全国約53,000店舗で即印刷可能なAI履歴書作成サービスの魅力 #HelloBoss #AI履歴書 #NGA
『HelloBoss』は、全国のコンビニで最短5分で履歴書と写真の作成・印刷が可能です。AIを利用したこの革新的なサービスの詳細を探ってみましょう。
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全国53,000店舗で無料作成できるAI履歴書の新サービスとは #HelloBoss #AI履歴書 #NGA
株式会社NGAが提供する『HelloBoss』が、AI履歴書と履歴書写真のコンビニ印刷サービスを拡大。全国53,000店舗で利用可能に！
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AI履歴書サービス『HelloBoss』、全国53,000店舗で印刷可能に！ #HelloBoss #NGA #AI履歴書
『HelloBoss』はAI履歴書と写真の作成・印刷を全国の主要コンビニで実現。これにより、就職活動がより効率的に！
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最短5分でAI履歴書が作成できる新しいサービスが登場！ #HelloBoss #AI履歴書 #NGA
あなたの応募をサポートする『HelloBoss』が、全国53,000店舗で利用可能なAI履歴書作成＆印刷サービスを提供。これでよりスムーズな就職活動を実現！
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『HelloBoss』が全国のコンビニでAI履歴書を瞬時に印刷可能に #HelloBoss #NGA #AI履歴書
AIを活用した履歴書作成と即時印刷が可能になった『HelloBoss』。全国53,000店のコンビニで利便性が向上します。
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全国53,000店舗で印刷可能！高精度AI履歴書の新サービス #HelloBoss #AI履歴書 #NGA
AI技術を活用した履歴書作成サービスが進化！日本全国のコンビニで即日印刷可能なAI履歴書が利用開始。スムーズな就職活動をサポートします。
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コンビニで簡単！AI履歴書＆写真作成サービスが拡大 #HelloBoss #NGA #AI履歴書
次世代のAI履歴書作成が、53,000店のコンビニで利用可能に。最短5分で高精度な履歴書と写真を無料で作成できます。
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全国53,000店舗のコンビニで利用可能な新しいAI履歴書生成サービス #HelloBoss #AI履歴書 #NGA
AI技術を活用した履歴書や履歴書写真の作成が、全国のコンビニで簡単に行える新サービスが登場しました。最短5分での作成が可能です。
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コンビニで手軽に、AI履歴書と履歴書写真を即作成・印刷可能な新サービス #HelloBoss #NGA #AI求人
全国の主要コンビニにて、AIが生成した履歴書や履歴書写真を短時間で無料作成し、そのまま印刷できるサービスが登場しました。
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最短5分で無料作成！AI履歴書と写真をコンビニで印刷できる『HelloBoss』 #東京都 #港区 #HelloBoss #NGA #AI履歴書
株式会社NGAが新たに展開する『HelloBoss』では、AIで作成した履歴書と履歴書写真を全国の主要コンビニで即時印刷できます。就職活動がよりスムーズに。
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Retired Vice Admiral Frank D. Whitworth III joins #Satellogic as a Strategic Advisor, bringing deep #NGA expertise to their EO constellation.
🔗 spacewatch.global/2026/03/satellogic-appoi...
#SpaceWatchNews
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An older gentleman sits on a bench in an art gallery. He is wearing a dark-green jacket over a red-checked shirt, and jeans. His hai--what there is of it--and beard are mostly silver. On the white wall behind him hangs a large color-field painting by Mark Rothko, this one had orange over a thin field of black over a squat, white rectangle, all on a tan surface.
I've shared this before, but it is one of my favorite portraits of ME, largely because of the #Rothko in the #Background. (I would say "self-portrait", since I directed Pat, but he pressed the button.)
This was at the National Gallery of Art, Washington, DC.
3 June 2018
#NGA #BlueskyArtShow
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A grand staircase descends from left to right, made of light-pink marble--like the rest of the building. There is a two-part, stainless-steel handrail against the far wall. In the center of the photo hangs a mobile of several small, colorful shapes.
This is the big staircase in the atrium of the East Building of the National Gallery of Art, Washington, DC. Normally in the #Background because of crowds, I was fortunate to be inside during renovation to glimpse it and the mobile with no people in the frame!
12 July 2015
#BlueskyArtShow #NGA
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Join us online at #W3C Breakouts Day today to discover how High Efficiency Image File #HEIF benefits still & motion imagery including optimised image tiling for web maps & accessible geospatial video metadata in web browsers www.w3.org/events/meeti... #OGC #NGA
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The next TACO will destroy Israel permanently and irreversible for good.
24th of March 2026
#NGA
#ChihuahuaSquad
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1966 unveiling of Leonardo's Portrait of Ginevra de' Benci at the National Gallery of Art, DC
Today marks the 59th anniversary of the unveiling of Da Vinci's Ginevra de' Benci - the only Leonardo in the Western Hemisphere. 4,427 visitors showed up that day to welcome the new girl to town!
My novel, Bird Flies, tells the story of her journey to the US.
#BirdFlies #NGA
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This is a circular image, made in relief of glazed, white terracotta, showing the Madonna holding a standing Jesus on her lap, with one little winged cherubim on either side of her (over her shoulder), and a blue drape over the lower half behind Mary. All the figrures have halos. The piece is held in a rectangular gold frame that has columns on either side, painted decorations at the top, and 4 rosettes outside a circular aperture in the center.
This is a detail of the faces of Mary and Jesus, in the piece shown in the first photo.
This is a detail of the faces of a cherubim, in the piece shown in the first photo.
This is a detail of the face of the other cherubim in the piece shown in the first photo.
This is "Madonna and Child with Cherubim" (glazed terracotta; c 1485), by Andrea Della Robia (with 3 details), in the collection of the National Gallery of Art, Washington, DC [USA].
16 February 2020
#Art #NGA #MadonnaWithChild
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There is a huge community of people with certain skills that is active right now. The aim is to help Ukraine and shift the global power balance in the hands of capable and responsible people. It will be a successful op.
#ChihuahuaSquad
#NGA
#StandWithUkraine
#GloryToTheHeroes
#GloryToUkraine
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In a large, neoclassical building, this is a large circular opening in the ceiling, showing the floor above. Through it we can see the coffered ceiling, a wrought- iron hanging lantern, a door opening, and, in that opening, a small person looking over the railing.
This is a big hole (intentional) in the ceiling above the main entrance of the National Gallery of Art, Washington DC.
I call it the "oculus", but some people use that for the hole in the top of the rotunda dome (as in the dome of the Pantheon, in Rome.)
Either way, it's fun.
#NGA #Oculus
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Painted in 1856 and inscribed “Paris,” this small canvas holds a vivid memory of French artist Camille Pissarro’s birthplace (St. Thomas island in the Caribbean Sea) filtered through distance and reflection. Rather than turning two women into scenery, the composition centers their mutual attention as a pause, a shared space, and an ordinary coordination of bodies carrying weight and time. Two dark-skinned women pause in conversation on a sunlit dirt path beside the sea. We look slightly down at them from a close, human distance. The woman facing us balances a flat tray piled with white cloth on her head, steadying it with one hand. Her long, off-white dress gathers at the hips, still falling to the ankles. A patterned deep green with red and brown headscarf wraps her hair and knots near one ear. The second woman stands with her back to us in an aquamarine dress, a garnet-red scarf tied around her head. A brown basket hangs from her arm. Low shrubs and grasses edge the path, while the shoreline curves inward like a crescent. Farther back, tiny strokes suggest other figures working or wading at the water’s edge. A rust-brown hill meets a pale, milky sky. The tray of linens and the basket hint at daily labor without reducing the women to it. Dignity lives in the upright stance, the steadying hand, and the unhurried exchange. The open shore behind them can represent freedom and openness, but it also quietly evokes a Caribbean shaped by trade, colonial history, and work that kept households and economies running ... often on women’s backs. Long before the broken brushwork of Impressionism, Pissarro was already practicing a kind of attentiveness that respected lived experience, held in light. The young artist relocated to Paris in late 1855 to pursue art seriously, after years split between St. Thomas and an extended spell working as an artist in Venezuela. In 1856, he had started private classes at the École des Beaux-Arts on his way to become a professional painter.
“Deux Femmes Causant au Bord de la Mer, Saint-Thomas” (Two Women Chatting by the Sea, St. Thomas) by Camille Pissarro (French) - Oil on canvas / 1856 - National Gallery of Art (Washington, DC) #WomenInArt #CamillePissarro #Pissarro #NationalGalleryofArt #NGA #artText #art #arte #1850s #CaribbeanArt
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French artist François Boucher made the pastoral his signature language, and by the mid-1700s, he was in high demand for decorative paintings that blended sensual surfaces (silk, skin, flowers) with storytelling. Painted in 1750, this scene is less “country life” than a Rococo fantasy of feeling, where tenderness, leisure, and desire can unfold safely in a cultivated nature. A dove (a classic messenger of love and fidelity) turns private emotion into action as affection becomes a letter, sealed and sent. Two young women sit close together on a mossy bank in a shaded woodland clearing. Both have fair, peach-toned skin, softly rouged cheeks, and carefully styled curls. The woman on the right sits slightly higher, her posture relaxed and protective as one arm circles her companion’s shoulders and she tilts her head and smiles with a tender, knowing expression. She wears a rose-pink dress with a striped skirt and airy white sleeves plus pink blossoms and small blue-yellow flowers cluster in her hair. The woman on the left leans into her, gazing up in profile. Her lavender dress shimmers like silk, warmed with gold highlights, and small blue flowers pin back her brown curls. Their bare feet peek from beneath their hems, emphasizing an intimate, unguarded moment rather than formal display. Between them rests a white dove with a blue ribbon tied at its neck. A pale envelope is held in the right woman’s hand, as if the message is about to be entrusted to/from the bird. Around them, a small pastoral “stage” includes 5 sheep and an alert black-and-white hound. A basket of flowers spills color at the lower edge. Behind, a stone structure rises, topped by a reclining lion sculpture. Tall trees arc overhead, and the distant hills dissolve into blue haze beneath a softly clouded sky. Whether innocence, desire, or the thrilling act of sending a secret, these women’s closeness feels like mutual confiding and encouraging so friendship is a shelter and catalyst.
“The Love Letter” by François Boucher (French) - Oil on canvas / 1750 - National Gallery of Art (Washington, DC) #WomenInArt #FrancoisBoucher #FrançoisBoucher #Boucher #NationalGalleryofArt #NGA #Rococo #FrenchArt #PastoralArt #art #artText #arte #BlueskyArt #LoveLetter #1750s #LoveArt #FrenchArtist
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St. Louis’ $5B Geospatial Backbone
#GeoSTL aligns the regional geospatial sector with the #NGA campus.
🔗 Read: spacewatch.global/2026/03/geostl-launches-...
#SpaceWatchNews #Geospatial #GeoInt #StLouis
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AI履歴書の新境地『HelloBoss』がセブン-イレブンと提携 #東京都 #港区 #HelloBoss #NGA #AI履歴書
『HelloBoss』がAI履歴書の即時印刷を可能に。全国のセブン-イレブンでの新たなサービスとキャンペーンを紹介。
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This oil painting depicts two US flags, one above the other, in their traditional red, white, and blue colors.
This is " #Two Flags", a painting by Jasper Johns (1962; oil on canvas).
Part of the exhibition "The Double: Identity and Difference in Art Since 1900", at the National Gallery of Art, Washington, DC [US].
2 October 2022
#BlueskyArtShow #JasperJohns #NGA
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WTF Wire
Trump White House #governorsmeeting dispute erupts after he excludes Democratic governors from #NGA event.
#WTFWire, #Trump, #WhiteHouse, #NGAMeeting, #NationalGovernorsAssociation, #DemocraticGovernors, #USPolitics, #GovernmentDispute, #BipartisanPolitics
www.wtfwire.com/politics/tru...
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We have something real big going on. It will give all the cards to Zelensky. Stay tuned.
#ChihuahuaSquad
#NGA
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"All we want is for America to be the 'united' United States again.... I started this work in 1995. I never dreamed that democracy and patriotism would become polarized."
Frank Luntz, Pollster and Wordsmith at the #NGA Winter mtg
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Two light-skinned women appear at a rectangular window opening, as if you’re standing just outside the ledge. On the right, a younger woman leans forward with her left forearm stretched along the sill as her right elbow bends so her fist props her chin. She looks directly outward with a small, knowing smile. Her chestnut-brown hair is tied with a red ribbon, and she wears a soft white dress with a wide neckline and the sleeves pushed back to her elbows, exposing her forearms. On the left, a possibly older woman peeks from behind a partially opened shutter. A creamy white shawl covers her hair, and she lifts it to hide the lower half of her face, as if stifling laughter. Behind them, the interior is deep shadow, making their faces and white fabric feel close, vivid, and life-sized. Spanish artist Bartolomé Esteban Murillo builds the scene on tension via openness versus concealment and invitation versus discretion. The older figure’s covered smile matches period ideas of decorum (especially for women of status) while the younger woman’s direct gaze feels unusually candid. Because their identities are unknown, the picture resists a single reading. Some viewers have imagined a chaperone guarding a young woman’s public appearance while others have viewed the window as a threshold of commerce and flirtation. Murillo heightens that uncertainty by turning the window into a painted frame-within-a-frame, borrowing from Dutch “eye-deceiving” devices that make us feel addressed. Painted in 17th-century Seville, where Murillo was celebrated for both devotional works and scenes of everyday life, this small moment feels like a study in how women are seen and how they choose to look back.
“Dos mujeres en una ventana (Two Women at a Window)” by Bartolomé Esteban Murillo (Spanish) - Oil on canvas / c. 1655–1660 - National Gallery of Art (Washington, DC) #WomenInArt #BartoloméEstebanMurillo #Murillo #NationalGalleryofArt #NGA #SpanishBaroque #BaroquePainting #SpanishArt #arte #artText
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Doing the Lord's work right here; not just #DOGE staff, but a timeline of the National Endowment for the Humanities' destruction as well as other independent #culture and #arts agencies ( #Smithsonian #NGA #CPB etc.) #NEH Thanks, @jacobharr.is !
dogetrack.info/agencies/ind...
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#JesseJackson #RIP #Trump #NGA
youtu.be/smNb6j3yVWE?...
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