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Hashtag
#carlbloch
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Two women (described by the museum as laundresses) stand in a shallow doorway and lean into conversation. An older woman at left has light skin, a wrinkled face, and a white headscarf tied under her chin as her arms fold across her chest and her expression reads as doubtful, guarded, and thoroughly unconvinced. Another older woman at right, also light-skinned and shown mostly from the back and profile, bends forward insistently with one hand raised as if emphasizing a point. Both wear long blue skirts and aprons, with red accents in the speaker’s shawl/sash. A broom, bucket, and cloth at the threshold reinforce the domestic scene. Danish artist Carl Bloch uses a rounded panel top, dark interior shadow, and bright sunlit wall to frame their gestures so the drama is carried by posture, hands, and faces rather than action. What makes the painting memorable is how much social observation Bloch compresses into a small format. The Nivaagaard Collection text notes his interest in Copenhagen’s working-class subjects and in humorous, everyday scenes. That emphasis shows here because this is not an idealized allegory of womanhood but a charged moment of ordinary speech, skepticism, insistence, and relationship. The museum also points to Bloch’s caricature-like expressiveness and to Dutch Golden Age genre painting as a touchstone. Both feel visible in the animated body language and the almost theatrical timing of the exchange. Painted in 1874, the work also sits within Bloch’s mature career after his Italian years, when he was already an established Danish artist capable of moving between grand commissions and intimate genre scenes. Even while he was known for ambitious historical and religious paintings, Bloch continued to give close attention to working women as subjects worthy of wit, presence, and psychological nuance.
“To koner, der taler sammen” (Two Women Talking) by Carl Bloch (Danish) - Oil on panel / 1874 - The Nivaagaard Collection (Nivå, Denmark) #WomenInArt #CarlBloch #Bloch #NivaagaardCollection #DanishArtist #DanishArt #art #arte #artText #BlueskyArt #ArtOfTheDay #1870s #WomenAtWork #PortraitOfWomen
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#CarlBloch (1834-90)
Portrait of #HansChristianAndersen (1805-75), who was #BornOnThisDay
1869
Nivaagaards Malerisamling
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A cozy painting featuring a cat lounging on a table beside a bottle of wine
An artistic representation of a cat savoring oysters on a plate
A Cat
(Alexandre-François Desportes - Still life with a cat, 1705)
#cats #cat #cat_and_art #CatsOfBlueSky #CarlBloch #catswillcat
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A tabby cat posing with a smirk on her face
A Cat
(Carl Bloch, In a Roman Osteria, 1866)
#cats #cat #cat_and_art #CatsOfBlueSky #CarlBloch #catswillcat
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#CarlBloch ’s lost masterpiece Prometheus Unbound finds fame again in #Athens.
Work that made its creator a superstar then mysteriously disappeared is mesmerising #art lovers once more.
www.theguardian.com/world/2025/j...
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"It was commissioned by a Greek king, made its creator a superstar and in his native Denmark attracted crowds like no other painting before. Then it mysteriously disappeared." #CarlBloch #Athens
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#CarlBloch ’s lost masterpiece #PrometheusUnbound finds fame again in Athens
www.theguardian.com/world/2025/j...
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Het was niet díe generatie die Christus kruisigde. Wij zijn geen toeschouwers of toekijkers bij een voorbije gebeurtenis, we zijn medeschuldig aan iets wat aanwezig is.
Søren Kierkegaard, 1848
#CarlBloch
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With “Samson and the Philistines,” painted in Rome in 1863, #CarlBloch entered the Danish art scene in earnest. His virtuoso technique and narrative devices such as the way we as spectators are drawn into the scene, brought Danish art on a par with contemporary European history painting. @smkmuseum
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