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#Dailydoodle
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I did this doodle of my scifi rocket with satellites in space on the train ride to work. Also trying again the Heisei VHS filter with how I like it’s giving texture to a pretty much a B&W image. #dailydoodle #sketchbook #heiseivhs #filter
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slimae
slimae
#dailydoodle
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Art and photo by Katherine Gingrich on April 3, 2026. All rights reserved. You’re looking at a small, calm art‑making scene laid out on a flat surface—something like a desk or tabletop. At the center sits a piece of white watercolor paper, roughly the size of a postcard. On it are three vertical rectangles, each painted in soft, translucent watercolor washes. They feel like gentle color‑fields—quiet, simple, and airy. Left rectangle: a blend of cool blue and soft pink, merging like a sunrise reflected on water. Middle rectangle: warm beige drifting into a muted green, like sand meeting moss. Right rectangle: a mix of lavender and blue, reminiscent of twilight shadows. Each rectangle has thin, straight ink lines drawn over it—delicate, intentional strokes that add structure without overwhelming the softness of the paint. The lines feel architectural, almost like the faint scaffolding of a minimalist sketch. Above the paper lies a silver pen, sleek and metallic, labeled “MITSUBISHI uni-ball UB‑155 150.” It suggests precision—something used for those fine ink lines. To the right of the paper is a watercolor palette, white plastic with several paint wells. Two wells have printed labels in purple text—Japanese characters followed by numbers (“No.773” and “No.772”). Resting across the palette is a red‑handled paintbrush, angled casually as if the artist just set it down mid‑process. The overall mood is quiet, tidy, and creative—like a moment paused in the middle of gentle experimentation with color and line. Three inches by three inches.
Sometimes you look for a calm, peaceful moment.
Daily Doodle -- 04/03/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #kuretake #gansaitambi #artist #art #uniball
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"Lagos'morph" Whiteboard drawing of a cutesy, dot-eyed rabbit creature serving as the marshmallow in a large s'more. They are wide and flat and puffy sandwiched between two graham crackers and a piece of chocolate.
This Low Li'l Lagos'morph says: "There's gotta be s'more to life than lying betwixt chocolate & graham crackers..."
🐇🍫🫠
#DailyDoodle #Dessert
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I’m working on a full body sketch of my OC character Amos based on his mii design #dailydoodle #ocart #wip #digitaldrawing
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alligator
#dailydoodle
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Daily doodle 90, tasmanian devil
#art #doodle #dailydoodle
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Today’s doodle prompt is “Garden Sprite” and all the doodles this month are on art cards to sell at my booth for events this spring ☺️
#Dailydoodle #Sketchbook #ATC #ACEO
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Art and photo by Katherine Gingrich on April 2, 2026. All rights reserved. The photo shows a small square piece of paper with a precise, geometric drawing with triangles filled with blue watercolor. Around it lie pens and a watercolor palette, giving the sense of an artist’s workspace paused mid‑creation. The drawing is abstract and geometric, built from several overlapping rectangular frames. Inside each frame, triangular shapes radiate outward, like sunbursts or folded fans. Each triangle is filled with fine diagonal blue lines, giving them a textured, almost fabric‑like feel. The entire design is outlined in crisp black ink, making the shapes feel sharp, intentional, and architectural. The composition feels like a stack of windows, each containing a spinning, patterned star. The effect is orderly but dynamic—like motion captured inside a grid. The paper sits on a flat surface with art tools arranged casually around it. Above the mixed-media art are a beige technical pen labeled Micron 005, known for extremely fine archival ink lines and a black pen labeled Mitsubishi uniball UB‑155, a smooth‑flowing writing pen. To the right of the artwork is a watercolor palette with several wells of yellow paint, some of them visibly used. Resting across the palette is a maroon‑handled dip pen, the kind used for calligraphy or fine ink work. The palette is branded Schmincke, a well‑known watercolor manufacturer. The scene feels calm, focused, and craft‑oriented—like someone is in the middle of a meditative drawing session. The geometric pattern is tidy and rhythmic, while the surrounding tools hint at creativity and experimentation. Three inches by three inches.
The world is still spinning, so I’m adding structure to it. Triangles are strong shapes from an engineering perspective. Worth a try.
Daily Doodle -- 04/02/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron #uniball
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Daily Doodle (4/2/26) "Wolfie"
Anyone else remember Groovie Ghoulies? No? Just me? ....okay. ^^;
#DailyDoodle
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"BEARGERS" Whiteboard drawing of a dot-eyed cutesy cartoon bear with a big marshmallowy body and a tiny face as the oversized 'patty' in a cheeseburger sandwich. They lie on a tomato slice with their tiny nubby arms dangling over the edge while wearing the top bun, lettuce, and cheese as a hat.
This Burgy Li'l Bearger says: "Funny Bear Burger."
🍔🐻😋
#DailyDoodle
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I drew my Amos oc design kinda full body, based on his mii design from Tomadachi. #dailydoodle #ibispaint #digitaldrawing #tomadachi #ocart
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speedy quick legolas ✍️🧝♂️ #digitalart #artist #art #legolas #lotr #elf #portrait #illustration #portraiture #dailydoodle #sketching #digitalartist #fanart #lordoftherings
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Art and photo by Katherine Gingrich on April 1, 2026. All rights reserved. The artwork is small and intimate. It feels like a quiet moment of concentration made visible. At its heart is a circular form on the left—soft, pale gray-brown watercolor that looks like a gentle cloud or a stone worn smooth by touch. It isn’t a perfect circle; its edges breathe a little, giving it a natural, organic feel. Emerging from this circle is a delicate network of brown ink lines, drawn with an extremely fine pen. The lines curl and unfurl like tendrils, vines, or tiny gusts of wind. Some loops resemble petals or small blossoms; others feel like swirling currents. The linework is intricate but never chaotic—each stroke seems placed with care, as if the artist were tracing the movement of something alive. To the right, the ink lines gather into a shape that feels feather-like—long, tapering, and slightly curved, as though a quill or plume is drifting outward from the central circle. The feather form is airy and light, with small decorative marks that give it texture and rhythm. Behind all of this, soft gray watercolor washes create a gentle backdrop. The washes are uneven in a way that adds depth—like shadows, mist, or the grain of stone. They don’t overwhelm the ink; instead, they cradle it, giving the drawing a sense of atmosphere. Above the artwork lies a very fine-tipped brown pen, and to the right sits a watercolor palette with a well of black paint and a brush resting across it. These objects make the scene feel like a moment paused in the middle of creation—tools still in reach, the artwork still warm from the artist’s hand. Three inches by three inches.
Back to fine flourishes. We’ll see if Pinterest still hates me.
Daily Doodle -- 04/01/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron
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Art and photo by Katherine Gingrich on March 31, 2026. All rights reserved. You’re looking at a small, intimate art-making moment—almost like someone paused mid‑creation and invited you to lean in close. At the center lies a tiny square piece of watercolor paper, no bigger than a coaster. On it blooms an abstract flower-like design, hand‑drawn and painted. The flower has a round center, and radiating from it are petal shapes outlined in soft pink and purple ink. Each petal is filled with a different texture: some hold blue grid patterns, like tiny woven cloth, while others contain tight black parallel lines, giving a sense of rhythm and movement. The whole design feels playful, precise, and gently glowing with color. Surrounding the artwork is the artist’s workspace—tools arranged casually, as if they were just used: At the top are two beige Sakura Pigma Micron pens, slim and elegant, labeled “Micron 003.” These are ultra‑fine ink pens often used for delicate linework. To the right of the artwork sits a small watercolor palette from Gansai Tambi with four shimmering colors: Cosmic Olive, Cosmic Green, Cosmic Blue, and Cosmic Violet. The colors look jewel-like. A paintbrush rests across the palette, its bristles stained slightly, suggesting it was just dipped into one of the cosmic hues. The overall mood is calm, creative, and intimate—like catching a quiet moment of someone joyfully experimenting with ink and watercolor, blending structure with softness. Three inches by three inches.
Daily Doodle -- 03/31/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #kuretake #gansaitambi #artist #art #pigmamicron
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