#DenverFilmFestival (DFF) has brought movie lovers from all walks of life together for years. One of the first film festivals in the U.S., DFF has a rich #history that’s made it successful today.
By Lilly Bisset
#Denver #movie
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Film review:
‘Creede U.S.A.’ Review: A small town’s big conversations echo across America
Kahane Corn Cooperman’s documentary captures a tiny Colorado mountain town where miners and theatre artists share the same main street.
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#denverfilmfestival #dff25 #creede
Film review: ‘Elway’ a standard sports doc, but a winner for Broncos fans
Denver Film Festival closes out with premiere of documentary about the Colorado sports icon.
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#denverfilmfestival #denverbroncos
1. THE SECRET AGENT
2. RESURRECTION
3. THE TESTAMENT OF ANN LEE
4. REFLECTION IN A DEAD DIAMOND
5. NIRVANNA THE BAND THE SHOW THE MOVIE
6. PETER HUJAR’S DAY
Already can’t wait for next year!
#DFF48 #DenverFilmFestival
That’s a wrap on #DFF48! Always one of my very favorite times of the year, been a bit hectic this year but still saw some great films. Best six below, because why not:
#DenverFilmFestival
As a whole, really captures the way film allows people to narrativize their hopes, fears, desires, and tribulations, with different genres and forms fitting like masks onto similar preoccupations. Bi aims high, and ends up in a pretty stunning place #DFF48 #DenverFilmFestival
RESURRECTION: Fairly staggering, with the opening segment being the highlight by far and probably the best thing I’ll see this year. Not every section knocked me out to the same degree, but the total work is a high achievement #DFF48 #DenverFilmFestival
PETER HUJAR’S DAY: A literal day-in-the-life that works precisely because of how tossed off it feels. Mundanity that becomes meaningful through its telling, which of course can be a function of art. Gorgeous throughout, and loved Hall’s subtle work #DFF48 #DenverFilmFestival
Now seated for: RESURRECTION #DFF48 #DenverFilmFestival
THE TESTAMENT OF ANN LEE: Rides the fine line between schlocky and masterful, and comes out mostly on the right side. Bravura pieces mix with a certain amount of hokiness, but this is kind of unforgettable and tells a distinctly feminine founding tale #DFF48 #DenverFilmFestival
Really love the way it elides some major moments, while focusing on smaller details here and there. Helps bring into sharp focus the distance between personal and collective memory, and the space where they intersect #DFF48 #DenverFilmFestival
THE SECRET AGENT: Fucking great. Tense and measured, yet also relaxed and sumptuous. Vividly renders its time, place, characters, and incidents; this is thrilling filmmaking, and in service of something melancholy but extraordinarily lively #DFF48 #DenverFilmFestival
Now seated for: PETER HUJAR’S DAY #DFF48 #DenverFilmFestival
SHORTS 2: Some selections that are a bit heavy handed, without much interesting going on below the surface. Did enjoy “Teddy” as gentle portrait, “As if Swallowed by Earth” as slowly bubbling horror, best was “Follow Me Wherever I Go” as dark comedy #DFF48 #DenverFilmFestival
REFLECTION IN A DEAD DIAMOND: Polar opposite of the previous film, this is a masterclass in drawing and sustaining interest purely through color, cutting, movement, and sound. Very sharp in its exploration of genre, and engrossing throughout #DFF48 #DenverFilmFestival
HAMNET: Bland, both in terms of an obvious and manipulative narrative as well as filmmaking that lacks any kind of friction while leading one along beat by beat. Performances fine, but a frictionless experience #DFF48 #DenverFilmFestival
Now seated for: THE TESTAMENT OF ANN LEE #DFF48 #DenverFilmFestival
Now seated for: THE SECRET AGENT #DFF48 #DenverFilmFestival
Now seated for: SHORTS 2 ROOTS & RECKONINGS #DFF48 #DenverFilmFestival
I was hoping to love this more, couldn’t quite get there all the way on first watch. Excited to view again as it was entertaining throughout and it feels like one that could improve on rewatch #DFF48 #DenverFilmFestival
NO OTHER CHOICE: Park indulges his zany side more than I would say suits him, even while hewing close to how dark this premise gets. Still as formally accomplished as can be expected, with cuts and wipes and dissolves as magnificent as any out there #DFF48 #DenverFilmFestival
TWO PROSECUTORS: A narrative that is completely pre-ordained, which is the point. There is a flatness to the filmmaking which serves the crushing inevitability of what we see unfold, even while making this wholly didactic. Perfectly fine #DFF48 #DenverFilmFestival
COVER-UP: A bit boilerplate in how it progresses chronologically, but the draw is spending time with the prickliness if Hersh himself. His questioning of the point of the film itself becomes its primary interest, and ultimately makes it worthwhile #DFF48 #DenverFilmFestival
Now seated for: REFLECTION IN A DEAD DIAMOND #DFF48 #DenverFilmFestival
Now seated for: HAMNET #DFF48 #DenverFilmFestival
Reinsve and Skarsgard give a lot of shape to their characters, and the specifics of the world are funny, and it ultimately ends in a touching way. Not overly affecting, but pleasant enough #DFF48 #DenverFilmFestival
SENTIMENTAL VALUE: I can never fully embrace Trier’s storytelling, which always strikes me as a bit calculated in terms of signposting where things are going and what each character’s function is. But I still fell on the side of some admiration here #DFF48 #DenverFilmFestival
TRAIN DREAMS: Parts of this hit the evocative feeling of a life lived in the midst of time’s unsentimental progress; other aspects seem to strain for meaning against the film’s form. Somewhat mixed, but pro in the end #DFF48 #DenverFilmFestival
Official #DenverFilmFestival movie thread:
Movie #1 - My Father’s Shadow - There is something so compelling about watching a historical moment through a child’s eyes. Focusing on the 1993 Nigerian presidential election could have been a basic drama, but instead we get this beautiful memory piece.
Now seated for: NO OTHER CHOICE #DFF48 #DenverFilmFestival
