Attending theCollege Art Association #CAA113 conference this week? Consider adding our panel to your schedule: "Let's Get Metaphysical: Rethinking the Empiricism of British Art" (Thursday, February 19, 9-10:30am, 8th Floor - Lake Erie)
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Finally figured out what was going on in midtown on Friday… it was the snl50 special. There were more black suvs within a four block radius of the conference hotel than I’d ever seen in once place. FYI fellow #CAA113 attendees.
IAS-Sponsored Session at #CAA113 titled “Spectacles of Nationhood: World’s Fairs and Italian Identity Formation” and included papers by Peter Clericuzio, Ranelle Knight-Lueth, James Fortuna, and Lucia. Congrats on the excellent panel! #ItalianArtSociety
One of my favorite sessions at #CAA113 was the last - ‘What Are Information Aesthetics?’ - with Branislav Jakovljevic, @shanedenson.bsky.social , and Adair Rounthwaite! Such provoking thoughts and provocations about AI, kitsch, images, and information aesthetics.
The much-reduced display in the DUP booth, with a small collection of books on display beneath the Duke University Press logo.
The #CAA113 exhibit hall has closed! It was wonderful to have so many of you stop by to chat, browse, and celebrate our authors. Until next year!
Had a hellish 24 hours escaping New York before the snowstorm hit Toronto, which meant I missed the last day of #caa113 but I had such a good time seeing friends and colleagues, new and old, and saw nothing but excellent, interesting papers.
#CAA113 has been a whirlwind! We’re closing up shop in just a half hour. You’ve got one more chance to pick up books for $15!
"Censorship, Precarity, and Diversity: A Workshop" Sponsored by the Committee on Diversity Practices Saturday Feb 15, 2:30-4pm 2nd Fl, Sutton Center Co-Chairs: Katie Anania, Nina Horisaki-Christens, SaeHim Park Featuring presentations by CPD Committee Members, as well as Natilee Harren, Herb Fondevilla, Michelle Sunset, and Niuniu Sun alongside group brainstorming and conversation toward a goal of identifying future collaborative actions. Over the past three decades, the adjunctification of higher education and the casualization of museum labor has led to a generalized state of precarity in the arts field. Intersecting with these conditions, we have seen increasing censorship in the wake of new governmental and institutional policies that employ rhetorics of inclusivity to shut down public discussion of the complexities of diversity, equity, accessibility, and inclusion. Yet it is explicitly through increased attention to diversity within and beyond institutional spaces that art has claimed a greater relevance to non-conventional art publics, whether by inviting new publics into museum and academic spaces or bringing art into communities that have not historically had access to cultural resources. The intersection of precarity and censorship presents a crisis for the art field: how to continue the vital work of diversifying our field when labor and political conditions are inhospitable to open discussion. This workshop is a call for strategic connection and group thinking about the intersection of precarity and censorship in the fields represented by CAA membership: education, artistic practice, museums, non-profits, and publications. During the workshop short presentations will be followed by a moderated public discussion toward a goal of outlining possible actions we (participants) could undertake, ideally in further collaborations beyond the workshop, to shift the state of the field.
For anyone at #CAA113 I am co-chairing a 2:30 pm workshop on Censorship, Precarity, and Diversity! Come join!
Text reads, "College Art Association 2025 Conference Exhibit. Use code CAA25 for 30% off when you order from dukeupress.edu." Background features assorted book and journal covers in columns.
#CAA113 is drawing to a close, but our online conference discount lasts through March 26! Save 30% on all books and journal issues when you use code CAA25 on our website or that of our UK partner, CAP. #Art #VisualStudies #CAA2025
https://buff.ly/3Eu4xb3
Yesterday I heard a particularly well-placed set of references to Hil Malatino and David Getsy, and someone else doubled my number of Eliza Steinbock references. Against the best attempts of the US overlords, we at #CAA113 will keep posting up Queer and Trans histories and their scholars!
The DUP booth has a wide array of books on art, art history, and visual studies arrayed in a “U” shape beneath a row of posters and the Duke University Press logo.
We’re closing the booth on day 2 of #CAA113. We’ll be back tomorrow morning at 9am with more discounted books!
The book “Nuyorican and Diasporican Visual Art” lies next to an invitation to a launch event for the book. The event includes tours of the RicanVisions Exhibition. The event is an open house from 10am-3pm Saturday, February 15 at 20 Cooper Square, New York University. Opening book remarks start at 11am.
We are running low on copies of “Nuyorican & Diasporican Visual Art.” Grab your copy for $15 before the book launch tomorrow! #CAA113
The books “Camera Geologica” and “Marx for Cats” sit on the top left and bottom right, respectively, among rows of books on art, art history, and theory.
We’re down to one copy each of “Camera Geologica” by Siobhan Angus and “Marx for Cats” by Leigh Claire La Berge. Get ‘em while you can for $15 in booth 206! #CAA113
Alice Ming Wai Jim, Marissa Largo and Alexandra Chang celebrating 10 years of Asian Diasporic Visual Cultures of the Americas (ADVA) journal at #caa113
Paulina Choh’s paper on the use of group portraits in photo albums as evidence of identity claims under conditions of internment in early 1900s America was fascinating. #caa113
The book “The Art of Remembering” sits between other books on Black visual studies such as “A Nimble Arc” and “Heavyweight.”
We’re almost out of award-winning collection “The Art of Remembering,” edited by Gwendolyn Shaw! Grab it for $15 in booth 206. #CAA113
Kency Cornejo’s book “Visual Disobedience” sits among other DUP books, about art, art history, and visual studies.
We’re down to the last copy of Kency Cornejo’s “Visual Disobedience.” Get it for $15 while you can! #CAA113
Photo of Director Tom Cummins behind an exhibition booth of Pre-Columbian titles. The books are atop a green-clothed table that says “Dumbarton Oaks Publications: Art, Nature, Scholarship.”
Come see Director Tom Cummins at our publications at Booth 225 at the College Arts Association annual meeting! #CAA113
The collection of Stuart Hall’s writings on visual arts and culture rests among other DUP books, including “Speculative Light,” on Beauford Delaney and James Baldwin, as well as the recent award-winning “Beyond the Sovereign Self” by Grant Kester.
Our collection of Stuart Hall’s “Selected Writings on Visual Arts and Culture,” edited by Gilane Tawadros, is down to the last copy. Pick it up for only $15 while you can! #CAA113
The book “A View of Venice” sits among other DUP titles on topics as varied as video games and depictions of “the Poor.”
We are down to only one copy of “A View of Venice,” Kristin Love Huffman’s deep dive into Jacopo De’Barbari’s famous woodcut. Grab it while you can! #CAA113 #ArtHistory
The DUP booth displays a “U” of varied books beneath a series of posters and the Duke University Press logo.
We’re back at it again at #CAA113 this morning! Books are on sale for $15 in booth 206. We have #Art #ArtHistory #VisualStudies and more.
oh also today I heard several #Deleuze references/quotes, so that was leading, but I think by the end I heard more #MarquisBey references (does my own paper count?) and that, my friend, is a life well lived.
#CAA113
How honored and pleased I was to share space with these WONDERFUL humans who also happen to be SO SMART. Just pump it right into my veins. 💜🖤 #CAA113 #TransInVisibility #WhoNeedsAPowerPoint
A presenter's panel of amazing people who do amazing things! LtoR: Victoria Szabo (Duke University), Joyce Rudinsky (University of North Carolina at Chapel Hill), Ronald R. Bernier (Association of Scholars of Christianity in the History of Art (ASCHA)), Douglas Stark (University of Texas at Arlington), and Bowie Bo Gyung Kim (Stony Brook University).
Great panel today at #CAA113 chaired by @vszabo.bsky.social and Joyce Rudinsky titled 'Art Beyond Games: Critical and Creative Approaches in New Media Art'!
The DUP booth at the College Art Association conference, featuring a Duke Press logo and posters of four of our latest titles hanging over a full book display.
We are closing up shop for the day! #CAA113 We will open again at 9am tomorrow morning. Some books are already sold out - don’t miss your chance to grab our latest #Art #ArtHistory #VisualStudies titles for only $15!
Excited to be presenting new work about Georgia O'Keeffe's first year in NYC when she was a student at the Art Students League at #CAA113. While living in a Ladies Christian Union boarding house, O'Keeffe posed for Hilda Belcher, who was launching her career and later taught at the League.
Handwritten notes for a slide lecture, written in messy black pen on white grid paper.
A little snapshot of my notes for my talk this afternoon at #caa113 . Very excited to be in conversation with @dylanvolk.bsky.social , @blackchthonic.bsky.social , @kringelberg.bsky.social , and Sky Maggiore about trans visibility. I will be taking about my recent fog works.
Caroline Fowler’s book Slavery and the Invention of Dutch Art sits among a selection of other DUP books in visual arts, art, art history, and theory.
There are only 2 copies left of Caroline Fowler’s book “Slavery and the Invention of Dutch Art”! Grab them for $15 while you can! #CAA113
