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#cuadrodeldía El barón Ferdinand Carl von Stumm, 1890 (Raimundo #Madrazo y Garreta 1841-1920) #MeadowsMuseum Dallas #art Pintor cosmopolita y de refinada técnica que brilla en retrato y pintura de género #FelizMartes A vivir, pese a los accidentes en la vida 🥹

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Que no te confunda su imponente presencia. La profundidad de sus ojos claros, su altivez y empaque no ocultan los estragos de su azarosa vida. Para #EmocionArte, #Madrazo se deja vencer por la franqueza e inunda de melancolía la belleza madura de ‘La Peregrina’.
@Museo_Lazaro

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#cuadrodeldía Aline Masson (finales 1870) Raimundo #Madrazo y Garreta (1841-190) privado #art La modelo favorita de Madrazo, quien la pintó durante 2 décadas. Hasta 18-01-26 la exposición en #ArteyCulturaFM ahonda en la obra de uno de los pintores más cosmopolitas de su época #FelizMartes

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¿Quién es Aline Masson? Misterio tras el pincel de Madrazo Janey Morris, musa de los Prerrafaelitas Fortuny y las mujeres Las obras de Raimundo de Madrazo están llenan de unos ojos, una pose, un ge...

En mi blog #Cúmulosylimbos escribo de #AlineMasson Misterio tras el pincel de #Madrazo, pintor cuyas obras están llenas de unos ojos, una pose, un gesto, una cara y una presencia inconfundibles: Aline Masson, musa de la ‘cotidianeidad ociosa’ cumulosylimbos.blogspot.com/2025/12/quie...

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#cuadrodeldía Ensueño. La carta, 1872 (Raimundo #Madrazo y Garreta 1841-190) #ClarkArtInstitute Williamstown #art Hasta 18-01-26 puede verse en #ArteyCulturaFM Madrid. Exposición con mirada nueva al lenguaje y obra de uno de los pintores más cosmopolitas de su época #FelizSábado

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Mucho que ver en la exposición de Raimundo de #Madrazo en Madrid. Pintor cosmopolita, de refinada técnica, brilla en retrato y pintura de género. Y una incógnita: quién fue #AlineMasson Musa y protagonista en docenas de cuadros, de origen humilde pero dando título a las obras #FundaciónMapfre

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Raimundo de Madrazo pintando en el palacio del duque de Alba en Sevilla (1868) óleo sobre tabla de pequeño tamaño obra de Mariano Fortuny en exposición Raimundo Madrazo en Fundación Mapfre de #Madrid #Fortuny #pintura #Madrazo #arte #arty #painting #cultura #culture bit.ly/4nX6eQC

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📅💥 #savethedate Como parte del Programa Joven 2025 en el @museodelprado.es, daré una conferencia titulada "El impacto de Goya en el siglo XIX: de Gautier a Madrazo" #decimononicas #goya #sigloXIX #gautier #madrazo 🎨📙🕸️ www.museodelprado.es/recurso/prog...

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#JosédeMadrazo (1781-1859), who was #BornOnThisDay
Portrait of Josefa Tudó, Countess of Castillo Fiel
1810-15
#Madrazo

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#JosédeMadrazo (1781-1859), who was #BornOnThisDay
Portrait of María Sandalia de Acebal y Arratia
1820
Private collection, Madrid
#Madrazo

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#JosédeMadrazo (1781-1859), who was #BornOnThisDay
Portrait of María Escribano
1817
Real Academia de Bellas Artes de San Fernando
#Madrazo

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#JosédeMadrazo (1781-1859), who was #BornOnThisDay
Portrait of Manuel García de la Prada
1827
Real Academia de Bellas Artes de San Fernando
#Madrazo

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Azul #Patinir de #Madrazo en el cielo de #Vinaròs.
El @museodelprado.es nos acerca la sonrisa casi Leonardesca de Amalia en #ElPradoEnLasCalles, obra del que fuera director del Museo y de la Real Academia de Bellas Artes de San Fernando.

#LosBlueskydelPrado

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#museothyssen
#proustylasartes
#renoir
#victorclairin
#sarahbernhardt
#vermeer
#madrazo
#escultura
#gotico
#paris
#novela
#musica
#zuloaga
#lambert

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#museothyssen
#proustylasartes
#renoir
#victorclairin
#sarahbernhardt
#vermeer
#madrazo
#escultura
#gotico
#paris
#novela
#musica
#zuloaga
#lambert

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#museothyssen
#proustylasartes
#renoir
#victorclairin
#sarahbernhardt
#vermeer
#madrazo
#escultura
#gotico
#paris
#novela
#musica
#zuloaga
#lambert

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#museothyssen
#proustylasartes
#renoir
#victorclairin
#sarahbernhardt
#vermeer
#madrazo
#escultura
#gotico
#paris
#novela
#musica
#zuloaga
#lambert

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Amalia de Llano y Dotres was thirty-two years old when Madrazo painted her portrait. On October 12th 1839, she married Gonzalo José de Vilches y Parga, who was to become the first Count of Vilches in 1848. The Countess of Vilches was an outstanding defender of the monarchist cause since the fall of Isabella II, Queen of Spain. Furthermore, she was an amateur writer and also published the novels Berta and Ledia. 

The Countess was also a close friend of Federico de Madrazo, which could explain the unique beauty and exquisite refinement that the painter achieved in this portrait. She frequented the Madrazo house, especially on their musical soirées, in which she even sang accompanied by the piano.

In this portrayal, Madrazo reached his most painstaking artistic refinement, at the service of one of the most beautiful and charming women of Isabelline Madrid. The portrait is imbued with a distinctive French flair, very much suited to the elegance of the model. Madrazo learnt this technique during his training period in Paris with French painter Ingres. 

The lady’s pose conveys a degree of sensuality quite foreign to the Spanish tradition. However, the Countess’ flirtatious pose is informal, which provides the work with a sense of graceful movement duly calculated detail by the artist. Due to the illumination used by Madrazo, the paleness of the female complexion both stands out against the marked darkness of the background. 

Madrazo's artistic skills can be seen with the subtlety of some of the gestures, such as the delicacy with which she holds the fan, the almost imperceptible contact of her fingers with her oval face and her charming smile, mirrored by her seductive gaze.

This masterpiece of Spanish Romantic portraiture is considered the most emblematic work of the 19th-century collections of the Museo del Prado.

Amalia de Llano y Dotres was thirty-two years old when Madrazo painted her portrait. On October 12th 1839, she married Gonzalo José de Vilches y Parga, who was to become the first Count of Vilches in 1848. The Countess of Vilches was an outstanding defender of the monarchist cause since the fall of Isabella II, Queen of Spain. Furthermore, she was an amateur writer and also published the novels Berta and Ledia. The Countess was also a close friend of Federico de Madrazo, which could explain the unique beauty and exquisite refinement that the painter achieved in this portrait. She frequented the Madrazo house, especially on their musical soirées, in which she even sang accompanied by the piano. In this portrayal, Madrazo reached his most painstaking artistic refinement, at the service of one of the most beautiful and charming women of Isabelline Madrid. The portrait is imbued with a distinctive French flair, very much suited to the elegance of the model. Madrazo learnt this technique during his training period in Paris with French painter Ingres. The lady’s pose conveys a degree of sensuality quite foreign to the Spanish tradition. However, the Countess’ flirtatious pose is informal, which provides the work with a sense of graceful movement duly calculated detail by the artist. Due to the illumination used by Madrazo, the paleness of the female complexion both stands out against the marked darkness of the background. Madrazo's artistic skills can be seen with the subtlety of some of the gestures, such as the delicacy with which she holds the fan, the almost imperceptible contact of her fingers with her oval face and her charming smile, mirrored by her seductive gaze. This masterpiece of Spanish Romantic portraiture is considered the most emblematic work of the 19th-century collections of the Museo del Prado.

Amalia de Llano y Dotres, Countess of Vilches by Federico de Madrazo y Kuntz (Spanish) - Oil on canvas / 1894 - Museo Nacional del Prado (Madrid, Spain) #womeninart #art #portraitofawoman #womensart #beauty #SpanishArt #oilpainting #MuseoNacionaldelPrado #MuseodelPrado #FedericodeMadrazo #Madrazo

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Ambas me gustan, las dos me interesan, pero siento debilidad por los hombros desnudos, por la dulzura, por la inteligencia. También me subyuga la curvatura del vestido negro en su cintura. Sigue mirándolas y encontrarás mil detalles que podrían #EmocionArte.
#Madrazo #Ingres

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Meaning of #madrazo Madrazo: In Colombia, is someone remind the progenitor, or as they say colloquially: mind the mother. 2 José De Madrazo: Spanish painter ( 1781 - 1859 ). Gregorio Ferro's disciple in Madrid, was a painter of Carlos IV camera. His paintings includ.. madrazo

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Significado de #madrazo Madrazo: En Colombia, Es recordarle a alguien la progenitora, o como se dice coloquialmente: mentar la madre. 2 José De Madrazo: Pintor español (1781-1859). Discípulo de Gregorio Ferro en Madrid, fue pintor de cámara de Carlos IV. Entre sus c.. madrazo

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Significado de #madrazo Madrazo: Na Colômbia, é alguém lembrar o progenitor, ou como se diz coloquialmente: importa a mãe. 2 José De Madrazo y Kuntz: pintor espanhol 41 ( 1781-1859;. Discípulo de Gregorio Ferro em Madrid, foi um pintor de câmara de Carlos IV. Suas p.. madrazo

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¿No logra #EmocionArte la encantadora belleza de la condesa? ¿No te fascina la sensualidad de su pose afrancesada ni el despliegue técnico de #Madrazo? Deléitate con la intensa luz que acentúa su delicada tez o la gama cromática que realza su dulcísima sonrisa. @museodelprado

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La ves recostada en el diván, como si brotara del color que #Madrazo derrama sobre esta hechizante tabla del @thyssenmalaga, pero Aline está muy lejos. Fascinada por #Lalectura, se abandona indolente, perdiendo su mirada en el infinito, ávida de luz y vida, buscando #EmocionArte.

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Ay madre, qué ilusa que soy!! Veo que es #TT #Madrazo y me he tirado como loca pensando que se trataba de alguno de los grandes pintores españoles de la saga...

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