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China National Art Museum 2025 Explore this photo album by Robin Haettich on Flickr!

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www.flickr.com/gp/haettich/...

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Selfie in einem Gabg, hinter mir Gemälde mit Naturmotiven

Selfie in einem Gabg, hinter mir Gemälde mit Naturmotiven

Gelb-orange-rotes Gemälde mit kommunistischen Szenen (Arbeiter, Soldaten, Staats-/Parteisymbole)

Gelb-orange-rotes Gemälde mit kommunistischen Szenen (Arbeiter, Soldaten, Staats-/Parteisymbole)

Gemälde mit Wissenschaftlern auf einem Boot

Gemälde mit Wissenschaftlern auf einem Boot

Gemälde mit einer Art Stadt auf Wolkenbergen, darüber das All mit Planeten

Gemälde mit einer Art Stadt auf Wolkenbergen, darüber das All mit Planeten

Nationales Kunstmuseum
#Museumselfie #中国美术馆 #NAMOC #Beijing 🇨🇳

➡️ www.namoc.org/en/

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This vibrant ink portrait of "China’s Joan of Arc" by Chinese artist Jiang Caiping, portrays feminist poet and warrior revolutionary Qiu Jin in a light blue tunic and dark blue cape along with her black hair blowing in the wind as she unsheathes a long sword with red and white ribbons on the handle. She is strong, fierce, unafraid, and ready.

Qiu defied prevailing gender and class norms of the late 1800s and early 1900s by unbinding her feet, cross-dressing, and leaving her young family to pursue an education abroad. With her passion for wine, swords and bomb making, Qiu Jin was unlike most Chinese women born in 1875. As a girl, she wrote poetry and studied Chinese martial heroines like Hua Mulan while fantasizing about one day seeing her own name written in history.

But her ambitions ran up against China’s deeply rooted patriarchal society, which held that a woman’s place remained in the home. Undeterred, Qiu rose to become an early and fierce advocate for the liberation of Chinese women. Her legacy as one of China’s pioneering feminists and revolutionaries was cemented on July 15, 1907, when she was beheaded at 31 by imperial army forces who charged her with conspiring to overthrow the Manchu-led Qing government. It was her final act of resistance. Today, she ranks in the pantheon of China’s revolutionary martyrs because even though she failed as a revolutionary militant, she succeeded as a revolutionary talisman.

This vibrant ink portrait of "China’s Joan of Arc" by Chinese artist Jiang Caiping, portrays feminist poet and warrior revolutionary Qiu Jin in a light blue tunic and dark blue cape along with her black hair blowing in the wind as she unsheathes a long sword with red and white ribbons on the handle. She is strong, fierce, unafraid, and ready. Qiu defied prevailing gender and class norms of the late 1800s and early 1900s by unbinding her feet, cross-dressing, and leaving her young family to pursue an education abroad. With her passion for wine, swords and bomb making, Qiu Jin was unlike most Chinese women born in 1875. As a girl, she wrote poetry and studied Chinese martial heroines like Hua Mulan while fantasizing about one day seeing her own name written in history. But her ambitions ran up against China’s deeply rooted patriarchal society, which held that a woman’s place remained in the home. Undeterred, Qiu rose to become an early and fierce advocate for the liberation of Chinese women. Her legacy as one of China’s pioneering feminists and revolutionaries was cemented on July 15, 1907, when she was beheaded at 31 by imperial army forces who charged her with conspiring to overthrow the Manchu-led Qing government. It was her final act of resistance. Today, she ranks in the pantheon of China’s revolutionary martyrs because even though she failed as a revolutionary militant, she succeeded as a revolutionary talisman.

秋谨烈士 (Martyr Qiu Jin) by 蒋采苹 (Jiang Caiping) - Ink on paper / 1992 - National Art Museum of China #womeninart #portrait #art #painting #artwork #womanartist #chineseart #namoc #nationalartmuseumofchina #chinese #feminist #warrior #martyr #womensart #fineart #秋瑾 #quijin #jiangcaiping #蒋采苹 #中国人

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