Advertisement · 728 × 90
#
Hashtag
#nmaahc
Advertisement · 728 × 90
Two Ghanaian women dance in close connection, their bodies angled toward each other as if mid-step in a shared rhythm. One bends low with her headwrap glowing in warm light. The other leans in, upright and steady, her patterned blue blouse catching our eye. Their skin tones are deep brown against a dark, nightlike backdrop. A large green circular form behind them is textured with tiny dot-marks and creates a haloed space that feels both intimate and expansive. White highlights skim across skirts and hips, turning fabric into moving light. The women’s hands meet near the center, making the dance feel like conversation rather than performance. The scene is just two people, close enough to exchange breath, weight, and timing.

The green disk functions like a moon/world for an image of cycle, season, and return while its seedlike dots suggest growth and abundance. The surrounding dark field, sprinkled with small starbursts, places their movement inside a bigger order like night sky, spirit space, or cosmic time. The dancers’ looped poses (bend/lean; reach/receive) feel almost like call-and-response or a visual metaphor for community knowledge passed body-to-body. Even the choice to show one figure turned partly away protects interiority as we witness relationship and presence without demanding full access. 

American artist John Biggers’ Ghana works are often discussed as shaped by his deep engagement with West Africa after his 1957 UNESCO-supported travel, and this painting carries that ethos with dance not as decoration, but as a living archive. Biggers once wrote, “I began to see art… as a responsibility to reflect the spirit and style of the Negro people,” and here that responsibility appears as joy with gravity via two women grounded, radiant, and self-possessed inside a world that seems to turn with them.

Two Ghanaian women dance in close connection, their bodies angled toward each other as if mid-step in a shared rhythm. One bends low with her headwrap glowing in warm light. The other leans in, upright and steady, her patterned blue blouse catching our eye. Their skin tones are deep brown against a dark, nightlike backdrop. A large green circular form behind them is textured with tiny dot-marks and creates a haloed space that feels both intimate and expansive. White highlights skim across skirts and hips, turning fabric into moving light. The women’s hands meet near the center, making the dance feel like conversation rather than performance. The scene is just two people, close enough to exchange breath, weight, and timing. The green disk functions like a moon/world for an image of cycle, season, and return while its seedlike dots suggest growth and abundance. The surrounding dark field, sprinkled with small starbursts, places their movement inside a bigger order like night sky, spirit space, or cosmic time. The dancers’ looped poses (bend/lean; reach/receive) feel almost like call-and-response or a visual metaphor for community knowledge passed body-to-body. Even the choice to show one figure turned partly away protects interiority as we witness relationship and presence without demanding full access. American artist John Biggers’ Ghana works are often discussed as shaped by his deep engagement with West Africa after his 1957 UNESCO-supported travel, and this painting carries that ethos with dance not as decoration, but as a living archive. Biggers once wrote, “I began to see art… as a responsibility to reflect the spirit and style of the Negro people,” and here that responsibility appears as joy with gravity via two women grounded, radiant, and self-possessed inside a world that seems to turn with them.

“Ghana Women Dancing” by John Biggers (American) - Oil, acrylic, and chalk on canvas / 1968 - National Museum of African American History and Culture (Washington, DC) #WomenInArt #JohnBiggers #Biggers #NMAAHC #AfricanAmericanArt #art #artText #BlueskyArt #BlackArt #AfricanAmericanArtist #DanceArt

47 8 0 2
Preview
Black History Month Digital Toolkit Join us throughout Black History Month to share stories reflecting African American achievements across the arts, politics, sports, advocacy, and more.

February is Black History Month; the National Museum of African American History and Culture has a Digital Toolkit to help museums celebrate!
#BlackHistoryMonth #NMAAHC #nisenet #nisenetwork #museums #planetariums #informalscience #sciencecenters #childrensmuseums

2 0 0 0
Preview
Congress restores funding to cultural institutions once on Trump’s chopping block — Guardian US Breaking from the president, Congress voted to fund institutions including the Institute of American Indian Arts

apple.news/AnP6vhMPzSdu...
#NEH #NEA #IAIA #Nat’lMuseumOfTheAmericanLatino
#Smithsonian
#SAAM #NMAAHC
#Nat’lWomen’sHistoryMuseum

2 0 0 0
Jesse Jackson for President 
1988 campaign button

Jesse Jackson for President 1988 campaign button

nmaahc.si.edu

#NMAAHC
#Smithsonian
#BlackHistoryMonth
#JesseJackson
Rest in Power, Reverend +

4 0 0 0
Partial view of the back of a cream silk sleeveless evening dress trimmed with large pink silk roses around the back of the dress and down the skirt. A t is gathered centre back

Partial view of the back of a cream silk sleeveless evening dress trimmed with large pink silk roses around the back of the dress and down the skirt. A t is gathered centre back

Full length view of the back of the 1960s Ann Lowe evening dress with pink silk roses and green leaves and stems

Full length view of the back of the 1960s Ann Lowe evening dress with pink silk roses and green leaves and stems

A close up of the pink roses with appliquéd leaves and stems decorating the 1960s Ann Lowe dress

A close up of the pink roses with appliquéd leaves and stems decorating the 1960s Ann Lowe dress

Front view of the Ann Lowe evening dress showing the arrangement of the pink silk roses and leafy stems around the bodice and skirt

Front view of the Ann Lowe evening dress showing the arrangement of the pink silk roses and leafy stems around the bodice and skirt

Just taking a moment to breathe an enjoy the roses of Ann Lowe and her trademark appliqués, fabric florals that she had perfected at a young age when she helped with her mother’s dressmaking business. This gown, mid #1960s #NMAAHC #FashionHistory 🗃️🪡

185 35 8 4

#BlackHistoyMonth matters! #nmaahc

1 0 0 0
This photo features the National Museum of African American History and Culture (NMAAHC) in Washington, D.C., on a cold, overcast winter day. ​Subject: The bronze-colored, tiered architectural lattice of the National Museum of African American History and Culture stands prominently in the center of the frame.
​Foreground: A line of five silver flagpoles stands in front of the museum, each flying an American flag that is slightly ruffled by the wind. The ground in the lower-left is covered in a patch of white snow, while the lower-right shows a dark, wet asphalt path.
​Background: To the left of the museum, the faint, white silhouette of a traditional government building is visible through the grey, wintry haze. Bare, dark trees stand to the right of the museum's modern structure.
​Activity: A few people, dressed in dark winter coats and one in a bright yellow jacket, are walking along a path behind a low black metal fence between the flagpoles and the museum.

This photo features the National Museum of African American History and Culture (NMAAHC) in Washington, D.C., on a cold, overcast winter day. ​Subject: The bronze-colored, tiered architectural lattice of the National Museum of African American History and Culture stands prominently in the center of the frame. ​Foreground: A line of five silver flagpoles stands in front of the museum, each flying an American flag that is slightly ruffled by the wind. The ground in the lower-left is covered in a patch of white snow, while the lower-right shows a dark, wet asphalt path. ​Background: To the left of the museum, the faint, white silhouette of a traditional government building is visible through the grey, wintry haze. Bare, dark trees stand to the right of the museum's modern structure. ​Activity: A few people, dressed in dark winter coats and one in a bright yellow jacket, are walking along a path behind a low black metal fence between the flagpoles and the museum.

Probably the best museum in DC #NMAAHC #SnowDay #NationalMall #Photography #WashingtonDC

10 0 0 0
A People’s Journey, A Nation’s Story | National Museum of African American History and Culture

Okay... in 2016-17 my thinking sounded — insane.
But now? Not so much.

[DC area] #NMAAHC had JUST opened. Long wait, timed-tickets. I was determined to go to it WHILE @barackobama.bsky.social was still in office. I went twice in Jan 2017 (before 20th).

I was afraid 45 would remove the museum.😣🔮

1 0 0 0
A mannequin wearing a long pale turquoise silk dress with black lace trim at the bodice and a black lace coat over the top lined with the same turquoise silk

A mannequin wearing a long pale turquoise silk dress with black lace trim at the bodice and a black lace coat over the top lined with the same turquoise silk

A photograph of designer Ann Lowe sitting looking at the camera and behind her is a model wearing the turquoise and black lace ensemble

A photograph of designer Ann Lowe sitting looking at the camera and behind her is a model wearing the turquoise and black lace ensemble

Party season is here (if parties are your thing) and what joyous colour there is in Anne Lowe’s evening wear. Her early #1960s turquoise and black ensemble combines plain silk with black floral lace, structured in such a way as to make the fabric the star of the show #NMAAHC #FashionHistory 🗃️🪡

134 26 7 2
Post image Post image Post image

Sunday shots

@wmata.com /Judiciary Square
#nmaahc /Contemplative Court
#brutalism / J Edgar Hoover Building

Washington DC, November 2025, ©️Stewart Sarkozy-Banoczy #sundayshots #photographer #photography #sundayshots #redstargallerytp

8 0 0 0

I might as well prepare myself to reschedule my visit next week to the #NMAAHC

0 0 0 0
Display in the National Museum of African American History and Culture of the 1939 wedding ensemble of Lollaretta Pemberton, who married Dr. Grover Allen in 1939 in Texas.

It is a long 1930s style dress with almost-elbow length sleeves and a bodice gathered down the front, giving it a modest V neckline and an inverted V waist, very chic for the 1930s. The display also includes a lace-edged veil spread under the dress and a pointed Tudor-style headpiece, as well as a wedding photo of the artist and other documents.

Display in the National Museum of African American History and Culture of the 1939 wedding ensemble of Lollaretta Pemberton, who married Dr. Grover Allen in 1939 in Texas. It is a long 1930s style dress with almost-elbow length sleeves and a bodice gathered down the front, giving it a modest V neckline and an inverted V waist, very chic for the 1930s. The display also includes a lace-edged veil spread under the dress and a pointed Tudor-style headpiece, as well as a wedding photo of the artist and other documents.

Detail of the bodice of the 1939 wedding dres shandmade by Lollaretta Pemberton and now in the collection of the Smithsonian, in the National Museum of African American History and Culture.

The dress is made entirely of strips of creamy white lace, about one and a half inches wide, eyeballing it. The sleeves are gathered and softly puffed at the shoulders, then snug on the upper arms. The bodice is made of eight horizontal strips of lace gathered in the center to draw the neckline down and the waistline up into gentle Vs. The skirt is made of long vertical strips of lace snug at the waist and flaring out at the floor-length hem. (We only see the top of the skirt in this detail)

Detail of the bodice of the 1939 wedding dres shandmade by Lollaretta Pemberton and now in the collection of the Smithsonian, in the National Museum of African American History and Culture. The dress is made entirely of strips of creamy white lace, about one and a half inches wide, eyeballing it. The sleeves are gathered and softly puffed at the shoulders, then snug on the upper arms. The bodice is made of eight horizontal strips of lace gathered in the center to draw the neckline down and the waistline up into gentle Vs. The skirt is made of long vertical strips of lace snug at the waist and flaring out at the floor-length hem. (We only see the top of the skirt in this detail)

1939 wedding dress made by Lollaretta Pemberton of Texas (moved to California after her marriage) entirely out of lengths of lace, now an exhibit in the Smithsonian Museum of African American History and Culture, which is celebrating its tenth anniversary this month.

🗃️🪡
#NMAAHC
#FashionHistory

46 11 2 0
Post image Post image Post image

Happy 9th Birthday to the National Museum of African American History and Culture!

#NationalMuseumofAfricanAmericanHistoryandCulture #NMAAHC #blackhistory #AmericanHistory #Smithsonian

3 0 1 0
Post image

On This Day in History: NMAAHC Opens on the National Mall

On September 24, 2016, following a dedication by President Barack Obama, the Smithsonian Institution opened its newest facility in Washington, DC: the National Museum of African American History and Culture.

#NMAAHC

3 0 1 0
Post image

Today, we celebrate the grand opening of the National Museum of African American History and Culture in Washington, D.C.!

#BlackHistory365 #NMAAHC #AfricanAmericanHistory #CultureMatters #OnThisDay #BlackExcellence #TheEnglandManor #AAM_EM

1 0 0 0
Chronological timeline of Supreme Court Cases

Chronological timeline of Supreme Court Cases

Post image A Jean vest with button pins

A Jean vest with button pins

Post image

I went to The National Museum of African American History and Culture in DC on Saturday, it wasn’t too bad

#smithsonian #nmaahc

2 0 0 0
The National Museum of African American History and Culture, in Washington DC. 2025. The peak of the Washington Memorial can be seen behind it. 

Also, it looks like a sandcrawler.

The National Museum of African American History and Culture, in Washington DC. 2025. The peak of the Washington Memorial can be seen behind it. Also, it looks like a sandcrawler.

The National Museum of African American History and Culture, Washington DC. 2025

#angles #architecture #blueskyartshow #cityscape #dc #museum #NMAAHC #streetphotography #tourists #washingtondc #artyear #eastcoastkin #photographersofbluesky #photography #travel #travelpics #wanderlust #weareroamers

50 10 1 0

Until I visited (visit 1 of 2) the #NMAAHC in DC in 2017 — twenty freaking SEVENTEEN 😣 — I'd vaguely HEARD of 'the green book.' But never REALLY knew what it was. That's horrible.

THAT realization (of NOT knowing), is part of why I stay SO passionate about keeping up #TheTimeline.

0 0 0 0

www.change.org/p/defend-the...
Please sign the petition demanding the rescission of #ExecutiveOrder14253

#Smithsonian
#change.org
#NMAAHC

4 1 1 1

#NMAAHC Thank you for your vision and commitment Lonnie G. Bunch III and team

1 0 0 0

Just booked tickets to visit the National Museum of African American History & Culture. It will be my third visit, and the way things are going, possibly my last. Anyone who hasn't been should go now. This is American history, and tickets are free. #nmaahc #blackhistory #americanhistory

0 0 0 0

Trump doesn't just want to remove museum exhibits relating to slavery. He wants to shutter the entire museum.

During the next year, Trump and his rubber-stamp Congress will defund the National Museum of African American History and Culture.

#blackhistorymatters
#nmaahc #smithsonian

0 0 0 0

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

0 0 0 0

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

0 0 0 0

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

0 0 0 0

While this was a good interview by @pbsnews.org @amnanawaz.bsky.social, she & her guest FAILED to note FELON/Sexual Predator Trump has NO LEGAL AUTHORITY over the Smithsonian. NONE!
Too many news folk FAILING to mention that fact!
WHERE's Lonnie Bunch?
www.pbs.org/newshour/sho... #History #NMAAHC

0 1 0 0

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

0 0 0 0

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

0 0 0 1

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

0 0 0 0

In 2020 interview, Lonnie Bunch told story of when FELON/Sexual Predator Trump visited #NMAAHC & Bunch showed Trump display on Netherlands & Slavery.
Narcissist Trump's reaction: "They love me in the Netherlands."

Trump has NO AUTHORITY over the Smithsonian.
Bunch needs to publicly speak out NOW!

2 1 1 0