Love the legendary #IdaLupino .
#WomenInNoir #WomenAndFilm #WomensHistoryMonth #FilmSky #MovieSky #TCMParty

Original post on fedihum.org

Stay tuned for our upcoming books on data and power in the field of cultural heritage, on plurality and disambiguation in the context of data-based research, and on situated film histories and data visualization - published with the excellent meson press✨ 🎬 📚

#FeministFilmHistory #MediaStudies […]

Filming has started! We are excited to announce that the mini documentary for the #SOMS project is now underway, with the filming of some oral history participants, talking about their experiences of being self-employed, with the super talented #blackbarkfilms

#womenandfilm
#selfemploymentwomen

Panel B7 | Gaps, Possibilities, Vampirism: Feminist Interventions in Film and Media Historiographical Narratives Chair | Thomas Scherer (European University Viadrina Frankfurt (Oder)) Room G.1.5 sarah-Mai Dang (Philipps-Universitat Marburg) | Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research Elisa Linseisen (HfBK Hamburg) & Lisa Gotto (University of Vienna) | How to not become a vampire. Approaches to Unfinished Films and Histories Laura Katharina Miicke (JGU Mainz) | Too Fragmented to Pay Attention. Gaps vs. Stereotypes in Early Women Film Spectatorship Josephine Diecke (University of Zzurich) | Reconstructing and Reimagining ‘Someone Else’s Spectral Images: The Case of Chetna Vora

Panel D14 | Uncovering Amateur Media Histories: Digital Approaches to Archival Collections Supported by | Amateur Media Cultures Chair | Alexandra Schneider (Johannes Gutenberg University Mainz) Room B.1.2 Tim van der Heijlden (Open University of the Netherlands) & Lauren Tilton (University of Richmond) | Exploring Amateur Media Collections at Scale Through Distant Viewing Andrea Mariani (University of Udine) | Amateur Film as Lossy Media: Overscanning and the Digital Fac-simile Charles Tepperman (University of Calgary) | Mapping a Global Vernacular: Data (Trouble) and Amateur Film History Between the Wars Respondent | Sarah-Mai Dang (Philipps-Universitat Marburg)

So excited for the start of the #NECS2025 conference today in Lisbon!

Looking forward to the contributions by #DAVIF PI @SarahMaiDang who will discuss the effects of missing data on research in film and media studies (Thursday, 19 June) and respond to papers on […]

[Original post on fedihum.org]

Great planning meeting with @blackbark.bsky.social films this morning. SOMS documentary shooting starts in July - exciting!

#uobresearch
#selfemployedwomen
#researchdocumentary
#womenandfilm
#womeninfilm
#womenmakingfilm
#womenbehindthecamera
#womeninbusiness

Bianca Sedmak, Sarah-Mai Dang, Pauline Junginger, Kristina Rose und Natalie Filipiak sitzen an einem Restauranttisch neben einer belebten Straße und blicken in die Kamera.

Wie beeinflussen institutionelle Datenpraktiken unser Verständnis von Filmgeschichte?

Diese und andere Fragen haben wir heute mit Bianca Sedmak, Kristina Rose und Natalie Filipiak von unserem Projektpartner DFF - Deutsches Filminstitut & Filmmuseum diskutiert […]

[Original post on fedihum.org]

Das Foto zeigt einen Ausschnitt aus dem Programmheft der DHd 2025 und bewirbt Pauline Jungingers Vortrag "Kontext, Unsicherheit und Geschlecht im Fokus der Modellierung: Datenprinzipien für die feministische Filmgeschichte".

Die #DHd2025 ist gestartet! ✨

Am Freitag gibt @p_junginger dort spannende Einblicke in ihre Dissertation und spricht über "Kontext, Unsicherheit und Geschlecht im Fokus der Modellierung: Datenprinzipien für die feministische Filmgeschichte".

📅 Freitag, 07 […]

[Original post on fedihum.org]

Pauline Junginger, Clara Auclair and Sarah-Mai Dang sit at a table laughing and discussing.

Yesterday we had the pleasure of welcoming our current #DAVIF fellow Clara Auclair to Marburg!

We continued our discussions on #DataVisualizations and #WomenAndFilm and organized the proceedings of our closing conference “Cultural Heritage Data & Power”. So […]

[Original post on fedihum.org]