Top 8 Best Career Change at 40 for Women Options in 2026
24houredu.com/best-career-change-at-40...
#CareerChange40 #WomenInCareer #CareerAdvice #CareerGrowth #CareerTips #WomenAtWork #CareerGoals #CareerDevelopment #CareerOpportunities #CareerSuccess
Commissioned by John Baker & Co., the painting shows women making 4.5-inch shells at the Kilnhurst Steel Works in Rotherham, England during the First World War. As men left for military service, women entered heavy industry in unprecedented numbers, and British artist Stanhope Alexander Forbes records that shift with unusual seriousness. This is not a symbolic allegory of labor, but a hard, dangerous workplace of heat, weight, and precision. Inside a dark steelworks, a group of adult women labors around a blazing industrial process. The space is crowded with soot-black beams, shadowed platforms, and a steep stair rising at left. At the center, the furnace and freshly heated metal cast orange light across the workers’ faces, aprons, sleeves, and skirts. Several women bend, lift, guide, or brace themselves around a long glowing form being moved toward a steam hydraulic press. Their bodies are strong, coordinated, and alert rather than ornamental with sleeves rolled, posture forward, and attention fixed on timing and heat. Some wear caps or scarves. Others have their hair pulled back. The light catches flushed skin, pale cuffs, and the hot shine of metal against the near-black interior, making the women’s teamwork the real center of the picture. In the foreground, two women lean over a pile of hollow metal shell casings, creating an intimate counterpoint to the larger machinery and busier industrial floor behind them. Munition workers were often nicknamed “canaries” because chemical exposure could yellow the skin and hair, a reminder that patriotic labor also carried bodily risk. By 1918, Forbes was an established painter associated with the Newlyn School, and the work feels both documentary and humane. Rather than isolate a single heroine, he presents a collective portrait of women whose skill kept wartime production moving. The painting honors endurance and mutual reliance while making visible a history of women’s labor that was essential and too often temporary.
“The Munition Girls” by Stanhope Alexander Forbes (British) - Oil on canvas / 1918 - Science Museum (London) #WomenInArt #StanhopeAlexanderForbes #ScienceMuseumLondon #art #artText #BlueskyArt #IndustrialArt #WWIart #BritishArtist #ArtUK #WomenAtWork #CornishArt #BritishArt #1910sArt #NewlynSchool
The “Ten Cents a Dance” title points to the world of the taxi-dance hall, where patrons bought individual dances, often for ten cents a song. American artist Reginald Marsh was especially drawn to New York’s crowded public entertainment scene in the 1930s during the Depression, and here he turns a commercial leisure space into a study of gender, labor, class, and performance. A horizontal nightclub scene opens like a stage. In the foreground, a line of women gathers along a bar or railing, their bodies angled toward one another in casual conversation and practiced display. They wear satin evening dresses in pale and vivid tones, hugging close to the body, with bare shoulders, fitted waists, and bright accessories. Their skin tones vary subtly within Marsh’s warm, theatrical palette. Hair is waved, curled, or pinned into glossy 1930s styles. One woman leans forward for maximum attention to her cleavage as others tilt their heads, glance sideways, or fix their attention on someone just beyond the picture space. Behind them, the room compresses into a dense social crush of figures, lights, and architectural fragments, making the atmosphere feel humid, noisy, and alert. These women are glamorous, but the painting is not a simple celebration. Their poise suggests professionalism more than pleasure. They are working, waiting, scanning, and negotiating. Marsh, born in Paris in 1898 to American artist parents and raised in the United States, built his career around the spectacle of modern urban life, often focusing on bodies in motion and crowds under pressure. In this painting, desire and exhaustion sit close together. The women’s elegance offers allure, yet the compressed setting hints at their economic precarity and the constant demand to be seen. The result is both seductive and unsettling for a portrait not of one heroine, but of a system in which femininity itself becomes part of the transaction.
“Ten Cents a Dance” by Reginald Marsh (American) - Tempera on composition board / 1933 - Whitney Museum of American Art (New York) #WomenInArt #ReginaldMarsh #Marsh #WhitneyMuseum #AmericanArt #SocialRealism #DanceHall #art #arttext #WomenAtWork #AmericanArtist #BlueskyArt #TheWhitney #1930sArt
Women's Day Celebrations at Aptara 2026 | Bollywood Theme
Women employees celebrating International Women’s Day 2026 at Aptara with a Bollywood theme
Aptara team dressed in Bollywood-inspired outfits during Women’s Day celebrations 2026
Women employees enjoying Bollywood-themed activities at Aptara Women’s Day event
Our Aptara women celebrated International Women’s Day with Bollywood flair!
From actor-inspired outfits to dance, music, ramp walks, and fun games, it was an evening full of joy.
"There is no limit to what we, as women, can accomplish."
#Aptara #WomensDay #WomenAtWork
@kingsioppn.bsky.social @wellcometrust.bsky.social @ippf.bsky.social @mqmentalhealth.bsky.social @who.int @womensresearch.bsky.social @wrcorguk.bsky.social
#InternationalWomensDay #WomensHealth #WomenAtWork #Maternalhealth #CelebrateWomen
🌸 Celebrating the Strength, Dedication, and Inspiring Spirit of the Incredible Women who Contribute to the Growth and Success of All Services Global Every Day. 😇
#WomensDay #InternationalWomensDay #WomenAtWork #WomenEmpowerment #AllServicesGlobal #CelebratingWomen
Celebrating the inspiring women of Hill Country Coders this International Women’s Day 🌸
Honoring their achievements, dedication, and the impact they create every day🌷
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#InternationalWomensDay #CelebrateWomen #WomenAtWork #WomenAchievement #HillCountrycoders #EmpoweredWomen ✨
This #InternationalWomensDay2026, our team reflected on the theme “Give to Gain.”
What can we give today so women at work can gain tomorrow? It was inspiring to hear colleagues share their thoughts and experiences in this video.
#InternationalWomensDay #IWD2026 #GiveToGain #WomenAtWork
Happy International Women’s Day 🌷
Today we’re celebrating the women who are part of the iotum team and the many women around the world who bring their ideas, leadership, creativity, and perspective to the work they do every day.
#InternationalWomensDay #IWD2026 #WomenAtWork #Community #Gratitude
Strength, dedication, and leadership — women shape industries, workplaces, and the future every single day.
On this Women’s Day, Dyna Filters celebrates the women whose passion and perseverance keep progress moving forward.
#WomensDay #InternationalWomensDay #WomenInEngineering #WomenAtWork
Strong workplaces are built by collaborative efforts across roles. Respect to every contributor shaping workplace excellence.
#WomensDay #WomenAtWork #CollaborativeCulture #www.nexarasoft.in
#DigitalMarketingAgency #MarketingStrategy #OracleTree #BuildYourBusiness #BusinessGrowth #DigitalMarketing #InternationalWomensDay #WomenInBusiness #WomenSupportingWomen #WomenAtWork #LeadershipJourney #WomenInLeadership #CareerReflection #WorkplaceGrowth #PurposeDrivenWork #TeamVoices
💜 This #IWD2026, we’re celebrating the power of Give to Gain. At Ingeus, our InspireHER network shows how everyday actions, giving time, support, encouragement and space, help women feel heard, valued and able to thrive. 👉Read Sobia’s IWD blog: https://ow.ly/XH0z50YqcNR
#IWD #GiveToGain #WomenAtWork
Today, we celebrate the women whose journeys, insights, and courage inspire the workplace every day. 💜
Happy Women’s Day to every women out there!
#WomensDay #WomenAtWork #WomenInLeadership #JasperColin #InternationalWomensDay #LifeAtJC #DataToDecision
#InternationalWomensDay #WomensDay #IWD2026 #IWD #WomenEmpowerment #GenderEquality #BalanceForBetter #BreakTheBias #WomenInLeadership #WomenInSTEM #WomenAtWork #Diversity #Inclusion #Leadership #CelebrateWomen #Mentorship
Part 5 of 8: Speak Up (Even When It's Uncomfortable)🗣️
Your voice is part of your value.
Many women hold back until they feel 100% ready.
Leadership rarely waits for perfect confidence. Speak anyway.
👉 Practice stating your ideas clearly and early in meetings.
#WomenAtWork...
Pay Gap Data Exposes Persistent Inequality at Senior Levels
#GenderPayGap #WGEA #WorkplaceEquality #WomenAtWork #AusPol #AusNews
thedailyperspective.org/article/2026-03-02-pay-g...
Two women (described by the museum as laundresses) stand in a shallow doorway and lean into conversation. An older woman at left has light skin, a wrinkled face, and a white headscarf tied under her chin as her arms fold across her chest and her expression reads as doubtful, guarded, and thoroughly unconvinced. Another older woman at right, also light-skinned and shown mostly from the back and profile, bends forward insistently with one hand raised as if emphasizing a point. Both wear long blue skirts and aprons, with red accents in the speaker’s shawl/sash. A broom, bucket, and cloth at the threshold reinforce the domestic scene. Danish artist Carl Bloch uses a rounded panel top, dark interior shadow, and bright sunlit wall to frame their gestures so the drama is carried by posture, hands, and faces rather than action. What makes the painting memorable is how much social observation Bloch compresses into a small format. The Nivaagaard Collection text notes his interest in Copenhagen’s working-class subjects and in humorous, everyday scenes. That emphasis shows here because this is not an idealized allegory of womanhood but a charged moment of ordinary speech, skepticism, insistence, and relationship. The museum also points to Bloch’s caricature-like expressiveness and to Dutch Golden Age genre painting as a touchstone. Both feel visible in the animated body language and the almost theatrical timing of the exchange. Painted in 1874, the work also sits within Bloch’s mature career after his Italian years, when he was already an established Danish artist capable of moving between grand commissions and intimate genre scenes. Even while he was known for ambitious historical and religious paintings, Bloch continued to give close attention to working women as subjects worthy of wit, presence, and psychological nuance.
“To koner, der taler sammen” (Two Women Talking) by Carl Bloch (Danish) - Oil on panel / 1874 - The Nivaagaard Collection (Nivå, Denmark) #WomenInArt #CarlBloch #Bloch #NivaagaardCollection #DanishArtist #DanishArt #art #arte #artText #BlueskyArt #ArtOfTheDay #1870s #WomenAtWork #PortraitOfWomen
CPA Folklore Bretagne Fileuses des Cotes du Nord
www.cpaphil.com/prod...
#CPAFolklore #Bretagne #Fileuses #CotesDuNord #VintagePostcard #BrittanyCulture #TextileTradition #CollectiblePostcard #AntiquePostcard #HistoricFrance #WomenAtWork #TraditionalCraft #OldPhotography
Why Neurodivergent Women Are Quietly Leaving the Workforce and What HR Is Missing
#Neurodiversity #NeurodivergentWomen #WorkplaceInclusion #DEI #HR #WomenAtWork #InclusiveWorkplace
hrnews.co.uk/why-neurodiv...
Newsweek, in partnership with Plant-A Insights Group, presents America's Greatest Midsize Workplaces for Women 2026, recognizing midsize employers where women are supported, valued and empowered to succeed.
Read: rankings.newsweek.com/ameri...
#BestWorkplaces #WomenAtWork #WorkplaceEquality
...organisation scores: https://tracy-qb5e1yre.scoreapp.com
Or the wheel of self-belief to see where your own personal score: https://skillslocal.co.uk/the-wheel-of-self-belief/
#belonging #selfbelief #confidencefromwithin #flourish #personaldevelopment #womenatwork
Excuse me! those are 2 #womenatwork #bossladyqueens #slaybitch
A new playbook for women at work. 💥
Something Major: The New Playbook for Women at Work by Randi Braun challenges outdated rules and gives women real tools to lead with confidence, on their own terms.
#Manuscripts #SomethingMajor #WomenAtWork #Leadership
Sanjay K Mohindroo
The One-Line Truth
Standards reveal real intent
Same work. Same skills. Same access. Anything less is a quiet bias. #GenderEquality #Education #WorkplaceEquality #Skills #Leadership #EqualOpportunity #WomenAtWork #Merit
stayingalive.in/thought-of-t...
Sanjay Mohindroo
The One-Line Truth
Standards reveal real intent
Same work. Same skills. Same access. Anything less is a quiet bias. #GenderEquality #Education #WorkplaceEquality #Skills #Leadership #EqualOpportunity #WomenAtWork #Merit
stayingalive.in/thought-of-t...
A new year can be the start of a new path, and we are here to help make that possible.
🔗Learn more about our programs: graceinstitute.org/training-and...
#NewYearNewCareer #WorkforceDevelopment #WomenAtWork #CareerGrowth #GraceInstitute
Young women are not “less ambitious,” they are navigating fewer entry level roles, higher barriers, and thinner support. 👀💼📉
Read why ambition is slipping before careers even start, and what employers need to do differently: https://www.rfr.bz/b87cd51
#WomenAtWork #EntryLevel
Pakistan among worst globally as women hold less than 8 pc management roles: Report yespunjab.com?p=206368
#GenderInequality #WomenAtWork #PakistanNews #WomenLeadership #WorkplaceEquality #ILOData #GenderGap #SouthAsia #WomenEmpowerment #BreakingNews
Black and white photograph of two women in white uniforms icing cakes at Stover Candies in Denver during the 1930s, working at long factory tables with empty chocolate boxes stacked behind them.This black-and-white photograph, sourced from the Denver Public Library and in the public domain, shows two women icing cakes at Stover Candies in Denver during the 1930s. Wearing white uniforms and hair coverings, the women stand behind long factory tables lined with rows of rectangular cakes. Bowls of icing sit between them as they work methodically by hand. In the background, stacks of empty chocolate boxes and packing materials line the workspace, indicating a busy confectionery production environment. The image captures a quiet, focused moment of industrial food preparation, emphasizing precision, repetition, and pride in craft during early 20th-century factory life.
ECHO REPOST
Icing cakes at Stover Candies, Denver — 1930s.
thepalimpsest.nostalgicconfections.com/orphicon/?ut...
#Orphicon, #ConfectioneryHistory, #WomenAtWork, #DenverHistory, #FoodHistory, #PublicDomain, #CraftAndLabor, #NostalgicConfections
