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A close-up self-portrait of a young Japanese-Mongolian woman fills a horizontal canvas from her chest up. She turns in three-quarter profile to the left, her wide, brown eyes ringed with red looking past the frame. Her light, warm-toned skin is modeled in thick, rough strokes that leave ridges of paint. Her black hair is pulled back, with loose bangs brushing her forehead and cheek. She lifts a hand to her mouth, fingers soft but slightly tense as they grasp a thin pair of eyeglasses. A heavy red-brown sweater dissolves into dense, scumbled texture at the bottom edge. Behind her, a pale gray background swirls with scratched lines and dry-brushed marks, making her introspective gaze feel suspended in air.

Arisa Yoshioka, a self-taught painter, was born in Ulaanbaatar and grew up between Mongolia and Japan. Now based in Tokyo, she often mines memories and personal emotion in works that balance tenderness with unease. In this painting, shown in GRIMM’s 2024 exhibition “Self-Portraits,” she turns the familiar genre inward to probe anxieties around beauty and self-scrutiny. The title, insisting that nothing here is cosmetic surgery, hints at pressures placed on young women’s faces—especially those racialized and read through narrow beauty standards. Thick impasto, raw eyelids, and the half-removed glasses suggest a body caught between seeing and being seen, vulnerability and performance.

Yoshioka began painting only in 2021, yet has already developed a distinctive, grainy surface and muted palette that recall worn photographs or memory images. Across recent exhibitions and her first monograph “Idler,” she uses self-images like this one to weave together post-Soviet Mongolian childhood, life between languages, and the quiet resilience of looking back at oneself without softening the edges.

Japanese sources often write her name as アリサ・ヨシオカ and 吉岡アリサ.

A close-up self-portrait of a young Japanese-Mongolian woman fills a horizontal canvas from her chest up. She turns in three-quarter profile to the left, her wide, brown eyes ringed with red looking past the frame. Her light, warm-toned skin is modeled in thick, rough strokes that leave ridges of paint. Her black hair is pulled back, with loose bangs brushing her forehead and cheek. She lifts a hand to her mouth, fingers soft but slightly tense as they grasp a thin pair of eyeglasses. A heavy red-brown sweater dissolves into dense, scumbled texture at the bottom edge. Behind her, a pale gray background swirls with scratched lines and dry-brushed marks, making her introspective gaze feel suspended in air. Arisa Yoshioka, a self-taught painter, was born in Ulaanbaatar and grew up between Mongolia and Japan. Now based in Tokyo, she often mines memories and personal emotion in works that balance tenderness with unease. In this painting, shown in GRIMM’s 2024 exhibition “Self-Portraits,” she turns the familiar genre inward to probe anxieties around beauty and self-scrutiny. The title, insisting that nothing here is cosmetic surgery, hints at pressures placed on young women’s faces—especially those racialized and read through narrow beauty standards. Thick impasto, raw eyelids, and the half-removed glasses suggest a body caught between seeing and being seen, vulnerability and performance. Yoshioka began painting only in 2021, yet has already developed a distinctive, grainy surface and muted palette that recall worn photographs or memory images. Across recent exhibitions and her first monograph “Idler,” she uses self-images like this one to weave together post-Soviet Mongolian childhood, life between languages, and the quiet resilience of looking back at oneself without softening the edges. Japanese sources often write her name as アリサ・ヨシオカ and 吉岡アリサ.

“This is not a cosmetic surgery, thank you” by Arisa Yoshioka (Japanese-Mongolian) - Oil on linen / 2023 - GRIMM Gallery (Amsterdam, Netherlands) #WomenInArt #ArisaYoshioka #Yoshioka #art #artText #BlueskyArt #GRIMMGallery #GRIMM #WomensArt #WomanArtist #WomenArtists #MongolianArtist #SelfPortrait

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We are pleased to announce that we are moving to a new gallery space in London, opening to the public this October to coincide with Frieze Week.

📍43a Duke Street, St James’s, London (UK)

#london #grimmgallery

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Just two more weeks to see ‘claim no easy victories’, Matthias Franz’s solo exhibition at the London gallery, on view until July 19, 2025

Installation views by Stephen White & Co.

#matthiasfranz #grimmgallery

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Wishing Angela Heisch a very happy Birthday!
Infusing her paintings with an embodied, inquisitive gaze, Heisch directly invites the viewer to engage and explore open-ended states of possibility and meaning.
#angelaheisch #grimmgallery

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This new painting by Fischer Mustin is part of our summer exhibition, ’The Garden of Earthly Delights,’ currently on view at the New York gallery until August 8, 2025.
#fischermustin #grimmgallery

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‘Wilteysha, 1993’ from Dana Lixenberg’s series ‘Imperial Courts, 1993-2015’ is now on view at Huis Marseille as part of their 25th anniversary exhibition, ‘Memento,’ which features over a hundred contemporary photographic works from their collection.
#danalixenberg #huismarseille #grimmgallery

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‘Iris’ by Francesca Mollett is part of our Summer exhibition, ’The Garden of Earthly Delights,’ which is now on view at the New York gallery.
#francescamollett #grimmgallery

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Our summer exhibition ’The Garden of Earthly Delights’ is now open at GRIMM, New York, NY (US), until August 8, 2025.
#grimmgallery

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‘Garden Wakes’ by Kiki Xuebing Wang is part of our Summer exhibition, ’The Garden of Earthly Delights,’ which opens at the New York gallery tomorrow, June 27. Join us for the opening from 6 to 8 pm!

#kikixuebingwang #grimmgallery

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This painting by Volker Hüller is part of our Summer exhibition, ’The Garden of Earthly Delights,’ opening at the New York gallery on Friday, June 27. Join us for the opening from 6 to 8 pm!

#volkerhüller #grimmgallery

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‘Floorplan (Green Driver)’ by Gabriella Boyd will be part of our Summer exhibition, 'The Garden of Earthly Delights,' opening at the New York gallery on Friday, June 27. Join us for the opening from 6 to 8 pm!

#gabriellaboyd #grimmgallery

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Louise Giovanelli’s exhibition, 'A Song of Ascents,' opens Friday, June 27, at the Halle Für Kunst Steiermark in Graz (AT).
#louisegiovanelli #hallefürkunststeiermark #villastuck #grimmgallery

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While deeply concerned with elemental subjects and the natural world, Robert Zandvliet’s work resists realism, instead capturing and drawing attention to the artifice and painterly gesture of the work.
#robertzandvliet #grimmgallery

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#arturokameya #claudiamartínezgaray #artbasel #grimmgallery

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Matthias Weischer’s paintings depict interior scenes and landscapes that challenge the viewer’s perception of space.

He will have a solo exhibition at GRIMM, London (UK), opening in October to coincide with Frieze week.

#matthiasweischer #grimmgallery

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Hettie Inniss’ 'Marooned’ is part of 'The Garden of Earthly Delights’, our upcoming Summer show in New York. Join us and the artists for the opening reception on Friday, June 27, 6-8 pm.
#hettieinniss #grimmgallery #newyork

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Tjebbe Beekman challenges what is expected of the medium to innovate and celebrate the act of creating in its entirety.
The layered surfaces of his paintings underline the meaning of his work and follow the artist’s interest in architectural space.
#tjebbebeekman #grimmgallery

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This painting by Arturo Kameya will be part of his new installation, ‘Every step is a payment in full’, on view at Art Basel Statements from June 19 to 22, 2025.

#arturokameya #claudiamartínezgaray #artbasel #grimmgallery

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A huge congrats to Francesca Mollett and Modern Art on a fantastic first solo exhibition: ‘Annual Honesty’, which is now open and part of #londongalleryweekendmustsee.

The exhibition is on view until July 19, 2025, at Modern Art in London (UK).
#francescamollett #modernart #grimmgallery

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Today, June 5, Matthias Franz’s new exhibition ‘claim no easy victories’ opens at the London gallery. Join us and the artist for the opening from 6 to 8 pm!
On the occasion of London Gallery Weekend, Franz will lead an exhibition walk-through on Friday, June 6, at 11 am.
#matthiasfranz #grimmgallery

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Matthew Day Jackson and Claudia Martínez Garay are included in the exhibition ‘We Are Nature’, which is on view at Museum Singer Laren (NL) until August 25, 2025.

#matthewdayjackson #claudiamartínezgaray #singerlaren #grimmgallery

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In collaboration with renowned independent movie theatre Metrograph, Louise Giovanelli has released three original film posters, featuring works from her exhibition 'Still Moving’, currently on view at the New York gallery until June 21, 2025.
#louisegiovanelli #metrograph #grimmgallery

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‘Ascención’ by Arturo Kameya is part of his exhibition ‘The moon wanted to be the sun, but it was too late to change’, currently on view at the Amsterdam gallery until July 19, 2025.
#arturokameya #artbasel2025 #artbasel #grimmgallery

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Letha Wilson’s practice is rooted in material experimentation. She is known for her synthesis of mediums, expanding the visual and physical dimensions of photography and sculpture.
#lethawilson #grimmgallery

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Robert Zandvliet refers to ‘Heather' as a painting that continues his exploration of colour, investigating the essence of colour itself.
‘Heather’ is on view at BAC Art Space in Amsterdam (NL) as part of the exhibition 'Echoes of Nature’.
#robertzandvliet #grimmgallery

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For Louise Giovanelli, the curtain is a device through which to explore formal possibilities of colour, looming over her canvases in both size and allure, they shimmer with promise, refracting qualities of light, shade and variabilities of texture.

#louisegiovanelli #metrograph #grimmgallery

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Elias Sime’s exhibition 'Echo የገደል ማሚቶ’ is on view until June 1, 2025, at the Kunstpalast in Düseldorf (DE).

#eliassime #kunstpalast #grimmgallery

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Matthias Franz’ solo exhibition ‘claim no easy victories’ will open at the London gallery on June 6, 2025, coinciding with London Gallery Weekend.

The exhibition will be on view at GRIMM London (UK) from June 6 until July 19, 2025.

#matthiasfranz #grimmgallery #LondonGalleryWeekend #LGW #LGW2025

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‘Still Moving,’ Louise Giovanelli’s new solo exhibition, opens today at the New York gallery. Join us and the artist to celebrate the opening tonight from 6 to 8 pm!

#louisegiovanelli #metrograph @metrographnyc.bsky.social #grimmgallery

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We are delighted to announce that Claudia Martínez Garay will be part of the Unlimited section at @artbasel.bsky.social from June 19 to 22 in Basel (CH).

#claudiamartínezgaray #artbasel #artbasel2025 #ngvmelbourne #ngvaustralia #dcadundee #grimmgallery

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