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Jean Louis Forain, Tightrope Walker

This is a detail of the tightrope walker in the original painting

#MarioPaint #snes #nintendo #artHistory #ArtInstituteChicago #speedpaint #Impressionism #art

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Video

Sneak peek at the Art Institute of Chicago’s newest exhibition - Carroll Dunham: Drawings, 1974–2024.
Bold, intimate, and provocative, these drawings span five decades of Dunham's incredible work.

Now showing through June 1st, 2026.

#CarrollDunham #ArtInstituteChicago #uicdigital

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Timeline cleanse: Marc Chagall’s America Windows - #ArtInstituteChicago

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Goffs exhibit of real items that inspired him

Goffs exhibit of real items that inspired him

Goffs American Native early inspirations

Goffs American Native early inspirations

Goff moved to Chicago and blazed quite a trail here.

Goff moved to Chicago and blazed quite a trail here.

Description of his work with Frank Lloyd Wright and how he was ostracized for being gay

Description of his work with Frank Lloyd Wright and how he was ostracized for being gay

More descriptions of his work. He lost a job because he was gay at The American School.. #brucegoff #artsky #artinstitutechicago

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Walking south on Michigan Avenue in Chicago USA Hancock Bldg and Drake Hotel in background

Walking south on Michigan Avenue in Chicago USA Hancock Bldg and Drake Hotel in background

The front of The Art Institute main building facing Michigan Avenue.

The front of The Art Institute main building facing Michigan Avenue.

Signage for Goff exhibit

Signage for Goff exhibit

Description of Goff exhibit

Description of Goff exhibit

Run, don't walk to this fabulous exhibit "Bruce Goff" architect, painter, creator. #brucegoff #artinstitutechicago #aic

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Moi in a spiffy chapeau

Moi in a spiffy chapeau

Members are allowed in at 10 AM. Open up already. #ArtInstituteChicago.

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#2025 - #day340

a touch of snow
iconic
art work donned for the
holiday season

#12062025

#jwebbwrites #artinstitutechicago #artinstitutelions #daily #dailyhaiku #haiku #haikudaily #haikuoftheday #bluesky #blueskyhaiku #poetry

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Frida self portrait in frame

Frida self portrait in frame

Frida w monkey

Frida w monkey

Frida and Diego

Frida and Diego

Frida double self portrait

Frida double self portrait

Got to see works from one of my personal heros #FridaKhalo today at the #ArtInstituteChicago and as a bonus got to see an actual handwritten letter she wrote in 1939 in her own penmanship. Moving! Not Fragile like a flower fragile like a bomb. Bonus that Man Ray had a photo in the exhibit.

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Victorian parlor with an artificial flowers bell jar and a portrait of Queen Victoria.

Victorian parlor with an artificial flowers bell jar and a portrait of Queen Victoria.

Door with a shadowed chair in front and a glimpse of more flowers and a framed landscape print above.

Door with a shadowed chair in front and a glimpse of more flowers and a framed landscape print above.

A closer view of the artificial flowers through the door.

A closer view of the artificial flowers through the door.

Bell Jar ftw

And did those sneaky corridor artificial flowers think they could hide from ME?!

#artinstitutechicago #ThorneRooms #Victorian

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#ArtInstituteChicago
#monet

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#ArtInstituteChicago

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Don't miss the "Myth and Marble" exhibit... it's incredible! #artinstitutechicago

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#artinstitutechicago is possibly my favorite museum in the world. When I was there about a year and a half ago, I was moved by the power of this piece.

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Oh how I love this place. #artinstitutechicago #member

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Sometimes the frame is a work of art in itself. #artinstitutechicago #impressionism #artlover

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Looking up at an interior balcony in the Art Institute of Chicago. A statue stands at the balcony off center left. Columns flank each side of the balcony and a dramatic arch swoops overhead with a single orb light hanging from the apex

Looking up at an interior balcony in the Art Institute of Chicago. A statue stands at the balcony off center left. Columns flank each side of the balcony and a dramatic arch swoops overhead with a single orb light hanging from the apex

Balcony

#classicmono #monochrome #monochromemonday #EastCoastKin #blackandwhite #artinstitutechicago #chicago #chitown #sculpture #architechtire #travel #artyear #arch #columns #balcony

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Drew this cool vas I saw at the art institute #artinstitutechicago #cardboredatwork

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Claude Monet, Branch of the Seine near Giverny (Mist), from the series Mornings on the Seine, 1897, 89.9 x 92.7cm, The Art Institute of Chicago

Claude Monet, Branch of the Seine near Giverny (Mist), from the series Mornings on the Seine, 1897, 89.9 x 92.7cm, The Art Institute of Chicago

Claude Monet, Branch of the Seine near Giverny (Mist), from the series Mornings on the Seine, 1897, 89.9 x 92.7cm, The Art Institute of Chicago

#ClaudeMonet #Branch #Seine #Giverny #Mist #Mornings #ArtInstituteChicago #chicago #monet
#painting #arthistory #artaddict #art

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Painting “The Child’s Bath” by Mary Cassatt

Painting “The Child’s Bath” by Mary Cassatt

Gah, off view again. 😐 #ArtInstituteChicago

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www.tiktok.com/t/ZP8YahmLc/

#midwestagendaartnews #collectionl #artinstitutechicago #museum #academic

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Video

Nighthawks, Edward Hopper (1942)

Still doing Mario Paint recreations of famous work. I'm loving this. I always forget how cool it is to render a background through glass.

#90s #snes #mariopaint #nintendo #speedpaint #pixelart #edwardhopper #nighthawks #americanart #artinstitutechicago

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saw this sculpture on a trip in 2019 in Regensburg

May it give you as much grim amusement as it gave me

Someone should donate it #Smithsonian, #ArtInstituteChicago, #FirstAmendmentMuseum,
or #MetropolitanMuseum

#FengLu #USA 🇺🇸
#Trump #Clothespin
#Sculpture
#Hedgehog

#Inauguration2025
#CDNpoli

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Feng Lu gallery description of epoxy sculpture
“Trump: Ehrengast” | Trump: Guest of Honour

Trump as a helpless naked bristling hedgehog 🦔 clipped to the wall with a clothespin by his bristles until he stops struggling

Feng Lu gallery description of epoxy sculpture “Trump: Ehrengast” | Trump: Guest of Honour Trump as a helpless naked bristling hedgehog 🦔 clipped to the wall with a clothespin by his bristles until he stops struggling

Feng Lu gallery epoxy sculpture
“Trump: Ehrengast” | Trump: Guest of Honour

Trump as a helpless naked bristling hedgehog 🦔 clipped to the wall with a clothespin by his bristles until he stops struggling 

Clearer image of his flabby chub & miserable face, limp *tiny* pink trotter paws

Feng Lu gallery epoxy sculpture “Trump: Ehrengast” | Trump: Guest of Honour Trump as a helpless naked bristling hedgehog 🦔 clipped to the wall with a clothespin by his bristles until he stops struggling Clearer image of his flabby chub & miserable face, limp *tiny* pink trotter paws

saw this sculpture on a trip in 2019 in Regensburg

May it give you as much grim amusement as it gave me

Someone should donate it #Smithsonian, #ArtInstituteChicago, #FirstAmendmentMuseum,
or #MetropolitanMuseum

#FengLu #USA 🇺🇸
#Trump #Clothespin
#Sculpture
#Hedgehog

#Inauguration2025
#CDNpoli

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from AIC - Modern Art

Torso of a Young Man
1910
Raymond Duchamp-Villon
French, 1876–1918

#modernart #modernsculpture #raymondduchampvillon #france #frenchmodern #earlymodern #20thcenturyart #art #sculpture #artinstitutechicago

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Head of an Official 
Date: Middle Kingdom, Dynasty 13 (about 1773–1650 BCE)
Artist: Egyptian
ABOUT THIS ARTWORK
This head of an official, with his striped wig tucked behind his ears, comes from a larger statue that was likely once displayed in a tomb chapel. Such sculptures served as receptacles for the ka (soul). To animate statues, priests performed a ceremony called the Opening of the Mouth so that the individual represented could benefit from offerings left by the living and breathe, eat, hear, and see in the afterlife. Although this man’s name, which would have been written on the statue, is now lost, the sculpture’s large scale and the choice to carve it from costly granite suggest that he was a high-ranking official.

Head of an Official Date: Middle Kingdom, Dynasty 13 (about 1773–1650 BCE) Artist: Egyptian ABOUT THIS ARTWORK This head of an official, with his striped wig tucked behind his ears, comes from a larger statue that was likely once displayed in a tomb chapel. Such sculptures served as receptacles for the ka (soul). To animate statues, priests performed a ceremony called the Opening of the Mouth so that the individual represented could benefit from offerings left by the living and breathe, eat, hear, and see in the afterlife. Although this man’s name, which would have been written on the statue, is now lost, the sculpture’s large scale and the choice to carve it from costly granite suggest that he was a high-ranking official.

AIC - Ancient Egypt
Carved granite head of an official.

#ancientegypt #statue #bust #head #egyptianofficial #artinstitutechicago #funerarystatue #egyptianman

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Egyptian civilization formed in northern Africa along the banks of the Nile River over six thousand years ago. The region’s artists and artisans were highly trained in a visual vocabulary that endured for thousands of years—and which continues to influence artistic and architectural forms to this day. Although these ancient artists rarely signed their work, their talents were highly regarded, as evidenced by the images on the walls of many tombs depicting artists and craftsmen sculpting and polishing statues, producing intricate jewelry, and carving wooden furniture, among other artistic pursuits. The artworks they produced served a range of functions—given as gifts to their gods as acts of worship, placed in tombs to aid the dead in the afterlife, and used in daily life.
Draftsmen, sculptors, and painters usually worked in teams attached to the royal court or one of Egypt’s many temples. They sometimes lived in distinct workmen’s villages, such as Deir el-Medina in modern Luxor, likely where a skilled artist produced the Sketch of a King, the Art Institute’s oldest drawing. These teams used a system of proportion and style that gave ancient Egyptian art its iconic look, but also allowed for innovation and the creation of exceptional works.
In 1890 the Art Institute became the first Chicago museum to acquire an ancient Egyptian artifact: the Ushabti (Funerary Figurine) of Horudja. What is now the Oriental Institute Museum at the University of Chicago and the Field Museum soon followed, forming collections of their own and establishing Chicago as a center for studying ancient Egypt in the United States. Today the Art Institute’s collection includes works that span the entirety of ancient Egyptian history—from about 4000 BCE to the first centuries CE. The museum’s holdings showcase ancient Egyptians’ mastery of many media and forms, including stone sculpture, copper alloy statuettes, faience figurines, gold amulets, wooden coffins, and painted cartonnage mummy masks.

Egyptian civilization formed in northern Africa along the banks of the Nile River over six thousand years ago. The region’s artists and artisans were highly trained in a visual vocabulary that endured for thousands of years—and which continues to influence artistic and architectural forms to this day. Although these ancient artists rarely signed their work, their talents were highly regarded, as evidenced by the images on the walls of many tombs depicting artists and craftsmen sculpting and polishing statues, producing intricate jewelry, and carving wooden furniture, among other artistic pursuits. The artworks they produced served a range of functions—given as gifts to their gods as acts of worship, placed in tombs to aid the dead in the afterlife, and used in daily life. Draftsmen, sculptors, and painters usually worked in teams attached to the royal court or one of Egypt’s many temples. They sometimes lived in distinct workmen’s villages, such as Deir el-Medina in modern Luxor, likely where a skilled artist produced the Sketch of a King, the Art Institute’s oldest drawing. These teams used a system of proportion and style that gave ancient Egyptian art its iconic look, but also allowed for innovation and the creation of exceptional works. In 1890 the Art Institute became the first Chicago museum to acquire an ancient Egyptian artifact: the Ushabti (Funerary Figurine) of Horudja. What is now the Oriental Institute Museum at the University of Chicago and the Field Museum soon followed, forming collections of their own and establishing Chicago as a center for studying ancient Egypt in the United States. Today the Art Institute’s collection includes works that span the entirety of ancient Egyptian history—from about 4000 BCE to the first centuries CE. The museum’s holdings showcase ancient Egyptians’ mastery of many media and forms, including stone sculpture, copper alloy statuettes, faience figurines, gold amulets, wooden coffins, and painted cartonnage mummy masks.

AIC - Ancient Egypt
Funerary Mask, Late Ptolemaic Period–early Roman Period, 1st century BCE. Egyptian; probably from Hawara, Egypt.

#ancientegypt #egyptianfunerarymask #artinstitutechicago #ptolemaicperiod #egyptian #ancientartifact #egyptianmask #funerarymask #hawara #egypt

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american gothic with iPhone.
#artinstitutechicago
#sightSeen

museum day #2
the other american gothic.

photograph.

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Miro

Miro

Ghery

Ghery

Fascinated by the collection.
Here Joan Miro.
#ArtInstituteChicago

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