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Hashtag
#BelgianArtist
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Credit: Ellen Jansen (Belgium, 1983-). 1. Just f*** off — , 2023, Oil on canvas, 45x33 cm. 2. 'I'll love you if you love me', Oil on canvas, 37x32 cm. ellenjansen.format.com
#feline #catsinart #felinefriday #animalart #catpanting #blackcat #gingercat #gatorojo #ellenjansen #belgianartist #cattitude
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A long park bench made of slatted wood, the left part renovated new wood, yellow colour. The right part is totally weathered, brown and green with moss.
Life as it passes by in beauty: birth of a new bench, next to its weathered twin.
#NatureIsUs, #PhotographyPhilosophy, #FineArtPhotography #BelgianArtist #Surrealism #Enchanted #park #ConceptArt
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Piz Bernina in the middle of the image, in late spring white. The mountain looks like it is dressed in a wide, flared dress.
When the mountain dresses up for you, you can only admire it.
Piz Bernina, Oberengedin, Switzerland
#NatureIsUs, #PhotographyPhilosophy, #FineArtPhotography #BelgianArtist #Surrealism #Enchanted #mountainscape
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A park in early fall ; some trees standing firmly at the right, with some overhanging branches to the left. On the foreground two s-shaped concrete chairs , some more in the background.
Have a seat and look at nature that includes humanity ; no opposition, just harmony.
#NatureIsUs, #PhotographyPhilosophy, #FineArtPhotography #BelgianArtist #Surrealism #Enchanted #landscape
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The 3 peaks of Bellavista - a mountain in Oberengadin - covered in snow ; snowy mild cloudy grey-white sky.
Life in the mountains is never without perspective.
Bellavista, Oberengadin, Switzerland
#NatureIsUs, #PhotographyPhilosophy, #FineArtPhotography #BelgianArtist #Surrealism #Enchanted
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Kasersberg, Alsace FR. View from the village on the castle, but the star is the red rose bush on the foreground, leaning in from right to left. The castle is more a far silhouette.
Roses before the castle. Kaysersberg, Alsace.
#NatureIsUs, #PhotographyPhilosophy, #FineArtPhotography #ronalddemunter #BelgianArtist #Surrealism #Enchanted
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A thick, gnarled fallen branch lies like a sculpture on an open patch in the forest, and catches the light.
Sculpture in the woods
#NatureIsUs, #PhotographyPhilosophy, #FineArtPhotography #ronalddemunter #BelgianArtist #Surrealism #Enchanted #Woods
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Top down view standing on the quay. The loop of mooring rope hangs down from the blueish quay wall ; a bunch of ferns growing in the quay wall catch the light.
From the Quay
#NatureIsUs, #PhotographyPhilosophy, #EcoHonesty #FineArtPhotography #ronalddemunter #BelgianArtist #Surrealism #Enchanted
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Branches and leaves of a tree are embracing a light patch in the middle of the view: a sunny meadow that stretches out. All green and yellowish green in the middle.
Looking through the hole
#NatureIsUs, #PhotographyPhilosophy, #EcoHonesty #FineArtPhotography #ronalddemunter #BelgianArtist #Surrealism #Enchanted
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Leafless shrubs grow against a façade, the wall weathered green-yellow, grey and blue. Nearly invisble green wire spupports the shrubs.
Botanically grown and man made, part of one sole nature.
As the species most deeply engaged in making, we produce forms that are no less natural than geological or organical ones.
#NatureIsUs, #PhotographyPhilosophy, #EcoHonesty #FineArtPhotography #ronalddemunter #BelgianArtist #Surrealism
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Dieppe, France. Beach at low tide, stormy clouds. Some single people wetting their feet. Pebbles in the foreground. The beauty is in the light kissing the beach.
Light kissing the beach. 'Plage Des Puys', Dieppe - France. #fineartphotography #belgianartist #dieppe #france
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At dusk facades lit along the quay ; windows glow against deepening blue,time between day and night, between what endures and what transforms. Brabantdam, back viewed from De Krook, Ghent, Belgium.
The city as a living archive where human presence accumulates rather than erases. Windows glow against deepening blue, marking the threshold between day and night, between what endures and what transforms.
Brabantdam, back, Ghent, Belgium.
#fineartphotography #belgianartist #ronalddemunter
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View on lake Silvaplana from cabin ride downwards from Piz Corvatsch, Oberengadin, Switzerland - Early snow
Life in the mountains is never without perspective.
#fineartphotography #photoart #landscapephotography #belgianartist #ronalddemunter #silvaplana #oberengadin #alps #switzerland #mountains
ronalddemunter.be/photography
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The Courtyard of the Palace of Saint John, former archbishop's palace, in Lyon, France. Yellow facade, green shutters, red gravel yard.
Closed shutters, empty yard.
"IF YOU CHANGE THE WAY YOU LOOK AT THINGS, THE THINGS YOU LOOK AT CHANGE" – WAYNE DYER
#fineartphotography #photoart #lyon #france #enchanted #enchantedreality #surrealism #ronalddemunter #belgianartist
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Credit: Robin Wen (Brussels, Belgium). 1. Ballpoint pen on paper, 19.5 x 19.5 cm.
www.robinwen.be
#robinwen #ballpointpenart #dogdrawing #dogsinart #animalart #canine #art #artsky #dog #dogsky #mansbestfriend #dessin #contemporarydrawing #blue #inkonpaper #belgianartist #artbruxelles #dessinatrice
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Een straf staaltje "repetitie" meegemaakt in de Hoogmis in Edegem: ARBEID ADELT! ft. Parkaparaplu. Een avondje magnifieke cynische EBM met een uiterst toffe Marcel en band. Ze stelden daar het nieuwe album voor. En man, het is fantastisch!
#belgianelectronics #belgianartist #belgianebm
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Credit: Rose Marlier (Belgium). "Les gambettes", oil on wood, 123 x 85 cm. www.encheresaucarre.be/project/les-...
#rosemarlier #catsinart #animalart #redshoes #bathtime #cat #feline #catsky #art #artsky #belgianartist #womeninart #redcat #contemporarypainting #peinturecontemporain #catart #bather
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20 #PoeticSculptures that feel suspended in time, created by Hans Op de Beeck: zorz.it/ITkbx
#SaumyaRatan #ArtWorld #enigmatic #FrozenSculptures #art #HansOpDeBeeck #BelgianArtist #MonochromeInstallations #storytelling
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Stone meets petals: 15 times Belgian florist #GeoffroyMottart gave statues a blooming personality: zorz.it/dWTwT
#SaumyaRatan #art #BelgianArtist #florist #FlowerBeards #FlowerSculptures #StoneMeetsPetals #blooming #statues
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🎄 Avent – Jour 9
Focus sur Clemix rayon de soleil musical 🌞
A écouter sur Chemins d’artiste où l'on discute création, parcours et belgitude.
Album à lire sur Nos Enchanteurs.
👉 www.chemins-des-sens.fr/clemix-une-a...
#Clemix #Endorphine #IndieMusic #BelgianArtist #CheminsdArtiste #Cheminsdessens
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An autumn mood from belgium.
#photographie
#photography
#nature
#naturephotography
#autumn
#fallcolors
#tree
#forest
#landscape
#nikon
#nikonphotography
#belgianartist
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Maurice Langaskens (1884-1946)
Self Portraits
#MauriceLangaskens #art #artist #belgianartist #artistebelge #selfportrait #autoportrait
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A young, light-skinned woman stands in a narrow Parisian doorway, paused mid-step as she prepares to go out. She wears a dark, gleaming silk day dress with a fitted bodice and sweeping skirt, its surface catching the light in soft velvety folds. Wrapped around her shoulders is a luxuriant cashmere shawl, densely patterned with curving paisley forms in reds, golds, and cool blues that spill down her front like a second garment. Her brown hair is close to her head, framing a composed, thoughtful face turned slightly toward us, her gaze lowered but aware as she looks back over her right shoulder. One hand rests on a bright metal door handle, holding the threshold between interior and street. At her feet, a small white lapdog, Fido, looks up attentively on the polished floor, its pink ribbon collar echoing the refinement of its mistress. Behind them, pale walls, a framed picture, and the edge of an upholstered seat suggest an elegant yet tightly bounded domestic space. Belgian artist Alfred Stevens turns this moment of departure into a quiet meditation on modern femininity under the French Second Empire. Wealth and status are signaled less by jewelry than by textiles, especially the coveted Kashmiri-style shawl that dominates the composition and speaks to the reach of global trade into Parisian interiors. The woman becomes almost a living mannequin for luxury, yet her slight hesitation and inward-looking expression suggest emotions that cannot be read from fashion alone. Painted in 1859, soon after Stevens settled permanently in Paris, the work marks his shift from earlier social-realist subjects to the intimate genre scenes of elegant women. Trained in the realist tradition and inspired by Dutch and Flemish painters, he brought enamel-smooth precision to scenes of contemporary life, using interiors and clothing to reveal social codes. Here, a bourgeois woman’s movements are carefully staged, even as she stands on the brink walking into an unseen modern city.
“Departing for the Promenade (Will You Go Out with Me, Fido?)” by Alfred-Émile-Léopold Stevens (Belgian) - Oil on canvas / 1859 - Philadelphia Museum of Art (Pennsylvania) #WomenInArt #DogArt #artText #art #AlfredStevens #BlueskyArt #PhiladelphiaMuseumOfArt #19thCenturyArt #BelgianArtist #FashionArt
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A drawing of the Guinevere droid from Knights of Guinevere. She’s in an intrecately golden ovel shaped frame and reaches her hands out to the viewers in an inviting way. Below her is a banner that reads ‘park planet’. The park planet logo of the spaceship flies over her head. Behind her an explosion of fireworks. It mimicks a promotional like poster for a themepark.
Ever since I’ve seen the pilot of Knights of Guinevere I’ve been obsessed. I can NOT wait for more. I really want to draw more fanart but this is what I have for now 🧡
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#kog #knightsofguinevere #kogfanart #knightsofguineverefanart #glitchproductions #belgianartist #fantasyart #darkfantasy
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Two sideprofiles are depicted here. Arthur Morgan looks right, John Marston looks left. They are mirrored vertically. They’re coloured to look like their in game models, natural lighting. The background is parchment like. Behind Arthur is a stag, roughly sketched to like like an observational sketch with charcoal. Behind John is a howling wolf.
Two sideprofiles are depicted here. Arthur Morgan looks right, John Marston looks left. They are mirrored vertically. They’re coloured to look like their in game models, natural lighting. The background is parchment like. Behind Arthur is a stag, roughly sketched to like like an observational sketch with charcoal. Behind John is a howling wolf.
As soon as I realised Roger Clark & Rob Wiethoff were coming to CC Brussels. I’ll be selling these but I mostly wanted to be able to give these to Roger and Rob. I’ve reserved two for them and I hope I’ll be able to do so 🥹🧡
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#rdr2 #arthurmorgan #johnmarston #belgianartist #playingcard #cowboy
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