Wrapping up this year's #BleakWeek with A Visitor to a Museum.

#BleakWeek - 6 down, 1 to go. It hasn't been as devastating as previous years but tonight's movie is by the same director as Dead Man's Letters, which is by far the bleakest film I've ever seen.

#BleakWeek watch #6: Pixote

#BleakWeek watch #5: Aftersun

#BleakWeek watch #4: Frownland

#BleakWeek watch #3: Vagabond

#BleakWeek watch, day 2: When the Wind Blows

Now watching: Deliver Us From Evil

#BleakWeek

Bleakest movie in recent memory. Soundtrack 10/10.

@hollywoodtheatre.org

#film #bleakweek #bjork #film #expiredfilm #b&w

That time Dr. Z showed up for the Criterion Mobile Closet during #bleakweek 🙊

Bleak Week is officially over in every city 😢🩶 Thank you to everyone who joined us for our final day in London on Saturday, including filmmaker Robert Eggers!

We had the best time hosting #bleakweek here at the Prince Charles Cinema @princecharlescinema.com

More #bleakweek London photos featuring filmmaker Alex Garland discussing EX MACHINA (2015) at the Prince Charles Cinema yesterday.

Those in L.A. can catch EX MACHINA playing here at the Cinematheque during our upcoming ‘Bot Girl Summer’ series.
www.americancinematheque.com/now-showing/...

If you missed it at the beginning of the month or just want to pretend it’s still #bleakweek, YOUNG TÖRLESS (1966) is playing in 35mm for our ’Sunday Print Edition’ on 6/22 at LF3 🎞️

Winner of the 1966 Cannes Film Festival International Critics’ Prize.
www.americancinematheque.com/now-showing/...

Filmmaker Paddy Considine at our Bleak Week: London screening of TYRANNOSAUR (2011) at the Prince Charles Cinema 🩶🙌

Such a great Q&A with a packed house! #bleakweek continues at the PCC now through 6/21.
princecharlescinema.com/seasons-even...

Loved last night’s screening of #ExMachina (2014) and Q&A with #AlexGarland (big fan of his work) @princecharlescinema.com in association with #BleakWeek film festival.

The Selfish Giant (2013) - Projected Figures Named for a children's story by Oscar Wilde, Clio Barnard's THE SELFISH GIANT finds little scope in its social realism for a happy ending

"Though named for a children’s story by Oscar Wilde," Clio Barnard’s THE SELFISH GIANT (2013) "finds little scope in its social realism for a happy ending." Screens 8.35pm tonight at the @princecharlescinema.com #BleakWeek projectedfigures.com/2013/10/25/t...

Images (1972) - Projected Figures Robert Altman's IMAGES depicts either the creative process or the mental fragmentation of a children's fantasy author (Susannah York).

"a schizophrenic study of the creative process itself": Robert Altman's IMAGES (1972) shows a childless children's author (Susannah York) fragmenting and losing herself. Screens 3.15pm at the @princecharlescinema.com #BleakWeek projectedfigures.com/2018/07/15/i...

Some additional photos from Bleak Week: New York featuring Q&A’s with John Turturro & Steve Buscemi + Brady Corbet, Mona Fastvold, & more! 😍🩶🚖

We’re so grateful to our friends at the Paris Theater for our 2nd #bleakweek in NYC + to all the audience members who packed the theater night after night.

Children of Men in 35mm

Took a chilling glimpse at our third year under Starmer. Floored me, what more can I say. What a thing to experience in a theatre, as it’s getting so close to reality no less. How did studio cinema, let alone dystopian fiction, fall so low on commitment or human sincerity from this point…
#BleakWeek

Threads (1984) - Projected Figures Mick Jackson's BBC telemovie THREADS presents a British nuclear holocaust and the subsequent 13-year winter as bleak documentary reportage.

"post-nuclear death proves to have a funny way of failing to discriminate between the proletariat and the bourgeoisie": Mike Jackson's harrowing telemovie THREADS (1984) screens 9pm tonight at the @princecharlescinema.com #BleakWeek projectedfigures.com/2018/08/21/t...

Come and See (Idi I Smotri) (1985) - Projected Figures Elem Klimov's traumatising war film COME AND SEE is an autoptic account of Nazi occupation's devastating effects on ordinary Belorussians

"an autoptic account of Nazi occupation’s devastating effects on ordinary Belorussians": Elem Klimov’s traumatising war film COME AND SEE (1985) screens noon today at the @princecharlescinema.com #BleakWeek projectedfigures.com/2025/06/01/c...

#bleakweek has officially made it across the pond! 🩶🇬🇧 If you’re in London, don’t miss the impeccable Bleak Week programming at Prince Charles Cinema.

Filmmakers Andrew Haigh & John Hillcoat have already stopped by + more guests like Mike Leigh & Robert Eggers will be live on the PCC stage soon!

Thank you to actor Heather Matarazzo for joining us at the Aero for our 30th anniversary #bleakweek screening of WELCOME TO THE DOLLHOUSE (1995) in 35mm 🩶🏡🎀

Henry: Portrait of a Serial Killer in 35mm

Dudes do not rock.
#BleakWeek

Cemetery of kisses, there is still fire in your tombs /It is the hour of departure, the hard cold hour /I made the wall of shadow draw back /Beyond desire and act, I walked on
📽️ #TheShrouds 🇨🇦☠️ 🎬 #DavidCronenberg 💻Review www.bfi.org.uk/sight-and-so... 🎟️ @princecharlescinema.com 🎞️ #BleakWeek

Memories of Murder (2003) - Projected Figures Bong Joon-ho's MEMORIES OF MURDER is an unusual combination of police procedural docudrama, ambivalent nostalgia piece, dark comedy and existential thriller.

The tense, surreal, frustrating police procedural of Bong Joon-ho's MEMORIES OF MURDER (2003) shows a parochial nation stumbling and bumbling its way into modernity. Screens 8.30pm tonight at the @princecharlescinema.com. Highly recommended. #BleakWeek projectedfigures.com/2018/02/04/m...

The Proposition (2005) - Projected Figures Beautifully shot & enormously powerful, John Hillcoat's THE PROPOSITION shows the birth of a nation in uncompromisingly bleak terms.

"a mythic exploration of the ever shifting frontier between savagery and civilisation in an unforgiving landscape": John Hillcoat’s Aussie oater THE PROPOSITION (2005), scripted by Nick Cave, screens 5.45pm today at the @princecharlescinema.com + Q&A #BleakWeek projectedfigures.com/2022/09/08/t...

If you missed it during #bleakweek, you can catch the new 4K restoration of Todd Solondz’s HAPPINESS (1998) at the AC for a limited engagement starting this weekend 🙂

Playing at the Aero on Sun. 6/22 at 7:30 pm + at LF3 on Mon. 6/23 & Wed. 6/25 at 10 pm.
www.americancinematheque.com/series/todd-...

Cure (Kyua) (1997) - Projected Figures In Kiyoshi Kurosawa's mesmerising thriller CURE, murderousness is a disease spreading rapidly through the susceptible Japanese psyche.

Kiyoshi Kurosawa's CURE (1997) is "an increasingly hallucinatory piece where murderousness is a disease spreading rapidly through the susceptible Japanese psyche". Screens 3.10pm today at the @princecharlescinema.com #BleakWeek projectedfigures.com/2018/11/14/c...

In open blue shirt, photographer Thomas (David Hemmings) straddles a blonde model to shoot her lying on the floor

"a quest for hidden meaning amid all the artifice and emptiness of Swinging London": Michelangelo Antonioni's BLOW UP (1966) screens 12.15pm today at the @princecharlescinema.com #BleakWeek projectedfigures.com/2020/04/28/b...