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Drawing of a bear in a forest. The bear is wearing a shirt, shorts and shoes and is looking at a map in confusion.

Drawing of a bear in a forest. The bear is wearing a shirt, shorts and shoes and is looking at a map in confusion.

#inktober day 9: lost ✒️ a little bear in the woods :3 #inkdrawing #inkart #finelinerdrawing #finelinerart #traditionalart #drawing #myart #artistsonbluesky #aetsky #art #pieniesinktober2025 #inktober2025 #inktoberday9 #inktoberdrawing #inktoberart #cuteart #cartoonart

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"Bedroom in Arles" from a series of three paintings by Dutch Post-Impressionist artist Vincent van Gogh. 
Van Gogh created three nearly identical versions of this painting, depicting his bedroom in the "Yellow House" in Arles, France. 
The first version was painted in October 1888 and is now in the Van Gogh Museum, Amsterdam. 
Van Gogh made two copies of the painting in 1889, one of which is in the Art Institute of Chicago and the other in the Musée d'Orsay, Paris. 
He aimed to express the tranquility and simplicity of his bedroom through the symbolic use of colors, describing the walls as pale lilac, the floor as uneven faded red, and the furniture in chrome yellow. 
The painting is known for its distinctive perspective, which some describe as "awkward and imperfect," potentially reflecting Van Gogh's artistic choices and the unusual dimensions of the room.

"Bedroom in Arles" from a series of three paintings by Dutch Post-Impressionist artist Vincent van Gogh. Van Gogh created three nearly identical versions of this painting, depicting his bedroom in the "Yellow House" in Arles, France. The first version was painted in October 1888 and is now in the Van Gogh Museum, Amsterdam. Van Gogh made two copies of the painting in 1889, one of which is in the Art Institute of Chicago and the other in the Musée d'Orsay, Paris. He aimed to express the tranquility and simplicity of his bedroom through the symbolic use of colors, describing the walls as pale lilac, the floor as uneven faded red, and the furniture in chrome yellow. The painting is known for its distinctive perspective, which some describe as "awkward and imperfect," potentially reflecting Van Gogh's artistic choices and the unusual dimensions of the room.

Vincent van Gogh
"Vincent's Bedroom in Arles" (September 1889)
Oil on canvas, 56.5 x 74 cm.
Musée d'Orsay, Paris.
#AetSky #VanGogh

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Dalí exhibited this oil painting in 1934, in the jacques Bonjean Gallery in Paris, and later in the Julien Levy Gallery in New York, and introduces this fragment of text in both catalogues: " Instant photo in colours at hand subconscious, surrealist, extravagant, paranoiac, hypnagogic, extra-pictorial, phenomenal, superabundant, super-fine images, etc...of concrete irrationality...". On the right-hand side, we see Dalí as a child, dressed as a sailor, looking at an enormous monster, soft and hard at the same time, which for the artist symbolised sexuality, all of it framed by a hyper-realist Cap de Creus. This work is the concrete definition of a difficult-to-perceive feeling: the monster of sexuality, as precise as the landscape of his childhood, the rocks of Cap de Creus. We should emphasise the imposing presence of the crutches, to Dalí a symbol of death and resurrection.

Dalí exhibited this oil painting in 1934, in the jacques Bonjean Gallery in Paris, and later in the Julien Levy Gallery in New York, and introduces this fragment of text in both catalogues: " Instant photo in colours at hand subconscious, surrealist, extravagant, paranoiac, hypnagogic, extra-pictorial, phenomenal, superabundant, super-fine images, etc...of concrete irrationality...". On the right-hand side, we see Dalí as a child, dressed as a sailor, looking at an enormous monster, soft and hard at the same time, which for the artist symbolised sexuality, all of it framed by a hyper-realist Cap de Creus. This work is the concrete definition of a difficult-to-perceive feeling: the monster of sexuality, as precise as the landscape of his childhood, the rocks of Cap de Creus. We should emphasise the imposing presence of the crutches, to Dalí a symbol of death and resurrection.

Salvador Dalí
"The Spectre of Sex-Appeal" (1934)
Oil on wood panel | 17.9 x 13.9 cm
Dalí Theatre-Museum
#AetSky #Dalí #Surrealism

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