Cindy Sherman #cindysherman

Cindy Sherman #cindysherman

Cindy Sherman #cindysherman

Cindy Sherman #cindysherman

#CindySherman

www.christies.com/en/stories/l...

Marc by Sofia Review - Sarah G. Vincent Views Sarah G. Vincent Views' hot take on Marc by Sofia

New review: Marc by Sofia
#MarcbySofia #MarcJacobs #SofiaCoppola #LizaMinnelli #DianaRoss #BarbraStreisand #CindySherman #AnnaSui #RachelFeinstein #JohnCurrin #PharrellWilliams #GraceCoddington #AnnaWintour #DianaVreeland #VivienneWestwood #documentary
sarahgvincentviews.com/movies/marc-...

On Tuesday, 3/24/26, went to #MarcbySofia screening. #A24 #MarcJacobs #SofiaCoppola #NYC #fashion #LizaMinnelli #DianaRoss #BarbraStreisand #CindySherman #AnnaSui #RachelFeinstein #JohnCurrin #PharrellWilliams #GraceCoddington #AnnaWintour #DianaVreeland #VivienneWestwood #grunge

#Photography #Color #CindySherman "History Portraits"

Cindy Sherman Untitled Film Still #92

Awesome image. Reminiscent of very famous artist/photographer #CindySherman. (Untitled Film Still #92). Her photos challenged male dominant art world and caused controversy as both pro/anti feminist. <<Lol, I'm sure this is EXACTLY what you were going for. 🤣>>

Pastel and acrylic painting on paper shows portrait of blond woman with blue eyes looking suspiciously to her right. Behind her is a wall of pink bricks.

Portrait of Cindy Sherman. Born in 1954, Sherman is an American artist known for her imaginative self-portraits depicting female characters from media and culture. One of my favorite artists. #art #artsky #painting #painter #traditionalart #cindysherman

Cecilia Paredes

Cindy Sherman

Maruja Mallo

Leire Olkotz nos habla de las mujeres que le inspiran: “Mis referentes son casi siempre mujeres que utilizan el autorretrato como herramienta para explorar(se), mostrar, reflexionar, condenar, reivindicar.

#eklan #programainnova #leireolkotz #referentes #ceciliaparedes #cindysherman #marujamallo

youtu.be/R1tQTyHnuyA?...

Happy birthday! #CindySherman

#BOTD Cindy Sherman (January 19, 1954)

#Photography #PhotoSky #CindySherman

We like it but we don't represent it. Cindy Sherman.
#cindysherman #galeriamiguelnabinho

Cindy Sherman and Fetish Identity: Masks, Bodies, and the Erotics of Reinvention Cindy Sherman and Fetish IdentityFew artists expose the mechanics of transformation as sharply as Cindy Sherman. Her work turns the body into a stage where masks, prosthetics, and distortion create ne...

Cindy Sherman turns masks and distortion into confessions.

What part of you becomes visible only when you hide? #CindySherman #FetishArt #DisguiseAndDesire #SurrealBodies #QueerExpression #GrotesqueBeauty

www.atomique.club/post/cindy-s...

Cindy Sherman and Fetish Identity: Masks, Bodies, and the Erotics of Reinvention Cindy Sherman and Fetish IdentityFew artists expose the mechanics of transformation as sharply as Cindy Sherman. Her work turns the body into a stage where masks, prosthetics, and distortion create ne...

Cindy Sherman turns masks and distortion into confessions.

What part of you becomes visible only when you hide? #CindySherman #FetishArt #DisguiseAndDesire #SurrealBodies #QueerExpression #GrotesqueBeauty

www.atomique.club/post/cindy-s...

Un théâtre de l’intime à Deauville

L’exposition est à voir à Deauville, dans le cadre du Planches Contact Festival, du 18 octobre 2025 au 4 janvier 2026.

#photographie #exposition #deauville #planchescontactfestival #cindysherman #claudecahun #artvisuel #intimité #portrait #celinepivoine

12x16 pastel and acrylic painting on canvas of young, green woman in purple and red suit and hat making her way in the big city. Based on Cindy Sherman's "Untitled Film Still #21."

"Girl In The City (after Cindy Sherman)." Pastel and acrylic on canvas. #art #artsky #painting #painter #blueskyart #traditionalart #cindysherman

This is based on Sherman's photograph "Untitled Film Still #21."

Tanya Philipovich and I first bonded over the fact we had both written songs about NYC artist #cindysherman Tanya will be one of our special guests on Saturday December 13th for our Christmas single launch at The El Mocambo. Tickets are on sale now at elmocambo.com
youtu.be/-aKwDgTV33M?...

From Cindy Sherman: Imitation of Life © Cindy Sherman | The Broad / DelMonico Books 2016.

From Cindy Sherman: Imitation of Life © Cindy Sherman | The Broad / DelMonico Books 2016.

From Cindy Sherman: Imitation of Life © Cindy Sherman | The Broad / DelMonico Books 2016.

From Cindy Sherman: Imitation of Life © Cindy Sherman | The Broad / DelMonico Books 2016.

My favorite Photobooks on the Internet Archive (12): Cindy Sherman: Imitation of Life (DelMonico Books, 2016)

Blogpost: photoblog1965.wordpress.com/2025/10/04/m...

#photobooks #artbook #colorphotography #photography #bookreview #booksky #cindysherman #identity

Mostra em N.York exibe artistas que definem os anos 80 A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o  Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação. #KeithHaring #Warhol #Basquiat #CindySherman

A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o  Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação.
#KeithHaring #Warhol #Basquiat #CindySherman

Good Movie: Smoke Signals "There are some children who aren't really children at all; they're just pillars of flame that burn everything they touch. And there are some children who are just pillars of ash, that fall apart when you touch them. Victor and me, we were children of flame and ash." With an opener like that, you'd be forgiven for assuming this all-Native production is a heavy social justice film. _Psych!_ Sherman Alexie's Smoke Signals is a modest miracle. Written by a Native, directed by a Native, starring Natives, it takes place in the present, a place where Natives are pointedly not welcome. (Take it from a Scot: The Man likes his tribals historical.) Yet for a' tha' it's a very sweet movie, wherein innocence is not so much lost, as worked into whatever comes next. Thomas Builds-the-Fire (allegory intended) and Victor are frenemies from Idaho's Cœur d'Alêne reserve. Their destinies, like their pasts, are intricately intertwined, though they appear diametric opposites. Thomas is perennial odd man out: a fumbling nerd who seems to live in a world that's not there. Maybe he's a shaman. Maybe he's autistic. Could be he's both; each one of director Chris Eyre's scenes encode about twelve concurrent realities, any one of which is liable to surface at any time. And Thomas is his translator. He's the seer in Coke bottle glasses; the good son without parents; the helpless hero. Meanwhile, Victor is _too_ anchored in the physical, too distracted by hard-cold to understand how weak that can make you. To borrow Thomas's image, Victor is a pillar of fire, permanently glowering over iniquities by no means trivial, though compared to those of his congenitally happy companion they can seem so. Shackled together -- to Victor's enduring annoyance -- they will make a long, winding journey, first through the lovingly-rendered homeland of their ancestors, and then the entire American West. (In a refreshing turnabout, the part of the Southwest is played by the Martian landscape of Washington's coulee country; just an hour and change west, it is in fact as different from the lush Palouse as Arizona.) Throughout, rezgeist eddies and froths like the Spokane River. In the very first scene, a doomed couple hurl their newborn from a burning house, into the steady arms of a feckless drunk with the heart of a warrior. The power of that metaphor, and its accuracy, are breath-taking. And the beat goes on: basketball; frybread; mothers; fathers; automobiles; water; hair. The entire film crackles with aboriginal touchstones. You could write an MFA thesis on _The Symbology of Sherman Alexie's "Smoke Signals"_. (Send me a link if you do.) There's also a lot of (coincidental?) Zen in Eyres' world, where nothing is what it appears, yet everything is patently obvious if you can decide to see it. My favourite teaching: the boys voyage to the end of the earth with a jar of gold; come back with a jar of ashes. As Thomas points out, we all travel heavy with illusions. But the greatest fun comes from the palpable glee with which director and writer lay waste to Hollywood "Indian" conventions. "Hey Victor!" says Thomas, "I'm sorry 'bout your dad." "How'd you hear about it?" Victor asks. "I heard it on the wind," says the spooky medicine-kid. "I heard it from the birds. I felt it in the sunlight. And your mom was just in here cryin'." Later, having hitched a ride off-rez with two backward-driving contraries (another overlapping wink at First Nations tradition and politics), they're asked if they've got their passports. "But it's the United States," Thomas protests. "Damn right it is," says the driver. "That's as foreign as it gets." Anyone who has lived in a bush community will appreciate the sentiment. In fact, my own village once had a bootstrap radio station that broadcast traffic reports identical to those on KREZ: "Big truck just went by. Now it's gone." The boys fall further down the highway, Thomas's old-school braids and pronounced aboriginal accent underscoring the sense of spacewalking, until they arrive at last… on another reserve. One that is simultaneously completely different from and exactly the same as the one they just left. (Cough*_zen_ *cough.) Canadian viewers will be forgiven for assuming _Smoke Signals_ is one of ours; it's about aboriginals, and the cast is almost entirely Canadian. I guess that's both the good and the bad news. Good, because Evan Adams (a straight-up doctor in real life), and the more familiar Adam Beach, Gary Farmer, and Tantoo Cardinal, all act like they're not acting. And bad, because apparently there aren't enough experienced Native actors in the States to pull off such a film by themselves. Here's hoping that changes. Also terrific is Tom Skerritt, whose sixty-odd screen seconds, as a weary, competent Arizona sheriff, would qualify him for token white guy, if the moment weren't one of the movie's most memorable. And then there's Irene Bédard. Sigh. What can be said about this grossly under-signed actress that won't jeopardise one's monastic street cred? How about this: I esteem Ms. Bédard for her effortless performance, her deft, sensitive handling of a pivotal role, and her ability to imbue any scene with grace and immediacy. Contrary to rumour, my admiration of this accomplished thespian has nothing to do with the fact that she's, like, _virulently_ beautiful, pulling down six to eight thousand millihelens on a grey Tuesday. I would further like to deny categorically that I originally watched this film, or any other of the every single ones she's ever made, just because she was in it. The soundtrack here jacks up the property values as well. Most of it is the raw, powerful Colville musician Jim Boyd, singing lyrics by Alexie. A few others are chucked in for symmetry, notably the multi-layered Ulali masterpiece, All My Relations. It may be true, as Thomas says, that "the only thing more pathetic than Indians on TV is Indians watching Indians on TV", but this production goes a long way toward making the world a better place in the best possible way: by simply giving genius and insight a platform. I don't know if Alexie and Eyre knew this, but their movie isn't really about aboriginals at all. It's about humanity, all of us, as manifested in one of our ten thousand hoops. (And I was chaffin' you before; no way they didn't know.) So in the end, the most moving thing about _Smoke Signals_ is how aboriginal it's _not_. Alexie nails the thing in a final disclaimer at credits' end: "Any similarity to actual persons, living, dead, or indigenous, is purely coincidental."

Good Movie: Smoke Signals

"Any similarity to actual persons, living, dead, or indigenous, is purely coincidental."

rustyring.blogspot.com/2013/02/good-movie-smoke...

#alienation, #FirstNations, #GoldSide, #movie, #review, #ShermanAlexie, #Spokane, #CindySherman

💙

#Photography #Self-Portraiture #CindySherman
#Rembrandt #KevinSessums

Film Still 50

#CindySherman

Cindy Sherman #cindysherman

The Role of Cindy Sherman Will Be Played by Cindy Sherman

The Role of Cindy Sherman Will Be Played by Cindy Sherman www.nytimes.com/2025/07/01/t... #art #CindySherman

Cindy Sherman " untitled film stills" 1977 to 1980
#photography #modernart #CindySherman

Cindy Sherman " untitled film stills" 1977 to 1980
#photography #modernart #CindySherman

#photography #modernart #CindySherman

#photography #modernart #CindySherman