Plastic is beginning to form rock-like #materials!
Fernanda Avelar Santos & team document #plastic “rock” types on an outcrop on #Trindade Island. Synthetic rocks shaped by humans as depositional and post-depositional agents!
Find more in our #Sedimentarium!
www.sciencedirect.com/science/arti...
puts morrendo c esse vt da #trindade
Matheus salva o Timãozinho com grandes defesas e vê camisa 9 balançar a rede aos 36 minutos do segundo tempo para garantir os três pontos
#Corinthians #CopaSãoPaulodeFutebolJúnior #Copinha #Trindade
Atual vice-campeão, Timão encara equipe goiana pela primeira rodada da Copa São Paulo de Futebol Júnior
#TransmissãoVozdoEsporte #CopaSãoPaulo #Corinthians #Trindade #VozdoEsporte
A young woman stands at the edge of a shaded veranda, leaning her back against a wall. Her right arm bends up behind her head, lifting the edge of a red-orange veil (dupatta) that drapes over her hair and shoulders. She has light-to-medium brown skin, dark eyes, and straight dark hair mostly covered by the scarf. A small gold earring and a short gold necklace glint in the light. Her face is softly modeled, with a neutral mouth and a direct, steady gaze that meets ours without flinching. Her clothing layers muted blues, grays, and cream beneath the warm veil, tied at the waist with a translucent green sash. At her side sits a large earthenware water jar, its rounded shoulder catching a dim highlight. Behind her, pale columns and a distant railing open onto sunlit arches and rooftops of a courtyard washed in dusty pink and light browns. Broad, blended brushstrokes keep edges slightly hazy, as if heat and shadow are softening the scene. Her covered head and the vessel read as culturally coded signs of modesty and daily responsibility, yet her poised stance and unguarded eye contact give her a quiet authority. Her left arm falls down the side seam of her veil, fingers relaxed, as though the pose has been held only a moment. Painted around 1948, this portrait belongs to Indian (Goan) artist Ângela Trindade’s early figurative period, shaped by Western academic training in Bombay and by the example of her father, the legendary Goan painter António Xavier Trindade. Fundação Oriente notes that she copied several of his works, including a “Hindu Girl” tied to his 1930 Governor’s Award so this canvas feels like both homage to him and self-definition for herself. The jar and veil can signal gendered duty and modesty, yet the sitter’s frontal gaze refuses to be reduced to symbol. In the years around Indian independence, Trindade’s warm realism insists on presence … and a woman seen as a person, meeting us as an equal.
“Hindu Girl” by Ângela Trindade (Indian) - Oil on canvas / c. 1948 - Fundação Oriente (Panaji, India) #WomenInArt #WomensArt #WomanArtist #WomenArtists #AngelaTrindade #ÂngelaTrindade #FundaçãoOriente #FundacaoOriente #PortraitofaGirl #IndianArt #artText #BlueskyArt #Trindade #WomenPaintingWomen
Goedemorgen 🌸
Dankzij Humberto moeten we het zonnetje er vandaag zelf maar bij denken.
Streetart, koffie, krant …
🎨 Fabio Gomes
#goedemorgen #streetart #urbanart #nature #floral #Trindade #Brasil
#FabioGomes #Humberto #storm
Os 50 Melhores Poemas Cristãos de Jorge de Lima -Ebook GRATUITO > marocidental.blogspot.com/2025/08/os-5... #Literatura #poetacatólico #santamissa #poemacatólico #poemacristão #espiritualidade #Trindade #teologia #sabedoria #academiabrasileiradeletras #ValeTudo #download #kindle #auladeliteratura
BLASFÊMIA: TRINDADE CANCELADA #shorts #libras #trindade #blasfemia #pai #filho #espiritosanto #jesus
Um membro de uma outra denominação blasfemou a Deus, transgredindo o 3º mandamento dizendo que não existe a Trindade.
Acesse o vídeo: youtu.be/VQL1pU64EA0
Lady Meherbai Tata, a remarkable figure of early 20th-century India, was far more than the wife of Sir Dorabji Tata—she was a trailblazer, a feminist, and a reformer who left an enduring legacy. Born into a progressive Parsi family, she combined her Indian heritage with Western influences, embracing a cosmopolitan identity that reflected her modern outlook. Known for her intellect and compassion, she played an instrumental role in advancing women’s rights and social reforms in India. During World War I, Lady Meherbai worked tirelessly with the Red Cross, raised funds for war relief efforts, and championed the cause of women's education. Her contributions earned her the prestigious title of Commander of the British Empire. Perhaps one of her most lasting impacts was her advocacy against child marriage. Her efforts were crucial in passing the historic legislation that outlawed child marriage in India in 1929. Though posed in a formal setting framed by baroque drapery, the impressive leader bestows a warm, friendly smile at us. She wears a maroon sheer sari with a narrow zari border with a contrasting blouse in Western style-long sleeves with cuffs, collar and tiny pearl buttons. Her pallu is held over her right shoulder with a gold pin with a single diamond in the middle. Around her neck she wears a short necklace of pearls and gold. A small chain holds a pendant in front which appears to be an insignia. Matching her necklace is a bracelet on her right arm. Her ears are bejewelled with long diamond earrings, and she sports a diamond ring on her right hand. Finally, on the left side of her chest is a red, white, and blue ribbon bow. The warm colors that dominate the palette and the visible brush strokes contribute to a warm, relaxed vibe. This portrait was commissioned from Portuguese artist António Xavier Trindade a short while before Lady Tata passed away. Sir Dorab Tata then passed away one year later and the painting remained unclaimed from the artist.
“Lady Meherbai Tata” by António Xavier Trindade (Portuguese) - Oil portrait / 1931 - Fundação Oriente (Panaji, India) #WomenInArt #art #Trindade #ArtText #OilPainting #AntónioXavierTrindade #womensart #FundaçãoOriente #MeherbaiTata #artwork #PortraitofaWoman #PortugueseArtist #TrindadeCollection
www.youtube.com/watch?v=cCUQ...
#Catolico #Catolicismo #Trindade #Jesus #Deus #Cristo #EspiritoSanto #Fe
António Xavier Trindade, the Indian painter from Portuguese Goa, depicts in "Forsaken" a westernized 20th century interpretation of the rejected lover with roots in the Subcontinent and Persian literary traditions. The inspiration for this work seems to come from Nayika, a character popularized by the 16th and 17th century Hindu poets representing a category of women in love, which was readily appropriated by Rajput painters. In the past, this painting was often referred to as "Betrayed" in the Trindade household, due to the sense of melancholy and rejection created around its main character. In the painting, a woman wears a beautiful blue sari with thin gold border, a color sometimes associated with disappointment. The sari is worn with a contrasting light blue choli (blouse), with big dots and deep neckline. Her long black locks are tied in a loose bun. On her left hand, one can see a design which appears to be a mehndi (temporary body art). She is shown wearing traditional gold bangles on her wrist, double chains around her neck and drop earrings with a stone which could be diamonds. She is lying on the floor by the side of a bed covered with rich gold-colored quilt. In the background there is a lamp with fading flame that symbolizes the long wait for her lover. The lamp is also a metaphor for her burning heart while her long dark tresses represent the long black night of separation. The emotional impact and cultural relevance of Trindade’s pining lover attract as much attention today as they did in the 1920s. Trindade is regarded as one of Bombay's leading realist painters. While many of his paintings were portraits of famous Indian personalities, he also did paintings of family and friends. Not completely divorced from the exotic and romantic style of his predecessors and contemporaries, Trindade also painted themes of pining beloveds (as we see in "Forsaken") and village themes with particular interest of the "belle at the well."
Forsaken by António Xavier Trindade (Portuguese) - Oil on canvas / c. 1932 - Fundação Oriente (Panaji, India) #womeninart #art #artwork #oilpainting #Trindade ##FundaçãoOriente #womensart #AntonioXavierTrindade #rejection #EmotionalArt #fineart #melancholy #IndianArt #PortugueseArtist #Nayika
As her work matured, Indian artist Ângela Trindade established her own style of painting, that came to be known as "Trindadism." Using the cultural and spiritual dimensions of the triangle demonstrated an approach to art which highlighted her individuality as an artist. After spending an entire life searching for a language more suited to her times which could also express the oneness of human and divine, Ângela found in the triangle the possibility of bringing together the cultural, artistic and religious influences from the East and West. Rooted in the ancient Indian epic Mahabharata, the story of Shakuntala was dramatized by many famous writers including Kalidasa. At the beginning of the epic Shakuntala is characterized as a nature’s child who has a deer as a pet. The deer gets wounded by the great king Dushyanta, who falls in love with Shakuntala and ends up marrying her. A widely depict epic scene, Trindade’s triangular composition of Shakuntala and the Deer uses a vibrant palette taking full advantage of the symbolic dimension of color to express ideas and emotions. Trindade immigrated to the United States in the 1960s and became a U.S. citizen in 1978 before passing away in 1980. She was famous for her Western-style portraits and religious paintings in the Indian style.Her unique painting style with Trindadism allowed her to establish individuality as an artist. Ângela was born in Bombay in 1909, to Goan parents Florentina Noronha and the renowned artist António Xavier Trindade. Like her father, Trindade enrolled in the Sir J.J. School of Art in Bombay and, during this period, became the first woman painter to be granted a fellowship by the same institution. The artist's western upbringing, liberal education and creative home environment made it easier for her to become one of the first women in India to take up painting as a profession.
Shakuntala and the Deer by Ângela Trindade (Indian) - Oil on canvas / 1960 - Fundação Oriente (Panaji, India) #womeninart #art #womanartist #womensart #abstractart #AngelaTrindade #Trindade #IndianArtist #FundaçãoOriente #Trindadism #deer #Mahabharata #modernart #femaleartist #artwork #oilpainting
O PAI, O FILHO E O ESPÍRITO SANTO #shorts #libras #jesus #pai #filho #espiritosanto #trindade
Acesse o vídeo: youtu.be/yeDVZrxxIxs
O PAI, O FILHO E O ESPÍRITO SANTO #shorts #libras #jesus #pai #filho #espiritosanto #trindade
Acesse o vídeo: youtu.be/yeDVZrxxIxs
Trindade – Goiás – Além da religiosidade
Confira opções para se divertir na Capital da Fé
ᴇxᴘʟᴏʀᴇ ᴏ ᴘᴏʀᴛᴀʟ ᴄᴜʟᴛᴜʀᴀ ᴀʟᴛᴇʀɴᴀᴛɪᴠᴀ ᴘᴀʀᴀ ᴅɪᴄᴀs ᴅᴇ ᴠɪᴀɢᴇᴍ ᴇ ᴅᴇsᴛɪɴᴏs
#trindade
culturaalternativa.com.br/trindade-goi...
That's the 2nd time we've visited Sao Tome and Principe 🇸🇹
The last time was 6 months, 1 week, 4 days ago : Salão do Reino das Testemunhas de Jeová in #Trindade - https://twitter.com/churchesofnote/status/TESTID
#VisitSaoTomeandPrincipe
#StepByStep 👣
#PlacesOfWorship
5/6
Não vejo a hora de acabar:
- o mês
- o ano
- propagandas políticas
- o mundo
#sdv #ironia #trindade #calor
Streetartwall. The mural of a little girl whose hair consists of a green tree was sprayed/painted on a long street wall. The head of a little black girl in a yellow dress has been sprayed on a wall with a large conifer or shrub behind it. The bush grows over the wall and forms the child's wild mop of hair. The girl rests her head on one arm and looks sullenly in the direction of the viewer. Next to the child, a fat bee with blue wings flies over a turquoise-pink wall of flowers.
🌳Artist: #FabioGomezTrinidade in City: #Trindade #Goiás Rua 121 Setor Ana Rosa, Brazil 🇧🇷 2024 - Title: untitled - #Art #Streetart #Art #Mural #Urbanart #Artist #NatureArt
A map showing the great circle route from Trindade in Sao Tome and Principe to a map pin at Church of Our Lady of Carmen, Hassan II Boulevard, Dakhla, Morocco
Eglise de Notre-Dame de Carmen الكنيسة سيدة كارمن in #Dakhla, #Morocco -🇲🇦 is around 3,600 km or 2,250 miles from our previous place of worship Trindade in #Trindade, #SaoTomeandPrincipe - 🇸🇹
2/5
Salão do Reino das Testemunhas de Jeová in #Trindade, #SaoTomeandPrincipe has no wikipedia page, why not become an editor and add one?
en.wikipedia.org/wiki/Wikipedia:Contribut...
#VisitSaoTomeandPrincipe
#StepByStep 👣
#PlacesOfWorship
4/5
A map showing the great circle route from Travnik in Bosnia and Herzegovina to a map pin at Salão do Reino das Testemunhas de Jeová, EN 3, Trindade, São Tomé and Príncipe
Salão do Reino das Testemunhas de Jeová in #Trindade, #SaoTomeandPrincipe -🇸🇹 is around 4,916 km or 3,073 miles from our previous place of worship Travnik in #Travnik, #BosniaandHerzegovina - 🇧🇦
2/5
