Champagne Charlie(44) #Cavalcanti Ligero,divertido homenaje a la tradición del music hall British por la
Ealing,de las pocas que no tenían carácter propagandístico, rodada durante la guerra.Una visión idealizada del pasado de 🇬🇧 con un cierto encanto a cargo de un director algo olvidado
#FilmSky
Brazilian meatpacker’s CFO plans a series of steps to improve its share valuation and says BNDES’s eventual sale of its stake will help
#nyse #JBS #SyPDowJonesIndices #UnitedStates #Brazil #Cavalcanti
#EN249
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#MARIA #FERNANDA #CÂNDIDO
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#GARDÊNIA #CAVALCANTI
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#BIANCA #BIN
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#XUAIBE #PROFETA
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#GARDÊNIA #CAVALCANTI
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Directed by #Cavalcanti THEY MADE ME A FUGITIVE (1947) 11:10am thriller #TPTVsubtitles
⭐ Starring #TrevorHoward #SallyGray #GriffithJones
Among several members of the extended Florentine patrician family the #Cavalcanti holding the name Giovanni, the chronicler Giovanni Cavalcanti (1381-c.1451), of a minor branch of the family but who was captain of the #Guelf party in 1422, is most widely remembered for his malevolent.
An allegorical painting, "Mulheres com frutas" is, in composition, not unlike a muralist work. The monumental figures of two women dominate the work, and the main one acquires a proportion that pushes the boundaries of the painting. The main figure is a reclining mixed-race woman holding a basket brimming with the fruits of Brazil, mangoes, oranges, and bananas. Withdrawn, yet sensual, she has semi-closed and mischievous eyes and fleshy appealing lips. All the chromatic flow of the work is created to accentuate her brown and generous flesh. Her discreet dress is painted in a pink hue that gives continuity to the skin, allowing Brazilian artist Emiliano Di Cavalcanti to reveal the shapes of her body in a subtle way. Very different is the other woman, more serious, with her face leaning on her left hand and a melancholic nostalgic look, lost in her thoughts. The artist accentuates the difference between the two giving a more marked pictorial treatment to this figure, depicting her face with bluish and brown shadows establishing a sinuous continuity between all the elements of the composition. The barely visible landscape is rendered in pale geometric shapes. The blue and green of the sky, the sea, and the mountains, immersed in luminosity, offset the fruits and leaves. The composition is excessive and exuberant for a magical, resounding, and satisfying tropical realism. A leading player in the mythical Modern Art Week (São Paulo, 1922), Cavalcanti embraced the modernist cause early on. His was an extremely personal brand of modernism to which Brazilianness (samba, morros, favelas, and dances) was paramount. Indeed, his work is steeped in the scent, taste, and color of Brazil. In 1932, the year the artist painted "Mulheres com frutas", Mário de Andrade described him as an “analyst of nighttime Rio de Janeiro, a biting and pragmatic satirist of the flaws of our society, a loving singer of our small celebrations, the greatest painter of mulattoism.”
Mulheres com frutas (Women with Fruits) by Emiliano Di Cavalcanti (Brazilian) - Oil on canvas / 1932 - Museo de Arte Latinoamericano de Buenos Aires (Argentina) #womeninart #art #oilpainting #MALBA #womensart #EmilianoDiCavalcanti #Cavalcanti #artwork #modern #MuseodeArteLatinoamericanodeBuenosAires
A #Cavalcanti masterpiece!
📽️ WENT THE DAY WELL (1942) 3:35pm #TPTVsubtitles
Classic British wartime drama with #LeslieBanks #MervynJohns #BasilSydney #ThoraHird and many more familiar character actors of the era.
