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#Artemis
#NewYorkCity
#Manhattan
#Bowery
#NewMuseum
@newmuseum
#BriceDailyPhoto

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A stunning installation at the New Museum !
#art #newmuseum #newyork #nyc

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A colorful, intricate model of a cityscape featuring tall buildings, various architectural styles, and a prominent red jellyfish sculpture atop one of the skyscrapers. Visitors observe the artwork in an exhibition space.

A colorful, intricate model of a cityscape featuring tall buildings, various architectural styles, and a prominent red jellyfish sculpture atop one of the skyscrapers. Visitors observe the artwork in an exhibition space.

My favorite : a model of a city by Bodys Isek Kingelez
#nyc #newyork #newmuseum #art #manhattan

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A transparent anatomical model of a human body, displaying internal organs, muscles, and nervous system, is positioned on a circular base. Two individuals stand nearby, observing the exhibit in a gallery with pink flooring.

A transparent anatomical model of a human body, displaying internal organs, muscles, and nervous system, is positioned on a circular base. Two individuals stand nearby, observing the exhibit in a gallery with pink flooring.

A red humanoid sculpture is suspended upside down from the ceiling by a chain. The sculpture features exaggerated facial features and articulated limbs, set against a minimalist white backdrop with some visible wall displays.

A red humanoid sculpture is suspended upside down from the ceiling by a chain. The sculpture features exaggerated facial features and articulated limbs, set against a minimalist white backdrop with some visible wall displays.

The image shows two lifelike torso sculptures displayed in a glass case. The left torso has a skin-like texture and features a light skin tone, while the right torso has a darker coloration and appears to be in a more distressed state.

The image shows two lifelike torso sculptures displayed in a glass case. The left torso has a skin-like texture and features a light skin tone, while the right torso has a darker coloration and appears to be in a more distressed state.

Abstract artwork featuring a central circular shape surrounded by colorful splatters and lines, with a vibrant mix of red, blue, green, yellow, and pink hues. The piece is framed and presented on a white wall.

Abstract artwork featuring a central circular shape surrounded by colorful splatters and lines, with a vibrant mix of red, blue, green, yellow, and pink hues. The piece is framed and presented on a white wall.

At the #newmuseum
#art #newyork #nyc 2/2

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A circular installation features a colorful, abstract figure in motion, surrounded by a modern artistic framework. In the background, a patterned textile with geometric designs and a face illustration adds depth. Shadows of people can be seen moving around the installation.

A circular installation features a colorful, abstract figure in motion, surrounded by a modern artistic framework. In the background, a patterned textile with geometric designs and a face illustration adds depth. Shadows of people can be seen moving around the installation.

A sculptural figure resembling a mannequin, topped with a light bulb. It features various mechanical parts and tools attached to its torso, with a number "27" displayed. The legs include a mix of materials and are anchored to a square base.

A sculptural figure resembling a mannequin, topped with a light bulb. It features various mechanical parts and tools attached to its torso, with a number "27" displayed. The legs include a mix of materials and are anchored to a square base.

A large, abstract painting features a stylized tiger against a textured background in shades of purple and green. The tiger's form is exaggerated and fluid, with swirling patterns and bold brushstrokes. The overall composition highlights the dynamic use of color and texture.

A large, abstract painting features a stylized tiger against a textured background in shades of purple and green. The tiger's form is exaggerated and fluid, with swirling patterns and bold brushstrokes. The overall composition highlights the dynamic use of color and texture.

A vibrant, abstract painting featuring a stylized humanoid figure with exaggerated facial features and vivid colors. The figure has a green skin tone, red accents, and an intricate headpiece. The background is a solid bright green, enhancing the bold contrast with the figure.

A vibrant, abstract painting featuring a stylized humanoid figure with exaggerated facial features and vivid colors. The figure has a green skin tone, red accents, and an intricate headpiece. The background is a solid bright green, enhancing the bold contrast with the figure.

At the #newmuseum
#art #newyork #nyc 1/2

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The image features a stylized black-and-white drawing of a group of figures engaged in an intertwined pose, amidst decorative foliage and a column. The composition highlights the fluid forms and abstract representations of the human body.

The image features a stylized black-and-white drawing of a group of figures engaged in an intertwined pose, amidst decorative foliage and a column. The composition highlights the fluid forms and abstract representations of the human body.

An excellent curation of stunning artworks
#newyork #nyc #manhattan #newmuseum #nsfw #gay #art

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We attended the reopening of New Museum’s very impressive 60,000-square-foot expansion, featuring its inaugural exhibit, New Humans: Memories of the Future.🔮 #newmuseum #modernart #contemporaryart @newmuseum.bsky.social

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‘On the threshold of a new age’: inside the New Museum’s $82m expansion and landmark new exhibition in New York After a two year closure, the museum doubles its gallery space with a 700-plus object show examining how humans and technology shape each other

‘On the threshold of a new age’: inside the #NewMuseum ’s $82m expansion and landmark new #exhibition in #NewYork

After a two year closure, the #museum doubles its gallery space with a 700-plus object show examining how humans and #technology shape each other

www.theguardian.com/culture/2026...

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New Museum, New Beginnings
New Museum, New Beginnings YouTube video by New Museum

From my very 1st visit to see the incredible installation by #AnnHamilton ('89) the #NewMuseum has always been a key spot for me anytime in NYC. Last June when I was showing nearby, I spied it, dusty + under construction - now, it's ready!: youtu.be/DY7J1G7miy0?... -- @newmuseum.bsky.social

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Two women with deep brown skin move toward each other on a wide, open field of green. They are barefoot, mid-step, and caught in a shared rhythm as one body leans in as if laughing while the other turns her face in reply, their expressions warm and engaged. Each wears a sleeveless dress in layered greens of teal, mint, and darker shadowed tones that is painted with loose, energetic brushwork that lets strokes stay visible. Arms extend outward in a wide arc, as if balancing or marking the beat. Their legs cross and lift in different phases of the same motion so that as one foot hovers, the other plants, toes splayed and grounded. Beneath them, a dark oval of paint like a stage-shadow, anchors the movement without locating a specific place. The background is intentionally spare without a horizon line or architecture and just shifting greens that create atmosphere rather than scenery, so our attention stays on gesture, closeness, and the quiet joy of motion between two people.

Exhibited in British-Ghanaian Lynette Yiadom-Boakye’s “Under-Song for a Cipher” at the New Museum in 2017, this work sits in her ongoing project of painting figures who feel fully present, but not illustrations of a named story. That refusal of fixed biography lets Black life appear in painting without being made to “explain itself” through spectacle, trauma, or documentary proof. The dancers’ green surroundings is liberation from context (no social script, no assigned era), while the dense shadow beneath them insists on physical reality that these bodies have weight, momentum, and agency. The women seem to know about our gaze without performing for it, inviting attention while keeping their interiority intact. Yiadom-Boakye often emphasizes that her starting point is painting itself such as the problem of light, color, and form. Here, that painterly logic becomes its own kind of ethic in order to make space for tenderness, companionship, and movement as undeniable subjects

Two women with deep brown skin move toward each other on a wide, open field of green. They are barefoot, mid-step, and caught in a shared rhythm as one body leans in as if laughing while the other turns her face in reply, their expressions warm and engaged. Each wears a sleeveless dress in layered greens of teal, mint, and darker shadowed tones that is painted with loose, energetic brushwork that lets strokes stay visible. Arms extend outward in a wide arc, as if balancing or marking the beat. Their legs cross and lift in different phases of the same motion so that as one foot hovers, the other plants, toes splayed and grounded. Beneath them, a dark oval of paint like a stage-shadow, anchors the movement without locating a specific place. The background is intentionally spare without a horizon line or architecture and just shifting greens that create atmosphere rather than scenery, so our attention stays on gesture, closeness, and the quiet joy of motion between two people. Exhibited in British-Ghanaian Lynette Yiadom-Boakye’s “Under-Song for a Cipher” at the New Museum in 2017, this work sits in her ongoing project of painting figures who feel fully present, but not illustrations of a named story. That refusal of fixed biography lets Black life appear in painting without being made to “explain itself” through spectacle, trauma, or documentary proof. The dancers’ green surroundings is liberation from context (no social script, no assigned era), while the dense shadow beneath them insists on physical reality that these bodies have weight, momentum, and agency. The women seem to know about our gaze without performing for it, inviting attention while keeping their interiority intact. Yiadom-Boakye often emphasizes that her starting point is painting itself such as the problem of light, color, and form. Here, that painterly logic becomes its own kind of ethic in order to make space for tenderness, companionship, and movement as undeniable subjects

“Willow Strip” by Lynette Yiadom-Boakye (British-Ghanaian) - Oil on linen / 2017 - New Museum (New York) #WomenInArt #WomensArt #WomanArtist #WomenArtists #LynetteYiadomBoakye #YiadomBoakye #LynetteYiadom-Boakye #NewMuseum #artText #art #ArtBluesky #arte #WomenPaintingWomen #BlackArt #BlackArtist

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New Museum Site-Specific Commission for Atrium Stair by Klára Hosnedlová - GothamToGo The New Museum today announced that Klára Hosnedlová will create a site-specific commission for the Museum’s new Atrium Stair as part of the New Museum’s re-opening exhibition program. The presentatio...

#newmuseum

New Museum Site-Specific Commission for Atrium Stair by Klára Hosnedlová gothamtogo.com/new-museum-s...

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Six museum visitors sitting and standing as they examine art on the wall.

Six museum visitors sitting and standing as they examine art on the wall.

If you were to start a brand new museum, what would the topic or focus be? And, as a savvy museum visitor, what would you want visitors to think, feel, or do, after they left your museum?

#museum #visitorexperience #newmuseum #savvymuseumvisitor

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My #photo of the day. #newmuseum #newyorkcity #photographersofbluesky

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Judy Chicago’s “Herstory” at @newmuseum.bsky.social December 2023, more #JudyChicago #newmuseum #herstory photos: www.flickr.com/gp/hugecool/...

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CFAD20+E – SERENDIP: Analytic Selection

CFAD20+E – SERENDIP: Analytic Selection

In the realm of contemporary art, the New Museum in Manhattan remains a symbol of creativity and innovation. #design #Manhattan #MuseumExpansion #NewMuseum
archup.net/new-museum-e...

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New Museum to Open OMA-Designed Building Expansion in Fall 2025 - GothamToGo The New Museum, Manhattan’s only museum dedicated exclusively to contemporary art, today announced that its 60,000 sq ft building expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas in coll...

New Museum to Open OMA-Designed Building Expansion in Fall 2025 gothamtogo.com/new-museum-t...

Looking forward to a Fall 2025 opening #NewMuseum #NYC

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#xkcd #newmuseum #dad #trolling #humor

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#judychicago #newmuseum

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Grief and Grievance

An intergenerational exhibition of works from thirty-seven artists, conceived by curator #OkwuiEnwezor #griefandgrievance #newmuseum #fieldtrip #justmedia

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