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A beautiful young woman facing calmly to our right, looks ahead with dark almond eyes as straight bangs curve across her forehead. Her features are softly modeled, emerging from a luminous field of blue-violet. From her head, lavish, roped waves of hair envelop her body like a cone. Threaded through the locks are countless fine, pale leaflets and beadlike specks like seeds that glint against the cool monochrome. No clothing is visible as her hair gathers and folds like a shawl, suggesting both warmth and weight. The background is a smooth gradient from indigo to orchid for a still, devotional composition. The overall effect is quiet, protective, and intensely focused on surface via glossy strands, delicate leaves, and a tender, private gaze.

Filipino–Canadian artist Florence Solis names this work for makahiya (Mimosa pudica), whose leaflets fold at a touch like an image of shyness that doubles as strategy. Her protagonists are modern icons built from digital collages, then translated into saturated acrylics, where hair, veils, and woven textures act as armor and constraint. She draws on Filipino folklore and craft, especially the delicacy and resilience of piña weaving, to think about the structures that shape women’s lives: “Threads bind, but they also connect.” 

In Solis’s words, “Filipino women, much like the makahiya, have been taught to yield, to soften, to take up less space,” yet “beneath this quietness lies an undeniable force … that persists, adapts, and reclaims space.” The interlaced hair hints at touch-sensitivity and vigilance; the single-color glow reads like moonlight on water. 

Shown with “The Mission Projects” at EXPO CHICAGO, “Makahiya VI” holds the paradox at the heart of her practice of vulnerability poised as power to ask whether these bindings are sanctuary, confinement, or the luminous seam where self-possession is made visible.

A beautiful young woman facing calmly to our right, looks ahead with dark almond eyes as straight bangs curve across her forehead. Her features are softly modeled, emerging from a luminous field of blue-violet. From her head, lavish, roped waves of hair envelop her body like a cone. Threaded through the locks are countless fine, pale leaflets and beadlike specks like seeds that glint against the cool monochrome. No clothing is visible as her hair gathers and folds like a shawl, suggesting both warmth and weight. The background is a smooth gradient from indigo to orchid for a still, devotional composition. The overall effect is quiet, protective, and intensely focused on surface via glossy strands, delicate leaves, and a tender, private gaze. Filipino–Canadian artist Florence Solis names this work for makahiya (Mimosa pudica), whose leaflets fold at a touch like an image of shyness that doubles as strategy. Her protagonists are modern icons built from digital collages, then translated into saturated acrylics, where hair, veils, and woven textures act as armor and constraint. She draws on Filipino folklore and craft, especially the delicacy and resilience of piña weaving, to think about the structures that shape women’s lives: “Threads bind, but they also connect.” In Solis’s words, “Filipino women, much like the makahiya, have been taught to yield, to soften, to take up less space,” yet “beneath this quietness lies an undeniable force … that persists, adapts, and reclaims space.” The interlaced hair hints at touch-sensitivity and vigilance; the single-color glow reads like moonlight on water. Shown with “The Mission Projects” at EXPO CHICAGO, “Makahiya VI” holds the paradox at the heart of her practice of vulnerability poised as power to ask whether these bindings are sanctuary, confinement, or the luminous seam where self-possession is made visible.

“Makahiya VI” by Florence Solis (Filipino–Canadian) - Acrylic on canvas / 2025 - EXPO CHICAGO, Navy Pier (Chicago, Illinois) #WomenInArt #WomanArtist #WomenPaintingWomen #WomensArt #art #artText #artwork #FlorenceSolis #Solis #ExpoChicago #MissionProjects #AcrylicArt #FilipinoArtist #CanadianArtist

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#expochicago

Alec Soth, "Untitled (trumpet vine)"

A deceptively simple photograph, one of a series. As I looked and tried to understand its attraction, I noticed that the lighting and color created a sort of compressed suspension between flatness and fullness in the flower and parts of the stalk.

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#expochicago

Antonio Santin, "Torrubia". Oil on canvas.

The oil is applied to the surface so that an intricate 3D texture is created.

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#expochicago

Simon Benjamin. A retrieval and a resuscitation. The image is a still from a film shot in 1914 of boys diving off a Caribbean island, blown up to several feet in dimensions.

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#expochicago

Amoako Boafa, "Umbrella"

My intuition is that new art movements originate out of new approaches to the human form. Here Boafa paints with oil on canvas then texturizes the flesh with finger painting.

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#expochicago Sunday Apr. 27

There were fewer surfaces that captured my interest this year compared to last. The works that struck me broke out beyond two dimensions and into multiple scales.

1,2. Amoako Boama, "Umbrella" at Allouche Gallery NYC

3,4. Edra Soto at ENGAGE Projects Chicago

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Expo! I forgot to take a picture of my piece, but here is a video of CfNF booth installation #chicago #indigenous #nativeamerican #expochicago #art #beadwork #northernpaiute #annamendieta

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10. (Ear Scissors, Stainless steel - didn’t get the artist name)

10. (Ear Scissors, Stainless steel - didn’t get the artist name)

11. Line Busch (trio of works)

11. Line Busch (trio of works)

10. (Ear Scissors, Stainless steel - didn’t get the artist name)

11. Line Busch (trio of works)

#expochicago

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Min Kim
*Burgundy

Min Kim *Burgundy

Min Kim
*Blue and Yellow

Min Kim *Blue and Yellow

Min Kim
*Orange Relation

Min Kim *Orange Relation

7-9. Min Kim
*Burgundy
*Blue and Yellow
*Orange Relation

#expochicago

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Winnie Truong
*Nocturne

Winnie Truong *Nocturne

Winnie Truong
*Paper Sculpture: Fresh Caila, Pulp (and Drip), Born with Bruising

Winnie Truong *Paper Sculpture: Fresh Caila, Pulp (and Drip), Born with Bruising

Winnie Truong
*(Orange flower - didn’t get the name)

Winnie Truong *(Orange flower - didn’t get the name)

Winnie Truong
*Axis Mundi

Winnie Truong *Axis Mundi

3-6. Winnie Truong
*Nocturne
*Paper Sculpture: Fresh Caila, Pulp (and Drip), Born with Bruising
*(Orange flower - didn’t get the name)
*Axis Mundi

#expochicago

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1. Hyungdae KIM 김형대
HALO 25-0122, 2025

1. Hyungdae KIM 김형대 HALO 25-0122, 2025

2. Joanne Dugan
Satori #121, #21, #14

2. Joanne Dugan Satori #121, #21, #14

Expo Chicago (Contemporary Art Exposition) 2025 - some of my favorite pieces of the day:

1. Hyungdae KIM 김형대
HALO 25-0122, 2025 (close up)

2. Joanne Dugan
Satori # 121, # 21, # 14

#expochicago

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I love the art expo #ExpoChicago

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(And pictured on the left: A piece at last month's #Art Basel #HongKong that's now at #ExpoChicago.

#Chicago #Sculpture #ContemporaryArt #FineArt #Artwork #Artist #ArtFair #ArtGallery #Gallery #Travel #TravelPhotography #Photography #Photo)

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(Pictured on the left: A piece at last month's #Art Central #HongKong that's now at #ExpoChicago.

#Chicago #ContemporaryArt #FineArt #Artwork #Artist #ArtGallery #Gallery #Travel #TravelPhotography #Photography #Photo)

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I also saw some repeats of art I liked from last month's Art Basel #HongKong and #Art Central so I didn't include those here; take a look at my highlights from those fairs at www.facebook.com/TheJennyLam/... & www.facebook.com/TheJennyLam/... to view 'em. ^_^

#ExpoChicago #Chicago #Artists #Artwork

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Expo Chicago 2025. A beautiful work by Luftwerk @6018North and the amazing SAIC booth #expochicago #schooloftheartinstitute #luftwerk #6018north

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Outside #ExpoChicago

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Neptuno in Flight
Enrique Casas
2023
#expochicago

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Running Tree
Martine Poppe
2025 #expochicago
#kristenhjellegjerde

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16 - Things that tickled my fancy in the #ExpoChicago store: Pleasure Paradox.

17 & 18 - More things that tickled my fancy in the store.

#Chicago #Artist #Art #Artwork #Illustration #Illustrator #Drawing #Design #Print #Prints

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14 - Nathan Vincent, "Locker Room," Lion Brand #yarn, styrofoam and wood, walter maciel #gallery.

#ExpoChicago #Chicago #ArtFair #Artist #Art #Artwork #ContemporaryArt #InstallationArt #Installation #ArtInstallation #Sculpture #Sculptor

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10 - Antonio Santín, "Panza Burra" (2025), #oil on canvas, Marc Straus #Gallery. A perennial favorite Expo #artist staple of mine ever since I first saw his trompe l'oeil paintings in 2013 (possibly earlier!).

#ExpoChicago #Chicago #Art #ContemporaryArt #FineArt #Painting #Painter #Hyperrealism

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9 - Esaí Alfredo, Spinello Projects. Loved all his paintings in this solo booth. "Starless is an evocative series of nocturnal scenes inspired by #sciencefiction and set against the hauntingly familiar landscapes of

#ExpoChicago #Chicago #Artist #Art #Artwork #FineArt #Painting #Portrait #Gallery

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6 - Shawn Huckins, "Sunset Over the Valley with Dark Blue Satin Fabric" (2025), #oil and #acrylic on canvas, Richard Heller #Gallery.

7 - Harriet White, "Haven," oil on linen, GBS #FineArt.

8 - Luftwerk, "Prairie Colorfield," sand and botanicals, 6018|North.

#ExpoChicago #Chicago #Art #Painting

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3 - Anne Lindberg, "forbidden color," #graphite and colored #pencil on mat board, Secrist | Beach.

4 - Florence Solis, #acrylic on canvas, The Mission Projects.

5 - Han Young Wook, "Face," #oil on aluminum, scratch, BHAK.

#ExpoChicago #Chicago #ContemporaryArt #FineArt #Art #Painting #Portrait

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1 - Yashua Klos, "Studying How To Burn It Down" (2025), woodblock prints on muslin, Japanese rice paper, #acrylic, oil #paint, and wood on canvas, Zidoun-Bossuyt #Gallery.

2 - Craig Cameron-Mackintosh (b. 1987), "The Ledge" (2025), #oil on canvas, Ebony Curated.

#ExpoChicago #Chicago #FineArt #Art

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Some of my favorites from the VIP Preview and Opening Night of #ExpoChicago yesterday (and what a gorgeous day it was to be out on Navy Pier!). The #artfair opens to the public today!

#Chicago #ContemporaryArt #ModernArt #FineArt #Art #Artwork #Artist #Architecture #Interiors #Design #Photography

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Untitled
John Little
1959 #expochicago
#thomasmccormick

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Anonymity
Cho Byung Wang
2024
#expochicago
#Grimsongallery

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Ecriture No. 60-76
Park Seo Bo
1976
#expochicago
#wellsidegallery

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