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Two young women move arm in arm through a crowded modern street, yet German artist August Macke makes them feel strangely calm inside the rush. The girl at left has bright reddish hair and turns her face away from us, her body angled forward as if she has just noticed something beyond the frame. Her companion, with dark hair pulled back, is shown in profile in a dress of deep red, rose, and brown. Their linked arms create the emotional center of the painting. Around them, the city breaks into splintered planes, sharp diagonals, flashes of yellow light, fragments of wheels, railings, figures, shopfront reflections, and bouquet-like bursts of color near the lower edge. Space feels unstable and alive. The girls are clearly human and solid, but nearly everything surrounding them seems to vibrate, flicker, and fracture into movement.

That tension is the point. Macke sets human closeness against the speed and sensory overload of modern life. The Städel notes how strongly the painting reflects the impact of Italian Futurism and French Cubism as the city is all motion, geometry, duplication, and glare, while the girls remain comparatively classical and self-contained. They do not dissolve into spectacle. 

Painted in 1913, when Macke was in his mid-twenties and already one of the most gifted artists in the orbit of Der Blaue Reiter, the work shows how deftly he absorbed new avant-garde ideas without losing his warmth toward everyday people. He was especially responsive to French modernism and to Robert Delaunay’s color-driven experiments, yet he kept returning to scenes of strolling, shopping, looking, and being together. The sitters here are unidentified, but that anonymity adds to the painting’s modernity. They become both specific companions and emblems of urban friendship. Seen now, one year before Macke’s death in World War I at just 27, the picture feels powerful and fragile at once like an image of companionship held steady inside a dazzling, unstable world.

Two young women move arm in arm through a crowded modern street, yet German artist August Macke makes them feel strangely calm inside the rush. The girl at left has bright reddish hair and turns her face away from us, her body angled forward as if she has just noticed something beyond the frame. Her companion, with dark hair pulled back, is shown in profile in a dress of deep red, rose, and brown. Their linked arms create the emotional center of the painting. Around them, the city breaks into splintered planes, sharp diagonals, flashes of yellow light, fragments of wheels, railings, figures, shopfront reflections, and bouquet-like bursts of color near the lower edge. Space feels unstable and alive. The girls are clearly human and solid, but nearly everything surrounding them seems to vibrate, flicker, and fracture into movement. That tension is the point. Macke sets human closeness against the speed and sensory overload of modern life. The Städel notes how strongly the painting reflects the impact of Italian Futurism and French Cubism as the city is all motion, geometry, duplication, and glare, while the girls remain comparatively classical and self-contained. They do not dissolve into spectacle. Painted in 1913, when Macke was in his mid-twenties and already one of the most gifted artists in the orbit of Der Blaue Reiter, the work shows how deftly he absorbed new avant-garde ideas without losing his warmth toward everyday people. He was especially responsive to French modernism and to Robert Delaunay’s color-driven experiments, yet he kept returning to scenes of strolling, shopping, looking, and being together. The sitters here are unidentified, but that anonymity adds to the painting’s modernity. They become both specific companions and emblems of urban friendship. Seen now, one year before Macke’s death in World War I at just 27, the picture feels powerful and fragile at once like an image of companionship held steady inside a dazzling, unstable world.

“Zwei Mädchen” (Two Girls) by August Macke (German) - Oil on canvas / 1913 - Städel Museum (Frankfurt am Main, Germany) #WomenInArt #AugustMacke #Macke #StaedelMuseum #StädelMuseum #Staedel #art #arte #kunst #arttext #BlueskyArt #Expressionism #GermanArtist #GermanArt #1910sArt #DerBlaueReiter

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#AugustMacke 🪆

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August Macke #augustmacke

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#AugustMacke 🎨

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pianist making music
#AugustMacke #Expressionist #piano #blues #bluesart #music

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Painted in 1912, this work belongs to the brief, brilliant period when German artist August Macke was helping define German Expressionism while also shaping a language distinct from the more spiritual abstractions around Der Blaue Reiter. He was drawn to modern life, fashion, leisure, and the visual pleasure of people seen in parks, streets, shop windows, and gardens. Here, he turns a simple gathering of girls into a meditation on harmony, youth, and perception itself.

Four girls gather closely beneath dense, dark green trees in a vivid, stylized garden. Their faces are simplified and softly downcast, giving the group a quiet, introspective mood. One girl at left wears a blue dress with angular white sleeves and dark hair framing her face. At center, a blonde girl in a rose-red dress stands with her head bowed. At right, another blonde girl in a broad yellow hat sits in profile, wearing blue and white. In the foreground, a fourth girl is seen mostly from behind, her long golden-orange hair falling over a pale white and pink garment. Around them, leaves, tree trunks, and sharp patches of green, black, blue, white, pink, and yellow compress the space so that the figures seem nestled into the landscape rather than separated from it.

The fusion of person and environment is central to Macke’s art as modern life becomes lyrical, ordered, and fleeting. Macke once wrote of his delight in “the blazing sun and trees, shrubs, human beings,” and that generous joy feels present here. Made just two years before his death in World War I at age twenty-seven, "Vier Mädchen" carries both freshness and fragility for a modern vision of female companionship suspended in a world of radiant calm.

Painted in 1912, this work belongs to the brief, brilliant period when German artist August Macke was helping define German Expressionism while also shaping a language distinct from the more spiritual abstractions around Der Blaue Reiter. He was drawn to modern life, fashion, leisure, and the visual pleasure of people seen in parks, streets, shop windows, and gardens. Here, he turns a simple gathering of girls into a meditation on harmony, youth, and perception itself. Four girls gather closely beneath dense, dark green trees in a vivid, stylized garden. Their faces are simplified and softly downcast, giving the group a quiet, introspective mood. One girl at left wears a blue dress with angular white sleeves and dark hair framing her face. At center, a blonde girl in a rose-red dress stands with her head bowed. At right, another blonde girl in a broad yellow hat sits in profile, wearing blue and white. In the foreground, a fourth girl is seen mostly from behind, her long golden-orange hair falling over a pale white and pink garment. Around them, leaves, tree trunks, and sharp patches of green, black, blue, white, pink, and yellow compress the space so that the figures seem nestled into the landscape rather than separated from it. The fusion of person and environment is central to Macke’s art as modern life becomes lyrical, ordered, and fleeting. Macke once wrote of his delight in “the blazing sun and trees, shrubs, human beings,” and that generous joy feels present here. Made just two years before his death in World War I at age twenty-seven, "Vier Mädchen" carries both freshness and fragility for a modern vision of female companionship suspended in a world of radiant calm.

“Vier Mädchen” (Four Girls) by August Macke (German) - Oil on canvas / 1912 - Kunstpalast (Düsseldorf, Germany) #WomenInArt #AugustMacke #Macke #Kunstpalast #GermanExpressionism #GermanArt #art #artText #artwork #PortraitofWomen #Expressionism #BlueskyArt #Kunst #1910sArt #GermanArtist #GermanArt

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#AugustMacke.
Two Women and a Man on an Avenue (1914).

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#AugustMacke
Pierrot with Dancing Couple (1913)

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Painters [*/ ) Window shopping | Paintings by August Macke, 1910s - C o c o s s e Window shopping | Paintings by August Macke, 1910s

Painters [*/ ) Window #shopping | #Paintings by #AugustMacke - 1910s www.cocosse.com/2022/11/wind...

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August Macke #augustmacke

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August Macke, 1909. “Black Cat on Fence”

#sketch #charcoal #1900s #cats #AugustMacke

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August Macke - Circus (1913)
#arte #augustmacke #art

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Und leider hatte seine Wahlheimat, die Bundeshauptstadt Bonn, seinerzeit zu wenig Interesse, sein Wohnhaus am Hochstadenring für die Nachwelt zu sichern.
Das Problem: im Atelier unterm Dach hatten #FranzMarc und #AugustMacke gemeinsam (!) al fresco ein Paradies geschaffen.

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Urodziny Augusta Macke! 3 stycznia 1887 przyszedł na świat jeden z czołowych twórców niemieckiego ekspresjonizmu. Krótkie życie, wielka sztuka. #AugustMacke

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🎨 August Macke, a German Expressionist painter, born on this day, 1887

#Painting
#AugustMacke

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🎨 #AugustMacke, German Expressionist painter, was #BOTD 3 January 1887. #Art #Painting

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#AugustMacke
The Spirit of the House, (1910)

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#AugustMacke

Still Life with Flowers and Buddha, (1910)

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The drawing depicts several figures in a wooded or park-like setting. In the foreground, a man in a suit and bowler hat stands prominently, while another man and a woman in a white dress are to his right, looking down. A fourth figure, a woman in a hat, is partially obscured in the background. The style is characterized by dynamic, angular lines and a strong use of light and shadow, typical of the Expressionist movement.

The drawing depicts several figures in a wooded or park-like setting. In the foreground, a man in a suit and bowler hat stands prominently, while another man and a woman in a white dress are to his right, looking down. A fourth figure, a woman in a hat, is partially obscured in the background. The style is characterized by dynamic, angular lines and a strong use of light and shadow, typical of the Expressionist movement.

Promenade on the Bridge (Spaziergang auf der Brücke) by August Macke, 1913 (charcoal on transparentized paper)
#augustmacke #drawing #art #charcoalonpaper #expressionism

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August Macke
#arte #augustmacke #art

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August Macke #augustmacke

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Vier Mädchen – mein Weg zurück zu August Macke Nach Jahrzehnten habe ich mich wieder an einen Versuch gewagt, ein Bild von August Macke zu malen. Dieses Mal fiel meine Wahl auf sein Werk „Vier Mädchen“ von 1912/13. Das Original zeigt vier junge…

Neues auf meinem Blog: Mein Versuch, August Mackes „Vier Mädchen“ zu malen – ein Dialog zwischen Original und eigener Handschrift.

👉 Zum Beitrag: denny-kondic.com/2025/09/09/v...

#Art #Painting #AugustMacke #CreativeJourney

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I visited the #AugustMacke
House

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#AugustMacke

Die Lautenspielerin.

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#AugustMacke

Fashion store window

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The great art of August Macke at LWL - Museum für Kunst und Kultur in Münster, Germany with @elchrimbotree.bsky.social

#muenster
#germany
#art
#augustmacke
#photography

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The great art of August Macke at LWL - Museum für Kunst und Kultur in Münster, Germany with @elchrimbotree.bsky.social

#muenster
#germany
#art
#augustmacke
#photography

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August Macke #augustmacke

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#AugustMacke
The Spirit of the House: Still Life with Cat
(1910)

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#AugustMacke
Woman with Lyre and dog

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