndigenous: For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: t.ly/uL5xq

📣 Only 9 days left! We #HireIndigenous: For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: t.ly/uL5xq

📣 We #HireIndigenous! For the next edition of #TheMagazine, we’re seeking powerful stories on healthcare in Indigenous communities — centering lived experience, equity, and Indigenous-led models of care. Indigenous creators worldwide can apply. Read the guide: crushingcolonialism.org/call-for-sub...

Slide 1: It reads: "The Magazine. Dispatches from our relatives. Beverly Little Thunder: A legacy of love and activism for 2SLGBTQIA+ communities" above a photo portraying Beverly Little Thunder.

Slide 2: On top there is a photo of Beverly Little Thunder, and below a black rectangle on which it reads: "Beverly Little Thunder, a Lakota elder, educator, and Two-Spirit activist, dedicated her life to preserving Indigenous traditions, advocating for gender and spiritual inclusion, and mentoring new generations in the path of cultural pride and healing. We honor her legacy".

Slide 3: On top it reads "It was an honor and a privilege to be her walks beside for 28 years. She made change everyday of her life, and now walks with the ancestors. To say she will be missed is an understatement", a testimony of Pam Alexander, Beverly's wife. Below there is a photo of Beverly Little Thunder and Pam Alexander.

Slide 4: On top there is a photo of Beverly Little Thunder and below it reads: "Beverly Little Thunder, was a cherished part of our community whose wisdom, generosity, and spirit touched each of us and strengthened the work of the Two-Spirit & Native LGBTQ+ Center (2S Center) for Equity", a testimony of Elton Naswood, over a white rectangle.

With heavy hearts, we remember pioneering Lakota Elder Beverly Little Thunder (Standing Rock Sioux Tribe). Her gentle Lakota teachings empowered women, kids, Two-Spirit & Indigenous folks worldwide fostering matriarchal leadership & colonial healing. Honoring her memory in #TheMagazine ➡️ t.ly/6u_Yz

Slide 1: It reads "The Magazine | Dispatches from Our Relatives | Vodún is saving Benin's biodiversity and culture" over a photo of a black man gesturing at the sacred tree of King Kpassè Loko.

Slide 2: It reads: "This place is widely believed to be the birthplace of Voodoo, known by locals as Vodún, an Indigenous spiritual system that honours nature’s elements, from rivers and trees to lightning and wind" above a Benin's canopy photo.

Slide 3: The text reads: “Support our mission | crushingcolonialism.org/subscribe”.

#TheMagazine I #Vodún or #Voodoo: Benin's sacred force saving forests, wildlife & culture from colonial erasure! Priests blend rituals with eco-stewardship for biodiversity & sovereignty.

🕯️🌿 Spirituality as planet's ally—who knew? Read the full story here: t.ly/d05Wc

Slide 1: "The Magazine, Decolonized Beatz. Voices of Change: Nataanii Means on Hip-Hop, Resistance, and Reclaiming Power", above a photo of Nataanii Means rapper.

Slide 2 & 3: Excerpts from the article.

Slide 2 & 3: Excerpts from the article.

Slide 4: The text reads: “Support our mission | crushingcolonialism.org/subscribe”.

#TheMagazine | Nataanii Means, Diné, Omaha & Oglala Lakota rapper, found a voice in hip-hop. Born on a reservation, Nataanii's lyrics tap ancient roots older than modern nations—reviving resistance & pride. Giving voice to the silenced, planting seeds of culture for new generations: t.ly/2oyCD

Slide 1: “The Magazine, Decolonized Beatz. Weaving change: Women who can transform through care”, above a photo of Laura Martinez piece of art.

Slide 2 & 3: Excerpts from the article.

Slide 2 & 3: Excerpts from the article.

Slide 4: The text reads: “Support our mission | crushingcolonialism.org/subscribe”

#TheMagazine | Testimonials gathered in the "Tejiendo Cuidados" (Weaving Care) project share the rarely told story of caregiver women sustaining communities' social & political fabric. Through the art of Laura Martínez, these stories are brought to light. Complete story here: t.ly/rNcTl

Slide 1: "The Magazine, Decolonized Beatz. Changing through the arts by Tunji Offiye", above a photo of Chief Nike Davies-Okundaye.

Slide 2 & 3: Excerpts from the article.

Slide 2 & 3: Excerpts from the article.

Slide 4: The text reads: “Support our mission | crushingcolonialism.org/subscribe”

#TheMagazine | Chief Nike Davies-Okundaye empowered >4K women via Yoruba adire workshops. Defying taboos, she reclaims heritage from colonial erasure—exhibiting at Harvard/UN. Her story spotlights art as activism. Stories like this fuel Africa's creative revival. Complete story here: t.ly/9iNyg

Over a white and black backgrounds, the five images describe the reminder for the call for submissions mentioned in the caption.

Over a white and black backgrounds, the five images describe the reminder for the call for submissions mentioned in the caption.

Over a white and black backgrounds, the five images describe the reminder for the call for submissions mentioned in the caption.

Over a white and black backgrounds, the five images describe the reminder for the call for submissions mentioned in the caption.

📢 #HireIndigenous - Two weeks left! Calling Indigenous storytellers worldwide 🌎✨ #TheMagazine is open for pitches for our next issue on environmentalism. We’re looking for Indigenous journalists, artists, and creators with bold ideas and narratives that put our planet and communities at the center.​

Slide 1: "The Magazine, Dispatches by Our Relatives, Game Changers are Changemakers by Amber Hampton", in the background the poster of the Never Alone game that shows a Iñupiat kid facing a white fox.

Slide 2: "(...)For decades, the gaming and film industries have co-opted and distorted these narratives, creating harmful stereotypes that have real-world consequences" below a photo of the author, Amber Hampton.

Slide 3: "These “game changers” are really change makers, not just changing the gaming industry, but are also changing the perception of what it means to be Indigenous" above a photo of an assortment of games.

Slide 4: The text reads: “Support our mission | crushingcolonialism.org/subscribe”

#Indigenous representation isn’t a trend; it’s resistance. ✊🏽 In a world that often erases these voices, gaming has become a frontier for change. Amber Hampton (gender-fluid, bi, Two-Spirit Tsalagi) explores how Indigenous creators are reclaiming their narratives in #TheMagazine 🎮 t.ly/rC21m

Over a white background, the five images describe the reminder for the call for submissions mentioned in the caption.

Over a black background, the five images describe the reminder for the call for submissions mentioned in the caption.

Over a white background, the five images describe the reminder for the call for submissions mentioned in the caption.

Over a black background, the five images describe the reminder for the call for submissions mentioned in the caption.

#HireIndigenous | Calling Indigenous storytellers worldwide for #TheMagazine 🌎✨

📧 Got a powerful story to tell about environmentalism? Send your pitch to iriofrio@crushingcolonialism.org.

📆 Deadline: January 15, 2026

Let’s crush colonialism together, one word at a time!

#JobOpportunity

Slide 1: "The Magazine, Decolonized Beatz. Love, Land and Revolution by Lune Feu & Amer AlOmari", above a photo of four women from the Global South carrying their representative flags.

Slide 2 & 3: An excerpt from the article.

Slide 2 & 3: An excerpt from the article.

Slide 4: The text reads: “Support our mission | crushingcolonialism.org/subscribe”

#TheMagazine | Lune Feu took part in the Global Sumud Flotilla, and Amer AlOmari is a Palestinian refugee committed to global justice. Together, they reveal shared dignity and resistance linking Abya Yala and Palestine, as the Global South rises. ➡️ t.ly/udCZf

We celebrated the 2nd anniversary of #TheMagazine at Baltimore Center Stage with Indigenous performers, Indigiqueer film trainees, and MICA students. Grateful to everyone who helped uplift Indigenous storytelling and community!

Support our mission: crushingcolonialism.org/donate

Text reads: “The Magazine | December 2025 | Edition 09”

Invitation to the 2nd Anniversary of The Magazine event.

📣 The Changemakers edition of #TheMagazine is HERE! Celebrate Indigenous activists, artists, and leaders reshaping narratives and traditions. 🎉 And join us for our FREE 2-year Anniversary event!

📅 Dec 4 | 6–9 PM
📍 Baltimore Center Stage
🎟️ www.tickettailor.com/.../crushing...

The text reads: "The Magazine | Global Indigenous News | 'Who decides what is remembered? And whose memories are legitimized?' Extracted from: 'Reclaiming Indigenous Memory: Sacred Space and Nationhood in Central Asia' by Ashwin Raghuraman”

Two quotes from the article.

The text reads: “Support our mission | crushingcolonialism.org/subscribe”

For #TheMagazine, Ashwin Raghuraman charts how Central Asia is reshaping its symbolic landscape–restoring sacred sites, removing Soviet monuments, and grounding national identity in Indigenous memory.

Read the entire piece here: crushingcolonialism.org/reclaiming-i...

A photo of Miss Chief Rocka and 9A. Text reads: "Celebrating Two Years of The Magazine" and includes info about the event in the caption.

Text reads: "Featuring live performances by: Miss Chief Rock and 9A" and photos of both performers.

🎉 Our 2-year celebration of #TheMagazine is almost here–grab your FREE tickets! Join us for an evening of Indigenous art, music, storytelling, and community in a fully accessible space.

📅 Dec 4 | 6–9 PM
📍 Baltimore Center Stage
🎟️ www.tickettailor.com/events/crush...

A photo of Miss Chief Rocka and 9A. Text reads: "Celebrating Two Years of The Magazine" and includes info about the event in the caption.

🎉 Have you booked your FREE tickets to celebrate 2 years of Crushing Colonialism’s #TheMagazine?
Join us for a night of Indigenous art, music, and stories — with unforgettable performances in a fully accessible venue.

📅 Dec 4 | 6–9 PM
📍 Baltimore Center Stage
🎟️ www.tickettailor.com/events/crush...

An illustrated Indigenous woman. The text reads: "The Magazine | Decolonized Beatz | Ancestral Answer Key"

A photo of Marique and an excerpt from the poem.

The cover of Marique's book and related info.

The text reads: “Support our mission | crushingcolonialism.org/subscribe”

This week in #TheMagazine: “Ancestral Answer Key” by Marique B. Moss, a poem tracing Afro-Indigenous identity through ancestral voices.

From her new collection Sweetgrass and Soul Food, now available online and in select bookstores.
crushingcolonialism.org/ancestral-an...

🪶 Honoring 2 years of Indigenous brilliance with #TheMagazine! Join us for a FREE night of Indigenous storytelling, art, film, and community–featuring performances by @misschiefrocka.bsky.social and 9a.

📅 Dec 4, 2025 | 6–9 PM EST
📍 Baltimore Center Stage
🎟️ www.tickettailor.com/events/crush...

A photo of two Nigerian twins. The texts reads: "The Magazine | Decolonized Beatz | The Sacred Identity of Twins in Yoruba Tradition"

An excerpt from the article.

The text reads: “Support our mission | crushingcolonialism.org/subscribe”

Our latest feature in #TheMagazine by Bukunmi Oyewole explores Igboora’s World Twins Festival and the Yoruba belief that twins are sacred carriers of spiritual identity.

Read the full piece: crushingcolonialism.org/the-sacred-i...

Celebrate 2 years of Crushing Colonialism #TheMagazine! Join us for this FREE event featuring Indigenous storytelling, art, film, & community, with performers @misschiefrocka.bsky.social and 9a.

📅 Dec 4, 2025 | 6–9 PM EST
📍Baltimore Center Stage
🎟️ www.tickettailor.com/events/crush...

A painting of a deer-man and text that reads: “The Magazine | Decolonized Beatz | Perfumados: Navigating Indigenous Identity Through Ritual Art”

Two excerpts from the article.

The text reads: “Support our mission | crushingcolonialism.org/subscribe”

In the pictorial series Los Perfumados, featured in this edition of #TheMagazine, Muysc descendant artist from the so-called "Colombia" CHICHIMUT blends pigment, memory, & ceremony to reclaim Indigenous identity & resist erasure.

Read the entire piece: crushingcolonialism.org/perfumados-n...

The text reads: "An Igarra woman in vibrant festival attire. The text reads: “The Magazine | Dispatches From Our Relatives | Country of the Majority”.

Two quotes from the article.

The text reads: “Support our mission | crushingcolonialism.org/subscribe”

Nigerian-British writer Tunji Offeyi examines how colonial legacies and “Indigeneity” laws continue to shape who gets to belong in Nigeria through the story of the Igarra (Etuno) people, in this feature for #TheMagazine.

Read the entire piece: crushingcolonialism.org/country-of-t...