Personajes Geometricos
oil on board
2022
Jorge Della Sala
Argentina
#art #artist #contemporaryart #painting #oilpainting #geometricart #postmodernart #argentinianart
#arteconstructivo #escueladelsur #latinamericanart
#artegeometrico #constructivismo
#arteargentino#artecontemporane
Chusmas/Paz/Gomón, 2021 by Mana Le Calvet have been added to Gallery B. See the exhibit at Gallery B (link in comment below) for this and other digital art on the @tezos.com blockchain. #argentinianart
Mío dibujar amor y yo estilo TV Girl 💙💙💙💋💗💗💗
@ileanyandraws25.bsky.social
#dibujos #ocxoc #tvgirl #draws #dibujar #draw #dibujando #drawing #doxid #darthozark #ileanyandraws #artemexicano🇲🇽 #arteargentino🇦🇷 #arte #art #mexicanart #argentinianart #darthxileanyan #darthanyan
JORGE DELLA SALA Born in Buenos Aires in 1953, he attended the New Acropolis Foundation in 1974-5, where he studied drawing and painting, art history, philosophy, vision, and ethics, among other subjects. In 1976, he studied with painters Alberto Delmonte and Jorge Rivara at the Taller Río de La Plata until 1979. He later joined the Taller Sur, under the direction of Alberto Delmonte, a professor associated with Americanist art and constructivism at the Taller Torres García. In 1978, he attended the course "Communication through the Image," taught by Professor Héctor J. Cartier. In 1979, he attended the Argentine-Mexican Cultural Institute, where he studied "Mayan Civilization" with Professor Fernández Arroyo. From 1984 to 1986, he attended Art History classes at the Institute of Spanish Culture with Professor Francisco Azamor. From 1980 to 1986, he attended American Art History classes and the "Vision-Systems of Composition" courses taught by Maestro Delmonte. In 1987, he studied “Pre-Columbian Cultures of South America” with Lic. Guillermo Magrasi (CHEASS). From 1989 to 1993, he was a member of the group “SurcoSince 1981/87, he worked as an assistant in the teaching of Drawing and Painting at the Taller Sur. In 2002, he worked as a drawing and painting teacher at the Municipal School of Plastic Arts of Gral. Madariaga, (Province of Buenos Aires). Since 2003 to date, he has taught classes at the Taller Sur, with the teacher A. Delmonte, and at the Taller Hornero. Since 1977 he has participated in more than 70 solo and collective exhibitions as well as gallery shows of his work.
An amazing painting by Argentinian painter, Jorge Della Sala, from 2007 titled "Estructura".
#jorgedellasala #painting #estructura #dated2007 #argentina #modernart #art #argentinianart #arteargentino #artecontemporanea #constructivism
Hinge, 2025 by OHDE has been added to Gallery B. See other mixed-media digital art at Gallery B (link in bio.) Gallery B's mission is to showcase and elevate compelling digital art on the @tezos.com blockchain. #argentinianart
This elegant portrait of Manuelita Rosas by Prilidiano Pueyrredón was commissioned by a committee which defined the color of her dress and the pose to be “more analogous with morality and rank.” Her dress had to be the “red of the federal fatherland” and she was to be portrayed “with a cheerful expression,” in the “act of placing a request addressed to her father (Buenos Aires governor Juan Manuel de Rosas) on the table in his study. The young woman’s kindness would thus be represented in her smile; and her occupation as intermediary between the people and the governor.” In this large formal portrait, different shades of red were used to paint the fashionable velvet dress, the rug, the curtains, the chair, and even the flower bouquet in the Elizabethan vase. The 34 year-old woman is shown full-figure, angled slightly to the right in marked contrast against the greenish background. The white lace in the skirt, discussed between the artist and the committee in order to improve the painting’s visual effect, adds luminosity to the uniform chromatic structure. One surprising detail is the punctual note of white in her silk slipper. She dons an outstanding set of diamond jewelry including a diadem worn with a bandeau hairstyle accompanied by a rebellious, bright red bow, a necklace that stands out above the “bertha” neckline, dangle earrings, and a center brooch. In addition she wears gold bracelets with precious stones and multiple rings on both hands. This portrait of Manuelita—someone who even the Unitarians held in esteem—presented her as a symbol for increased openness toward a greater level of consensus. In a subtle way, Pueyrredón incorporated the presence of Rosas not only in the request that Manuelita leaves on the table in her father’s study, but also in the Luis XV style chair with the initial “R” embroidered in gold on the red tapestry.
Retrato de Manuelita Rosas by Prilidiano Pueyrredón (Argentine) - Oil on canvas / 1851 - Museo Nacional de Bellas Artes (Buenos Aires, Argentina) #womeninart #art #portraitofawoman #PrilidianoPueyrredón #Pueyrredón #womensart #1850s #ArtText #ArgentineArt #ArgentinianArt #MuseoNacionaldeBellasArtes
Alphabet Series - A, 2021 (and 2 other works) by Rostype have been added to Gallery B. See other works from "Text in Space and Form" at Gallery B (link in bio.) Gallery B's mission is to showcase and elevate compelling digital art on the @tezos.com blockchain. #argentinianart
A cyanotype photograph titled "Energy Wheels 005," embroidered with energy and Perle thread. The image, taken by the artist's grandfather Manuel in July 1956 on 120mm film, captures Manuel encountering his shadow. Part of a series exploring family memory, the work is a direct copy from the original negative, discovered in the artist's grandmother's wardrobe.
"Manuel and the shadow - Energy wheels 005" by Bosque Gracias has been added to Gallery B. See other mixed-media art at Gallery B (link in bio.) Gallery B's mission is to showcase compelling digital art and elevate digital art on the @tezos.com blockchain. #argentinianart
