Black and yellow lines start parallel, become twisted and overlapping as they progress from left to right. The lines re-enter the artwork from the lower left after exiting the upper right, and become parallel and orderly again. "These Roots Run Deep", 2010, oil, size 13 seed beads, and thread on canvas
A tall pillar standards on a short, wide circular pedestal. At the top of a pillar is a copper bucket covered with blue beadwork. A copper ladle hangs from it, also decorated in a beadwork "cozy". Both the ladle and the bucket have streamers of buckskin hanging from them. The streamers from the bucket are arranged on the pedestal in a chaotic pattern that suggests knotwork or a lattice. "Carry IV", 2024, buckskin, synthetic sinew, acrylic, glass beads, brass sequins, copper vessel, copper ladle
A masked man stands it front of a tall pillar that is decorated with a patchwork of different beaded art figures. It uses a riot of different colors and patterns. "Visiting", 2024, acrylic, glass bugle beads, thread, and synthetic sinew on aluminum panel, engineered quartz base
A masked woman looks up at an large floor-to-ceiling sculpture shaped like a pair of cones. Triangles of different colors cover the cones, arranged in a pattern of diamonds inside squares. "Infinite We", 2025, enamel on copper and brass
Photos from the Walker Art Center's Dyani White Hawk exhibit, "Love Language". Pictured here: "Visiting", "Carry IV", "Infinite We", and "These Roots Run Deep". #WalkerArtCenter #ContemporaryArt #DyaniWhiteHawk
