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Washington National Opera Discover Washington National Opera: Celebrating 70 years of world-class opera performances and community engagement. Join us today!

One of the things that didn't help #WashingtonNationalOpera after they left the Kennedy Center, is that they lost access to their marketing lists (which they are currently negotiating with KC to get access to, including their trust fund). So sign up below if you want to learn about #WNO.

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The Crucible at WNO: Bass-Baritone Ryan McKinny on John Proctor and the Future of Opera Ahead of the Washington National Opera's production of The Crucible, acclaimed bass-baritone Ryan McKinny shares his insights on singing the role of John Proctor, the future of opera, and more.

"To me, a flawed man eventually choosing to do the right thing is more powerful than a hero. We need imperfect people to choose to do the right thing in the world, now more than ever. That is what makes this piece so relevant." Quite looking forward to seeing #WNO #TheCrucible tomorrow.

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Opinion | Maybe It’s Time to Close the Kennedy Center for Good Washington isn’t a cultural hub, the building is ugly, and its leaders don’t much care about the arts.

Everything Tom Foley wrote is a lie and he’s just another PE guy contributing to the enshitification of [gestures wildly] everything. Shame on the Wall Street Journal for publishing such dreck @wsj.com #arts #kennedycenter #wno #nso
www.wsj.com/opinion/mayb...

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From NYT:

Attendance at the opera had declined after Mr. Trump returned to office last year and quickly installed himself as the Kennedy Center's public face - naming himself chairman, filling its historically bipartisan board with loyalists and personally hosting the ceremony for the annual Kennedy Center Honors. Since Mr. Trump's name was added to the center, many artists have said they would no longer perform there.

Francesca Zambello, who has served as the opera's artistic director for 14 years, suggested that its performances this spring season sent a broader message about the company's values.

"We will present three American works that explore themes at the heart of what makes our country great," she said in the statement. "'Treemonisha' celebrates the triumph of education over ignorance, while "The Crucible' is a cautionary tale about a righteous mob that murders innocent women and tears families apart. We close with
'West Side Story', a modern spin on the Shakespeare play that Leonard Bernstein called 'an out and out plea for racial tolerance.?"
The Lisner Auditorium, at George Washington University, is smaller than the Kennedy Center's Opera House, with 1,400 seats compared to about 2,300 at the center.

The company will also host events at a variety of other venues around Washington, including St. Dunstan's Episcopal Church, St. Thomas Episcopal Church and the Rachel M. Schlesinger Concert Hall and Arts Center, where participants of the opera's Cafritz Young Artist Program will perform "Beethoven & Bohème" next month.

Reggie Ugwu is a Times culture reporter.

From NYT: Attendance at the opera had declined after Mr. Trump returned to office last year and quickly installed himself as the Kennedy Center's public face - naming himself chairman, filling its historically bipartisan board with loyalists and personally hosting the ceremony for the annual Kennedy Center Honors. Since Mr. Trump's name was added to the center, many artists have said they would no longer perform there. Francesca Zambello, who has served as the opera's artistic director for 14 years, suggested that its performances this spring season sent a broader message about the company's values. "We will present three American works that explore themes at the heart of what makes our country great," she said in the statement. "'Treemonisha' celebrates the triumph of education over ignorance, while "The Crucible' is a cautionary tale about a righteous mob that murders innocent women and tears families apart. We close with 'West Side Story', a modern spin on the Shakespeare play that Leonard Bernstein called 'an out and out plea for racial tolerance.?" The Lisner Auditorium, at George Washington University, is smaller than the Kennedy Center's Opera House, with 1,400 seats compared to about 2,300 at the center. The company will also host events at a variety of other venues around Washington, including St. Dunstan's Episcopal Church, St. Thomas Episcopal Church and the Rachel M. Schlesinger Concert Hall and Arts Center, where participants of the opera's Cafritz Young Artist Program will perform "Beethoven & Bohème" next month. Reggie Ugwu is a Times culture reporter.

What a relief, my kid is working on Treemonisha
at the #WNO

Gift link 🎁 wapo.st/4bCxy2B

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Washington National Opera to move out of Kennedy Center after Trump ‘takeover’ Artistic director of US’s national opera also cites ‘shattered’ donor confidence and box office revenue

The Washington National Opera #WNO announced on Friday it is moving its performances out of the #JohnFKennedyCenter, in what could be one of the most significant departures from the institution since #Trump took control of it.

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Washington National Opera latest to leave Kennedy Center after Trump takeover It is the latest storied Washington arts institution to leave since Trump and his allies took over.

Washington National Opera latest to leave Kennedy Center - www.reuters.com/world/us/was... #bravo #WNO

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Washington National Opera says it will leave DC's #KennedyCenter.

The #WNO is the latest group to quit the performance venue since convicted FELON and adjudicated sex offender, donald #trump decided to ILLEGALLY rename it as his own.

Turns out, being a dictator is harder than trump wants.

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Washington National Opera may move out of Kennedy Center due to Trump ‘takeover’ Ticket sales at about 40% unsold compared with before president made himself chair of US performing arts center

“[I]f we cannot raise enough money, or sell enough tickets in there, we have to consider other options…The two things that support a company financially, because of the takeover, have been severely compromised.”

#operasky #wno

www.theguardian.com/us-news/2025...

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‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera Adele Thomas and Sarah Crabtree took up their positions as joint heads of WNO in January after brutal funding cuts. But they are confident their pared-down operation will still offer ‘an electric nigh...

one of my favourite, & the UK's best, production / performance companies #WNO

www.theguardian.com/music/2025/s...

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Candide • Trailer | Rhagflas • Welsh National Opera Cenedlaethol Cymru
Candide • Trailer | Rhagflas • Welsh National Opera Cenedlaethol Cymru YouTube video by Welsh National Opera Cenedlaethol Cymru

Beth sy'n digwydd pan fydd optimistiaeth yn cwrdd â realiti?

Mae Candide yn adrodd stori taith un dyn trwy ryfel, trychineb ac abswrdiaeth mewn taith epig ar draws Ewrop a thu hwnt - yn ei gais i ffeindio'r gorau o bob byd posibl.

#WNOcandide #Candide #WNO

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Intermezzo | Rakie Ayola + Adele Thomas
Intermezzo | Rakie Ayola + Adele Thomas YouTube video by Welsh National Opera Cenedlaethol Cymru

BAFTA-winning actor Rakie Ayola (Narrator and Dr. Pangloss in Candide) talks with our Co-General Director Adele Thomas, about working on her first opera, her first experience with WNO, and the still relevant themes of Candide.

Watch the full episode here

#WNO #WNOCandide #RakieAyola

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🔥 When opportunity arises, it's important to show up. And no one shows up like Max Hanson.

🎯 He'll be stepping in on late notice to fill in on the #WNO main card this Friday in MASSIVE match to really showcase how many hours he's been putting in on the mats.

#GrapplingHour #GrapplingHourClips

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🏅 After securing his spot at Finishers, Sean Yadimarco makes his #WNO debut this Friday in an absolute banger. It's great to see someone with the passion for the art of jiu jitsu getting a bigger spotlight!

#GrapplingHour #GrapplingHourClips #BJJ #Teaching #Training #GymCulture

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Sean Yadimarco is no stranger to the spotlight. Big congratulations to the man as he punched his ticket to the next #WNO at Finishers Sub-Only this weekend!

#GrapplingHour #BJJ #NoGi #SubOnly

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Chirs Wojcik may have had what it took to get his hand raised at WNO last week, but did he have the skillz to beat ME in The Grappling Hour Submission Challenge? Watch him contend with my guard and my trash talk in our latest episode, out now.

#GrapplingHour #BJJ #SubmissionChallenge #WNO

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May not have a ticket but I’ve got myself a programme #Britten #WNO #PeterGrimes

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Peter Grimes, Welsh National Opera review - febrile energy and rage Emotions run high at WNO these days. When the company’s co-directors, Sarah Crabtree and Adele Thomas, feel impelled to take to the stage at the end of the first night of Peter Grimes, in front of the...

★★★★ PETER GRIMES #WNO - In every sense a tour de force, with the orchestral playing having an almost desperate, frenzied power, a febrile energy and rage - review by Stephen Walsh www.theartsdesk.com/opera/peter-...

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I went to #PeterGrimes last night. #WNO. It was stupendous.

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New Report Shows Success with Welsh National Opera’s 'Wellness with WNO' Program - OperaWire Welsh National Opera has released details of an evaluation report for its pilot "Wellness with WNO: Managing Persistent Pain Program."

Music has the power to heal.
Welsh National Opera's wellness programme showed that music can help people with chronic pain.
Some participants went on to join choirs, while others felt well enough to resume working. #WNO #NHS
tinyurl.com/m8k5yud

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WNO's Death in Venice, Featuring Roderick Williams, Gareth Brynmor John and Alexander Chance, Wins RPS Opera Award - Groves Artists Welsh National Opera’s production of Britten’s Death in Venice, which featured Groves artists Roderick Williams, Gareth Brynmor John and Alexander Chance, has won the Royal Philharmonic Society’s Oper...

Congratulations to WNO's cast and crew for winning @royalphilsoc.bsky.social's Opera and Theatre Award for Death and Venice, which featured Roderick Williams, Gareth Brynmor John and Alexander Chance!

www.grovesartists.com/link/WHqoQ #WNO #RPSAwards

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🎭 THEATRE NEWS 🎭

Welsh National Opera announce 2025/2026 season marking its 80th anniversary.

Head to the website www.pinkprincetheatre.com for the full story.

#pinkprincetheatre #theatrenews #opera #welshnationalopera #wno #newseason #theatreroyalplymouth #trp #plymouth #whatsonplymouth

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Great to see Welsh National Opera back in my birth town of Swansea at the wonderful Grand Theatre.

#opera #swansea #WNO

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I had to cancel my scheduled Washington National Opera chorus audition because I got sick just a few days prior--I guess this was a blessing in disguise. I hope #WNO survives the whole #KennedyCenter fiasco

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Preview
Welsh artists and Welsh stories: Welsh National Opera celebrates its 80th birthday with a 2024/25 season that manages to make a stir, even with insufficient funding <p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUG4HjsDLuhn_Wije2DwgbM5CTYQ3srxiDeoiXdl4zpkMOs4qmOQQRMA8fZw01pw7TrCJ8Z9UIpBbS0kh1jMqVNip1qQP73uCSNRPwHIi7FdeoMsgELUL3cR-zXbZFw1WPhLsJm7iHC4nAzpMc6woV8TzyuDTxSBLYl__-fPXceQPmOIdf6aI/s2048/Tosca%2007.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Puccini: Tosca - Robert Hayward - Opera North in 2023 (Photo: James Glossop)" border="0" data-original-height="1366" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUG4HjsDLuhn_Wije2DwgbM5CTYQ3srxiDeoiXdl4zpkMOs4qmOQQRMA8fZw01pw7TrCJ8Z9UIpBbS0kh1jMqVNip1qQP73uCSNRPwHIi7FdeoMsgELUL3cR-zXbZFw1WPhLsJm7iHC4nAzpMc6woV8TzyuDTxSBLYl__-fPXceQPmOIdf6aI/w640-h426/Tosca%2007.JPG" title="Puccini: Tosca - Robert Hayward - Opera North in 2023 (Photo: James Glossop)" width="640"/></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Edward Dick's production of Puccini's <i>Tosca</i> with Robert Hayward as Scarpia at Opera North in 2023 (Photo: James Glossop)</td></tr></tbody></table><br/><span style="font-family: verdana;">Welsh National Opera celebrates its 80th anniversary during the 2024/25 season and whilst the current financial climate in the arts is hardly a reason for blowing balloons and throwing streamers, the company under its new management team of Sarah Crabtree and Adele Thomas, has put together a season that celebrates both Welsh stories and Welsh artists. No, the season is nowhere near as extensive or as experimental as in the past, but includes major Welsh singers in signature roles, a contemporary work telling a very Welsh story and a new production that gives the chorus a chance to shine.</span><p>The Autumn season consists of Puccini's <i>Tosca</i> and Bernstein's <i>Candide</i>. <i>Tosca</i> is seen in WNO's first showing of Edward Dick's fine production first seen at Opera North in 2018 [see my <a href="https://www.planethugill.com/2023/03/keenly-dramatic-puccinis-tosca-at-opera.html" target="_blank">review</a> of Opera North's 2023 revival]. Natalya Romaniw is Tosca with Andrés Presno as Cavaradossi [returning to the production having sung it in 2023], and conductor Gergely Madaras making his WNO debut. </p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTFPmwOHd-6KPvPiT6AnKVTLvEa2umyCeoteYqxNwnTpjKpwnknPvhvTRMWdFNYrRHIEdIjU0ms6YaiGjxV-ZzwjZ4BC_jWAS7yFaaog_dwn2gg0Yxt5Abrgh4ANgQxSnSrnpa5gUxpbKCVoTHdhrVywPBe7eREcBdIvI5nWVtVhrZbjJJZVCE_Q/s900/WNO-Candide-Ed-Lyon-Candide-Francesca-Saracino-Paquette-Cast-of-Candide-photo-credit-Johan-Persson-08809_3370a540f391115c933fbe6a89e5fd07.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Bernstein: Candide - Ed Lyon, Francesca Saracino - WNO, 2023 (Photo: Johan Persson)" border="0" data-original-height="537" data-original-width="900" height="382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTFPmwOHd-6KPvPiT6AnKVTLvEa2umyCeoteYqxNwnTpjKpwnknPvhvTRMWdFNYrRHIEdIjU0ms6YaiGjxV-ZzwjZ4BC_jWAS7yFaaog_dwn2gg0Yxt5Abrgh4ANgQxSnSrnpa5gUxpbKCVoTHdhrVywPBe7eREcBdIvI5nWVtVhrZbjJJZVCE_Q/w640-h382/WNO-Candide-Ed-Lyon-Candide-Francesca-Saracino-Paquette-Cast-of-Candide-photo-credit-Johan-Persson-08809_3370a540f391115c933fbe6a89e5fd07.jpg" title="Bernstein: Candide - Ed Lyon, Francesca Saracino - WNO, 2023 (Photo: Johan Persson)" width="640"/></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Bernstein: <i>Candide</i> - Ed Lyon, Francesca Saracino - WNO, 2023 (Photo: Johan Persson)</td></tr></tbody></table><br/>James Bonas' production of Bernstein's <i>Candide</i> was first seen at WNO in 2023, and returns with Ed Lyons again in the title role. Joining him are Aled Hall as the Governor and Soraya Mafi as Cunégonde, conducted by Ryan McAdams.<p>The Summer season features a new production of Wagner's <i>The Flying Dutchman</i> with Welsh director Jack Furness making his WNO debut, and the production is conducted by the company's music director Tomáš Hanus. </p><p>Jack Furness, whose recent work has included a poetic account of Dvorak's <i>Rusalka</i> at Glyndebourne [see my <a href="https://www.planethugill.com/2022/06/poetic-drama-real-musicality-highly.html" target="_blank">review</a>], Gounod's <i>Faust</i> at Irish National Opera, and an intriguing take on Humperdinck's <i>Hansel and Gretel</i> at the Royal Academy of Music [see my <a href="https://www.planethugill.com/2024/11/if-you-go-down-to-woods-gender-fluid.html">review</a>], will be giving contemporary reimagining of the opera. </p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTvF84zCtBgT7l4y7N-djSoVpuoJmPe50ZA8Vw3ROQHw5QB_IclZDv9fKdl0G3XiT7gt_4bWD-q23cg9MrUD8snyXCyJwDw63iCBpUNWfuXV8a3DUVSf6OUJu0ZGzOZH45rXdHomO7FddfSIgpTAYQ85EVvTDVwhxd1EAAbqrwLf6KNCPe3xKqvg/s900/WNO-Blaze-of-Glory-Rebecca-Evans-Nerys-Price-Cast-of-Blaze-of-Glory-photo-credit-Kirsten-Mcternan-670_015e1b2b62f7a235d133b814f4bd23a5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="David Hackbridge Johnson: Blaze of Glory - Rebecca Evans - WNO, 2023 (Photo: Kirsten Mcternan)" border="0" data-original-height="599" data-original-width="900" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTvF84zCtBgT7l4y7N-djSoVpuoJmPe50ZA8Vw3ROQHw5QB_IclZDv9fKdl0G3XiT7gt_4bWD-q23cg9MrUD8snyXCyJwDw63iCBpUNWfuXV8a3DUVSf6OUJu0ZGzOZH45rXdHomO7FddfSIgpTAYQ85EVvTDVwhxd1EAAbqrwLf6KNCPe3xKqvg/w640-h426/WNO-Blaze-of-Glory-Rebecca-Evans-Nerys-Price-Cast-of-Blaze-of-Glory-photo-credit-Kirsten-Mcternan-670_015e1b2b62f7a235d133b814f4bd23a5.jpg" title="David Hackbridge Johnson: Blaze of Glory - Rebecca Evans - WNO, 2023 (Photo: Kirsten Mcternan)" width="640"/></a></td></tr><tr><td class="tr-caption" style="text-align: center;">David Hackbridge Johnson: <i>Blaze of Glory</i> - Rebecca Evans - WNO, 2023 (Photo: Kirsten Mcternan)</td></tr></tbody></table><br/>Also in the season is a revival of David Hackbridge Johnson's opera <i>Blaze of Glory!</i> [described in The Stage as 'Utterly thrilling', see <a href="https://www.thestage.co.uk/reviews/blaze-of-glory-review-at-wales-millennium-centre-cardiff-from-david-hackbridge-johnson" target="_blank">the review</a>] which follows a group of Welsh miners as they embark on a musical journey to reform their male voice choir after a local mining disaster. The opera has particular resonance at WNO as not only is a Welsh story, but WNO emerged during the post-War period as a result of the passion for music held by a group of amateur performers from across South Wales, including doctors, miners and teachers. <p>Caroline Clegg directs with many of the original cast returning, including Jeffrey Lloyd-Roberts, Rebecca Evans, Themba Mvula and Feargal Mostyn-Williams, conducted by James Southall.</p><p>WNO's family show, <i>Play Opera LIVE</i> returns with a <i>Shipwrecked!</i> theme, with WNO Orchestra and Chorus, and Tom Redmond as presenter. The WNO Chorus and Orchestra are presenting <i>A Night at the Opera</i> concerts, whilst the orchestra will ring in the New Year with their popular tour of Viennese music which will tour to venues in Wales and the Southwest of England.</p><p>WNO’s extensive programme and engagement activity will also continue into this year, which includes regular schools activity and concerts, WNO Youth Opera and the Wellness with WNO programme.  </p><p>Autumn 2024 sees performances in Cardiff, Southampton, Llandudno, Bristol and Plymouth, whilst Summer 2025 sees performances in Cardiff, Plymouth, Birmingham, Milton Keynes and Swansea.</p><p>Full details from the WNO <a href="https://wno.org.uk/news/our-2025-2026-season-announcement" target="_blank">website</a>.</p> <div style="clear: both;"></div>

Welsh artists and Welsh stories: Welsh National Opera celebrates its 80th birthday with a 2024/25...

www.planethugill.com/2025/02/welsh-artists-an...

#preview #WNO

Event Attributes

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The Marriage of Figaro review — genuinely funny, this Mozart flies by The crisis for music in Wales is ever bleaker, but Welsh National Opera’s Mozart revival is full of fresh energy

Lovely review from @thetimes.com featuring Jeffrey Lloyd-Roberts as Don Curzio and Don Basilio with Welsh National Opera!

www.thetimes.com/culture/clas... #WNO

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Dire health and humanitarian crisis in eastern Democratic Republic of the Congo prompts escalation of efforts by WHO, partners The recent surge in violence in the eastern Democratic Republic of the Congo has led to significant loss of life, trauma, displacement, and the destruction of critical health infrastructure, exacerbat...

Die #WNO berichtet über die Folgen der Kämpfe in der Demokratischen Republik Kongo #DRC: Nach Einnahme der Millionenstadt Goma sind Hunderttausende intern Vertriebene erneut geflüchtet, viele Menschen leiden Hunger, die Gesundheitsversorgung ist weitgehend zusammengebrochen, US-Hilfsgelder fehlen.

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The Marriage of Figaro, Welsh National Opera review - no concessions and no holds barred Drained as they are at present of crucial funds, WNO are managing to put on only two operas this spring, and spaced out to the point where it could hardly be called a season. For their new Peter Grime...

★★★★★ THE MARRIAGE OF FIGARO #WNO - No concessions and no holds barred in a compelling revival, punches, placards and all - review by Stephen Walsh theartsdesk.com/opera/marria...

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Toi toi toi to Jeffrey Lloyd-Roberts who performs the roles of Don Basilio and Don Curzio in The Marriage of Figaro with Welsh National Opera!

6 February – 6 June

wno.org.uk/whats-on/fig... #tenor #WNO

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It is catastrophic. Internationally famous events, training for young people - and God forbid we lose #WNO.

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Washington Classical Review

Last night I went to The WNO's American Opera Initiative - a world-premiere of three 20-minute operas sung by members of the WNO Cafritz Young Artists program. All were interesting stories. Mud Girl was my favorite. #WNO #opera
washingtonclassicalreview.com/2025/01/19/n...

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