Bildnis einer älteren Frau mit großem schwarzen blumengeschmückten Hut, langem, weißen Spitzenrock und schwarzer Jacke, die in einer Sofaecke lehnt.
#art #klassekunst #kleinekunstklasse #portrait #painting #ermabossi
Selbstporträt auf rotem Sofa als Marianne von Werefkin in Anlehnung an Erma Bossi. Hierzu gehörte das Vergnügen, sich ein bisschen zu verkleiden. So mondän wie Werefkin bin ich nicht, aber vergnügter.
Stilleben, Kaffeebecher, Wasserkrug und drei Kiwis, eine aufgeschnitten, auf zwei runden Tellern/Tabletts, bunte Ölpastellkreiden auf Papier
Expresso 😉
#klasseKunst
Kiwi nach Erma Bossi
#kleineKunstklasse
#stilllife #pastels #ErmaBossi #Kiwi #art #abstractart
Croatian-Italian artist Erma Bossi was born Erma Barrera-Bossi in the city of Pula (now in Croatia), and received artistic training in Munich, Germany. She exhibited regularly with the expressionist art group "Neue Künstlervereinigung München" (New Artists' Association Munich) aka N.K.V.M. between 1909 and 1911, and with the German expressionist group "Blaue Reiter" (The Blue Rider) between 1911 and 1912. This portrait from around 1910 of fellow artist and wealthy benefactor Marianne von Werefkin is in the collection of the famous Lenbachhaus in Munich. Werefkin's father was from Russian nobility and her mother belonged to a family of Cossack princes. Werefkin was a private student of legendary Russian painter Ilya Repin who also painted a portrait of her in 1888. In 1892, Werefkin entered into a 27-year relationship with Alexej von Jawlensky. Werefkin was more advanced in painting than Jawlensky and decided to train and support the penniless military officer who was five years her junior. They moved to Munich in 1896 and one year later, she founded the "Bruderschaft von Sankt Lukas" (Brotherhood of St. Luke) in her "pink salon", whose members saw themselves in the tradition of the Guild of Saint Luke and which ultimately formed the nucleus of the N.K.V.M. and The Blue Rider. Bossi depicts Werefkin elegantly dressed in a pink gown and dark shawl, posing relaxed, yet refined on a yellow chair, looking away from us with a mix of confidence and introspection. Her flowing gown pools around her on the chair. She wears a black shawl over the dress which drapes softly from her shoulders, giving her an air of comfortable elegance. She also sports a wide-brimmed black hat adorned with pink, purple, and teal accents to add a touch of glamour. Her hair is dark and styled neatly under the hat. Werefkin's features are softly rendered with a hint of a smile playing on her lips while Bossi has chosen a color palette that complements Werefkin's attire and personality.
Portrait of Marianne von Werefkin by Erma Bossi (Croatian-Italian) - Oil on cardboard / c. 1910 - Städtische Galerie im Lenbachhaus (Munich, Germany) #WomenInArt #WomanArtist #PortraitofanArtist #FemaleArtist #womensart #MariannevonWerefkin #art #ErmaBossi #Bossi #Lenbachhaus #StädtischeGalerie
