Advertisement · 728 × 90
#
Hashtag
#frenchartdeco
Advertisement · 728 × 90
Art Deco Style encapsulated the wealth and influence of the industrial class at the turn of the 20th century. Combining modern ideas about shapes and elegance with glamorous materials and industrial processes, the movement came to represent the luxuries of a changing world.
The Art Deco movement represented a variety of different styles, all governed by a series of principles: luxury, technology, and modernity. Above all, it was an extremely creative period, full of innovation and new ideas.
With the rise of industry and the gradual decline of aristocracy, people in the middle and upper classes began seeking out luxuries. Using industrial technologies, Art Deco designers incorporated expensive materials into common pieces, from home radios to living room furniture.

Art Deco Style encapsulated the wealth and influence of the industrial class at the turn of the 20th century. Combining modern ideas about shapes and elegance with glamorous materials and industrial processes, the movement came to represent the luxuries of a changing world. The Art Deco movement represented a variety of different styles, all governed by a series of principles: luxury, technology, and modernity. Above all, it was an extremely creative period, full of innovation and new ideas. With the rise of industry and the gradual decline of aristocracy, people in the middle and upper classes began seeking out luxuries. Using industrial technologies, Art Deco designers incorporated expensive materials into common pieces, from home radios to living room furniture.

Art Deco interior
circa 1935
Paris
France

#artdeco #luxury #modernity #glamour #artdecodesign #interiordesign #vintage1930s #lartdecoratif #frenchartdeco #france #paris #parisianartdeco #style

76 10 3 0
Jean Prouvé (born April 8, 1901, Nancy, France—died March 23, 1984, Nancy) was a French engineer and builder known particularly for his contributions to the art and technology of prefabricated metal construction.
Trained as a metalworker, Prouvé owned and operated from 1922 to 1954 a workshop for the manufacture of wrought-iron objects. He emphasized advanced metalworking techniques and was particularly concerned with the design and production of architectural components and furniture. His significant early buildings using metal panels as curtain walls include a clubhouse at Buc Airport (1937–39) and the Maison du Peuple at Clichy, France (1938–39). Prouvé’s commitment to the idea of prefabricated building components is exemplified by his Headquarters of the Federation of Building Industries, Paris (1947–51), and by several experimental houses and a school. His exceptional grasp of building technology resulted in such striking designs as the Meridian Room of the Paris Observatory (1951), the Exhibition Hall at Nanterre, France (1956–58), and the Church of the Sacré-Coeur de Bonnecousse (1959–60), at Mazamet, France. Prouvé pioneered new structural techniques that would permit the efficient and inexpensive construction of buildings with prefabricated components while retaining architectural quality and individuality.
Prouvé taught at the School of Arts and Crafts (Conservatoire National des Arts et Matières) from 1958 to 1971. He was elected a member of the Academy of Architecture in Paris in 1972.

Jean Prouvé (born April 8, 1901, Nancy, France—died March 23, 1984, Nancy) was a French engineer and builder known particularly for his contributions to the art and technology of prefabricated metal construction. Trained as a metalworker, Prouvé owned and operated from 1922 to 1954 a workshop for the manufacture of wrought-iron objects. He emphasized advanced metalworking techniques and was particularly concerned with the design and production of architectural components and furniture. His significant early buildings using metal panels as curtain walls include a clubhouse at Buc Airport (1937–39) and the Maison du Peuple at Clichy, France (1938–39). Prouvé’s commitment to the idea of prefabricated building components is exemplified by his Headquarters of the Federation of Building Industries, Paris (1947–51), and by several experimental houses and a school. His exceptional grasp of building technology resulted in such striking designs as the Meridian Room of the Paris Observatory (1951), the Exhibition Hall at Nanterre, France (1956–58), and the Church of the Sacré-Coeur de Bonnecousse (1959–60), at Mazamet, France. Prouvé pioneered new structural techniques that would permit the efficient and inexpensive construction of buildings with prefabricated components while retaining architectural quality and individuality. Prouvé taught at the School of Arts and Crafts (Conservatoire National des Arts et Matières) from 1958 to 1971. He was elected a member of the Academy of Architecture in Paris in 1972.

Paris - interior
c. 1925
Steel banister
Jean Prouvé
1901-1984
France

#artdeco #architecture #jeanprouvé #Paris #france #frenchartdeco #lartdecoratif #interiordesign #frenchstyle
#artdecofurniture #artdecodesign

13 0 1 0
Longwy Workshop of Longwy, France, first made ceramic wares in 1798. The workshop is still in business. Most of the ceramic pieces found today are glazed with many colors to resemble cloisonne or other enameled metal. Many pieces were made with stylized figures and Art Deco designs. The factory used a variety of marks. Today the company trades under the name Societe des Fainceries de Longwy et Senelle.

Longwy Workshop of Longwy, France, first made ceramic wares in 1798. The workshop is still in business. Most of the ceramic pieces found today are glazed with many colors to resemble cloisonne or other enameled metal. Many pieces were made with stylized figures and Art Deco designs. The factory used a variety of marks. Today the company trades under the name Societe des Fainceries de Longwy et Senelle.

Longwy enameled ceramic vase
1931
design Maurice Paul Chevalier
France

#artdeco #longwy #mauricepaulchevalier #artdecoceramics #enameledceramics #vase #france
#frenchartdeco

16 1 0 0
Post image

1920s Vanities French Art Deco Asian Dancer Incense Burner

hakervintage.etsy.com/listing/1902...

#vantines #incenseburner #dancer #asian #thailand #siam #frenchartdeco #artdeco #1920s #france

2 0 0 0
Post image

Raymond Templier
France
brooch
18K white gold, diamonds and black lacquer
c. 1928

#artdeco #jewelry #wearableart #handmade #brooch #artdecojewelry #artdecodesign #art #jewelrydesign #raymondtemplier #france #frenchartdeco #frenchjewelry #highjewelry #finejewelry #artjewelry

14 0 0 0
Post image

Alfred-August Janniot (1889-1969)

#artdeco #sculpture #alfredaugustejanniot #france #frenchartdeco #moderne #lartmoderne

6 0 1 0
Description
Property from a Private European Collection
Jean Dunand
Parfum

circa 1927
lacquered and gilt wood
signed Jean Dunand
panel: 35 ½ 28 ¼ in. (90 x 72 cm)

Condition Report

Provenance
Jean-Charles Worth, Paris
Private Collection
Sotheby's Monaco, September 24, 1978, lot 229
Alain Lesieutre, Paris
Tajan Paris, Collection Alain Lesieutre, December 13, 1989, lot 282
Private Collection
Christie’s King Street, 16th February 1994, Lot 425A
Acquired from the above by the present owner

Estimate: 200,000 to 300,000 USD

Description Property from a Private European Collection Jean Dunand Parfum circa 1927 lacquered and gilt wood signed Jean Dunand panel: 35 ½ 28 ¼ in. (90 x 72 cm) Condition Report Provenance Jean-Charles Worth, Paris Private Collection Sotheby's Monaco, September 24, 1978, lot 229 Alain Lesieutre, Paris Tajan Paris, Collection Alain Lesieutre, December 13, 1989, lot 282 Private Collection Christie’s King Street, 16th February 1994, Lot 425A Acquired from the above by the present owner Estimate: 200,000 to 300,000 USD

Literature
L'Illustration, Paris, May 1933, p. 30
L’Art Déco en Europe, exh. cat., Société des Expositions du Palais des Beaux-Arts, Brussels, 1989, front cover and p. 67, no. 18
Félix Marcilhac, Jean Dunand: His Life and Works, London, 1991, p. 264, no. 578
Victor Arwas, Art Deco, London, 1992, front cover
Félix Marcilhac and Amélie Marcilhac, Jean Dunand, Paris, 2020, p. 253, no. 93

Exhibited
Galerie Georges Petit, Paris, 1927, no. 42
L’Art Déco en Europe, Société des Expositions du Palais des Beaux-Arts, Brussels, 3 March – 28 May 1989

Literature L'Illustration, Paris, May 1933, p. 30 L’Art Déco en Europe, exh. cat., Société des Expositions du Palais des Beaux-Arts, Brussels, 1989, front cover and p. 67, no. 18 Félix Marcilhac, Jean Dunand: His Life and Works, London, 1991, p. 264, no. 578 Victor Arwas, Art Deco, London, 1992, front cover Félix Marcilhac and Amélie Marcilhac, Jean Dunand, Paris, 2020, p. 253, no. 93 Exhibited Galerie Georges Petit, Paris, 1927, no. 42 L’Art Déco en Europe, Société des Expositions du Palais des Beaux-Arts, Brussels, 3 March – 28 May 1989

Jean Dunand’s path to becoming a master in lacquer began when he met the acclaimed Japanese artist Seizo Sugawara in 1912. Seeking to learn more about dinanderie, Sugawara offered to teach Dunand the art of lacquer if he would teach Sugawara about dinanderie in return. This fortuitous exchange set Dunand on the path to become one of the preeminent lacquer artists of the twentieth century, eventually setting up his own famed lacquer workshop. His brilliant dexterity in the medium is most evident in his lacquer portraits, as exemplified by the current work.

His exploration and mastery of lacquer work garnered attention of various patrons and led to many important commissions such as the interiors of the Normandie ocean liner and the noted San Francisco apartment of Templeton Crocker.

Dunand’s striking and elegant works also found favor with the most important fashion couturiers of his time, such as Madeleine Vionnet, Elsa Schiaparelli, and Jean-Charles Worth. The present panel, Parfum, was originally acquired by Jean-Charles Worth, whose grandfather founded the illustrious House of Worth fashion house. Assuming the role of chief designer in the1910s, Jean-Charles Worth is credited with introducing simple forms and sleek designs to the fashion house epitomizing Art Deco fashion. Images of Jean-Charles Worth circa 1930, around the time the current work was acquired, were taken by Man Ray and are in the permanent collection of the Centre Pompidou, Paris.

Jean Dunand’s path to becoming a master in lacquer began when he met the acclaimed Japanese artist Seizo Sugawara in 1912. Seeking to learn more about dinanderie, Sugawara offered to teach Dunand the art of lacquer if he would teach Sugawara about dinanderie in return. This fortuitous exchange set Dunand on the path to become one of the preeminent lacquer artists of the twentieth century, eventually setting up his own famed lacquer workshop. His brilliant dexterity in the medium is most evident in his lacquer portraits, as exemplified by the current work. His exploration and mastery of lacquer work garnered attention of various patrons and led to many important commissions such as the interiors of the Normandie ocean liner and the noted San Francisco apartment of Templeton Crocker. Dunand’s striking and elegant works also found favor with the most important fashion couturiers of his time, such as Madeleine Vionnet, Elsa Schiaparelli, and Jean-Charles Worth. The present panel, Parfum, was originally acquired by Jean-Charles Worth, whose grandfather founded the illustrious House of Worth fashion house. Assuming the role of chief designer in the1910s, Jean-Charles Worth is credited with introducing simple forms and sleek designs to the fashion house epitomizing Art Deco fashion. Images of Jean-Charles Worth circa 1930, around the time the current work was acquired, were taken by Man Ray and are in the permanent collection of the Centre Pompidou, Paris.

Jean Dunand, 'Parfum' 1927
Sotheby's Paris Important Design 12/12/24
lacquered and gilt wood
signed Jean Dunand
panel: 35 ½ 28 ¼ in. (90 x 72 cm)

#artdeco #art #lacquerart #jeandunand #frenchartdeco #artdecoart #parfum #lacqueredwood #artdecoartwork #artdecoartist #1920s #1927 #artdecodesign

13 0 0 0
Post image

A lovely L Bernardaud & Co Art Deco vase France 1920s - the porcelain body decorated with fashionable women.
20th Century Decorative Arts has an eclectic mix of items for sale and subscribing to our newsletter gets you a 10% discount on every purchase 20decoarts.com
#frenchartdeco #artdecoceramic

2 1 0 0
Post image

Today we also have a stylish Art Deco bronze by Andreé Guerval, France, dated 1925.
20th Century Decorative Arts has fine examples of Art Deco sculpture for sale and subscribing to our newsletter gets you a 10% discount on every purchase 20decoarts.com
#artdecosculpture #frenchartdeco

0 0 0 0
Post image

1930s Andre Galland (1886 - 1965) Poster, “Saint Aubin Sur Mer (Calvados)”

hakervintage.etsy.com/listing/1125...

#andrégalland #andregalland #vintageposter #1930s #saintaubinsurmer #calvadosnormandie #calvados #beaches #france #frenchcoast #editionsmayeuxparis #artdeco #frenchartdeco

2 0 0 0
Post image

1920s Art Deco Glazed Ceramic and Bronze Bowl by Paul Milet for Sevres France

hakervintage.etsy.com/listing/1496...

#paulmilet #paulmiletsevres #sevresporcelain #sevresfrance #bronze #floral #artdeco #porcelain #porcelainrondels #frenchartdeco #decorativebowls #1920s

1 0 0 0