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A whimsical, hand-drawn fish fills the frame, rendered in soft colored-pencil strokes that give it a lively, textured personality. Its body is an unusual blend of turquoise, lavender, coral, and deep blue, with the colors layered and blended in a way that feels both playful and organic. The fish has an exaggerated, almost fantastical shape: a rounded body, a pronounced eye, and delicate fins that flare out like ribbons in motion. The head is especially striking, with bright orange and pink accents around the mouth and face, creating the impression of a creature caught mid-expression. Along its back, a dramatic spiky dorsal fin rises in a wild sweep of purple and indigo, adding energy and movement to the composition. The tail fans out at the left in a rainbow-like burst, with fine lines suggesting feathering or frayed fin rays. To the right of the fish, a trail of bubbles floats upward in neat clusters, reinforcing the sense that this creature is swimming through water. The background is mostly white and minimal, which makes the fish’s vivid colors stand out even more. Overall, the image has a dreamlike, imaginative quality—part scientific sketch, part fantasy illustration—turning an ordinary fish into something almost mythical.
The image shows a stylized fish silhouette formed from a mosaic of many small, tightly packed circular cells. Instead of solid color, the body is filled with a vivid patchwork of pinks, purples, blues, oranges, and pale whites, each tiny bubble-like shape creating a stained-glass or pointillist effect. The fish faces left, with a rounded head and a tapering tail to the right, and its fins and body contours are clearly outlined by the contrast against the deep black background. There’s a strong sense of texture in the piece, almost as if the fish were made from beads, droplets, or microscopic cells arranged with careful precision. The color palette feels luminous and energetic, with warmer tones concentrated toward the upper body and cooler blues gathering near the lower fin and tail. The black background makes the fish appear to glow, giving the whole image a striking, almost aquatic-neon quality.
The image is a vivid abstract close-up that feels like a mosaic made of smooth, rounded stone pieces or cells outlined in dark, organic lines. Bright orange shapes dominate the composition, scattered across the frame in irregular patches that glow warmly against a cooler background of white, gray, blue, and pale beige. Each colored section is divided into many tiny compartments, giving the surface a textured, almost stained-glass quality. The orange areas are especially striking because they seem to pulse with energy, while the surrounding lighter tones create a sense of depth and contrast, as if the image is layered with fragments of mineral, coral, or shell-like material. The black outlines between the shapes give everything a webbed, interconnected structure, making the whole picture feel both natural and geometric at once. Overall, the image has an intricate, tactile beauty—organic but patterned, chaotic yet carefully organized. It resembles an enlarged detail from something microscopic or geological, transformed into a colorful visual tapestry.
A vivid, painterly fish dominates the image, rendered in a burst of saturated colors and layered textures against a pale, almost parchment-like background. Its body is not realistic in a naturalistic sense, but richly stylized, as if it were assembled from splashes of paint, fragments of color, and textured brushwork. Bright reds, electric blues, sunny yellows, emerald greens, and touches of orange and white blend and overlap across its form, giving it a lively, almost celebratory energy. The fish appears to be swimming from left to right, with its head slightly angled forward and its eye sharply defined near the front, adding a sense of presence and motion. Its fins flare outward like painted flames or feathers, especially the dorsal and tail fins, which shimmer with cool blues and warm reds. The tail tapers into a fan of delicate color, while the body itself seems layered with expressive strokes that create depth and movement. There’s a beautiful contrast between the organic shape of the fish and the abstract, almost mosaic-like treatment of its surface. The background is intentionally minimal, which makes the fish stand out even more vividly. That emptiness around it emphasizes the artwork’s boldness, drawing all attention to the creature’s luminous palette and energetic composition. The overall effect is both playful and elegant, like a fusion of natural form and artistic imagination.
Sharon Cummings's Art
pixels.com/profiles/sha...
Coloring the world with abstract art & photography. Being in Key West and the Florida Keys ignited my passion for art, prompting me to produce these Acrylic Paintings.
#KeyWest #Art #AcrylicPainting #Painting #FloridaKeys
A sunny outdoor market scene: a single vendor stands behind two black, cloth‑draped tables pushed together, filling the foreground. The tables are neatly arranged with small merchandise laid out in rows — dozens of items in clear packaging or small cases, and a vertical display rack of cards or small boxes near the center. On each outer corner of the tables sits a mannequin head used to display accessories; each head has a small blue heart sticker on its forehead. The vendor stands centered between the tables, smiling and wearing dark sunglasses and a black T‑shirt printed with a colorful graphic. Her hands rest casually on the table edge, giving the impression of a friendly, relaxed presence. Bright, direct sunlight casts crisp shadows across the paved plaza tiles, and the overall light is warm and clear. In the midground and background you can see a low‑rise brick building with arched walkways, a lamppost, a few small trees, and scattered groups of people strolling or sitting — a calm, open public square or shopping area. Parked cars and additional storefronts line the far edges. The sky above is a clear, deep blue, and the scene feels like a pleasant afternoon at a local fair or street market.
A low, angled light picks out a grid of small glass or stone beads laid out on a pale, slightly fuzzy cloth. They’re arranged in neat diagonal rows but not with machine precision — a human hand has spaced them with care, leaving tiny, even gaps between each piece. The surface of the background is a soft, neutral gray that makes the colors read brighter and gives the whole scene a quiet, deliberate feeling. Each bead catches the light differently: some are highly polished and mirror a tiny white highlight, others are softly translucent and glow from within. Colors run the gamut from deep cobalt and forest green to pale peach and milky white; a few beads have concentric “eye” patterns — a white ring with a darker dot at the center — while others contain swirls, flecks of metallic sheen, or layered bands of color. The variety is tactile and intimate, like a small collection examined by hand. Because the light comes from high on the right, every bead throws a long, dark oval shadow down and to the left, turning the cloth into a field of miniature silhouettes. Those shadows add depth and rhythm, emphasizing each bead’s roundness and height above the fabric. The overall effect is orderly but lively: a quiet composition of color, glass, and shadow that invites you to reach out and roll one between your fingers.
A shallow tray of small square pendants fills the frame like a miniature city of color. Each piece is a glossy, domed square — some jet black, some opaque white, others translucent greens, blues, ambers and purples — laid out in loose rows on a soft gray felt. Tiny silver bails peek off the top edges of many tiles, catching the light and reminding you these are wearable charms. Sunlight slants from the upper left, making bright highlights glaze the curved surfaces and casting crisp, elongated shadows to the lower right. The light also brings out subtle interiors: layered swirls, flecks of glitter, and thin inner squares of contrasting color in several pieces. Many pendants have simple, playful motifs embedded at their centers — little stars, flowers, hearts, crosses and geometric dots — in contrasting white, black or neon tones, so each tile feels like a small, self‑contained design. Viewed together they read as an improvised mosaic: repeating shapes, varied palettes, and a rhythm of light and shadow that turns a collection of tiny objects into an eyecatching display. The overall effect is bright, handcrafted and a little whimsical, as if at a craft fair table on a sunny afternoon.
Sunlight picks out a little treasure trove of glossy, colorful charms laid out on two flat panels. Each piece is a small, thick rectangle of fused glass — mostly white or pale backgrounds with tiny motifs fused into the surface: hearts in orange and red, a black-and-white soccer ball, a paw print on a dark square, a peace sign in deep purple, a bright yellow star, stripes of blue and orange, and a few playful question-mark and numeral designs. Every pendant has a small metal bail or loop at the top, catching the light and casting short, crisp shadows on the fabric beneath. The arrangement feels casual but deliberate: rows of pendants spaced evenly enough to show off each design, with the sunlight skewing across them from the left and emphasizing the glass’s depth and smooth, slightly domed surfaces. The colors are bold yet jewel-like — cobalt blues, sunny yellows, warm oranges and rich blacks — and the glossy finish makes them glint; some pieces are translucent at the edges while others are opaque, creating pleasant contrast across the display. Up close you can almost feel the cool, hardened glass and imagine the slight weight of each pendant between two fingers. The whole scene reads like a maker’s stall or a craft fair table set outdoors: compact, cheerful, and full of small, wearable stories waiting to be chosen.
Samantha Gonzalez's Arts and Crafts
www.sunsetcelebration.org
Over the years, this artist has fully embraced the dynamic atmosphere of Key West and the alluring Florida Keys, translating that rich experience into stunning Fused Glass Jewelry.
#KeyWest #ArtsandCrafts #Jewelry #FusedGlass #FloridaKeys
Please join us in congratulating our Top Agents during the month of March 2026. Please visit cbflkeys.com/Agents to learn more about them. #ColdwellBankerSchmitt #FloridaKeysRealtor #FloridaKeysRealEstate #floridakeys
Key West | @drjimcarey | Flipboard
News about Key West and the Florida Keys, by Dr. Jim Carey, formerly of Caribbean Computers at 1110 White St., Key West.
http://dlvr.it/TRxrZH
#KeyWest #FloridaKeys #Travel #Vacation #ExploreFlorida #IslandLife #BeachVibes
A small, breezy coastal scene unfolds across the photo, bathed in warm, late-afternoon light. In the foreground a cluster of slender coconut palms leans dramatically toward the water, their trunks crisscrossing so two of them form an almost perfect X. The long, green fronds are tousled and splayed by the wind, and you can almost feel the breeze that lifts them — the leaves are caught mid-rustle against a backdrop of cottony clouds. To the left, the calm sea stretches to the horizon, its surface a muted mix of blues and grays that catch the warm tones of the sun. The shoreline is a narrow ribbon of sand and scrub, dotted with low grass and a couple of weathered wooden posts. Near the base of the leaning palms a small picnic table or bench sits waiting, suggesting a quiet spot to watch the water. The right side of the image brings human presence into the natural setting: a gravel road runs along the coast, lined with utility poles and a few evenly spaced trash and recycling bins. A dark pickup truck is parked nearby, under a row of smaller palms that march into the distance. The line of poles and the road create a subtle leading line that pulls your eye toward the vanishing point and the distant greenery.
A windswept coastal tree dominates the foreground, its thick trunk curling and twisting in knotted ribbons of weathered bark. The main limb leans out almost horizontally over shallow, gently rippling water, while a tangle of exposed roots and smooth stones clings to the narrow shoreline. The tree’s leafy canopy is lush and green, casting dappled shadows on the roots and the pebbled bank. Beyond the tree, a calm expanse of sea stretches to a low, hazy horizon. The water shifts in subtle bands of green and blue, reflecting the soft, warm light that bathes the scene. Fluffy, pastel clouds drift across the sky, adding depth and a peaceful, open feel. Overall the image conveys a quiet, resilient beauty — the sense of an old tree shaped by wind and salt, holding its place at the edge of land and water. Matthew D White is the Photographer who created the piece of art "Photography / Old Tree by the water" which shows Key West and the Florida Keys. This painting's vivid colors and intricate imagery
The scene opens onto a quiet, late-evening shore where the sun is an orange coin sinking toward the horizon. Warm bands of gold and apricot spread across the sky, melting into cooler purples and slate blues higher up. Wispy clouds catch the light in streaks and smudges, adding texture to the heavens as the day folds into dusk. A long, low bridge runs from the right toward the center, its silhouette dark against the glowing water. To the left, an older, more skeletal structure—an iron trestle or abandoned rail span—juts into the bay, its broken, industrial lines contrasting with the soft, natural curves of sea and sky. Together the two structures create a visual frame that guides the eye straight to the setting sun. The water is calm, small ripples catching and scattering the sunset in ribbons of reflected color. Along the sand, wet and smooth near the tide line, the light makes a pale, shimmering pathway from shore to horizon. The beach itself is quiet and sparsely populated: a few small, dark human figures—silhouettes—stand or move at the water’s edge, lending a sense of scale and gentle human presence without distracting from the landscape. In the foreground, a small patch of dune grass and a towel or blanket speak of a spent day at the water—personal traces left behind, humble and ordinary against the grandeur of the sky. The air feels cooling, the overall mood contemplative: a last, lingering moment before night. Together, the elements—industrial geometry, soft natural light, and quiet human silhouettes—compose a balanced and peaceful sunset tableau, one that invites breathing out and watching the world quietly change color. The Photographer Matthew D White produced the piece of art titled "Photography / Sunset in the Floria Keys" which features Key West and the Florida Keys. The vivid colors and finely detailed imagery in
A quiet, sunlit inlet is framed on both sides by the gnarled roots and low branches of mangrove trees, their leaves forming a natural window onto still water. Centered in that frame, a small, pale fishing boat rests in the shallow edge, its bow nudging the muddy shoreline and its stern fitted with a compact outboard motor. The boat’s paint is light and slightly weathered, and a registration mark is visible along the hull. The water is glassy and calm, reflecting the sky’s soft blue and the warm, late-afternoon light that bathes the scene in golden tones. Beyond the boat the soundless expanse of the bay stretches to a low, distant horizon where a thin strip of land breaks the line of water. Tangled roots and low-lying vegetation at the water’s edge add texture and a sense of sheltered stillness, while a few long aerial roots hang down, softening the upper frame. Overall the image conveys a peaceful, almost secluded moment — a small craft waiting quietly in a protected cove as the day leans toward evening. The Photographer Matthew D White created a piece of art called "Photography / Coming Ashore" which depicts Key West and the Florida Keys in vibrant colors and detailed imagery, capturing
Matthew D White
20 years of photographs of the end of the Mississippi River in Plaquemines Parish, Louisiana.
Plus South Florida and the Florida Keys.
www.matthewwhitestudio.com/index
bsky.app/profile/mdwh...
matthewdwhite.tumblr.com
#KeyWest #Art #Photography #Photographer #FloridaKeys
Florida Keys on a budget? 🌴✨
We’ve rounded up the best all-inclusive resorts in the Keys that are surprisingly affordable. Get the island experience for less! 🏝️🍹
Read the full guide here: passport-stamped.com/best-all-inc...
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#Miami #CoralGables #DowntownDadeland #FloridaKeys #Home #Homeowner#MiamiRealtors #RealEstate #SOFLO #MoveToMiami 🌴☀️
Built for Beatings: A Good Girl’s Manual for Male Resurrection
NEW chapter in 'Naked & Naughty: Raven’s Scuba Sex Diaries'
www.delishakeane.com/scuba-sex-di...
#scubadiving #floridakeys #scuba #diving #nsfw #oldje #teenslut #nudegirl
#Florida #FloridaKeys #GLAM
'The Florida Keys History Center, Monroe County’s archive of documents and photographs illustrating the history of the Florida Keys, has a new online catalog providing public access to unique documents in the collection.'
www.keysnews.com/news/local/c...
𝗟𝗼𝗼𝗸𝗶𝗻𝗴 𝘁𝗼 𝗴𝗲𝘁 𝗢𝗨𝗧𝗦𝗜𝗗𝗘 𝗮𝗻𝗱 𝗿𝗲𝗮𝗹𝗹𝘆 𝗲𝗻𝗷𝗼𝘆 𝗮𝗹𝗹 𝘁𝗵𝗮𝘁 𝗞𝗲𝘆 𝗪𝗲𝘀𝘁 𝗵𝗮𝘀 𝘁𝗼 𝗼𝗳𝗳𝗲𝗿? 𝗖𝗵𝗲𝗰𝗸 𝗯𝗲𝗹𝗼𝘄! 👇👇👇👇👇
www.keywestexpress.net/blog/the-bes...
#keywest #florida #outside #travel #getaway #floridakeys
Bright, playful, and unmistakably modern, this image translates a familiar Renaissance portrait into a stained-glass–style pop piece. Thick black outlines define flat, saturated color fields: the sitter’s calm face and folded hands are rendered simply, with a small, enigmatic smile and steady, dark eyes that recall the original composition but in a much more graphic, cartoon-like manner. The costume keeps the draped, classical feel but swaps subtle shading for bold color blocks — deep purple for the outer robe, warm orange on the sleeves, and a chestnut-brown forearm rest. Behind the figure the landscape is distilled into cheerful, geometric forms: rolling green hills, a rocky shoreline, a bright blue sea dotted with small sailboats, and a triangular mountain on the horizon. The sky is an arresting turquoise, populated by whimsical additions — little yellow biplanes, a tiny flying saucer or disc, and a hot-air balloon — which give the scene a jaunty, time-bending quality. A decorative border frames the whole piece like a leaded-glass window: rectangles and squares of primary and secondary colors alternate with circular motifs in the corners, creating a kaleidoscopic edge that emphasizes the work’s stained-glass effect. The overall palette — cobalt blues, emerald greens, sunny yellows, and magentas — is bright and optimistic, and the composition balances symmetry and decorative detail so the figure remains the calm center of a lively tableau. The effect is both reverent and mischievous: it references a canonical portrait while turning it into a festive, contemporary icon. The piece reads like a celebration of travel and imagination — a familiar face set within a world of planes, boats, and floating balloons, rendered with the crisp clarity and joy of painted glass.
A bright, playful folk-art scene unfolds inside a painted frame: at the very top a hand-lettered banner reads “MY ISLAND BUNGALOW.” The composition is flat and decorative, with thick black outlines and a candy‑colored palette — vivid blues, sunny yellows, grassy greens, and pops of red and purple — giving everything a cheerful, naïve quality. Centered is a small two‑story bungalow painted pale pink with a steep blue roof. A surfboard leans against the house beside the front door; a woman looks out from an upstairs window. Two tall, slightly bent palm trees rise on either side of the house, their green fronds curving over the scene. To the right, a red pickup truck is parked on the sandy ground; a small figure — a child or dog owner — stands near it. A playful dog darts near the house while a blue cat sits calmly on the left in the yard. Beyond the yard a curving shoreline and gently rolling hills lead to the sea. A stylized sun with a human face smiles from the sky, and puffy cloud shapes float nearby. On the horizon a steamboat or ferry and a distant lighthouse punctuate the coastal view, suggesting a small island community. In the foreground a man wearing a brimmed hat strides along a path, caught mid-step as if enjoying a lazy walk in warm weather. The whole image is set inside a decorative border filled with repeated seaside motifs — fish, shells and small circular vignettes at the corners — and a wavy band of water along the very bottom. The overall effect is warm, whimsical and idyllic: a snapshot of island life rendered with joyful simplicity and lots of character.
A bright, playful tableau unfolds like a stained-glass dream. Thick black outlines carve the composition into bold, jewel-toned shapes — saturated blues, sunny yellows, warm reds and greens — giving the whole image a graphic, mosaic quality. A wide decorative border frames the scene with a repeating pattern of colored tiles and little round motifs (hearts and eyes) at the corners, which makes the central picture feel like a window or a stage. Dominating the center is an oversized yellow teacup tilted slightly, its handle curling like a small horn. An eye is painted on the cup’s side, lending it an almost watchful personality; a palm sprout or tiny tree grows from the cup as if it were an island planter. Nearby, a gloved hand extends from the left, holding a small sign that appears to read “A SALE,” and above that, near the top edge, a banner in flowing script suggests the name of a café. A compact artist’s inscription — something like “NORBER: 19” — sits near the upper left, as if the creator quietly signed the piece. Around the cup a carnival of objects and characters floats: a red fish swims horizontally across the lower center, a lighthouse and a tiny boat sit near a crescent moon and stylized sun, and a little blue elephant with a jaunty hat looks toward the scene from the right. Small faces, a mushroom-like shape, and a parasol or umbrella pepper the sky, while geometric houses and palm fronds tuck into the lower corners. The composition feels deliberately whimsical and surreal — everyday items anthropomorphized, seaside and café imagery mixed together. Overall the painting radiates optimism and mischief. The bold colors, simplified forms and repeating motifs create a joyful, slightly pop-art folk aesthetic, inviting the viewer to wander through its playful symbolic world and invent stories about why a cup might watch over a seaside menagerie.
Bright, cheerful and a little playful, the image looks like a folk-art stained-glass window turned into a painting. At the center sits a squat red vase on a simple rectangular table, holding three sunflowers with thick green stems and broad, golden petals. The flowers lean slightly toward each other, their round, seed-speckled centers giving them a hearty, sunny presence. The scene is contained by a bold, multicolored border made of rectangular tiles — purples, oranges, greens, blues and pinks arranged like a mosaic. Small sunflower motifs occupy the four corners of the frame, echoing the main bouquet. Across the top, a pale panel is lettered “SUNFLOWERS,” announcing the subject with friendly clarity. To the right of the vase a little blue dog with an upturned, curious face rests near the table’s edge; its simplified features and bright collar add a whimsical, childlike charm. Above the dog, in the background and partly framed like a portrait, is another animal head — perhaps a cat or dog — peeking in with an amused expression, adding a sense of story and companionship to the still life. Color is the dominant language here: flat, vivid fields of saturated hues and thick black outlines give the composition a stained-glass or linocut quality. The overall feeling is warm, decorative and inviting — a small, sunny vignette that feels handcrafted, cheerful and slightly mischievous. At the bottom there’s a small signature-like block (hard to read) that suggests an artist’s mark, completing the work’s handmade, intimate character.
Norbet Szilagyi Art
norbertart.com
Having spent years immersed in the picturesque landscapes of Key West and the peaceful Florida Keys, this artist skillfully brings to life the charm of their environment in vibrant watercolor paintings.
#KeyWest #Art #AcrylicPainting #Painting #FloridaKeys
Key West | @drjimcarey | Flipboard
News about Key West and the Florida Keys, by Dr. Jim Carey, formerly of Caribbean Computers at 1110 White St., Key West.
http://dlvr.it/TRjQzb
#KeyWest #FloridaKeys #Travel #Vacation #ExploreFlorida #IslandLife #BeachVibes
A small single-engine airplane, predominantly white with a red vertical stabilizer, flies low over a vast expanse of calm, deep-blue water. It travels across a long, narrow bridge, which extends horizontally across the water’s surface. The aircraft maintains a steady course, its wings level and propeller visible. Below, the ocean stretches to the horizon, its surface smooth and reflective, mirroring the warm, golden light filtering through a sky filled with soft, billowy clouds. The clouds, illuminated from below by the low sun, exhibit a gradient of pale yellow to soft orange. Small, distant landmasses—including tiny islands and coastal formations—dot the waterway, their features subtly blurred by the distance. The horizon line separates the tranquil sea from the sky, where the sun’s glow creates a gentle transition from pale blue near the top to the warm hues at the horizon. The overall atmosphere is serene, emphasizing the aircraft’s flight over the expansive marine landscape under a luminous sky.
A small single-engine propeller aircraft (a Cessna 152), flies low over a vast, calm body of water during sunset. The plane moves across the frame, wings level, propeller visible. Below, the water mirrors the golden sunlight, creating a shimmering path toward the horizon. The sky transitions from deep blue at the top to warm orange and yellow near the horizon, dotted with fluffy white clouds illuminated by the setting sun. The sun itself is partially obscured by distant cloud formations, casting long, soft light across the water and sky. A narrow strip of land appears on the horizon to the right, adding depth. The overall atmosphere is serene, with the aircraft’s presence emphasizing the quiet beauty of the evening flight over water. The scene combines the aircraft’s motion with the stillness of the reflected light and cloud formations, creating a tranquil maritime sunset moment.
Aircraft cockpit interior, centered on a Cessna model, with prominent labeling "CESSNA" above the instrument panel. The panel features multiple analog gauges: an airspeed indicator showing 80 knots indicated airspeed, an attitude indicator displaying a blue and orange horizon with aircraft orientation, an altimeter, a clock, a vertical speed indicator, and a turn coordinator. A digital frequency panel lists numbers like 124.025, 120.00, 110.50, and 113.90. The aircraft, marked "DMJ52," is in flight, with instruments indicating active monitoring of altitude, speed, and orientation. Outside the windshield, the scene reveals a vast expanse of water with scattered islands under a bright sky filled with fluffy white clouds. Warm, golden light illuminates the cockpit and exterior, suggesting early morning or late afternoon. The horizon shows distant landforms beyond the water, with the sun casting long shadows on the instrument panel.
Inside a Cessna aircraft cockpit, a detailed dashboard features circular gauges for airspeed, altitude, and attitude, alongside digital readouts and toggle switches. The word "CESSNA" appears centrally above the instruments, while "DMJ52" is marked near the left gauges. A "WARNING" label is visible on the right panel. Through the windshield, the aircraft is descending toward a runway on a coastal island, bordered by calm blue water and low-lying landmasses with patches of green vegetation and brown earth. The distant horizon shows a mix of land and a bright blue sky dotted with fluffy white clouds. The scene suggests a controlled landing approach over a water-adjacent airfield, with the cockpit’s metallic surfaces and control levers visible in the foreground, reflecting sunlight. The overall environment combines the technical precision of the aircraft’s instrumentation with a serene coastal landscape, indicating clear weather and smooth flight conditions.
Florida Keys Marathon KMTH → Key West International KEYW
This is it!
After 34 legs, I have now flown the eastern coast of North America from the eastern tip of Newfoundland to the end of the Florida Keys. What could be a better choice for flying the last […]
[Original post on mastodon.social]
A high-angle, vertical shot taken from the top of the brick ramparts of Fort Jefferson at Dry Tortugas National Park. In the foreground, a large, black, 19th-century cast-iron cannon sits on a rotating metal carriage, aimed toward the sea. A narrow, weathered stone path follows the curve of the red brick wall, which is overgrown with patches of green grass and weeds. In the background, a historic black lighthouse tower rises above a brick structure. To the right, the fort's arched casemates and courtyard are visible. The sky is a clear, brilliant blue with a few birds flying in a V-formation, and the turquoise waters of the Gulf of Mexico are visible on the far left.
History with a view. Civil War-era cannons, a black lighthouse, and the clearest blue water you’ll ever see. Dry Tortugas National Park is worth every bit of the effort to get here.
#DryTortugas #FloridaKeys #VisitFlorida #NPS #Photography #NationalPark #ParkChat #FortJefferson #Travel #Ocean
A white propeller-driven aircraft with a red stripe along its fuselage flies through a bright blue sky. The plane maintains level flight above a dense urban area, its wings steady and engines likely operating. Below, the city features a grid of streets, clusters of high-rise buildings in a downtown core, and lower residential or commercial structures stretching outward. To the left, a large body of blue water, dotted with islands and peninsulas, extends toward the horizon, with visible shipping channels and coastal developments. Scattered fluffy white clouds drift throughout the sky, some near the aircraft, creating layers of depth. To the right, a major airport with runways and terminal buildings is integrated into the urban landscape. The scene captures a clear day with sunlight illuminating the city, water, and clouds, emphasizing the contrast between the structured cityscape and the open sea.
An aircraft with a sleek metallic, conical nose dominates the foreground, its polished surface catching light as it moves through the sky. The craft is in flight, positioned above a sprawling urban area defined by a grid of streets, a major airport with visible runways, and a wide river crossed by multiple bridges. To the right, a large body of water features island landmasses and coastal development. White clouds drift through the sky, some clustered near the spacecraft and others scattered above the city and water. The urban landscape below includes dense buildings, highways, and waterways, all visible under a bright sky with scattered cloud formations. The scene captures the spacecraft’s elevated perspective relative to the detailed cityscape, with the water and infrastructure clearly distinguishable.
A TBM 930 aircraft's left wing tip section is prominently featured, showcasing a black housing with multiple circular LED elements and a grid of red indicator lights. The white fuselage has a dark gray lower portion and a red stripe running along its side. The aircraft is in flight, captured from an angle that shows a part of the left wing. Below, a landscape of green fields, roads, and a large body of water stretches across the terrain near the coast. The sky above is clear blue with scattered white clouds, indicating fair weather. The tail fin displays the text TBM 930 in dark lettering against a white background with red accents. The aircraft appears to be traveling at a high altitude, with the ground and sea visible beneath it.
The image depicts an aircraft cockpit during a landing approach, viewed through the windshield. The cockpit contains multiple instrument panels with digital displays showing navigation data and analog gauges; a central screen depicts a flight path over a coastal area with blue water and green land, while labels like "D-MJXY", "HDG", "ALT SEL", "CRS1", "CRS2", and numerical values such as "120", "250", and "50" indicate active flight controls. The runway stretches directly ahead, a long paved strip flanked by grassy areas, airport buildings, trees, and a body of water. To the left of the runway, industrial structures and taxiways extend toward it, while to the right, the water meets a shoreline with small islands. The sky is partly cloudy with sunlight filtering through, illuminating the scene during daytime. The surrounding context includes a coastal airport environment with clear visibility, suggesting a smooth landing procedure. The aircraft’s instrumentation actively monitors approach parameters, with the runway centered in the view as the aircraft prepares for touchdown.
Fort Lauderdale-Hollywood International KFLL → Florida Keys Marathon KMTH
How time flies! Today’s stage takes us from Fort Lauderdale via Miami Beach all the way to the Florida Keys. That means, the destination of this journey is almost in sight. Before we […]
[Original post on mastodon.social]
"It will be the first subsea human habitat deployed in the United States in 40 years."
divernet.com/scuba-diving... #aquanaut #deep #floridakeys #floridakeysnationalmarinesanctuary #marathon #oceanstewardship #spaceisoverrated #subseahabitat #tennesseereef #vanguard
The Gulf of Mexico as seen from the Old 7 Mile Bridge in the Florida Keys. I never get tired of the different shades of blue you see out there.
#floridakeys
A quiet, watercolor dawn (or dusk) settles over a wide, glassy lake. On the left a two-story cottage with a red-tiled roof and a wraparound porch sits half-hidden among trees, its pale walls catching the soft light. The house and shoreline are mirrored in the still water, where gentle ripples blur the reflection into strokes of lavender, gold and blue. Tall reeds and marsh grasses frame the foreground, their vertical lines and darker greens grounding the composition. In the middle distance a single bird—its wings outstretched—drifts low over the water, adding a sense of motion and life. Farther off, a hazy band of trees recedes into a misty horizon, rendered with delicate washes that suggest humidity and the quiet hush of early morning. Overall the scene feels peaceful and slightly nostalgic, painted with soft, layered washes and a warm, muted palette that invites lingering.
A solitary heron stands poised in shallow, glassy water, captured in a calm, painterly scene. The bird’s long S-shaped neck is gracefully arched, its head tipped slightly forward, and a sharp yellow-orange bill points ahead as if sensing movement beneath the surface. The head is luminous white with a striking black stripe extending from the eye toward the back of the head, lending the face a bold, elegant profile. The plumage is rendered in soft, layered blues and grays — delicate, downy feathers along the chest give way to longer, slate-colored flight feathers on the back and wings. Fine, wispy plumes trail from the breast in thin, almost translucent strands, emphasizing the bird’s refined fragility. Its long, slender legs are dark and poised just beneath the waterline, causing gentle ripples that echo outward. The water itself is a wash of turquoise and green, textured with gentle currents and light reflections. Scattered shallow rocks and patches of seaweed break the surface, rendered with earthy browns and muted greens that contrast with the cool tones of the lagoon. Subtle highlights on the water capture the play of sunlight, suggesting a quiet, late-morning or early-afternoon light. The overall mood is tranquil and contemplative: a quiet moment of stillness in a coastal setting, where the heron’s patient watchfulness becomes the focal point. The brushwork and color choices emphasize both the bird’s sculptural form and the serene atmosphere of its surroundings. A small artist’s mark appears in the lower corner, anchoring the piece as a crafted study rather than a photo, and reinforcing the sense of intentional, observing calm.
Roxanne Tobaison Art
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The time I spent in Key West and the Florida Keys fueled my inspiration, resulting in these watercolor artworks. There is a never ending array of inspiration of the local historical landmarks,
#KeyWest #Art #Watercolor #Painting #FloridaKeys
