#SpoutibleMusic #SpoutingMusic #Music #AnythingGoes #80sAndUp #soloperformances #PaulSimon
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Kaiit's “Miss Shiney” (2019) is a bright soul-R&B pep talk about pressure, self-doubt and believing your own magic, turning overthinking into confidence.
. #Ausmusic #Music #SoloPerformances
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🎵Through the lonesome valley
My rod and staff you'll bear
Fear not death's dark shadow
Come and meet me in the middle of the air🎵
Paul Kelly - "Meet Me In The Middle Of The Air" (2005)
. #Ausmusic #Music #SoloPerformances
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Starley’s “Call On Me” (2016) is a pop life-raft - a heartfelt promise of support and self-rescue, wrapped in warm, uplifting melodies.
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A hypnotic rush of electro-pop devotion, “Crazy For You” (2015) blends JOY.’s trancey vocals, swung club beats and layered synths into a tale of obsession and emotional relapse.
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With soaring vocals and indie-folk warmth, Matt Corby's “Resolution” (2013) captures the shift from denial to self-honesty - turning fear, growth and emotional reckoning into a luminous moment of clarity.
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A lush fusion of hip hop, R&B, pop and soft-rock warmth, “Salvation” (2018) pairs Tash Sultana’s reverb-soaked vocals with big beats and soulful shimmer, turning raw self-rebirth into a cinematic, electrified release.
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![Vance Joy - Mess is Mine [Official Video]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:snqelx4bdkf3k5ff6vhub4wq/bafkreigfw5f6z5occ2pigioyhl4qwtbqf6qs6ajqjbqctiobwebafdz3w4)
Vance Joy’s “Mess Is Mine” (2014) is a warm, folk-pop anthem about sharing burdens, finding strength in vulnerability, and embracing the beautiful mess of connection.
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Thelma Plum turns quiet heartbreak into golden light with "Freckles" (2024), a song that smiles through the sting of wanting what you can’t have.
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![Bertie Blackman - Run For Your Life [OFFICIAL VIDEO]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:snqelx4bdkf3k5ff6vhub4wq/bafkreigog2sy4cfjcgjxb2mmduj32oym2ta6fkmmu324kne7hshlcuzxta)
“Run For Your Life” (2014) is propelled by pulsing synths and urgent drums with Bertie Blackman’s voice cutting through, turning fear into motion and escape into empowerment.
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Luke Hemmings’ “Benny” (2024) is a cinematic alt-pop slow burn, smouldering with quiet heartbreak about guilt, distance, and devotion that costs too much.
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Dreamy guitars and alt-rock grit collide in Lucky’s “Clover” (2025) - a hazy, heartfelt trip through lost innocence and quiet hope, chasing the luck you made for yourself.
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"'Lady Beetle' (2025) is a punchy, emotionally charged track that captures the messy thrill of breaking out of your comfort zone. Lucky delivers jangling guitars, driving bass lines, and a vocal that’s equal parts sweet and sardonic."
. #Ausmusic #Music #SpoutibleMusic #WhaleSongs #SoloPerformances
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yergurl’s “exactly the same” (2024) pulses with bittersweet alt-pop, delving into hopes and nerves around rekindling a friendship long after a regrettable fight.
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Suffering from heartbreaks, headaches, and shit days? Pop a soul-infused "Painkiller" (2019) and let Ruel bring you some relief!
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Vulnerable, unadorned, and devastatingly human - Julia Jacklin's “Don’t Know How To Keep Loving You” (2019)
is a whisper-soft confession wrapped in piano chords.
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Stella Donnelly - "Old Man" (2019) pairs breezy folk-pop with cutting lyrics calling out male abusers and their enablers.
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![Arno Faraji - On The Move [Official Music Video]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:snqelx4bdkf3k5ff6vhub4wq/bafkreihogqnuv35jyzntbth46ecpr2qpndj6ih37wvcf7tgrikeg5vkoge)
"On The Move" (2022) is a funk-fuelled, feel-good swaggering hip hop track from Perth-based, Zimbabwe-born Arno Faraji.
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![FELIVAND - hey you [with lyrics]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:snqelx4bdkf3k5ff6vhub4wq/bafkreidmpdwys2hoyapu6ny5coepwl2ffynxmwmonh2ha2tg7v26xweukq)
FELIVAND's spellbinding "hey you" (2025) is a tender alt-pop/alt-R&B track with hazy pads, brushed percussion and airy harmonies.
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New music from Chet Faker: "Far Side Of The Moon" (2025) is a soft-glow pulse about giving too much and finding your limit.
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![MAY-A [REDACTED] (Official Video)](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:snqelx4bdkf3k5ff6vhub4wq/bafkreigjxosntwepat5ti3vkvchux75en54ny5fae6jcb22llzdznrlss4)
MAY-A's "[REDACTED]" (2025) shreds wilful ignorance and twisted priorities with razor guitars, punchy drums and taunting lyrics.
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#SpoutibleMusic #SpoutingMusic #Music #AnythingGoes #80sAndUp #WomenOfSong #Soloperformances #DarWilliams
www.youtube.com/watch?v=DZe1...
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Larissa Lambert wears vulnerability like armour in "Blame It On Me" (2025) - a velvet-toned, modern R&B confessional that's intimate, wistful, and quietly empowered.
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merci, mercy's "Unrecognisable” (2025) bares emotional echoes - loneliness, longing, and the struggle to feel like yourself again.
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Bernard Fanning’s “Songbird” (2005) explores love’s longing and emotional fragility, with a wistful melody of acoustic guitar and violin.
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Newport’s "INTERSTATE" (2025) coasts with hypnotic acoustic riffs and rasped vocals, while conveying an emotionally tense critique of pull‑and‑push relationships.
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Tyne-James Organs's "Worth My Time" (2025) is a disco-tinged indie-pop with heartfelt lyrics, raw vocals and a shimmering, strut-worthy beat.
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Lottie McLeod's "Ruin A Good Thing" (2025) is a dreamy indie-folk confessional with lush acoustic textures and a soft, magnetic vocal performance, addressing the mixed feelings of ending a relationship.
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PANIA's "ALL MINE" (2023) explores the tension between personal aspirations and romantic relationships. This live version overlays the smooth vocals and catchy beat with stirring saxaphone.
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#SpoutibleMusic #SpoutingMusic #Music #AnythingGoes #80sAndUp #SoloPerformances #Acoustic #ColinHay www.youtube.com/watch?v=M3C5...
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