This bright green jade pendant depicts a Maya ruler wearing the headdress of a supernatural being. The lower half of the highly polished stone is a naturalistic face of a Maya lord whose lips are slightly parted, as if about to speak. The face seems to emerge from the gaping jaws of the deity depicted in the headdress. The iconography of the jade ties it strongly with Maya beliefs about rulership, particularly its connection with divine powers (see 2007.134). The apex of the work terminates in a visual element that is common in artists’ depictions of crown jewels worn by Late Classic period (ca. 550 – 900 CE) kings and queens, especially in the 7th and 8th centuries. In fact, the pendant itself was likely a pectoral or a crown jewel, the centerpiece of a royal diadem, such as those found in the tombs of important historical figures. Fiber run through drill holes on the reverse side would have affixed the jewel to a bark paper or cloth fiber diadem, and multiple drill holes along the jaw of the ruler’s portraits would have allowed beads to dangle below. Red pigment in the drill holes indicates it was once part of a funerary assemblage, which the Maya often dusted with red minerals upon burial, as a king or queen took his or her jewels into the next life. The work is exceptional for its relative size, the beauty of the apple-green jade (the shade most preferred by the Maya), and the outstanding sculptural qualities of the work. The richly volumetric carving sets this work apart from known, flatter compositions. There are two other pendants of comparable quality and imagery. The first was created for a ruler at Piedras Negras, Guatemala, and later deposited in the Great Cenote at Chichen Itza, Mexico; it is now in the collections of the Peabody Museum at Harvard University. The second was excavated from Burial 77 at Tikal, which likely held the final ruler of the city before its abandonment in the 9th century.

Pendant
carved jade, pigment
Maya culture
circa 600-700 CE
Mexico

#jade #mayaculture #mesoamerica #pendant #mayanjade #carved #handmade #ancientjade #tikal #piedrasnegras #chichenitza #mexico #ancientmexico #precolumbian #prehispanic #archaeology #jadeite #pigment #oneofakind #carving #royaljade

The Kingdom of Nicoya (from Nahuatl: Nekok Yaotl), also called Cacicazgo or Lordship of Nicoya, was an indigenous nation that comprised much of the territory of the current Guanacaste Province, in the North Pacific of Costa Rica. Its political, economic and religious center was the city of Nicoya, located on the peninsula of the same name, which depends on several provinces located on both banks of the Gulf of Nicoya, as well as numerous tributary villages. In the 16th century, prior to the arrival of Europeans, Nicoya was the most important chiefdom of the North Pacific of present-day Costa Rica. This necklace is composed of different sizes of carved green jade beads, with a large bar-shaped light green jade pendant at center front. Costa Rica, a tropical country of environmental and biological diversity, is located between Nicaragua to the north and Panama to the south in lower Central America. With Mesoamerica, Costa Rica is one of the two regions in which jade was extensively carved in Precolumbian times. The earliest known carved jade jewelry from this culture is from about 100 BCE, and they continued to carved jade extensively until about 700 CE, when the culture moved away from jade to a preference for gold ornaments.

Beaded Necklace with Bar Pendant
jade
300–700 CE
Nicoya
Guanacaste province, Costa Rica

#art #ancientart #precolumbian #prehispanic #tribalart #ethnographicart #jewelry #ancientjewelry #jewelrydesign
#handmade #jade #necklace #nicoya #costarica #ancientjade #carvedjade