#TheVoiceOfHindRajab #Oscars #NoOtherChoice #JayKelly #Bugonia #Frankenstein #Bugonia #Film #SecretAgent #Brazil #RentalFamily #Venice82 #FatherMotherSisterBrother #TheSmashingMachine #DwayneJohnson #GoldenLion

Festiwal Filmowy w Wenecji 2025. Złoty Lew – „Father Mother Sister Brother”, Jim Jarmusch 82. Międzynarodowy Festiwal Filmowy w Wenecji już za nami. Złotego Lwa dla najlepszego filmu konkursu głównego otrzymał Jim Jarmusch za „Father mother sister brother”. Lista triumfatoró…

Festiwal Filmowy w Wenecji 2025. Złoty Lew – „Father Mother Sister Brother”, Jim Jarmusch
#film #FilmFestival #Venezia82 #VeniceFilmFestival #Venice82 #VeniceFilmFestival2025 #BiennaleCinema2025

Anuparna Roy wins BEST DIRECTOR for SONGS OF FORGOTTEN TREES at Orizzonti #venice82 #india #indianmovie

A House of Dynamite: Kathryn Bigelow’s Cold-Razor Thriller I was at the Venice Premiere for Kathryn Bigelow’s The Hurt Locker in September 2008. Knowing nothing going in, I was absolutely blown away—pun intended—by the crude portrayal of war, its lasting psychological impact and I was introduced to a young new hopeful actor who today we all know as Jeremy Renner. A House of Dynamite was a jarring, eerie and similar experience for me. All I knew going in is that I absolutely love Kathryn Bigelow’s movies, her dry, no BS and tense directing style always brings the movie home for me. Her choice of subject matter—PTSD for The Hurt Locker, the hunt for Osama Bin Laden in Zero Dark Thirty, the 1967 riots in Detroit—has recently been stark, uncomfortable topics and I didn’t know if this would a thriller, espionage or maybe an action movie. All I knew was the director and that Idris Elba and Rebecca Ferguson—both of whom I really like—were in it.

A House of Dynamite is a cold-razor nightmare in near real-time. 🧊⏱️

Bigelow tightens the screws, Ferguson is steel, Elba lands late and detonates. I’m still rattled. 🎬💥

Last image broke me. Near-perfect 🥲⚠️

#AHouseOfDynamite #Venice82 #FilmSky

bit.ly/4nht8Ri

#InTheHandOfDante gotta be the most “absolutely no way that was gonna be good” movie of the festival season so far. #Venice82

Biennale Cinema 2025 | The Ozu Diaries Director Daniel Raim USA / 139’

Ozu is not just my favourite filmmaker, he's the reason why I still love and believe in cinema as an art form.

As expected, this was exceedingly emotional and moving. And it left me fucking sobbing!

One of the very best films I've seen in #Venice82

www.labiennale.org/en/cinema/20...

82nd Venice Film Festival: “Songs of Forgotten Trees” Review In Indian cinema, women have long been denied the role of true protagonists. Too often, they are framed as satellites orbiting male narratives, often instrumentalised rather than fully realised cha…

« What Roy offers is rare in Indian cinema: women as they are, not as they are imagined by others. » viewofthearts.com/2025/09/01/8... #venice82

Park Chan-wook’s ‘No Other Choice’ earned an 8½-minute standing ovation at the 82nd Venice Film Festival.

(via Deadline)

#venice82 #venicefilmfestival #parkchanwook

‘Hijra’ Review

Shahad Ameen’s Saudi Pilgrimage Drama Carries an Explosive Subject, But Insists on Defusing Its Own Fuse

Full review:
1tak.ee/lwh9

#Venice2025 #HijraMovie #ShahadAmeen #VeneziaSpotlight
#Venice2025Review #MovieReview #FilmReview #Venice82

#1TakeNews

Inject it into my veins, etc, etc...
#LucaGuadagnino #WoodyAllen #Venice82
t.co/9byfmA2LDz

That moment when everyone is in #venice82 at the #festival and you are home studying administrative law. #livingthedream

George Clooney, Adam Sandler and Laura Dern. In Venice to World Première Noah Baumbach’s Netflix ‘JAY KELLY’ and garner ten minutes of standing ovation! #Venice82 #Venezia82

#Sinners #SentimenalValue #Superman #Oscars #WickedForGood #AvatarFireandAsh #ItWasJustAnAccident #JayKelly #Bugonia #ArianaGrande #CynthiaErivo #DeliverMeFromNowhere #Frankenstein #Bugonia #Film #SecretAgent #Brazil #RentalFamily #MartySupreme #timothéechalamet #KPopDemonHunters #Venice82