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Nobody is born ahead of their time: a photograph of Hannah Gadsby

Nobody is born ahead of their time: a photograph of Hannah Gadsby

Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

www.conferencesthatwork.com/index.php/li...

#LifeLessons #connection #HannahGadsby #Nanette

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Nobody is born ahead of their time: a photograph of Hannah Gadsby

Nobody is born ahead of their time: a photograph of Hannah Gadsby

Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

www.conferencesthatwork.com/index.php/li...

#LifeLessons #connection #HannahGadsby #Nanette

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Video: Bette Midler Performs The Story Of Nanette - Bootleg Betty Bette Midler's "The Story of Nanette" is a memorable medley from her 1976 Depression Tour, performed live at the Cleveland Music Hall.

Video: Bette Midler Performs The Story Of Nanette

#BetteMidler, #Nanette, #TheBetteMidlerShow, #TheDepressionTour, #TheStoryOfNanette

bootlegbetty.com/2025/10/09/v...

To Read the Article, Click The Link Above Or Copy/Paste It In Your Browser!

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Nanette Executes a Bold R&B Vision on Her New Album, ‘Painfully Happy’ At **Nanette**’s Johannesburg album listening session, friends, music industry peers, and media professionals gathered in a space transformed into her sanctuary for the night. ### Her portraits lined the walls, rose petals in deep crimson hues carpeted the floor, and a custom drinks menu — named after songs from her latest project, __Painfully Happy__ — was placed neatly on each table, inviting guests to sip her music in liquid form. First introduced to audiences in 2022 with her debut, __Bad Weather__ , Nanette has since become a sought-after collaborator, lending her velvet vocals to artists like **Nasty C**, **Kelvin Momo** , and **Blxckie**. Around 8 p.m., she took center stage, thanking those present before cueing up the body of work she has spent the past two years crafting. As the room swayed with her music, she moved between dancing, vibing, and reflecting on the path that led her here. A highlight arrived midway through the evening with “Abazali,” her second single off the new album, when her parents joined her for a heartfelt moment. The cheers that erupted made the performance feel even more intimate, dissolving the line between show and shared memory. Just a week earlier, Nanette sat down with __OkayAfrica__ to unpack her creative process, her bond with R&B, and the classics that echo throughout her work. True to her word, those influences surface across the album — sometimes in melodies, sometimes tucked inside lyrics — like familiar whispers reframed through her own voice. ### ### “I wanted to step out of my comfort zone with this project, and really push the boundaries with the music and with myself and my writing. I feel like people will connect to it deeply. And given the trajectory of my career, this feels like the perfect time to release another full body of work. People have been waiting, and I’m very excited to see what happens,” Nanette says. Nanette entered the industry with a strong performance background, having started singing in church at the age of eight. By 2020, while studying towards her law degree, she was uploading covers and originals to SoundCloud as a creative outlet. That period led her to producer and mentor **Lee Global** , who opened doors and introduced her to the wider scene. When __Bad Weather__ arrived in 2022, it marked her official entrance, placing her among a new generation of R&B voices. She remembers those first years as “scary and confusing.” “Most times, I really didn’t understand the whole crux of fame and how it works. I remember when the first few people came up to me, saying they liked my music and asked for a picture. It was such a surreal moment. But then I realized that a certain part of me would forever belong to the people. That was a crazy thing to accept.” She remains fascinated by the power of art and how strangers can be utterly mesmerized by her presence. “The power of art, and of music specifically, is immense. I’m just grateful that I get to contribute to pop culture,” she reflects. She has learnt how to balance her public and personal profile over the years, and finds it much easier nowadays to discern what to share and what to keep to herself. “There’s intimate parts of my personality and my life story that I don’t think I’ll ever feel the need to share with people. I also just try to remain as authentic as I can; what I do share with people is still very much me,” she says. ### ### __Painfully Happy,__ which follows on 2023’s __The Waiting Room__ , is a strong album by every standard. It boasts stand-out bangers in “Abazali” and “Bad,” released earlier this year. Its production is elevated on every front, from the music itself to the vocal arrangements and song sequencing, and the songwriting is among the sharpest right now. Take “Make It Dance,” where she opens with the cinematic line: “ __I’ve got three blunts already rolled up for you / in my black night dress, I got on that Full Moon__.” Produced by **Dre Bombay** (__Ciara__ , __Floetry__ , __Jill Scott__), the track is an ethereal gem that could have slipped seamlessly into the bustling soul scene of the seventies, the blossoming neo-soul of the nineties, or the evolving R&B vanguard of 2025. “Dre was just playing me a bunch of beats. Our session was actually over, and I was so tired, and it was late. Mind you, he’s flying out the next day. He starts playing the beats for “Make It Dance,” and ten seconds in, I start recording the melody. And I was like, OG, we got one. The words just started flowing,” says Nanette, who left the session with the promise to come and finish up early the next morning. “I fell in love with that song instantly. I still can’t believe I had the opportunity to work with Dre and make that song, it’s such a vibe!” Intention is baked into every song, like emotions custom-made to fit the moment. The sonic palette stretches wide – from the R&B of opener “One Night,” to the Afrobeats swing of “Silent Killer,” the majestic 80s bubblegum of “Abazali,” the amapiano-esque “JJK,” and the head-nod hip-hop of “How Much Can You Really Take.” The production credits are just as expansive. Alongside Dre Bombay are regular collaborators **Lee Global** and **Christer** , as well as **Herc Cut The Lights** , **Mathandos** , **Tru Hitz** , **Stacy** , and a host of others. “It’s beautiful to watch the journey introduce really amazing producers to me. I try not to force collaborations. I try not to look out for them or go out of my way, unless I really want someone specifically on a song. I just let the creation process do its thing, and in turn, I’ve been able to meet a lot of amazing producers and collaborate with boundlessly talented people,” she says. ### ### She does something surreal, almost magical, on “Silent Killer,” where she writes from both perspectives of people caught in a toxic and abusive relationship. “What happens when the roles are reversed, and how do we respond as a society?” she wonders out loud. The idea struck while she was listening to Rihanna’s “Man Down,” where Rihanna sings from the perspective of a woman who has just shot and killed a man in a moment of fear and panic. “I was like, damn, people really slept on this song. But more than anything, they really slept on this concept. The way it’s framed is you might look at it as, oh, she just killed someone, but if you actually watch the video, there’s a backstory to it: she was protecting herself from getting killed. I was really taken aback by that, and I was like, hmmm, let me play around with this concept.” “It also goes back to how much I love storytelling and creating very visual images. We might not have the big theater budgets now, but that doesn’t mean I don’t have to put the theater in the music.” Nanette’s artistic roots trace back to her great-grandfather, the esteemed poet **J.J.R. Jolobe** , whose pioneering contributions to isiXhosa literature made him a towering figure in South African letters. “Language and literature were always a big part of our family. I feel like isegazini (it runs in the blood) more than anything. Poetry has really been with me my whole life,” she says. Where Jolobe used poetry to preserve language and capture the nuances of his people’s lives, Nanette extends that legacy into a new century and a new form. “I can attribute the legacy of my ancestors, and specifically my great-grandfather, to a lot of integrity. My main goal is always to keep that same integrity and quality control that they were so strict about. They did a lot of work to leave their own legacies – a legacy of art, of creation, of history. That’s what I want to try and do as well. And in order to do that, I always question my integrity and my intentions. You can feel when something is not authentic,” she says.
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Three ideas. Three contradictions. Or not. | Hannah Gadsby
Three ideas. Three contradictions. Or not. | Hannah Gadsby YouTube video by TED

I enjoyed this #TEDTalk by Hannah Gadsby. I've enjoyed her Netflix series #Nanette & #Douglas so wasn't too surprised that her "3 ideas. 3 contradictions. Or not." was something I would enjoy. I do love her exploration with her own #neurodiversity

www.youtube.com/watch?v=87qL...

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Original post on mastodon.social

I enjoyed this #TEDTalk by Hannah Gadsby. I've enjoyed her Netflix series #Nanette & #Douglas so wasn't too surprised that her "Three ideas. Three contradictions. Or not." was something I would enjoy. I do love her exploration with her own #neurodiversity and how she is able to connect. Thanks […]

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Hannah Gadsby Threatened to Quit Comedy in 'Nanette.' Her New Memoir Proves She's Not Going Anywhere Hannah Gadsby writes about the process of making her comedy special in her new book, Ten Steps to Nanette: A Memoir Situation

Hannah Gadsby Threatened to Quit Comedy in Nanette. Her New Memoir Proves She’s Not Going Anywhere

#BookSky
#FeministComedy
#Nanette
#WyrdWomen

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Hannah Gadsby: Nanette | Official Trailer [HD] | Netflix
Hannah Gadsby: Nanette | Official Trailer [HD] | Netflix YouTube video by Netflix

Hannah Gadsby is an Australian actress, comedian, writer best known for their performance of Nanette.

#FeministComedy
#Nanette
#WyrdWomen

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Three ideas. Three contradictions. Or not. | Hannah Gadsby
Three ideas. Three contradictions. Or not. | Hannah Gadsby YouTube video by TED

Three ideas. Three contradictions. Or not. | Hannah Gadsby

#FeministComedy
#Nanette
#WyrdWomen

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Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

www.conferencesthatwork.com/index.php/li...

#LifeLessons #connection #HannahGadsby #Nanette

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Nanette Nanette on australialaisen koomikon Hannah Gadsbyn kirjoittama ja esittämä live-komediaesitys, joka sai ensiesityksensä vuonna 2017. Teos sisältää yhteiskunnallista kommentointia, jota rytmittää komedia ja tunteikas kerronta Gadsbyn omasta elämästä, opetuksista ja siitä, mitä hänen tarinansa tarjoaa maailmalle.

Ensimmäinen Stand up show lisätty arkistoon! Tiedätkö muita striimattavia, joita voi katsella suomessa? Heitä vinkkiä vaikka kommenteissa ❤️

#nanette #queerstandup #hannahgadsby #lesbo

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Nanette (Netflix)
Hannah Gadsby is incredible. If you feel angry after watching it, then maybe you should be in therapy
It's really a deconstruction of comedy itself. Beware: you will feel bad about yourself more than once. If you're a good person, that is.
#Netflix #Nanette #standup #HannahGadsby

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Nobody is born ahead of their time : Conferences That Work Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

www.conferencesthatwork.com/index.php/life-lessons/2...

#LifeLessons #connection #HannahGadsby #Nanette

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I just discovered Hannah Gadsby tonight and just fucking WOW. I just crushed #Nanette and I'm halfway through #Douglas and I can't WAIT to tell everyone my #pufferfishmoments.

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Nobody is born ahead of their time : Conferences That Work Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

Ever feel that perhaps you were born "ahead of your time"? The brilliant Hannah Gadsby has an anecdote and an antidote.

www.conferencesthatwork.com/index.php/life-lessons/2...

#LifeLessons #connection #HannahGadsby #Nanette

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Hannah Gadsby: Nanette | Official Trailer [HD] | Netflix
Hannah Gadsby: Nanette | Official Trailer [HD] | Netflix YouTube video by Netflix

I just discovered Hannah Gadsby's stand-up program "Nanette" (available on Netflix). I couldn't help but laugh and cry at the same time.
Thanks, Hannah, for this exceptionally great piece of comedy.

Here's the trailer: www.youtube.com/watch?v=5aE2...

#hannahgadsby #nanette #comedy

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#Nanette on Netflix is so good! @Hannahgadsby is a genius. Best use of art history I've ever seen. Thank you for this brilliance.

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Daaaamn, #Nanette is fantastic

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Absolutely honest, brilliant, heroine-ic, tragic, funny, & thank the goddess for #Hannahgadsby -- #Nanette is a MUST watch for all: "I broke the contract" how #HannahGadsby's trauma transformed comedy...

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Finally watched #nanette w @shelleyplaysaxy &
1) holy shit
2) I urgently need to find the musico-analytical equivalent for ‘flesh vases for dick flowers’

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#Nanette

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Hannah Gadsby on the Real ‘Nanette’ and Whether She’s Rea... "Nanette," named after a judgmental barista Hannah Gadbsy...

There is nothing stronger than a broken woman who has rebuilt herself. #Nanette
variety.com/2018/tv/features/hannah-...

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Have you watched this yet? You should. Here's why everyone is talking about @Hannahgadsby's @Netflix special, #Nanette:

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"A raiva não tem nenhuma outro propósito senão o de espalhar o ódio cego e eu não quero ser parte disso"
(@Hannahgadsby - no palco, qdo um bbca gritou 'cadê as p*** das piadas?' e ela apenas pediu pra que ele fosse retirado do teatro)
Via @Samara_McCann
#Nanette

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Deep breaths.

#Nanette here we go.

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#Nanette on Netflix. I agree.

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@Hannahgadsby’s #Nanette is both funny and tragic. I watched it last night and wanted to give her a standing ovation and a hug. Profoundly moving.

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