Uz 4. víkend za sebou jdem s mužem do kina.
Tak se mi to líbí.
Dneska na Stelana a jeho Citovou hodnotu. Jsem na to zvědavá už od #kviff
Tam jsem ho nestihla.
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He sold his DS and his Wii at 14 to buy his first camera; at 25, he's won the Best Director prize at Karlovy Vary International Film Festival – we talk to Out of Love director Nathan Ambrosioni
www.theskinny.co.uk/film/intervi... #kviff @JamieDunnEsq.bsky.social
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🎥🤓 As part of the #KVIFF Industry Days, on 9 Julry, a panel on "Redefining Creative Control in Series Development & Production" was hosted at Karlovy Vary #filmfestival. It brought together industry professionals such as Marianne Wendt & Sullivan Le Postec: cineuropa.org/481365
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Europa Cinemas Label: La película BROKEN VOICES gana este galardón en el marco del Festival Internacional de Cine de Karlovy Vary.
Más información > tuit.es/68AxE
#EuropaCinemasLabel #KVIFF #CineEuropeo #Exhibición #SalasDeCine #KarlovyVary
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Karlovy Vary 2025 | Coordenadas del trauma. Crítica de QUAN UN RIU ESDEVÉ EL MAR de Pere Vilà Barceló, ganadora del premio al mejor actor (Álex Brendemühl) del #KVIFF. Texto de Aarón Rodríguez Serrano: www.elantepenultimomohicano.com/2025/07/crit...
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Min rapport for Rushprint fra årets filmfestival i Karlovy Vary, der Pia Tjelta vant pris for sin rolle i Nina Knags «Se meg» og Stellan Skarsgård mottok ærespris. Også andre av premierefilmene på festivalen hadde norske bidrag, deriblant to spillefilmer fra Litauen:
#kviff #kviff59
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In 𝙏𝙝𝙚 𝘽𝙧𝙚𝙖𝙠𝙞𝙣𝙜 𝙋𝙤𝙞𝙣𝙩 (Michael Curtiz, 1950), a guy gets stiffed, so he dabbles in one-step-removed crime, with a sideline of bounty hunting, while staying true to the wife and kids. The film ends with a scene that undoubtedly triggered the anti-DEI ogres in Congress. #KVIFF
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Norsk skuespillerpris på den internasjonale filmfestivalen i Karlovy Vary for tredje år på rad!
#kviff59 #kviff
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Mitt intervju for Rushprint med regissør Nina Knag og hovedrolleinnehaver Pia Tjelta på filmfestivalen i Karlovy Vary om den norske spillefilmen «Se meg», som deltar i hovedkonkurransen. Og på prisutdelingen i kveld vant Tjelta prisen for beste kvinnelige skuespiller. #kviff59 #kviff
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Na závěrečný večer #kviff
doprovodil prezident Petr Pavel Andreu Bartoškovou. Lidské a dojemné gesto.
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In 𝙃𝙚 𝙍𝙖𝙣 𝘼𝙡𝙡 𝙩𝙝𝙚 𝙒𝙖𝙮 (John Berry, 1951), Garfield’s criminal and Winters’s hostage alike are tentative, ambiguous, craving change. Love? So they would claim; but it seems more inchoate and desperate. #KVIFF
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𝙃𝙪𝙢𝙤𝙧𝙚𝙨𝙦𝙪𝙚 (Jean Negulesco, 1946). Clifford Odets and Oscar Levant: a match made in heaven. #KVIFF
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𝘽𝙞𝙙𝙖𝙙 (Soheil Beiraghi, 2025) makes me nostalgic for the days when an obviously harmless person being zip-tied and hustled off to some kind of jail by some kind of plainclothes cop seemed so…foreign. #KVIFF
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In 𝘽𝙤𝙙𝙮 𝙖𝙣𝙙 𝙎𝙤𝙪𝙡 (Robert Rossen, 1947), we’ve got a full-court press of morally distinguished talent: Abraham Polonsky, Robert Rossen, John Garfield, Anne Revere, and Canada Lee, all in one gripping, exceptionally humane film. This is why we have film festivals. #KVIFF
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With that Phi Beta Kappa key on Joe’s vest and Wheelock’s Harvard degree, 𝙁𝙤𝙧𝙘𝙚 𝙤𝙛 𝙀𝙫𝙞𝙡 (Abraham Polonsky, 1948) places corruption among the elite, but it goes right down to Leo’s humble stabs at selling gas and real estate. Numbers racket? Just another slight curve on the American Way. #KVIFF
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𝘾𝙞𝙣𝙚𝙢𝙖 𝙅𝙖𝙯𝙞𝙧𝙚𝙝 (Gözde Kural, 2025) is a courageous indictment of a theocracy’s cruel obsession with gender roles, and a wrenching look at the multifarious desperation it creates. #KVIFF
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Twin brothers Ondřej and František Klišík laying flat on the ground next to a model of their home as both look up at a cloudy sky expanding above them in a still from Miro Remo’s BETTER GO MAD IN THE WILD.
BETTER GO MAD IN THE WILD: In a year bursting with them, this documentary is the 2025’s best twin movie (apologies to the also great upcoming TWINLESS). A film of life, death & a talking cow, Miro Remo’s latest work is the absolute best of the fest📽️
My #KVIFF review: www.thewrap.com/better-go-ma...
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𝘽𝙚𝙩𝙩𝙚𝙧 𝙂𝙤 𝙈𝙖𝙙 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙞𝙡𝙙 (Miro Remo, 2025). Cheech & Chong on the farm, focusing on mortality. #KVIFF
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Karlovy Vary 2025 | «Surge la vida». Crítica de A VIDA LUMINOSA, primer largometraje de ficción de João Rosas, que compite por el Globo de Cristal del #KVIFF. Texto de Aarón Rodríguez Serrano: www.elantepenultimomohicano.com/2025/07/crit...
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With very little assuredness, I’m going to call 𝙅𝙞𝙢𝙢𝙮 𝙅𝙖𝙜𝙪𝙖𝙧 (Bence Fliegauf, 2025) a treatment of the psychological roots of religious zeal in the guise of an investigative journalism report on demon possession. In any event, the demon seems to be the good guy. #KVIFF
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𝙏𝙝𝙚 𝙋𝙤𝙨𝙩𝙢𝙖𝙣 𝘼𝙡𝙬𝙖𝙮𝙨 𝙍𝙞𝙣𝙜𝙨 𝙏𝙬𝙞𝙘𝙚 (Tay Garnett, 1946) is so good—Turner’s vulnerability, Cronyn’s aplomb, Ames’s sliminess, Garfield’s forsaken savvy—that you forget, every single time, about that dopily-scripted ending. #KVIFF
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𝙈𝙮 𝙁𝙖𝙩𝙝𝙚𝙧’𝙨 𝙎𝙝𝙖𝙙𝙤𝙬 (Akinola Davies, Jr., 2025). Two kids from a quiet village spend a day in Lagos: an exciting mix of bonhomie, food, politics, and religion that finally flies apart in oppression and resistance. A triumph in depicting street life, faces, friendship, and familial devotion. #KVIFF
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𝙗𝙡𝙪𝙞𝙨𝙝 (Lilith Kraxner, Milena Czernovsky, 2025). Long takes; neutral backgrounds. Like Bergman without all the snappy dialogue <𝘣𝘢-𝘥𝘶𝘮-𝘤𝘩𝘪𝘯𝘨!>. #KVIFF
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𝙃𝙤𝙬 𝘾𝙤𝙢𝙚 𝙄𝙩’𝙨 𝘼𝙡𝙡 𝙂𝙧𝙚𝙚𝙣 𝙊𝙪𝙩 𝙃𝙚𝙧𝙚? (Nikola Ležaić, 2025) was exactly like visiting my father’s extended family in Smith County, Texas. #KVIFF
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The western Colorado setting is a character in 𝙍𝙚𝙗𝙪𝙞𝙡𝙙𝙞𝙣𝙜 (Max Walker-Silverman, 2025), slavishly revered by its fellow players. Alas, the unsustainability of life there and the bitter isolation it imposes are all too evident. By film’s end, the male lead, wising up, tries to make a village. #KVIFF
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Camille Cottin and team OUT OF LOVE at the #KVIFF World Premiere.
In 🇫🇷 cinemas December 3 and coming soon internationally.
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Hollywood tropes in 𝙋𝙧𝙞𝙙𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙖𝙧𝙞𝙣𝙚𝙨 (Delmer Daves, 1945) go beyond the mere happy ending. Garfield’s self-pitying casualty clashes with the actor’s naturalistic persona. Nonetheless, takes on the GI Bill, prejudice, and economic forces are strong. Supporting kudos to D’Andrea and DeCamp. #KVIFF
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#DakotaJohnson poses for a photo after recieving the #KVIFF President’s Award @ the 59th #KarlovyVaryFilmFestival on 5/7/25 at Spa Hotel Thermal in #KarlovyVary, #CzechRepublic. #HollywoodCiak
#KVIFF59
#redcarpet #photocall #fashion #festival #filmfestival
👇👇👇👇👇👇
www.instagram.com/p/DLzoWMbsqS...
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𝘿𝙪𝙨𝙩 𝘽𝙚 𝙈𝙮 𝘿𝙚𝙨𝙩𝙞𝙣𝙮 (Lewis Seiler, 1939). Pure, righteous social criticism. Robert Rossen and John Garfield doing their jobs. This is what gets you blacklisted, folks: believing in justice and having a heart. #KVIFF
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