In SME #2, I added a feature towards the end from which my voice disappears into a abyss and thats like kind of erasing myself in some way. In Part Four, it says "refusal in form reshapes narrative space". #hwa6 #refusalasform

in my sme 2 piece i refused consluion by interruotung my own voice, i kept breaking the flow of wanting to lock in. i never let it become a clear resolution, and this reflects ashleys idea of refusinfg resolution for a formal choice that reshapes an experience. #hwa6 #refusalasform

#hwa6 #refusalasform By altering my voice I created an echo and because of that. I felt very ominous which ended up being the direction that I decided to move in when finishing that SME2

For me something I did was let the sentence snap in half right at the moment it was supposed to smooth out. That made it interrupt the whole thing and it made it shift the whole structure. #hwa6 #refusalasform

this connects to the idea that refusing coherence can be a form itself, by disrupting flow, the piece shifts from explaining to disorienting, forcing the audience to sit in uncertainty instead of resolution. #hwa6 #refusalasform

in SME 2 i refused resolution by cutting off a sentence mid-thought and not returning to it, leaving the idea unresolved. the technique was interruption of voice to break narrative closure. #hwa6 #refusalasform

similar to the concepts mentioned in Part 4 of #hwa6. Even when we're reaching the conclusion, we aren't reaching resolution, I refused to reach a resolution. It wasn't an audio effect but a script choice, allowing for total uncertainty in my script. #hwa6 #refusalasform

In SME 2, towards the end of the script, after the text "You don't just read-you live it", I made sure there was something to disrupt a seemingly normal conclusion "liveitliveitliveit", to throw the listener off. The audience is confused and unsure what the resolution is 1/2 #hwa6 #refusalasform

#hwa6 #refusalasform During SME3, I chose to delay my voice and distort it in order to emphasize the change of tone and try and force the listener to stay more connected to what I was saying.

#hwa6 #refusalasform in sme2, i chose to change the phrasing of a sentence to "walk away" this was meant to make the listener stop and thinking about if what i meant was fear or resolve to choose myself. this disorientation introduces reflection by throwing the listener off.

I put an echo effect over part of my dialogue in my original response in SME2. It made it seem like I was second-guessing my own thoughts, like I couldn't figure out what I wanted. The distortion shapes the meaning, as I am confused about what my life's true meaning was. #hwa6 #refusalasform

In SME No. 2 I refused resolution by using fragmented sentences that disrupted my natural flow and avoided a clear ending. This connects to the idea from Part Four that refusing closure can keep the reader in ambiguity and reshape how meaning is experienced. #hwa6 #refusalasform

started you could immediately tell the difference in the chaos between both parts #hwa6 #refusalasform

I refused resolution was when I broke “normal” which interrupts the flow and keeps the sentence from settling. This shows that form trains/interrupts attention simce the break forces the listener to focus on disruption instead of meaning and creates disorientation as structure #hwa6 #refusalasform

one refusal was during the recording process of the SME. I thought the voice cracking added to the authenticity of the project so I decided to keep that in while also paying attention to when my voice cracks. #hwa6 #refusalasform

#hwa6 #refusalasform I put my non-chat gpt, unfiltered thoughts as the echoed version since that represented my subconcious, and the chat-gpt (machine-powered, filtered version) as my output, without the echo effect as if that is what people hear. My SME is focusing on this distinction.

#hwa6 #refusalasform in sme no. 3 i layered a sound that didn’t match the scene and that was honestly harsh, jarring, totally out of place. Part four explains that refusing resolution can reshape a piece by making the audience sit with uncertainty instead of getting comfy. that’s what mismatch did.

#hwa6 #refusalasform

during SME3 I had layered and distorted my voice to emphasize my conveyance. When wearing headphones, it was meant to disorient and include the listener. the idea was to have a second voice sway the listener.

(1/2) kind of said it before but i refused a resolution in my smes as i in my current state do not feel like ive hit a resolution with my music journey. all of those "again" phrases distorted were layered for this reason. i tried to make it so you misrecognize the point of a #hwa6 #refusalasform

#hwa6 #refusalasform this refusal restructured my piece as I mentioned before by adding a disorienting affect and misleading the hewing into thinking what’s supposed to be echoing is important when it’s just as important as the rest of the message

#hwa6 #refusalasform This can be linked back to the idea of disorienting being used as a structure

#hwa6 #refusalasform a moment in SME 2 where I refused resolution would be the the echo/reverse rate effect I use in the middle of it. It’s meant to mess up the audio a bit and purposefully mislead the listener about what is supposed to be important.

#hwa6 #refusalasform
In SME #2, I layered static behind my voice and added a subtle background orchestra, then cranked the static at the end, almost erasing myself. Part Four says “refusal in form reshapes narrative space,” and here it reframed how the story lived

#hwa6 #refusalasform in SmE3 Again—I had used long pasues to really break up the linearity of the nonsense that I was readining. Maybe the pasues added a little bit more strcuture?

In my last SME, I put a muffled sound over my voice at certain points to create the effect that I was almost whispering. I was almost unsure of what I was saying. I was forcing the listener to listen more closely to what I was saying as a deliberate choice. #hwa6 #refusalasform

In the last sme (I forget the number) I purposely added stutters, and then kept my accidental stutters. It made it more human, less perfect, more mistakes. I think it added anticipation and makes u more focused on what’s to come next outta my mouth but also cool glitches #hwa6 #refusalasform

At the end of my SME 2 monologue i used reverb and repetition to make the last sentence linger longer and make a greater impact. I do not think it worked not because of the effect, but I think the last sentence just wasn't an impactful statement. #hwa6 #refusalasform

#hwa6 #refusalasform
I used McLuhans image from "The Medium is the Massage" as the cover of my audio file for SME#2. It "shapes what kind of meaning or unmeaning your able to find". in this case I believe any 209 member after recognizing the cover will find meaning in the media and be more attentive

n *SME 2*, I refused to resolve the issue by fragmenting my voice into disjointed sentences detached from my own natural rhythm and by sustaining this fragmentation rather than resolving it...
#hwa6 #refusalasform

to create the kind of environment that ancitipates uncertainty, and the contagion of feeling, like in her TV man/boy portion. #hwa6 #refusalasform