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Wassily Kandinsky, Hornform (1924). Oil on cardboard. At the Kimbell Art Museum’s traveling exhibit “Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin.”

Wassily Kandinsky, Hornform (1924). Oil on cardboard. At the Kimbell Art Museum’s traveling exhibit “Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin.”

Wassily Kandinsky, Hornform (1924). Oil on cardboard. #kimbellartmuseum

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King
#kimbellartmuseum #photography #art #museums

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liminal | subliminal | #SUBLIME
#photography by Verl Adams ©
my main account👇
@verladams.bsky.social
Santa Maria della Vittoria
the ecstasy of St Teresa
#architecture #FortWorth #TX
#LouisKahn #KimbellArtMuseum
#ClassicMono #blackandwhite

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liminal | subliminal | #SUBLIME
#photography by Verl Adams ©
my main account👇
@verladams.bsky.social
Santa Maria della Vittoria
the ecstasy of St Teresa
#architecture #FortWorth #TX
#LouisKahn #KimbellArtMuseum
#ClassicMono #blackandwhite

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This "grand manner" portrait represents Harriet Gildart, the granddaughter of Richard Gildart, M.P., who was twice mayor of Liverpool. The sitter married the famous brewer of London stout, Andrew Reid, and raised nine children.

Harriet’s elegant and shapely form is fashionably elongated as she leans upon a stone pedestal. The upper portion of her hair was altered, probably by another artist, and is dressed in a style later than the date of the portrait. Her gaze is slightly downcast, conveying a sense of introspection and thoughtful contemplation.

Her graceful, cross-legged pose and idealized features reflect the Neoclassical style popular during the late 18th century, implying a meditative, elevated state of mind, while the pale blue silk sash and white gown, flowing like the small waterfall that streams into a brook behind, emphasizes her harmony with the natural landscape.

The dates of sitting for Mrs. Reid’s portrait are recorded in Romney’s diaries, which note that she made half of the payment in March of 1786, and that her husband paid the second half two years later. 

Known for his refined and elegant manner, George Romney enjoyed the highest reputation among British portraitists after Reynolds and Gainsborough. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson.

After a stay in Italy in 1773–75, where he made drawings after the antique and old masters such as Raphael, his career flourished and he adapted the compositions of these prototypes to portraits in the grand manner.

This "grand manner" portrait represents Harriet Gildart, the granddaughter of Richard Gildart, M.P., who was twice mayor of Liverpool. The sitter married the famous brewer of London stout, Andrew Reid, and raised nine children. Harriet’s elegant and shapely form is fashionably elongated as she leans upon a stone pedestal. The upper portion of her hair was altered, probably by another artist, and is dressed in a style later than the date of the portrait. Her gaze is slightly downcast, conveying a sense of introspection and thoughtful contemplation. Her graceful, cross-legged pose and idealized features reflect the Neoclassical style popular during the late 18th century, implying a meditative, elevated state of mind, while the pale blue silk sash and white gown, flowing like the small waterfall that streams into a brook behind, emphasizes her harmony with the natural landscape. The dates of sitting for Mrs. Reid’s portrait are recorded in Romney’s diaries, which note that she made half of the payment in March of 1786, and that her husband paid the second half two years later. Known for his refined and elegant manner, George Romney enjoyed the highest reputation among British portraitists after Reynolds and Gainsborough. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson. After a stay in Italy in 1773–75, where he made drawings after the antique and old masters such as Raphael, his career flourished and he adapted the compositions of these prototypes to portraits in the grand manner.

Portrait of Mrs. Andrew Reid (Harriet Gildart) by George Romney (British) - Oil on canvas / c. l786–1788 - Kimbell Art Museum (Fort Worth, Texas) #womeninart #portrait #art #oilpainting #womensart #georgeromney #artwork #kimbellartmuseum #britishartist #romney #portraitofawoman #grandmanner #bskyart

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Night at the Museum.

#photography
#kimbellartmuseum
#reflection
#thephotohour

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I went to the #kimbellartmuseum this week and it was, as always, wonderful.

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Opening of the Dutch Painters exhibition at the Kimbell. Sketched one of the members as she waited for her partner to view the Exhibition. #kimbellartmuseum #dutchpainting #sketch

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“La Pointe de la Hève at Low Tide.” Claude Monet (French; 1840–1926). Oil on canvas, 1865. Kimbell Art Museum, Fort Worth, Texas.

#claudemonet
#monet
#lapointedelahève
#lapointedelaheve
#kimbellartmuseum
@kimbellartmuseum

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Jacob van Ruisdael, “Edge of a Forest with a Grainfield,” c. 1656. @kimbellartmuseum

#kimbellartmuseum

#landscapepainting #jacobvanruisdael #dutchgoldenage #dutchpainting #17thcenturyart

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@kimbellartmuseum Did you know the word “leo” means “lion” in Latin?

“Lion,” Roman, c. A.D. 450–62

#ancientart #romanart #classicalart #ancientrome #ancientroman #ancientromanart

#Leo
#Lions
#kimbellartmuseum

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“View of Olevano.” Jean-Baptiste-Camille Corot (French; 1796–1875). Oil on paper affixed to canvas, 1827. Kimbell Art Museum, Fort Worth, Texas.

#jeanbaptistecamillecorot
#corot
#kimbellartmuseum
@kimbellartmuseum

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