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Lance Smith 🎨🪶
Lance Smith 🎨🪶
@lancesmithart.com
5 months ago
Post image

Native American Art
31 in acrylics on red cedar 850
#WomenInArt #art #artText #artwork #EgonSchiele #Schiele #AustrianArtist #AustrianArt #oilpainting #PortraitofaWoman #LentosKunstmuseum #BlueskyArt #VienneseExpressionist #Expressionism

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Michael
Michael
@mdstamper.bsky.social
5 months ago
A young woman stands facing us within a shallow, flattened space. Her wavy long, dark brown hair falls loose past her shoulders; her skin is light, with a faint rose warmth at the cheeks. She wears a modest, long-sleeved dress with a high neckline. Its folds are indicated by taut, economical brushstrokes rather than soft volume. She is framed by a reddish, triangular field that rises like an apex behind her head and shoulders, set against earthy browns and oranges. Austrian artist Egon Schiele’s contour lines are sharp and irregular, darkly encircling her arms, jaw, and collar. Her gaze is direct and steady though a little guarded with her lips closed. Whether she stands or sits is intentionally ambiguous. Trude Engel was the daughter of Schiele’s Viennese dentist; the portrait grew from that relationship and an arrangement that exchanged treatment for art. Later technical study revealed an earlier composition beneath the paint: an allegorical figure with a skull-like head, aligning with Schiele’s recurring themes of life and death. Family correspondence recounts that, as a teenager, Trude slashed the canvas in anger; the repairs remain part of the work’s material history and can be seen. Painted as both Schiele’s reputation and controversy rose, the image condenses his radical portrait language: incisive line, compressed space, and psychological charge. The triangular, mantle-like field behind Trude reads as both halo and warning sign, intensifying her composed yet uneasy presence. In 1912 Schiele was jailed briefly, an ordeal that sharpened his sense of human vulnerability; in his prison drawings he simply wrote, “I am human,” a sentiment that resonates in Trude’s unsentimental, searching gaze that is less a likeness than a revelation of being.

A young woman stands facing us within a shallow, flattened space. Her wavy long, dark brown hair falls loose past her shoulders; her skin is light, with a faint rose warmth at the cheeks. She wears a modest, long-sleeved dress with a high neckline. Its folds are indicated by taut, economical brushstrokes rather than soft volume. She is framed by a reddish, triangular field that rises like an apex behind her head and shoulders, set against earthy browns and oranges. Austrian artist Egon Schiele’s contour lines are sharp and irregular, darkly encircling her arms, jaw, and collar. Her gaze is direct and steady though a little guarded with her lips closed. Whether she stands or sits is intentionally ambiguous. Trude Engel was the daughter of Schiele’s Viennese dentist; the portrait grew from that relationship and an arrangement that exchanged treatment for art. Later technical study revealed an earlier composition beneath the paint: an allegorical figure with a skull-like head, aligning with Schiele’s recurring themes of life and death. Family correspondence recounts that, as a teenager, Trude slashed the canvas in anger; the repairs remain part of the work’s material history and can be seen. Painted as both Schiele’s reputation and controversy rose, the image condenses his radical portrait language: incisive line, compressed space, and psychological charge. The triangular, mantle-like field behind Trude reads as both halo and warning sign, intensifying her composed yet uneasy presence. In 1912 Schiele was jailed briefly, an ordeal that sharpened his sense of human vulnerability; in his prison drawings he simply wrote, “I am human,” a sentiment that resonates in Trude’s unsentimental, searching gaze that is less a likeness than a revelation of being.

Portrait of Trude Engel by Egon Schiele (Austrian) - Oil on canvas / c. 1912 - Lentos Kunstmuseum (Linz, Austria) #WomenInArt #art #artText #artwork #EgonSchiele #Schiele #AustrianArtist #AustrianArt #oilpainting #PortraitofaWoman #LentosKunstmuseum #BlueskyArt #VienneseExpressionist #Expressionism

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