Advertisement · 728 × 90
#
Hashtag
#mosler
Advertisement · 728 × 90
Preview
Warren Mosler to Robin Brooks on Japan's Fiscal Situation Early this morning, I took a break from working on my book to trade text messages with Warren Mosler, the canonical “father” of MMT.

'... a macro analyst who has been arguing that #Japan’s rapidly depreciating #currency along with sharply higher #InterestRates on Japanese government bonds (JGBs) tells us that Japan is getting close to a “full-blown #DebtCrisis.”...'

#Mosler #Kelton

stephaniekelton.substack.com/p/warren-mos...

0 0 0 0
Post image

#devonmotorsports #saleen #vector #mosler #cizetaautomobili #vectorw8 #saleens7 #moslermt900s #devongtx #cizetav16t #supercarsoftheusa

0 0 0 0
Post image

It's all about colour.

#photography #racing #mosler #marcos #gt1 #gt3

8 2 1 0
German-born American artist Henry Mosler’s “The Quadroon Girl” depicts a Black woman with a lighter complexion posed in front of a pale gray background. She is turned slightly to the right and does not face the viewer. The woman has long black wavy hair that is parted in the middle and reaches down her back. Her face tilts to the right and is downturned. She appears to have a downcast expression on her face. 

A dangling gold earring peaks out from her hair. She is wearing a white garment wrapped around her chest; her shoulders are bare. She holds the fabric in place with bent arms and her hands cross over her chest. On her right wrist is a black manacle with a dangling chain. Her left elbow rests on a little-defined russet-colored piece of furniture. 

At the Paris Salon of 1878, this painting appeared alongside the following stanza of Henry Wadsworth Longfellow’s 1842 abolitionist poem, The Quadroon Girl:

   Her eyes were large, and full of light,
      Her arms and neck were bare;
   No garment she wore save a kirtle bright,
      And her own long, raven hair.

A quadroon was a demeaning term for a person of one-quarter African descent and three-quarters white Euro-American. Longfellow’s poem, which tells the story of a Southern plantation owner who sold his own mixed-race daughter into bondage, expresses the cruel inhumanity of enslavement.

Although we may surmise that Mosler opposed slavery, he was not a political artist. Literary themes were in vogue with the juries of the Salon, to whom he successfully presented this painting. To likely satisfy the taste of the privileged white male elite art establishment, he produced a romanticized and sensual portrait of Longfellow’s tragic heroine.

German-born American artist Henry Mosler’s “The Quadroon Girl” depicts a Black woman with a lighter complexion posed in front of a pale gray background. She is turned slightly to the right and does not face the viewer. The woman has long black wavy hair that is parted in the middle and reaches down her back. Her face tilts to the right and is downturned. She appears to have a downcast expression on her face. A dangling gold earring peaks out from her hair. She is wearing a white garment wrapped around her chest; her shoulders are bare. She holds the fabric in place with bent arms and her hands cross over her chest. On her right wrist is a black manacle with a dangling chain. Her left elbow rests on a little-defined russet-colored piece of furniture. At the Paris Salon of 1878, this painting appeared alongside the following stanza of Henry Wadsworth Longfellow’s 1842 abolitionist poem, The Quadroon Girl: Her eyes were large, and full of light, Her arms and neck were bare; No garment she wore save a kirtle bright, And her own long, raven hair. A quadroon was a demeaning term for a person of one-quarter African descent and three-quarters white Euro-American. Longfellow’s poem, which tells the story of a Southern plantation owner who sold his own mixed-race daughter into bondage, expresses the cruel inhumanity of enslavement. Although we may surmise that Mosler opposed slavery, he was not a political artist. Literary themes were in vogue with the juries of the Salon, to whom he successfully presented this painting. To likely satisfy the taste of the privileged white male elite art establishment, he produced a romanticized and sensual portrait of Longfellow’s tragic heroine.

The Quadroon Girl by Henry Mosler (German-American)- Oil on canvas / 1878 - Cincinnati Art Museum (Ohio) #womeninart #art #artwork #portraitofawoman #oilopainting #HenryMosler #Mosler #womensart #CincinnatiArtMuseum #fineart #abolitionist #poem #HenryWadsworthLongfellow #Longfellow #ArtText

31 2 0 0
Post image Post image Post image Post image

Mosler MT900. The name means “Mosler Touring 900 kg” because the car was originally meant to weigh 900 kg (1,984 lbs), but most versions ended up being heavier.

#Mosler #Supercars #Cars

16 3 1 0
Preview
Surprisingly Good & Just Not | SSO Report 5 Supercars that were better than expected and three that did not live up to expectations.

A new SSO Report just posted “Surprising Good & Just Not”. ssoreport.com/surprisingly... Please sign up to our newsletter. Yellow subscription button is on the top right of the main landing page. What cars would be in your list? #supercars #mosler #Ferrari #maserati #mclaren

1 0 0 0