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Posts by Christopher Coenen

Schulman's compensation last year was $34 million. He believes 20-30% unemployment is almost at hand, and his solution is "more education and reskilling."

I don't think he understands what it would be like when a population armed to the teeth has 20-30% unemployment and no social safety net.

22 hours ago 541 128 44 12
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Lago di Braies, Dolomites. Don't expect to have this place to yourself - it's beauty acts as a honeypot 😬
#BlueSkyMonday
#Photography
#LandscapePhotography
#PhotographersOfBlueSky

1 day ago 104 7 1 0

❣️🌞❣️

3 days ago 3 1 1 0

🌿🍃🏚

3 days ago 1 1 0 0

👇🏻 sehr wichtig 👇🏻

3 days ago 20 14 1 0
https://veryimportantlot.com/en/news/society-and-people/beekeeper--ivan-kramskoi--what-where-when

https://veryimportantlot.com/en/news/society-and-people/beekeeper--ivan-kramskoi--what-where-when

Ivan Kramskoi, 'Beekeeper' (1872)

3 days ago 39 5 2 0
https://benuri.org/artworks/1843-lois-peltz-on-the-bus/ :
"This lively urban scene, expressionistic in its style and choice of colours, depicts a mother with her two children during their bus journey. The mother is captured looking away, seemingly preoccupied with her thoughts; yet despite her appearing distracted, the artist presents the three of them as a tight family unit, all holding onto each other."

https://benuri.org/artworks/1843-lois-peltz-on-the-bus/ : "This lively urban scene, expressionistic in its style and choice of colours, depicts a mother with her two children during their bus journey. The mother is captured looking away, seemingly preoccupied with her thoughts; yet despite her appearing distracted, the artist presents the three of them as a tight family unit, all holding onto each other."

Lois Peltz, 'On the bus' (1993)

3 days ago 10 2 0 0
https://en.wikipedia.org/wiki/The_Feast_of_the_Gods_(van_Bijlert)

https://en.wikipedia.org/wiki/The_Feast_of_the_Gods_(van_Bijlert)

Jan van Bijlert, 'The feast of the gods' (circa 1635-1640)

3 days ago 19 9 0 1
According to https://www.jamesedwardhughes.com/blog/painting-beatrice-offor, Beatrice studied at the Slade School of Art, and while there, shared a studio with Mina Bergson, one of the founders of the Esoteric Order of the Golden Dawn, an association which influenced "The Crystal Gazer". It depicts the half-bust of a young woman with leaves in her hair, a robe and only one hand visible, the left one, in which holds, with the thumb and three more fingers the small crystal ball

According to https://www.jamesedwardhughes.com/blog/painting-beatrice-offor, Beatrice studied at the Slade School of Art, and while there, shared a studio with Mina Bergson, one of the founders of the Esoteric Order of the Golden Dawn, an association which influenced "The Crystal Gazer". It depicts the half-bust of a young woman with leaves in her hair, a robe and only one hand visible, the left one, in which holds, with the thumb and three more fingers the small crystal ball

Beatrice Offor, 'The chrystal gazer' (circa 1900)

4 days ago 17 4 0 0
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https://www.artchive.com/artwork/ukranian-girl-by-a-fence-ilya-repin-1876/

https://www.artchive.com/artwork/ukranian-girl-by-a-fence-ilya-repin-1876/

Ilya Repin, 'Ukrainian girl by a fence' (1876)

4 days ago 15 2 0 0
people hanging around, a lantern at one wall, simplified figures and architecture in a modernist style - no sky visible

people hanging around, a lantern at one wall, simplified figures and architecture in a modernist style - no sky visible

Arturo Souto, 'Paris at night' (1930)

4 days ago 10 2 0 0

👇🏻 sehr wichtig 👇🏻

3 days ago 20 14 1 0
Preview
Stoppt Dobrindts Überwachungspläne – Nein zu Palantir & Co. für Polizei und Behörden! - AlgorithmWatch KI-gestützte Massenüberwachung und automatisierte Datenanalysen dürfen nicht Gesetz werden. Wir fordern von Bundesinnenminister Dobrindt, die Gesetzentwürfe zu stoppen. Jede Unterschrift zählt.

Automatisierte Datenanalyse, wie sie #Palantir anbietet, und „KI“-gestützte Massenüberwachung: Wir fordern von #Dobrindt den Stopp der Gesetzentwürfe. Jede Unterschrift zählt! algorithmwatch.org/de/stoppt-do...

3 days ago 310 182 7 8
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1 week ago 8 3 0 0
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Sitze auf Balkon und starre ins Nichts.

(Und lese Ruge, Pompeji)

2 weeks ago 10 1 3 0

lol :)

3 days ago 0 0 0 0
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Ich nutze Gamma, um meine Vorträge grafisch zu optimieren, und ich finde, heute hat es sich selbst übertroffen

1 week ago 51 3 8 0

Perfect time travel joke

2 weeks ago 3 1 0 0
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2 researchers in an engine room. One appears to have just stepped out of an apparatus and joyfully exclaims: "I went back in time and killed A. H.!" The other one asks : "Who?"

2 researchers in an engine room. One appears to have just stepped out of an apparatus and joyfully exclaims: "I went back in time and killed A. H.!" The other one asks : "Who?"

2 weeks ago 27 5 2 0
Video

#KindnessIsGood

#Pinks
#ProudBlue

📽️: GOODNEWS_MOVEMENT (IG)

3 days ago 315 168 22 0
Ein quadratisches Bild in Farbe. Du blickst auf den Ausschnitt eines Raumes, der die Tiefenschärfe als Stilmittel ausnutzt. Der Blick geht hinein in ein kleines Arrangement aus gelben und lila Freesien mit einem Zweig aus anderem Grün. Sie ragen aus einer weißen Vase, von der nur der enge Hals zu sehen ist. die gelben Freesien bestimmen das Zentrum des Bildes. Rechts daneben befindet sich ein vierarmiger Kerzenleuchter aus weiß lackierte Metall mit schwarzen Leuchterkerzen. Rechts hinter ihm der verschwommene Anschnitt eines braunen Schrankes. In der Mitte und links davon der unscharfe Rest des Raumes. Ein besonderer farbiger Akzent ist das Pinkmetallic eines glasierten Keramikhasen, von dem ein Stück links neben dem Vasenhals zu erkennen ist.

Ein quadratisches Bild in Farbe. Du blickst auf den Ausschnitt eines Raumes, der die Tiefenschärfe als Stilmittel ausnutzt. Der Blick geht hinein in ein kleines Arrangement aus gelben und lila Freesien mit einem Zweig aus anderem Grün. Sie ragen aus einer weißen Vase, von der nur der enge Hals zu sehen ist. die gelben Freesien bestimmen das Zentrum des Bildes. Rechts daneben befindet sich ein vierarmiger Kerzenleuchter aus weiß lackierte Metall mit schwarzen Leuchterkerzen. Rechts hinter ihm der verschwommene Anschnitt eines braunen Schrankes. In der Mitte und links davon der unscharfe Rest des Raumes. Ein besonderer farbiger Akzent ist das Pinkmetallic eines glasierten Keramikhasen, von dem ein Stück links neben dem Vasenhals zu erkennen ist.

Zeit für Freesien 😍

3 weeks ago 19 1 0 0
Jüngeres Ich mit kurzem Iro und Drag-Makeup

Jüngeres Ich mit kurzem Iro und Drag-Makeup

Lustige Dinge passieren

Offenbar hat es es Foto von mir, aufgenommen auf dem Wave Gotik Treffen 2013, auf eine Postkarte geschafft.

Entdeckt von ‘nem Freund auf einer Klotür

4 weeks ago 7 1 0 0

❗❣️❗

3 days ago 1 0 0 0
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Moin, Bluesky 🦋.
Endlich ist wieder Freutag und noch 7 Stunden bis Weekend 👍.
Darauf einen Kaffee ☕️.
Kommt gut durch den Tag und Grüße aus dem hoffentlich bald sonnigen Süden 🌞 ☕️ 🇦🇹

4 days ago 216 32 41 1

🙏🏻

3 days ago 1 1 0 0
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one of my favourites

3 days ago 0 0 0 0

😍 @chrixcoenen.bsky.social

3 days ago 2 1 1 0

🦾

3 days ago 1 0 0 0
Horizontal orientation, black and white candid photograph capturing a busy underground platform at Grand Central Terminal, New York City. The scene features two parked Metro-North commuter trains with visible MTA branding and car numbers 33 and 32. Commuters are walking on the platform; dynamic motion blur captures people moving quickly in the foreground, including a figure carrying a large bag. Overhead, distinct linear fluorescent lighting illuminates the concrete structure, exposed piping, and suspended lit signage with legible text, including a Reuters advertisement. The depth of field extends down the platform, emphasizing the vanishing point created by the trains and architectural lines. High contrast rendering defines textures of metal, concrete, and clothing. Optimized for urban photography, photojournalism, architectural history, MTA infrastructure, and NYC tourism indexing.

Horizontal orientation, black and white candid photograph capturing a busy underground platform at Grand Central Terminal, New York City. The scene features two parked Metro-North commuter trains with visible MTA branding and car numbers 33 and 32. Commuters are walking on the platform; dynamic motion blur captures people moving quickly in the foreground, including a figure carrying a large bag. Overhead, distinct linear fluorescent lighting illuminates the concrete structure, exposed piping, and suspended lit signage with legible text, including a Reuters advertisement. The depth of field extends down the platform, emphasizing the vanishing point created by the trains and architectural lines. High contrast rendering defines textures of metal, concrete, and clothing. Optimized for urban photography, photojournalism, architectural history, MTA infrastructure, and NYC tourism indexing.

NYC’s subterranean heartbeat Motion and iron at Grand Central timeless rush of the Metro-North
#nycphotography #railway #underground #nyc #grandcentral #mta #streetphotography #blackandwhite #metronorth #infrastructure #architecture #photojournalism #motionblur #urbanhistory #luiscordobapharchive

1 week ago 832 147 63 3
Autokonvoi gegen hohe Spritpreise rollt Richtung Berlin

Autokonvoi gegen hohe Spritpreise rollt Richtung Berlin

Das ist so unfassbar dumm🤣

4 days ago 1685 260 207 70