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Black and white photo
Sony A7Cii
Samyang AF 75mm F1.8A
1/15 sec
f/5.6

A humanoid figure that looks a bit like a battle droid with ribs, a long craned neck, and a severed arm. It's framed by two pairs of neo-classical columns inside the main hall of the Tate Britain.

Tate info card:

Jacob Epstein 1880-1959

Torso in Metal from 'The Rock Drill'
1913-15

Bronze

Epstein began this sculpture in a period when artists in the Vorticist and Futurist movements were exploring the dynamic artistic potential of mechanisation. The original sculpture, first exhibited alongside works by Vorticist artists at the London Group exhibition of 1915, was a plaster figure mounted on top of a commercial rock drill.

He later described it as 'a machine-like robot, visored, menacing, and carrying within itself its progeny... the armed sinister figure of to-day and to-morrow.' After the machines of the First World War killed millions of people, Epstein removed the drill, cut the figure down at the waist and chopped off the left hand and right arm and cast it in bronze. This newly truncated figure now looks more vulnerable, a victim rather than a perpetrator of violence.

Black and white photo Sony A7Cii Samyang AF 75mm F1.8A 1/15 sec f/5.6 A humanoid figure that looks a bit like a battle droid with ribs, a long craned neck, and a severed arm. It's framed by two pairs of neo-classical columns inside the main hall of the Tate Britain. Tate info card: Jacob Epstein 1880-1959 Torso in Metal from 'The Rock Drill' 1913-15 Bronze Epstein began this sculpture in a period when artists in the Vorticist and Futurist movements were exploring the dynamic artistic potential of mechanisation. The original sculpture, first exhibited alongside works by Vorticist artists at the London Group exhibition of 1915, was a plaster figure mounted on top of a commercial rock drill. He later described it as 'a machine-like robot, visored, menacing, and carrying within itself its progeny... the armed sinister figure of to-day and to-morrow.' After the machines of the First World War killed millions of people, Epstein removed the drill, cut the figure down at the waist and chopped off the left hand and right arm and cast it in bronze. This newly truncated figure now looks more vulnerable, a victim rather than a perpetrator of violence.

Saw this Jacob Epstein sculpture at the Tate Britain on the weekend and thought it looked very Star Wars. The info card said it was originally displayed atop a rock drill, which also sounds like a droid ILM would design.

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A dramatic cosmic scene depicting two large celestial bodies colliding in space. The impact area is erupting with vibrant, fiery orange and yellow flames, sending shards and debris outward. The bodies have a cracked, rocky appearance with glowing seams. The background features a dark space filled with swirling patterns of deep blues and hints of black, resembling a starry sky. The overall atmosphere is dynamic and intense, capturing the powerful moment of destruction and energy release in a vivid and detailed manner.

A dramatic cosmic scene depicting two large celestial bodies colliding in space. The impact area is erupting with vibrant, fiery orange and yellow flames, sending shards and debris outward. The bodies have a cracked, rocky appearance with glowing seams. The background features a dark space filled with swirling patterns of deep blues and hints of black, resembling a starry sky. The overall atmosphere is dynamic and intense, capturing the powerful moment of destruction and energy release in a vivid and detailed manner.

Cosmic Collision: A Celestial Genesis
#CosmicArt #Vorticism #PhotorealisticOils #AIArt

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This is an easy one, for me - The Mud Bath, by David Bomberg, 1914 #vorticism

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New book highlights Vorticism’s toxic side—and puts its women pioneers back in the frame James King’s study places Jessica Dismorr and Helen Saunders at the centre of the movement
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A Dawn (1914) - Christopher Richard Wynne Nevinson (1889–1946) #cubism #futurism #vorticism

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Damn illiterate self.
#vorticism #vorticism #vorticism #vorticism #vorticism #vorticism #vorticism #vorticism

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Wyndham Lewis's 'Laughing Women' Unpicking the history of Lewis's earliest Vorticist paintings

Wyndham Lewis's 'Laughing Women' #WyndhamLewis #Vorticism www.drjwood.com/p/wyndham-le...

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bhakti nervosa in bhakti’s Substack circa early 90s ✍️

#poetics

#theoria
entr’acte
#praxis

#manifesto
post- #vorticism

*

ampersand (said): manifesto

is this it?
diversion

the vorticist’s
teacup?

sugar is information

sleep? the secret of
the ancients.

end linear.

it’s all been said

now to wake up
and unsay it

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Couple of lectures today. First up #AH2002 and #Futurism and #Vorticism #Teaching #Learning #ArtHistory @arthistorysta.bsky.social @uniofstandrews.bsky.social

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"The image is more than an idea. It is a vortex or cluster of fused ideas and is endowed with energy."

--Ezra Pound

#deepimage #vorticism

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Looking over a fence stile covered in snow with bare winter trees behind in freezing fog. The geometric angles of the fence alludes to a style of art called Vorticism to me.

Looking over a fence stile covered in snow with bare winter trees behind in freezing fog. The geometric angles of the fence alludes to a style of art called Vorticism to me.

If David Bomberg made fence stiles.

#Photography 📷 #Vorticism

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#vorticism ✔️

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An abstract view of an angular steel staircase in the CaixaForum Madrid.

An abstract view of an angular steel staircase in the CaixaForum Madrid.

Now.
If Wyndham Lewis made staircases!
#Vorticism

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Came across this 1935 essay, 'The Work of Art In the Age Of Mechanical Reproduction' by #WalterBenjamin today. Relevant to #AI and #AIEthics #AIArt Interestingly was referenced in book on #Vorticism, an art movement with a unique response to loss of 'aura' of an art object — #PhilosophizeTheMachine

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